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  1. Shakespeare's comic commonwealths
    Autor*in: Slights, Camille Wells
    Erschienen: c1993
    Verlag:  University of Toronto Press, Toronto, Ont.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802029248; 1442679891; 9780802029249; 9781442679894
    Schlagworte: Komedies; DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; Humorous plays; Komödie
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Comédies; Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (viii, 290 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Pt. I. - Belonging - Egeon's friends and relations : The comedy of errors - The raw and the cooked in The taming of the shrew -- - Pt. II. - Cultural values and the values of culture - Common courtesy in The two gentlemen of Verona - Learning and language in Love's labor's lost -- - Pt. III. - Change and continuity - The changes and chances of mortal life in A midsummer night's dream - Deserving and diversity in The merchant of Venice -- - Pt. IV. - Court and country - Pastoral and parody in The merry wives of Windsor - The unauthorized language of Much ado about nothing -- - Pt. V. - Renewal and reciprocity - Changing places in Arden : As you like it - The principle of recompense in Twelfth night

    "Challenging the traditional view that Shakespeare's early comedies are about the experience of romantic love and constitute a genre called romantic comedy, Camille Wells Slights demonstrates that they dramatize individual action in the context of social dynamics, reflecting and commenting on the culture in which they originated. Shakespeare's Comic Commonwealths sheds new light on ten Shakespearean comedies: The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, A Midsummer Night's Dream, The Merchant of Venice, The Merry Wives of Windsor, Much Ado About Nothing, As You Like It, and Twelfth Night. In a diversity of comic forms - from rollicking farce to tragicomedy - these plays offer varying perspectives on the forces that make and mar human communities." "Dramatizing tensions between savagery and civilization, autonomy and dependence, and isolation and community, Shakespeare's comedies both reflect and comment on the society that produced them. Slights eschews viewing these comedies as endorsements of the prevailing ideologies of sixteenth-century England, or as subversions of that hierarchical, patriarchal culture. They can be most fruitfully understood as imaginative forms that present cultural practices, institutions, and beliefs as human constructions susceptible to critical scrutiny. While exposing the injustice and brutality as well as the assurances and satisfactions of social experience, Shakespeare's comedies represent people as inescapably social beings." "By combining historical scholarship with formal analysis and incorporating insights from social anthropology and feminist theory, Shakespeare's Comic Commonwealths offers new readings of Shakespeare's early comedies and analyses the interaction between the plays and the social structures and processes of early modern England."--BOOK JACKET.
  2. Gender and performance in Shakespeare's problem comedies
    Autor*in: McCandless, David Foley
    Erschienen: ©1997
    Verlag:  Indiana University Press, Bloomington, Ind.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585161666; 9780585161662
    RVK Klassifikation: HI 3391
    Schriftenreihe: Drama and performance studies
    Schlagworte: Féminisme et littérature / Angleterre / Histoire / 16e siècle; Féminisme et littérature / Angleterre / Histoire / 17e siècle; Relations entre hommes et femmes dans la littérature; Rôle selon le sexe dans la littérature; Comédie; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Sekseverschillen; All's well that ends well (Shakespeare); Measure for measure (Shakespeare); Troilus and Cressida (Shakespeare); All's well that ends well (Shakespeare, William); Measure for measure (Shakespeare, William); Troilus and Cressida (Shakespeare, William); Comedy; Feminism and literature; Humorous plays; Man-woman relationships in literature; Sex role in literature; Geschichte; Geschlechtsunterschied; Feminism and literature; Feminism and literature; Man-woman relationships in literature; Sex role in literature; Comedy; Geschlechterrolle; Sexualität; Komödie
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Comédies; Shakespeare, William / 1564-1616 / All's well that ends well; Shakespeare, William / 1564-1616 / Troilus and Cressida; Shakespeare, William / 1564-1616 / Measure for measure; Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): All's well that ends well; Shakespeare, William (1564-1616): Troilus and Cressida; Shakespeare, William (1564-1616): Measure for measure; Shakespeare, William (1564-1616): Troilus and Cressida; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): All's well that ends well; Shakespeare, William (1564-1616): Measure for measure
    Umfang: 1 Online-Ressource (viii, 205 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes

    "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies."--Jacket
  3. Shakespeare and the ends of comedy
    Autor*in: Jensen, Ejner J.
    Erschienen: ©1991
    Verlag:  Indiana University Press, Bloomington, Ind.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585225753; 9780585225753
    RVK Klassifikation: HI 3391
    Schriftenreihe: Drama and performance studies
    Schlagworte: Comédie; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Komödie; Dramenschluss; Schluss; Komödienschluss; Comedy; Humorous plays; Comedy; Komödienschluss; Schluss; Dramenschluss; Komödie
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Comédies; Shakespeare, William; Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xiii, 158 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 139-153) and index
  4. Shakespeare's comedies of love
    essays in honour of Alexander Leggatt
    Beteiligt: Bamford, Karen (Hrsg.); Knowles, Richard Paul (Hrsg.); Leggatt, Alexander
    Erschienen: 2008
    Verlag:  Univ. of Toronto Press, Toronto

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
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  5. The myth of deliverance
    reflections on Shakespeare's problem comedies
    Autor*in: Frye, Northrop
    Erschienen: c1993
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802077811; 1442664711; 9780802077813; 9781442664715
    Schlagworte: Komedies; All's well that ends well (Shakespeare); Troilus and Cressida (Shakespeare); Peripetie; Komödie; DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; Komödie; Comedy; Humorous plays; Comedy; Tragikomödie; Komödie; Problemdrama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Comédies; Shakespeare, William; Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xx, 90 p.)
    Bemerkung(en):

    "Based on the Tamblyn lectures, given at the University of Western Ontario on 25, 26, and 27 March 1981"--Pref

    Includes bibliographical references (p. xx)

    The reversal of action -- The reversal of energy -- The reversal of reality