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  1. Power and Literature :
    Strategies of Subversiveness in the Romanian Novel /
    Erschienen: [2018]; ©2018
    Verlag:  De Gruyter,, Berlin ;

    At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about... mehr

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about societal Power structures and uses specific strategies to subvert and denounce them. The first part of the study is theoretical: it presents some of the most prominent theories of Power, from Plato, Machiavelli, Nietzsche to Weber, Dahl, Lukes, Parsons, Bourdieu or Foucault. After offering a critical approach to the concepts of Power defined in the social, political and philosophical fields, it articulates the relations of Power imprinted in literary discourse within a typology of four categories. In the second part of the book, this taxonomy of Power is applied to four key novels in the context of Romanian "literary crossroads", showing how novelistic fiction not only assume a critical and subversive position against the excess of Power, but also unveils our fragility when experiencing History.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110605372
    Weitere Identifier:
    Schriftenreihe: mimesis ; ; 71
    Schlagworte: Power (Social sciences) in literature.; Romanian fiction; Bourdieu.; Discourse.; Foucault.; Novel.; Power.
    Umfang: 1 online resource (276 p.)
  2. Power and literature
    strategies of subversiveness in the romanian novel
    Autor*in: Oprescu, Florin
    Erschienen: 2018; ©2018
    Verlag:  De Gruyter, Berlin

    At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about... mehr

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    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about societal Power structures and uses specific strategies to subvert and denounce them. The first part of the study is theoretical: it presents some of the most prominent theories of Power, from Plato, Machiavelli, Nietzsche to Weber, Dahl, Lukes, Parsons, Bourdieu or Foucault. After offering a critical approach to the concepts of Power defined in the social, political and philosophical fields, it articulates the relations of Power imprinted in literary discourse within a typology of four categories. In the second part of the book, this taxonomy of Power is applied to four key novels in the context of Romanian "literary crossroads", showing how novelistic fiction not only assume a critical and subversive position against the excess of Power, but also unveils our fragility when experiencing History.

     

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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110605372; 9783110603057
    Weitere Identifier:
    RVK Klassifikation: IB 1405
    Schriftenreihe: Mimesis ; 71
    Schlagworte: Power (Social sciences) in literature; Romanian fiction; Power (Social sciences) in literature.; Romanian fiction.; Bourdieu.; Discourse.; Foucault.; Novel.; Power.; LITERARY CRITICISM / European / General
    Umfang: 1 Online-Ressource (VI, 269 Seiten)
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- Argument -- -- 1. The Criticism of Ideas on Power -- -- 2. The Active Power of the Subject -- -- 3. The Reflexive Power of the Subject -- -- 4. The Passivity of the Subject faced with the Power of History -- -- 5. The Impersonalization of Power in Contemporary Novel -- -- Conclusions -- -- Bibliography -- -- Index

  3. Wounds and words :
    childhood and family trauma in romantic and postmodern fiction /
    Erschienen: [2014]; ©2014
    Verlag:  Transcript,, Bielefeld, Germany :

    Trauma has become a hotly contested topic in literary studies. But interest in trauma is not new; its roots extend to the Romantic period, when novelists and the first psychiatrists influenced each others' investigations of the »wounded mind«. This... mehr

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Trauma has become a hotly contested topic in literary studies. But interest in trauma is not new; its roots extend to the Romantic period, when novelists and the first psychiatrists influenced each others' investigations of the »wounded mind«. This book looks back to these early attempts to understand trauma, reading a selection of Romantic novels in dialogue with Romantic and contemporary psychiatry. It then carries that dialogue forward to postmodern fiction, examining further how empirical approaches can deepen our theorizations of trauma. Within an interdisciplinary framework, this study reveals fresh insights into the poetics, politics, and ethics of trauma fiction.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3-8394-2378-3
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Lettre
    Schlagworte: English literature.; Psychic trauma in literature.; Children in literature.
    Weitere Schlagworte: British Studies.; Childhood.; Cultural Studies.; General Literature Studies.; Literary Studies.; Literature.; Novel.; Postmodernism.; Psychoanalysis.; Romanticism.
    Umfang: 1 online resource (347 p.)
    Bemerkung(en):

    Description based upon print version of record.

    Includes bibliographical references.

    1 Contents 5 Acknowledgments 7 Introduction 9 Chapter One: Theorizing Trauma 27 Chapter Two: The "Wounded Mind" 87 Chapter Three: Anatomizing the "Demons of Hatred" 127 Chapter Four: A Tragedy of Incest 163 Chapter Five: Polluted Daughters 203 Chapter Six: Inheriting Trauma 241 Chapter Seven: The Body of Evidence 279 Conclusion 315 Works Cited 323

  4. Lailā wa-'ṯ-ṯalǧ wa-Lūdmīlā
    Erschienen: 2012
    Verlag:  Dār at-Takwīn, Bairūt

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Arabisch
    Medientyp: Buch (Monographie)
    Auflage/Ausgabe: aṭ-Ṭabʿa 2.
    Schlagworte: Novel.; Arabic fiction / Jordan; Arabic fiction; Arabisch; Literatur; Roman
    Umfang: 566 p., 22 cm
    Bemerkung(en):

    [Engl. Übersetzung: Laila, snow and Ludmila]. - In arab. Schr., arab.

  5. Fī qalbī unṯā ʿIbrīya
    riwāya
    Erschienen: [2013]
    Verlag:  Dār Kayān lin-Našr wa-'t-Tauzīʿ, al-Ǧīza

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Arabisch
    Medientyp: Buch (Monographie)
    ISBN: 9789776376441; 9776376444
    Auflage/Ausgabe: aṭ-Ṭabʿa.
    Schlagworte: Novel.; Arabic fiction; Arabisch; Roman; Literatur
    Umfang: 385 pages, 20 cm
    Bemerkung(en):

    In arabischer Schrift, arabisch

  6. <<Der>> feste Buchstabe
    Studien zur Hermeneutik, Psychoanalyse und Literatur
    Erschienen: [2021]
    Verlag:  transcript, Bielefeld ; De Gruyter, [Berlin]

    »Der Buchstabe tötet, der Geist macht lebendig.« Achim Geisenhanslüke geht dieser Maxime kritisch nach, um auf dem Buchstaben als der Grundlage geistiger Prozesse zu bestehen. Seine komparatistisch angelegte Studie macht deutlich, welche Bedeutung... mehr

     

    »Der Buchstabe tötet, der Geist macht lebendig.« Achim Geisenhanslüke geht dieser Maxime kritisch nach, um auf dem Buchstaben als der Grundlage geistiger Prozesse zu bestehen. Seine komparatistisch angelegte Studie macht deutlich, welche Bedeutung dem Buchstaben in hermeneutischen und psychoanalytischen Deutungsprozessen, Gedichten und Übersetzungen sowie dem modernen Roman zukommt. Dies zeigt sich nicht nur in der Hermeneutik von Friedrich Schleiermacher bis zu Sigmund Freud, sondern vor allem in der Literatur der Moderne, so bei Friedrich Hölderlin und Paul Celan, aber auch bei Vladimir Nabokov und Thomas Pynchon. Der Raum zwischen Buchstabe und Geist erweist sich hier als ein Ort der Interaktion, an dem das Leben des Geistes nur zum Ausdruck kommt, wenn es den Buchstaben anerkennt und an seinem eigenen Leben partizipieren lässt.

     

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839455067
    Weitere Identifier:
    Schriftenreihe: Literalität und Liminalität ; Band 30
    Schlagworte: Allgemeine Literaturwissenschaft.; Buchstabe.; Gedicht.; Geist.; Hermeneutik.; Kultur.; LITERARY CRITICISM / Semiotics & Theory.; Literatur.; Literaturtheorie.; Literaturwissenschaft.; Moderne.; Psychoanalyse.; Roman.; Übersetzung.
    Weitere Schlagworte: Culture.; Hermeneutics.; Letter.; Literary Studies.; Literature.; Mind.; Modernity.; Novel.; Poem.; Psychoanalysis.; Theory of Literature.; Translation.
    Umfang: 1 Online-Ressource (235 Seiten)
  7. Hermann Brochs »Die Verzauberung« :
    Ein Romanprojekt zwischen Mythos und Krise /
    Autor*in: Link, Daniela,
    Erschienen: [2023]; ©2023
    Verlag:  transcript Verlag,, Bielefeld :

    Hermann Brochs unvollendetes Romanprojekt »Die Verzauberung« ist ein Text der Konflikte, der Brüche und ein fast vergessenes Zeugnis der antinationalsozialistischen Literatur. Zahlreiche Themenkomplexe wie Geschlecht, Religion und Mythos, Massenwahn... mehr

    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Hermann Brochs unvollendetes Romanprojekt »Die Verzauberung« ist ein Text der Konflikte, der Brüche und ein fast vergessenes Zeugnis der antinationalsozialistischen Literatur. Zahlreiche Themenkomplexe wie Geschlecht, Religion und Mythos, Massenwahn und Politik, aber auch Medizin prägen und strukturieren den Romankomplex. Daniela Link setzt die innere Struktur und die literarischen Wirkmechanismen des Textes in Bezug zu Brochs Wertbegriff und legt damit erstmals eine fassungsübergreifende, kontext- und konfliktfeldbezogene Analyse des Romankomplexes vor.

     

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  8. Power and literature
    strategies of subversiveness in the romanian novel
    Autor*in: Oprescu, Florin
    Erschienen: 2018; ©2018
    Verlag:  De Gruyter, Berlin

    At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about... mehr

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    At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about societal Power structures and uses specific strategies to subvert and denounce them. The first part of the study is theoretical: it presents some of the most prominent theories of Power, from Plato, Machiavelli, Nietzsche to Weber, Dahl, Lukes, Parsons, Bourdieu or Foucault. After offering a critical approach to the concepts of Power defined in the social, political and philosophical fields, it articulates the relations of Power imprinted in literary discourse within a typology of four categories. In the second part of the book, this taxonomy of Power is applied to four key novels in the context of Romanian "literary crossroads", showing how novelistic fiction not only assume a critical and subversive position against the excess of Power, but also unveils our fragility when experiencing History.

     

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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110605372; 9783110603057
    Weitere Identifier:
    RVK Klassifikation: IB 1405
    Schriftenreihe: Mimesis ; 71
    Schlagworte: Power (Social sciences) in literature; Romanian fiction; Power (Social sciences) in literature.; Romanian fiction.; Bourdieu.; Discourse.; Foucault.; Novel.; Power.; LITERARY CRITICISM / European / General
    Umfang: 1 Online-Ressource (VI, 269 Seiten)
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- Argument -- -- 1. The Criticism of Ideas on Power -- -- 2. The Active Power of the Subject -- -- 3. The Reflexive Power of the Subject -- -- 4. The Passivity of the Subject faced with the Power of History -- -- 5. The Impersonalization of Power in Contemporary Novel -- -- Conclusions -- -- Bibliography -- -- Index

  9. Maurice Blanchot :
    A Critical Biography /
    Erschienen: [2018]; ©2019
    Verlag:  Fordham University Press,, New York, NY :

    Maurice Blanchot (1907–2003) was one of the most important writers of the twentieth century. His novels, shorter narratives, literary criticism, and fragmentary texts exercised enormous influence over several generations of writers, artists, and... mehr

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Maurice Blanchot (1907–2003) was one of the most important writers of the twentieth century. His novels, shorter narratives, literary criticism, and fragmentary texts exercised enormous influence over several generations of writers, artists, and philosophers. In works such as Thomas the Obscure, The Instant of my Death, The Writing of the Disaster, The Unavowable Community, Blanchot produced some of the most incisive statements of what it meant to experience the traumas and turmoils of the twentieth century.As a journalist and political activist, Blanchot had a public side that coexisted uneasily with an inclination to secrecy, a refusal of interviews and photographs, and a reputation for mysteriousness and seclusion. These public and private Blanchots came together in complicated ways at some of the twentieth century's most momentous occasions. He was among the public intellectuals participating in the May ’68 revolution in Paris and helped organize opposition to the Algerian war. During World War II, he found himself moments away from being executed by the Nazis. More controversially, he had been active in far-right circles in the ’30s.Now translated into English, Christophe Bident’s magisterial, scrupulous, much-praised critical biography provides the first full-length account of Blanchot’s itinerary, drawing on unpublished letters and on interviews with the writer’s close friends. But the book is both a biography and far more. Beyond filling out a life famous for its obscurity, Bident’s book will transform the way readers of Blanchot respond to this major intellectual figure by offering a genealogy of his thought, a distinctive trajectory that is at once imaginative and speculative, at once aligned with literary modernity and a close companion and friend to philosophy.The book is also a historical work, unpacking the ‘transformation of convictions’ of an author who moved from the far-right in the 1930s to the far-left in the 1950s and after. Bident’s extensive archival research explores the complex ways that Blanchot’s work enters into engagement with his contemporaries, making the book also a portrait of the circles in which he moved, which included friends such as Georges Bataille, Marguerite Duras, Emmanuel Levinas, Michel Foucault, and Jacques Derrida.Finally, the book traces the strong links between Blanchot’s life and an oeuvre that nonetheless aspires to anonymity. Ultimately, Bident shows how Blanchot’s life itself becomes an oeuvre—becomes a literature that bears the traces of that life secretly. In its even-handed appraisal, Bident’s sophisticated reading of Blanchot’s life together with his work offers a much-needed corrective to the range of cruder accounts, whether from Blanchot’s detractors or from his champions, of a life too easily sensationalized.This definitive biography of a seminal figure of our time will be essential reading for anyone concerned with twentieth-century literature, thought, culture, and politics.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: McKeane, John
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823281787
    Weitere Identifier:
    Schlagworte: Bataille.; Biography.; Blanchot.; Communism.; Fragmentary.; Levinas.; Literary Criticism.; Nationalism.; Novel.; Politics.; BIOGRAPHY & AUTOBIOGRAPHY / Literary.
    Umfang: 1 online resource (612 p.)
  10. Erinnerung und Identität :
    Literarische Konstruktionen in Doeschka Meijsings Prosa /
    Erschienen: [2020]; ©2020
    Verlag:  transcript-Verlag,, Bielefeld :

    Erinnerung und Identität gelten als zentrale Themen der Kurzgeschichten und Romane von Doeschka Meijsing (1947-2012) - doch deren literarische Inszenierung wurde bislang kaum untersucht. Christina Lammer zeichnet die beiden Aspekte als zentrale... mehr

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Erinnerung und Identität gelten als zentrale Themen der Kurzgeschichten und Romane von Doeschka Meijsing (1947-2012) - doch deren literarische Inszenierung wurde bislang kaum untersucht. Christina Lammer zeichnet die beiden Aspekte als zentrale Themenkomplexe systematisch nach und bietet neben einer Einführung in das Gesamtwerk auch neue Sichtweisen auf die Hauptwerke der Autorin, aktuelle Debatten der intersektional ausgerichteten Narratologie und literarische Komplexe wie dem Labyrinth. So macht sie ersichtlich, wie die untersuchte Prosa anspielungsreich sinnstiftende Prozesse von Erinnerungskonstruktionen hinterfragt und dabei die Bedeutung intersektionaler Biographien literarischer Figuren - als Akteure struktureller Diskriminierung und Privilegierung - inszeniert.

     

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  11. Commiserating with Devastated Things :
    Milan Kundera and the Entitlements of Thinking /
    Erschienen: [2015]; ©2015
    Verlag:  Fordham University Press,, New York, NY :

    Commiserating with Devastated Things seeks to understand the place Milan Kundera calls “the universe of the novel.” Working through Kundera’s oeuvre as well as the continental philosophical tradition, Wirth argues that Kundera transforms—not... mehr

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    Commiserating with Devastated Things seeks to understand the place Milan Kundera calls “the universe of the novel.” Working through Kundera’s oeuvre as well as the continental philosophical tradition, Wirth argues that Kundera transforms—not applies—philosophical reflection within literature.Reading between Kundera’s work and his self-avowed tradition, from Kafka to Hermann Broch, Wirth asks what it might mean to insist that philosophy does not have a monopoly on wisdom, that the novel has its own modes of wisdom that challenge philosophy’s.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823268221
    Weitere Identifier:
    Schriftenreihe: Perspectives in Continental Philosophy
    Schlagworte: Literature; Broch.; Gombrowicz.; Milan Kundera.; Musil.; Novel.; philosophy.; LITERARY CRITICISM / General.
    Umfang: 1 online resource (256 p.)
  12. In Dante's Wake :
    Reading from Medieval to Modern in the Augustinian Tradition /
    Autor*in: Freccero, John,
    Erschienen: [2015]; ©2015
    Verlag:  Fordham University Press,, New York, NY :

    Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante,... mehr

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    Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago.Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem.Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Callegari, Danielle, (editor.); Swain, Melissa, (editor.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823264308
    Weitere Identifier:
    Schlagworte: Allegory.; Consciousness.; Dante.; Novel.; Theology.; conversion.; epic.; medieval.; poetics.; poetry.; LITERARY CRITICISM / Medieval.
    Umfang: 1 online resource (286 p.)
  13. The Literary Qur'an :
    Narrative Ethics in the Maghreb /
    Erschienen: [2019]; ©2019
    Verlag:  Fordham University Press,, New York, NY :

    The novel, the literary adage has it, reflects a world abandoned by God. Yet the possibilities of novelistic form and literary exegesis exceed the secularizing tendencies of contemporary literary criticism. Showing how the Qurʾan itself invites and... mehr

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    The novel, the literary adage has it, reflects a world abandoned by God. Yet the possibilities of novelistic form and literary exegesis exceed the secularizing tendencies of contemporary literary criticism. Showing how the Qurʾan itself invites and enacts critical reading, Hoda El Shakry’s Qurʾanic model of narratology enriches our understanding of literary sensibilities and practices in the Maghreb across Arabophone and Francophone traditions. The Literary Qurʾan mobilizes the Qurʾan’s formal, narrative, and rhetorical qualities, alongside embodied and hermeneutical forms of Qurʾanic pedagogy, to theorize modern Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site where the process of entextualization obscures ethical imperatives. Engaging with the Arab-Islamic tradition of adab—a concept demarcating the genre of belles lettres, as well as social and moral comportment—El Shakry demonstrates how the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self.Foregrounding form and praxis alike, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. The book places twentieth-century novels by canonical Francophone writers (Abdelwahab Meddeb, Assia Djebar, Driss Chraïbi) into conversation with lesser-known Arabophone ones (Maḥmūd al-Masʿadī, al-Ṭāhir Waṭṭār, Muḥammad Barrāda). Theorizing the Qurʾan as a literary object, process, and model, this interdisciplinary study blends literary and theological methodologies, conceptual vocabularies, and reading practices.

     

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  14. Realisms in contemporary culture :
    theories, politics, and medial configurations /
    Erschienen: [2013]; ©2013
    Verlag:  De Gruyter,, Berlin ;

    'Realism' is a pervasive term in discussions of contemporary developments in the cultural sphere. By drawing on different theories of realism, the authors explore how the term may be used as a helpful concept in order to analyse and evaluate current... mehr

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    'Realism' is a pervasive term in discussions of contemporary developments in the cultural sphere. By drawing on different theories of realism, the authors explore how the term may be used as a helpful concept in order to analyse and evaluate current trends in cultural production and, in turn, how cultural production changes our understanding of what counts as 'realism'. The contributions deal with realism in narrative fiction, drama and audiovisual media (film, television news) within the context of national traditions: examples drawn on in the case studies range from Africa, Britain, Germany, Iceland, Russia, Turkey to the United States. While the authors take their cues from media-specific 'realisms', focusing especially on narrative fiction, the volume also highlights continuities and intersections between notions of realism in different genres and media. With its original essays, this collection invigorates the transdisciplinary engagement with forms and socio-political functions of realism in contemporary culture.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Birke, Dorothee.; Butter, Stella.
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3-11-031291-3
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: linguae & litterae ; ; 21
    Schlagworte: Knowledge, Theory of.; Realism in literature.; Realism in motion pictures.; Realism in the press.; Reality in mass media.
    Weitere Schlagworte: Contemporary Culture.; Drama.; Novel.; Realism.
    Umfang: 1 online resource (240 p.)
    Bemerkung(en):

    Description based upon print version of record.

    Includes bibliographical references.

    Issued also in print.

    Array: Array

  15. The Judas kiss :
    treason and betrayal in six modern Irish novels /
    Autor*in: Smyth, Gerry,
    Erschienen: 2015.; ©2015
    Verlag:  Manchester University Press,, Manchester, UK :

    This title argues that modern Irish history encompasses a deep-seated fear of betrayal, and that this fear has been especially prevalent throughout Irish society since the revolutionary period at the outset of the twentieth century. mehr

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    This title argues that modern Irish history encompasses a deep-seated fear of betrayal, and that this fear has been especially prevalent throughout Irish society since the revolutionary period at the outset of the twentieth century.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0-7190-9824-6; 1-78170-883-5; 0-7190-9825-4
    Auflage/Ausgabe: 1st ed.
    Schlagworte: English fiction; English fiction; English fiction; Betrayal in literature.; Literature; Literary Studies: From C 1900 -; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Ireland
    Weitere Schlagworte: Betrayal.; Ireland.; Joyce.; Novel.; Treason.
    Umfang: 1 online resource (x, 248 pages) :, digital file(s).
    Bemerkung(en):

    Description based upon print version of record.

    Includes bibliographical references and index.

    Introduction: Betrayal and the Irish Novel -- Part I --1. A short history of betrayal -- 2. Déirdre and the Sons of Usnach: a case study in Irish betrayal -- Part II -- 3. 'Trust not appearances' - James Joyce's Ulysses (1922) -- 4. the landscape of betrayal - Liam O'Flaherty's The Informer (1925) -- 5. a spy in the house of love- Elizabeth Bowen's The Heat of the Day (1949) -- 6. Jesus or Judas? - Francis Stuart's Black List, Section H (1971) -- 7. 'Cangled both to treachery' - Eugene McCabe's Death and Nightingales (1993) -- 8. 'A family - a whole fucking country - drowning in shame' - Anne Enright's The Gathering (2007) -- Index

  16. Haunted historiographies :
    the rhetoric of ideology in postcolonial Irish fiction /
    Erschienen: 2014.; [date of distribution not identified]; 2014
    Verlag:  Manchester University Press,, Manchester, England ; ; Palgrave Macmillan,, New York, New York :

    Matthew Schultz maps rhetorical hauntings across a wide range of postcolonial Irish novels, and defines the spectre as a non-present presence that simultaneously symbolises and analyses an overlapping of Irish myth and Irish history. mehr

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    Matthew Schultz maps rhetorical hauntings across a wide range of postcolonial Irish novels, and defines the spectre as a non-present presence that simultaneously symbolises and analyses an overlapping of Irish myth and Irish history.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Medientyp: Ebook
    Format: Online
    ISBN: 1-78170-722-7; 1-5261-1119-5
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed.
    Schlagworte: English fiction; Ideology in literature.
    Weitere Schlagworte: Hauntology.; Historiography.; Ireland.; Novel.; Postcolonialism.; Rhetoric.
    Umfang: 1 online resource (217 p.)
    Bemerkung(en):

    Description based upon print version of record.

    Includes bibliographical references and index.

    Haunted historiographies: The rhetoric of ideology in postcolonial Irish fiction; Half Title Page; Title Page; Copyright; Contents; Dedication; Acknowledgements; Introduction:Textual spectrality and Finnegans Wake; Part I: Famine; 1. The persistence of Famine in postcolonial Ireland; 2. The specter of Famine during World War II; Part II: Revolution; 3. Ancient warriors, modernsexualities: Easter 1916 and the advent of post-Catholic Ireland; 4. Gothic inheritance and the Troubles in contemporary Irish fiction; Conclusion: Famine and the Western Front in Samuel Beckett's Waiting for Godot

    BibliographyIndex

  17. Power and Literature :
    Strategies of Subversiveness in the Romanian Novel /
    Erschienen: [2018]; ©2018
    Verlag:  De Gruyter,, Berlin ;

    At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about... mehr

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about societal Power structures and uses specific strategies to subvert and denounce them. The first part of the study is theoretical: it presents some of the most prominent theories of Power, from Plato, Machiavelli, Nietzsche to Weber, Dahl, Lukes, Parsons, Bourdieu or Foucault. After offering a critical approach to the concepts of Power defined in the social, political and philosophical fields, it articulates the relations of Power imprinted in literary discourse within a typology of four categories. In the second part of the book, this taxonomy of Power is applied to four key novels in the context of Romanian "literary crossroads", showing how novelistic fiction not only assume a critical and subversive position against the excess of Power, but also unveils our fragility when experiencing History.

     

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    Volltext (lizenzpflichtig)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110605372
    Weitere Identifier:
    RVK Klassifikation: IB 1405
    Schriftenreihe: mimesis ; ; 71
    Schlagworte: Power (Social sciences) in literature.; Romanian fiction; Bourdieu.; Discourse.; Foucault.; Novel.; Power.
    Umfang: 1 online resource (276 p.)
  18. The novel.
    forms and themes / – Volume 2 :
    Beteiligt: Moretti, Franco, (editor.)
    Erschienen: [2006]; ©2006
    Verlag:  Princeton University Press,, Princeton, New Jersey :

    Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo... mehr

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    Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 2: Forms and Themes, views the novel primarily from the inside, examining its many formal arrangements and recurrent thematic manifestations, and looking at the plurality of the genre and its lineages. These books will be essential reading for all students and scholars of literature.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Moretti, Franco, (editor.)
    Medientyp: Ebook
    Format: Online
    ISBN: 0-691-24374-3
    Weitere Identifier:
    Schlagworte: Literature.
    Weitere Schlagworte: Actant.; Aethiopica.; Antonomasia.; Author.; Bildungsroman.; Chronotope.; Correction (novel).; Debut novel.; Despair (novel).; Edition (book).; English novel.; Epic and Novel.; Epilogue.; Epistle.; Epistolary novel.; Essay.; Fiction.; Flood Tide (novel).; Foreword.; Francis Mulhern.; French literature.; G. (novel).; Galatea 2.2.; Genre fiction.; Genre.; Hans Fallada.; Hogg (novel).; Homo Faber (novel).; Houseboy (novel).; J. (newspaper).; John Dos Passos.; Literary criticism.; Literary modernism.; Literature.; Louis Lambert (novel).; Mary Shelley.; Matthew Lewis (writer).; Memoir.; Michael Joyce (writer).; Mircea Eliade.; Misery (novel).; Modernity.; Nadja (novel).; Narration.; Narrative poetry.; Narrative.; New Society.; Novel of manners.; Novel.; Novelist.; Novella.; On Writing (Hemingway).; On the Beach (novel).; Only Words (book).; Paperback.; Pen name.; Penguin Books.; Periodization.; Persuasion (novel).; Phaedrus (dialogue).; Picaresque novel.; Poetry.; Potion.; Precaution (novel).; Preface.; Prose.; Protagonist.; Psychological novel.; Publishing.; Pulp Fiction.; Revelation.; Rite.; Robert Musil.; Scrutiny (journal).; Second International.; Sentimental novel.; Slowness (novel).; Social novel.; Song of Solomon (novel).; State of the World (book series).; Suffrage.; Sune (Forgotten Realms).; The Comic.; The Cossacks (novel).; The Mansion (novel).; The Modern World (novel).; The Unnamable (novel).; The Unnamable (short story).; The Veldt (short story).; Tobias Smollett.; Trope (literature).; Valediction.; Verb.; Verisimilitude (fiction).; Villette (novel).; Wieland (novel).; Woolf.; Writer.; Writing.; Xala (novel).
    Umfang: 1 online resource (964 pages)
    Bemerkung(en):

    Translated from the Italian.

    A selection from the original five-volume work, published in Torino by G. Einaudi editore, c2001-c2003.

    Includes bibliographical references and indexes.

    Cover Page -- Half-title Page -- Title Page -- Copyright Page -- Contents -- On The Novel -- Part 2.1. The Long Duration -- The Novel in Search of Itself: A Historical Morphology -- Epic, Novel -- The Poetry of Mediocrity -- The Experiments of Time: Providence and Realism -- Readings: Prototypes -- Aethiopika (Heliodorus, Third or Fourth Century) -- Maqāmāt (Hamadhānī, Late Tenth Century) -- Lazarillo de Tormes ("Lázaro de Tormes," circa 1553) -- Le Grand Cyrus (Madeleine de Scudéry, 1649-1653) -- Persian Letters (Montesquieu, 1721) -- Waverley (Walter Scott, 1814) -- The Mysteries of Paris (Eugène Sue, 1842-1843) -- The War of the Worlds (H. G. Wells, 1898) -- The Kingdom of This World (Alejo Carpentier, 1949) -- Part 2.2. Writing Prose -- Forms of the Supernatural in Narrative -- The Prose of the World -- Excess and History in Hugo's Ninety-three -- Minor Characters -- Toward a Database of Novelistic Topoi -- Part 2.3. Themes, Figures -- The Fiction of Bourgeois Morality and the Paradox of Individualism -- The Death of Lucien de Rubempré -- A Portrait of the Artist as a Social Climber: Upward Mobility in the Novel -- A Businessman in Love -- Readings: Narrating Politics -- Max Havelaar (Multatuli, 1860) -- The Tiger of Malaysia (Emilio Salgari, 1883-1884) -- Ah Q (Lu Hsün, 1921-1922) -- Cement (Fedor Gladkov, 1925) -- A Private Matter (Beppe Fenoglio, 1963) -- Arrow of God (Chinua Achebe, 1964) -- Conversation in the Cathedral (Mario Vargas Llosa, 1969) -- The Aesthetics of Resistance (Peter Weiss, 1975-1981) -- Readings: The Sacrifice of the Heroine -- Aloisa and Melliora (Love in Excess, Eliza Haywood, 1719-1720) -- Natasha and Hélène (War and Peace, Leo Tolstoy, 1863-1869) -- Nana (Nana, Émile Zola, 1880) -- Tess (Tess of the d'Urbervilles, Thomas Hardy, 1891) -- Elsie (The Dangerous Age, Karin Michaëlis, 1910) -- Part 2.4. Space and Story.

    Over-writing as Un-writing: Descriptions, World-Making, and Novelistic Time -- The Roads of the Novel -- The Chronotopes of the Sea -- Torn Space: James Joyce's Ulysses -- Readings: The New Metropolis -- Shanghai (Midnight, Mao Dun, 1932) -- Buenos Aires (Adán Buenosayres, Leopoldo Marechal, 1948) -- Lagos (People of the City, Cyprian Ekwensi, 1954) -- Cairo (The Cairo Trilogy, Naguib Mahfouz, 1956-1957) -- Havana (Three Trapped Tigers, Guillermo Cabrera Infante, 1967) -- Bombay (Midnight's Children, Salman Rushdie, 1981) -- Istanbul (The Black Book, Orhan Pamuk, 1990) -- Part 2.5. Uncertain Boundaries -- Form and Chance: The German Novella -- Inconceivable History: Storytelling as Hyperphasia and Disavowal -- Innovation: Notes on Nihilism and the Aesthetics of the Novel -- Narrative Literature in the Turing Universe -- Readings: A Century of Experiments -- The Notebooks of Malte Laurids Brigge (Rainer Maria Rilke, 1910) -- The Making of Americans (Gertrude Stein, 1925) -- Mrs. Dalloway (Virginia Woolf, 1925) -- Macunaíma (Mário de Andrade, 1928) -- Finnegans Wake (James Joyce, 1939) -- Molloy, Malone Dies, and The Unnamable (Samuel Beckett, 1951-1953) -- Hopscotch (Julio Cortázar, 1963) -- Gravity's Rainbow (Thomas Pynchon, 1973) -- Contributors -- Author Index -- Works Cited Index.

  19. Anatomy of criticism :
    four essays /
    Autor*in: Frye, Northrop,
    Erschienen: 2020.
    Verlag:  Princeton University Press,, Princeton, New Jersey ;

    ""Brilliant. . . . Frye has wit, style, audacity, immense learning, [and] a gift for opening up new and unexpected perspectives in the study of literature."-The Nation"-- mehr

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    ""Brilliant. . . . Frye has wit, style, audacity, immense learning, [and] a gift for opening up new and unexpected perspectives in the study of literature."-The Nation"--

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Damrosch, David, (writer of foreword.)
    Medientyp: Ebook
    Format: Online
    ISBN: 0-691-20425-X
    Weitere Identifier:
    Schriftenreihe: Princeton classics
    Schlagworte: Criticism.
    Weitere Schlagworte: Absurdity.; Adjective.; Allegory.; Ambiguity.; An Essay on Criticism.; Anachronism.; Anagnorisis.; Aphorism.; Apuleius.; Archetype.; Aristophanes.; Aristotle.; Ben Jonson.; Catharsis.; Comic book.; Criticism.; Decorum.; Diction.; Eclogue.; Eiron.; English literature.; Epigram.; Epithet.; Etymology.; Euripides.; Ezra Pound.; Farce.; Fiction.; Finnegans Wake.; François Rabelais.; Genre fiction.; Genre.; Grammar.; Hamartia.; Historical criticism.; Humanities.; Humour.; Il Penseroso.; Illustration.; Imagery.; Invective.; Irony.; King Lear.; Literary criticism.; Literary fiction.; Literature.; Lycidas.; Madame Bovary.; Melodrama.; Menippean satire.; Metaphor.; Metre (poetry).; Mimesis.; Misery (novel).; Modern Fiction (essay).; Myth and ritual.; Myth.; Mythopoeia.; Narrative.; New Criticism.; Novel.; Novelist.; Old Comedy.; Oracle.; Parable.; Parody.; Pedant.; Pentameter.; Philosopher.; Pity.; Plautus.; Poet.; Poetics (Aristotle).; Poetry.; Prose.; Rainer Maria Rilke.; Rhetoric.; Rhetorical criticism.; Ridicule.; Romanticism.; Satire.; Shakespearean comedy.; Simile.; Suggestion.; Superiority (short story).; Tamburlaine.; Terence.; The Faerie Queene.; The Other Hand.; The Pilgrim's Progress (opera).; The Various.; Theory.; Tragedy.; Tragic hero.; Virginia Woolf.; Volpone.; Western literature.; William Shakespeare.; Writer.; Writing.
    Umfang: 1 online resource
  20. The novel.
    history, geography and culture / – Volume 1 :
    Beteiligt: Moretti, Franco, (editor.)
    Erschienen: [2006]; ©2006
    Verlag:  Princeton University Press,, Princeton, New Jersey :

    Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo... mehr

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 1: History, Geography, and Culture, looks at the novel mostly from the outside, treating the transition from oral to written storytelling and the rise of narrative and fictionality, and covering the ancient Greek novel, the novel in premodern China, the early Spanish novel, and much else, including readings of novels from around the world. These books will be essential reading for all students and scholars of literature.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Moretti, Franco, (editor.)
    Medientyp: Ebook
    Format: Online
    ISBN: 0-691-24375-1
    Weitere Identifier:
    Schlagworte: Plurality of worlds in literature.
    Weitere Schlagworte: A Book Of.; Author.; Ballantine Books.; Ben Okri.; Bildungsroman.; Biographical novel.; Book.; Buchi Emecheta.; Buddenbrooks.; Canon (fiction).; Castle in the Air (novel).; Critical Essays (Orwell).; D. H. Lawrence.; Deathless (novel).; Devotio Moderna.; Diary.; Dime novel.; Divergent (novel).; Edward Said.; English novel.; English poetry.; Epic and Novel.; Epigram.; Epistolary novel.; Fabulation.; Feuilleton.; Fiction writing.; Fiction.; G. (novel).; Genre fiction.; Genre.; God Knows (novel).; Heathcliff (Wuthering Heights).; Historical fiction.; Historiography.; Horace Walpole.; Ibid (short story).; In Parenthesis.; Inception.; Indulekha (novel).; J. R. R. Tolkien.; Kenneth Burke.; Kusamakura (novel).; La Religieuse (novel).; Le Morte d'Arthur.; Literary fiction.; Literary theory.; Literature and Revolution.; Literature.; Matter of Britain.; Memoir.; Mervyn Peake.; Mine Boy (novel).; Modernity.; Narration.; Narrative.; Nathaniel Hawthorne.; Niranjana (writer).; Novel of manners.; Novel.; Novelas ejemplares.; Novelist.; Novella.; Pen name.; Persius.; Picaresque novel.; Poetry.; Point of Origin (novel).; Postmodern literature.; Proletarian literature.; Prose.; Publication.; Publishing.; Puritans.; Raag Darbari (novel).; Rant (novel).; Romance novel.; S. (Dorst novel).; Sine ira et studio.; Superiority (short story).; Taiping Guangji.; Terra Nostra (novel).; The Empire Writes Back.; The Franklin's Tale.; The Great Indian Novel.; The Modern World (novel).; The Realist.; The Tale of the Heike.; Theodore Dreiser.; Tobias Smollett.; Troilus and Criseyde.; Veracity (Mark Lavorato novel).; Verisimilitude (fiction).; Victorian literature.; Waverley Novels.; World literature.; Writer.; Writing.; Zaynab (novel).; Zhuangzi (book).
    Umfang: 1 online resource (930 pages)
    Bemerkung(en):

    Translated from the Italian.

    A selection from the original five-volume work, published in Torino by G. Einaudi editore, c2001-c2003.

    Includes bibliographical references and indexes.

    Cover Page -- Half-title Page -- Title Page -- Copyright Page -- Contents -- On The Novel -- Part 1.1. A Struggle For Space -- From Oral to Written: An Anthropological Breakthrough in Storytelling -- The Control of the Imagination and the Novel -- Historiography and Fiction in Chinese Culture -- The Novel on Trial -- Part 1.2. Polygenesis -- The Ancient Greek Novel: A Single Model or a Plurality of Forms? -- Medieval French Romance -- The Novel in Premodern China -- Critical Apparatus: The Semantic Field of "Narrative" -- Midrash -- Mythos/Fabula -- Monogatari -- Xiaoshuo -- Qiṣṣa -- Romance -- Povest' -- Part 1.3. The European Acceleration -- The Short, Happy Life of the Novel in Spain -- Forms of Popular Narrative in France and England: 1700-1900 -- The Rise of Fictionality -- Serious Century -- The Ruse of the Russian Novel -- Part 1.4. The Circle Widens -- Critical Apparatus: The Market for Novels- Some Statistical Profiles -- Britain, 1750-1830 -- United States, 1780-1850 -- Italy, 1815-1870 -- Spain, 1843-1900 -- India, 1850-1900 -- Japan, 1850-1900 -- Nigeria, 1950-2000 -- The Sign of the Voice: Orality and Writing in the United States -- The Long Nineteenth Century of the Japanese Novel -- Epic and Novel in India -- The Novel of a Continent: Latin America -- The Extroverted African Novel -- Part 1.5. Toward World Literature -- The Novelists' International -- Fecundities of the Unexpected: Magical Realism, Narrative, and History -- Readings: Traditions in Contact -- Al-Sāq 'alā al-sāq fīm ā huwa al-Fāryāq (Aḥmad Fāris Shidyāq, Paris, 1855) -- Drifting Clouds (Futabatei Shimei, Japan, 1887-1889) -- A Carriage Affair (Recaizade Mahmut Ekrem, Turkey, 1896) -- The Heartless (Yi Kwangsu, Korea, 1917) -- Chaka (Thomas Mofolo, South Africa, 1925) -- The Blind Owl (Sadeq Hedayat, Iran, 1941) -- Readings: Americas.

    Uncle Tom's Cabin (Harriet Beecher Stowe, United States, 1852) -- Posthumous Memoirs of Brás Cubas (J. M. Machado de Assis, Brazil, 1880) -- Adventures of Huckleberry Finn (Mark Twain, United States, 1884) -- Pedro Páramo (Juan Rulfo, Mexico, 1955) -- Grande Sertão: Veredas (João Guimarães Rosa, Brazil, 1956) -- The Death of Artemio Cruz (Carlos Fuentes, Mexico, 1962) -- Lone Sun (Daniel Maximin, Guadeloupe, 1981) -- Beloved (Toni Morrison, United States, 1987) -- Contributors -- Author Index -- Works Cited Index.

  21. Latinx Literature Unbound :
    Undoing Ethnic Expectation /
    Erschienen: [2018]; ©2018
    Verlag:  Fordham University Press,, New York, NY :

    Since the 1990's, there has been unparalleled growth in the literary output from an ever more diverse group of Latinx writers. Extant criticism, however, has yet to catch up with the diversity of writers we label Latinx and the range of themes about... mehr

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Since the 1990's, there has been unparalleled growth in the literary output from an ever more diverse group of Latinx writers. Extant criticism, however, has yet to catch up with the diversity of writers we label Latinx and the range of themes about which they write. Little sustained scholarly attention has been paid, moreover, to the very category under which we group this literature. Latinx Literature Unbound, thus, begins with a fundamental question “What does it mean to label a work of literature or an entire corpus of literature Latinx?” From this question others emerge: What does Latinx allow or predispose us to see, and what does it preclude us from seeing? If the grouping—which brings together a heterogeneous collection of people under a seemingly homogeneous label—tells us something meaningful, is there a poetics we can develop that would facilitate our analysis of this literature? In answering these questions, Latinx Literature Unbound frees Latinx literature from taken-for-granted critical assumptions about identity and theme. It argues that there may be more salubrious taxonomies than Latinx for organizing and analyzing this literature. Privileging the act of reading as a temporal, meaning-making event, Ralph E. Rodriguez argues that genre may be a more durable category for analyzing this literature and suggests new ways we might proceed with future studies of the writing we have come to identify as Latinx.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0-8232-8144-2; 0-8232-7925-1; 0-8232-7941-3
    Weitere Identifier:
    Auflage/Ausgabe: First edition.
    Schlagworte: Hispanic American authors.; Hispanic American literature (Spanish); American literature
    Weitere Schlagworte: Identity.; Latina/o literature.; Literary Theory.; Metafiction.; Neo-Formalism.; Novel.; Poetry.; Race and Ethnicity.; Short Story.; Taxonomy.
    Umfang: 1 online resource (1 PDF (181 pages))
    Bemerkung(en):

    This edition previously issued in print: 2018.

    Includes bibliographical references (pages 161-173) and index.

  22. Arbeitswelten im 21. Jahrhundert :
    Dystopien und Dynamiken in der deutschsprachigen Gegenwartsliteratur /
    Autor*in: Endreva, Maria,
    Erschienen: [2024]; 2024
    Verlag:  transcript Verlag,, Bielefeld :

    Der Globalkapitalismus verändert die Beschäftigungsformen des 21. Jahrhunderts grundlegend. Maria Endreva blickt auf Darstellungen der Arbeitswelt in der deutschen Gegenwartsliteratur und stellt anhand zahlreicher Textbeispiele zentrale Themen und... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Der Globalkapitalismus verändert die Beschäftigungsformen des 21. Jahrhunderts grundlegend. Maria Endreva blickt auf Darstellungen der Arbeitswelt in der deutschen Gegenwartsliteratur und stellt anhand zahlreicher Textbeispiele zentrale Themen und diskursive Ausrichtungen heraus. Besonders beschäftigt sie sich mit dem Leistungsdruck sowie den destruktiven Auswirkungen und der zunehmenden Arbeitslosigkeit unter der Robotisierung. Ob sinnentleerte Büroarbeit, die Überlastung und Vereinsamung des Individuums oder neue Tätigkeitsformen eines technisch und genetisch optimierten Menschen - psychische Überforderung und Entmachtung dominieren die literarische Verarbeitung und zeichnen ein eher dystopisches, aber auch dynamisches Bild der Zukunft.

     

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  23. The Novel, Volume 1 :
    History, Geography, and Culture /
    Beteiligt: Arac, Jonathan, (contributor.); Austin, John, (contributor.); Bettini, Maurizio, (contributor.); Boitani, Piero, (contributor.); Booker, M. Keith, (contributor.); Boscaro, Adriana, (contributor.); Couégnas, Daniel, (contributor.); Denning, Michael, (contributor.); Field, Norma, (contributor.); Franco, Ernesto, (contributor.); Gallagher, Catherine, (contributor.); Ghanoonparvar, M. R., (contributor.); Goody, Jack, (contributor.); Griswold, Wendy, (contributor.); Hwang, Jongyon, (contributor.); Hägg, Tomas, (contributor.); Joshi, Priya, (contributor.); Julien, Eileen, (contributor.); Kilito, Abdelfattah, (contributor.); Lima, Luiz Costa, (contributor.); Martin, Gerald, (contributor.); Martí-López, Elisa, (contributor.); Merrim, Stephanie, (contributor.); Millstodd, William, (contributor.); Moretti, Franco, (contributor.); Moretti, Franco, (editor.); Mukherjee, Meenakshi, (contributor.); Oviedo, José Miguel, (contributor.); Parla, Jale, (contributor.); Plaks, Andrew H., (contributor.); Portelli, Alessandro, (contributor.); Quayson, Ato, (contributor.); Ragone, Giovanni, (contributor.); Raven, James, (contributor.); Resina, Joan Ramon, (contributor.); Salvo, Maria Di, (contributor.); Santana, Mario, (contributor.); Schwarz, Roberto, (contributor.); Siti, Walter, (contributor.); Torre, Stefano Levi Della, (contributor.); Varvaro, Alberto, (contributor.); Zeitlin, Judith T., (contributor.); Zhao, Henry Y. H., (contributor.); Zimra, Clarisse, (contributor.); Zwicker, Jonathan, (contributor.)
    Erschienen: [2022]; ©2006
    Verlag:  Princeton University Press,, Princeton, NJ :

    Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo... mehr

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 1: History, Geography, and Culture, looks at the novel mostly from the outside, treating the transition from oral to written storytelling and the rise of narrative and fictionality, and covering the ancient Greek novel, the novel in premodern China, the early Spanish novel, and much else, including readings of novels from around the world. These books will be essential reading for all students and scholars of literature.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Arac, Jonathan, (contributor.); Austin, John, (contributor.); Bettini, Maurizio, (contributor.); Boitani, Piero, (contributor.); Booker, M. Keith, (contributor.); Boscaro, Adriana, (contributor.); Couégnas, Daniel, (contributor.); Denning, Michael, (contributor.); Field, Norma, (contributor.); Franco, Ernesto, (contributor.); Gallagher, Catherine, (contributor.); Ghanoonparvar, M. R., (contributor.); Goody, Jack, (contributor.); Griswold, Wendy, (contributor.); Hwang, Jongyon, (contributor.); Hägg, Tomas, (contributor.); Joshi, Priya, (contributor.); Julien, Eileen, (contributor.); Kilito, Abdelfattah, (contributor.); Lima, Luiz Costa, (contributor.); Martin, Gerald, (contributor.); Martí-López, Elisa, (contributor.); Merrim, Stephanie, (contributor.); Millstodd, William, (contributor.); Moretti, Franco, (contributor.); Moretti, Franco, (editor.); Mukherjee, Meenakshi, (contributor.); Oviedo, José Miguel, (contributor.); Parla, Jale, (contributor.); Plaks, Andrew H., (contributor.); Portelli, Alessandro, (contributor.); Quayson, Ato, (contributor.); Ragone, Giovanni, (contributor.); Raven, James, (contributor.); Resina, Joan Ramon, (contributor.); Salvo, Maria Di, (contributor.); Santana, Mario, (contributor.); Schwarz, Roberto, (contributor.); Siti, Walter, (contributor.); Torre, Stefano Levi Della, (contributor.); Varvaro, Alberto, (contributor.); Zeitlin, Judith T., (contributor.); Zhao, Henry Y. H., (contributor.); Zimra, Clarisse, (contributor.); Zwicker, Jonathan, (contributor.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691243757
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / General.
    Weitere Schlagworte: A Book Of.; Author.; Ballantine Books.; Ben Okri.; Bildungsroman.; Biographical novel.; Book.; Buchi Emecheta.; Buddenbrooks.; Canon (fiction).; Castle in the Air (novel).; Critical Essays (Orwell).; D. H. Lawrence.; Deathless (novel).; Devotio Moderna.; Diary.; Dime novel.; Divergent (novel).; Edward Said.; English novel.; English poetry.; Epic and Novel.; Epigram.; Epistolary novel.; Fabulation.; Feuilleton.; Fiction writing.; Fiction.; G. (novel).; Genre fiction.; Genre.; God Knows (novel).; Heathcliff (Wuthering Heights).; Historical fiction.; Historiography.; Horace Walpole.; Ibid (short story).; In Parenthesis.; Inception.; Indulekha (novel).; J. R. R. Tolkien.; Kenneth Burke.; Kusamakura (novel).; La Religieuse (novel).; Le Morte d'Arthur.; Literary fiction.; Literary theory.; Literature and Revolution.; Literature.; Matter of Britain.; Memoir.; Mervyn Peake.; Mine Boy (novel).; Modernity.; Narration.; Narrative.; Nathaniel Hawthorne.; Niranjana (writer).; Novel of manners.; Novel.; Novelas ejemplares.; Novelist.; Novella.; Pen name.; Persius.; Picaresque novel.; Poetry.; Point of Origin (novel).; Postmodern literature.; Proletarian literature.; Prose.; Publication.; Publishing.; Puritans.; Raag Darbari (novel).; Rant (novel).; Romance novel.; S. (Dorst novel).; Sine ira et studio.; Superiority (short story).; Taiping Guangji.; Terra Nostra (novel).; The Empire Writes Back.; The Franklin's Tale.; The Great Indian Novel.; The Modern World (novel).; The Realist.; The Tale of the Heike.; Theodore Dreiser.; Tobias Smollett.; Troilus and Criseyde.; Veracity (Mark Lavorato novel).; Verisimilitude (fiction).; Victorian literature.; Waverley Novels.; World literature.; Writer.; Writing.; Zaynab (novel).; Zhuangzi (book).
    Umfang: 1 online resource (928 p.) :, 7 halftones. 29 line illus. 23 tables.
  24. Opera and the Novel :
    The Case of Henry James /
    Erschienen: 2005.
    Verlag:  BRILL,, Leiden;

    Opera and the Novel: The Case of Henry James offers the first full-length study of the theory and practice of the adaptation of fiction into opera: the transference of a work from one medium to another - metaphrasis - is its point of departure.... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Opera and the Novel: The Case of Henry James offers the first full-length study of the theory and practice of the adaptation of fiction into opera: the transference of a work from one medium to another - metaphrasis - is its point of departure. Starting with a survey of the current thinking regarding the nexus between words and music with specific reference to operatic adaptation of existing literary works, it traces the four-hundred-year history of opera, demonstrating that the novel has become increasingly attractive to librettists and composers as an operatic source. As the resources of modern music theatre have increased in sophistication, so too have the possibilities for an expanded engagement with complex fictional works. The intricate relationship between fictional and musical narrative is examined: the proposition that the orchestra assumes much of the function of the narrator in fiction is explored. The second section is a detailed examination of eight operatic works based on Henry James's fiction. It is opera's unique capability to present the intense emotional and psychological situations central to James's fiction as well as the ability to engage with his synthesis of melodrama and psychological ambiguity which makes James's work peculiarly amenable to operatic adaptation. Composers who have used James as a source include Douglas Moore, Benjamin Britten, Thomas Pasatieri, Donald Hollier, Thea Musgrave, Philip Hagemann and Dominick Argento. The operas discussed represent a contemporary critical and often self-conscious engagement with the art form itself as well as illustrating current adaptive strategies, and suggest ways in which new operatic paths may be forged. This volume is of relevance to students and scholars of English literature and opera as well as readers who take an interest in intermedial research and the question of adaptation in general.

     

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    Quelle: Verbundkataloge
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004485228; 9789042016347
    Weitere Identifier:
    DOI: 10.1163/9789004485228
    Schriftenreihe: Brill Book Archive Part 1, ISBN: 9789004472495
    Word and Music Studies ; ; 6
    Schlagworte: Angel.; Music and literature.; Novel.; Romans.
    Weitere Schlagworte: James, Henry, (1843-1916.)
    Umfang: 1 online resource.
    Bemerkung(en):

    Includes bibliographical references and index.

    Introduction: Prima la musica e poi le parole - Wort oder Ton ? -- PART ONE: OPERATIC ADAPTATION -- 1. The Novel and Operatic Adaptation -- 2. Operatic and Fictional Discourse -- 3. James, Opera and Melodrama -- 4. James - Structure - 'Scene' and 'Picture' -- PART TWO: THE OPERAS -- 5. "The Turn of the Screw" -- 6. The Wings of the Dove -- 7. "Owen Wingrave" -- 8. "The Last of the Valerii" -- 9. Washington Square -- 10. "The Aspern Papers" -- Conclusion -- Appendix -- Bibliography.

  25. The Novel, Volume 2 :
    Forms and Themes /
    Beteiligt: Aarseth, Espen, (contributor.); Allen, Roger, (contributor.); Alliston, April, (contributor.); Anderson, Benedict, (contributor.); Anderson, Perry, (contributor.); Armstrong, Nancy, (contributor.); Bal, Mieke, (contributor.); Banfield, Ann, (contributor.); Bellocchio, Piergiorgio, (contributor.); Bhabha, Homi, (contributor.); Brenkman, John, (contributor.); Byatt, A. S., (contributor.); Cohen, Margaret, (contributor.); Cunningham, Valentine, (contributor.); Deane, Seamus, (contributor.); Dipiero, Thomas, (contributor.); Duncan, Ian, (contributor.); Eco, Umberto, (contributor.); Emenyonu, Ernest, (contributor.); Ferrand, Nathalie, (contributor.); Fisher, Philip, (contributor.); Fornet, Ambrosio, (contributor.); Franco, Ernesto, (contributor.); Fusillo, Massimo, (contributor.); Gailus, Andreas, (contributor.); Gikandi, Simon, (contributor.); Gumbrecht, Hans Ulrich, (contributor.); Heise, Ursula K., (contributor.); Irzik, Sibel, (contributor.); Jameson, Fredric, (contributor.); Jehlen, Myra, (contributor.); Kiberd, Declan, (contributor.); Kilito, Abdelfattah, (contributor.); Lahusen, Thomas, (contributor.); Lavagetto, Andreina, (contributor.); Luiz Passos, José, (contributor.); Madsen, Peter, (contributor.); Masi, Edoarda, (contributor.); Miguel Oviedo, José, (contributor.); Mitchell, Juliet, (contributor.); Moretti, Franco, (editor.); Mulhern, Francis, (contributor.); Nandrea, Lorri G., (contributor.); Nelson, Ardis L., (contributor.); Orlando, Francesco, (contributor.); Ou-Fan Lee, Leo, (contributor.); Pavel, Thomas, (contributor.); Peled Ginsburg, Michal, (contributor.); Rico, Francisco, (contributor.); Robbins, Bruce, (contributor.); Sarlo, Beatriz, (contributor.); Scherpe, Klaus R., (contributor.); Thorel-Cailleteau, Sylvie, (contributor.); Tortonese, Paolo, (contributor.); Villa, Luisa, (contributor.); Winthrop-Young, Geoffrey, (contributor.); Woloch, Alex, (contributor.)
    Erschienen: [2022]; ©2006
    Verlag:  Princeton University Press,, Princeton, NJ :

    Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo... mehr

    Zugang:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 2: Forms and Themes, views the novel primarily from the inside, examining its many formal arrangements and recurrent thematic manifestations, and looking at the plurality of the genre and its lineages. These books will be essential reading for all students and scholars of literature.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Aarseth, Espen, (contributor.); Allen, Roger, (contributor.); Alliston, April, (contributor.); Anderson, Benedict, (contributor.); Anderson, Perry, (contributor.); Armstrong, Nancy, (contributor.); Bal, Mieke, (contributor.); Banfield, Ann, (contributor.); Bellocchio, Piergiorgio, (contributor.); Bhabha, Homi, (contributor.); Brenkman, John, (contributor.); Byatt, A. S., (contributor.); Cohen, Margaret, (contributor.); Cunningham, Valentine, (contributor.); Deane, Seamus, (contributor.); Dipiero, Thomas, (contributor.); Duncan, Ian, (contributor.); Eco, Umberto, (contributor.); Emenyonu, Ernest, (contributor.); Ferrand, Nathalie, (contributor.); Fisher, Philip, (contributor.); Fornet, Ambrosio, (contributor.); Franco, Ernesto, (contributor.); Fusillo, Massimo, (contributor.); Gailus, Andreas, (contributor.); Gikandi, Simon, (contributor.); Gumbrecht, Hans Ulrich, (contributor.); Heise, Ursula K., (contributor.); Irzik, Sibel, (contributor.); Jameson, Fredric, (contributor.); Jehlen, Myra, (contributor.); Kiberd, Declan, (contributor.); Kilito, Abdelfattah, (contributor.); Lahusen, Thomas, (contributor.); Lavagetto, Andreina, (contributor.); Luiz Passos, José, (contributor.); Madsen, Peter, (contributor.); Masi, Edoarda, (contributor.); Miguel Oviedo, José, (contributor.); Mitchell, Juliet, (contributor.); Moretti, Franco, (editor.); Mulhern, Francis, (contributor.); Nandrea, Lorri G., (contributor.); Nelson, Ardis L., (contributor.); Orlando, Francesco, (contributor.); Ou-Fan Lee, Leo, (contributor.); Pavel, Thomas, (contributor.); Peled Ginsburg, Michal, (contributor.); Rico, Francisco, (contributor.); Robbins, Bruce, (contributor.); Sarlo, Beatriz, (contributor.); Scherpe, Klaus R., (contributor.); Thorel-Cailleteau, Sylvie, (contributor.); Tortonese, Paolo, (contributor.); Villa, Luisa, (contributor.); Winthrop-Young, Geoffrey, (contributor.); Woloch, Alex, (contributor.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691243740
    Weitere Identifier:
    Schlagworte: Fiction; LITERARY CRITICISM / General.
    Weitere Schlagworte: Actant.; Aethiopica.; Antonomasia.; Author.; Bildungsroman.; Chronotope.; Correction (novel).; Debut novel.; Despair (novel).; Edition (book).; English novel.; Epic and Novel.; Epilogue.; Epistle.; Epistolary novel.; Essay.; Fiction.; Flood Tide (novel).; Foreword.; Francis Mulhern.; French literature.; G. (novel).; Galatea 2.2.; Genre fiction.; Genre.; Hans Fallada.; Hogg (novel).; Homo Faber (novel).; Houseboy (novel).; J. (newspaper).; John Dos Passos.; Literary criticism.; Literary modernism.; Literature.; Louis Lambert (novel).; Mary Shelley.; Matthew Lewis (writer).; Memoir.; Michael Joyce (writer).; Mircea Eliade.; Misery (novel).; Modernity.; Nadja (novel).; Narration.; Narrative poetry.; Narrative.; New Society.; Novel of manners.; Novel.; Novelist.; Novella.; On Writing (Hemingway).; On the Beach (novel).; Only Words (book).; Paperback.; Pen name.; Penguin Books.; Periodization.; Persuasion (novel).; Phaedrus (dialogue).; Picaresque novel.; Poetry.; Potion.; Precaution (novel).; Preface.; Prose.; Protagonist.; Psychological novel.; Publishing.; Pulp Fiction.; Revelation.; Rite.; Robert Musil.; Scrutiny (journal).; Second International.; Sentimental novel.; Slowness (novel).; Social novel.; Song of Solomon (novel).; State of the World (book series).; Suffrage.; Sune (Forgotten Realms).; The Comic.; The Cossacks (novel).; The Mansion (novel).; The Modern World (novel).; The Unnamable (novel).; The Unnamable (short story).; The Veldt (short story).; Tobias Smollett.; Trope (literature).; Valediction.; Verb.; Verisimilitude (fiction).; Villette (novel).; Wieland (novel).; Woolf.; Writer.; Writing.; Xala (novel).
    Umfang: 1 online resource (960 p.) :, 12 halftones.