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  1. The question of class in contemporary Latin American cinema
    Autor*in: Vázquez Vázquez, María Mercedes
    Erschienen: [2018]; © 2018
    Verlag:  Lexington Books, Lanham ; Boulder ; New York ; London

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498553025
    Schlagworte: Soziale Klasse <Motiv>; Film
    Weitere Schlagworte: Motion pictures / Latin America / History; Social classes in motion pictures; Motion pictures; Social classes in motion pictures; Latin America; Bibliography; History; 24.32 history of film art; Latin America; Bibliography; History
    Umfang: xxxv, 185 Seiten, Illustrationen
  2. Espectros
    ghostly hauntings in contemporary transhispanic narratives
    Beteiligt: Ribas-Casasayas, Alberto (Hrsg.)
    Erschienen: [2016]
    Verlag:  Bucknell University Press, Lewisburg

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Ribas-Casasayas, Alberto (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: IN 2656
    Schlagworte: Spanish American fiction / 20th century / History and criticism; Spanish fiction / 20th century / History and criticism; Psychic trauma in literature; Violence in literature; Motion pictures / Latin America / History; Motion pictures / Spain / History and criticism; Psychic trauma in motion pictures; Violence in motion pictures; Motion pictures; Psychic trauma in literature; Psychic trauma in motion pictures; Spanish American fiction; Spanish fiction; Violence in literature; Violence in motion pictures; Film; Geschichte; Diktatur; Kollektives Gedächtnis; Spanisch; Gespenstergeschichte
    Umfang: xv, 243 pages, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: theories of the ghost in a transhispanic context -- Ghostly encounters: haunted histories. The museum of memory: spectral presences and metaphoric re-membering / Megan Corbin -- The bright future of the ghost: memory in the work of Javier Marías Isabel Cuñado -- The spectrality of political violence: exhuming Guatemala's haunted past in Tanya Maria Barrientos's Family resemblance and Sylvia Sellers's When the ground turns in its sleep / Susana S. Martínez -- The persistence of violence: trauma as haunting. Apparitions and absence: spectrality in contemporary novels of the disappeared / Karen Wooley Martin -- The literalization of trauma's specter and the problematization of time in Aparecidos / Charles St-Georges -- Phantom children: spectral presences and the violent past in two films of contemporary Spain / Sarah Thomas -- Fog instead of land: spectral topographies of disappearance in Colombia's recent literature and film / Juliana Martínez -- Still images: the living and the dead. Framing and feeling immigration: haunting visuality and alterity in Ramito de Hierbabuena / N. Michelle Murray -- Memento Mori: photography and narrative in Cristina Rivera Garza's Nadie me verá llorar / Marta Sierra -- Invisible hands: specters of the market economy. Cubagua's ghosts / Juan Pablo Llupi -- Portraits of the walking dead: transgressing genres and (in)visible demographics in Maurice Echeverría María del Carmen / Caña Jiménez -- Haunting capitalism: Biutiful, the specter, and fantasies of the global market / Victoria L. Garrett and Edward M. Chauca
  3. Utopia and neoliberalism in Latin American cinema
    the allegory of the motionless traveler
    Autor*in: Grosman, Carla
    Erschienen: 2018
    Verlag:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    "The topic of the crisis and recovery of utopia, at both a global and regional level, stands out in these melancholic times in which the capitalist era can no longer legitimize itself as an irreplaceable form of social existence. This book reflects... mehr

    Standort:
    Bayerische Staatsbibliothek
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    "The topic of the crisis and recovery of utopia, at both a global and regional level, stands out in these melancholic times in which the capitalist era can no longer legitimize itself as an irreplaceable form of social existence. This book reflects upon the place of utopia, moving from classic Greece to the neoliberal era, specifically as manifested in Latin America. It studies utopia as a political and literary device for paradigmatic changes. As such, it links with the literary mode of the travelogue and its supporting role in the consolidation and perpetuation of the modern/colonial discourse. The book reviews critical approaches to modernity and postmodernity as a philosophical enquiry on the role of symbolic languages, particularly the one played by the image and the theories of representation and performance. With that, and by using decolonialist theory to inform an audio-visual text analysis, it contributes to film philosophy with a model of analysis for Latin American cinema: namely, 'the allegory of the motionless traveler'. This model states that Latin America millennial cinema possesses a significant aesthetic-political power achieved by enacting a process of utopic re-narration. This book will appeal to students and academics in the humanities and social sciences and readers interested in film culture, as well as those searching specifically for new perspectives on socio-symbolic decolonialist dynamics operating at the crossroads of cultural politics and political culture in Latin America."--Back cover

     
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  4. Gender-based violence in Latin American and Iberian cinemas
    Beteiligt: Maseda García, Rebeca (Hrsg.); Gámez Fuentes, María José (Hrsg.); Zecchi, Barbara (Hrsg.)
    Erschienen: 2020
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation. This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based... mehr

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation. This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based violence. With essays from diverse cultural backgrounds and institutions, this collection analyses a wide range of films across Latin America and the Iberian Peninsula. The volume makes use of varied perspectives including feminist, postcolonial and queer theory to consider such issues as the visual configuration of power and inequality, the objectification and the invisibilization of women's and LGBTQ subjects' resistance, the role of female filmmakers in transforming hegemonic accounts of violence, and the subversion of common tropes of gendered violence. This will be of significance for students and scholars in Latin American and Iberian Studies, as well as in Film Studies, Cultural Studies, and Gender and Queer Studies"--

     
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  5. The child in contemporary Latin American cinema
    Autor*in: Martin, Deborah
    Erschienen: [2019]; © 2019
    Verlag:  Palgrave Macmillan, New York, NY

    Standort:
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781137530608
    Schriftenreihe: Global cinema
    Schlagworte: Film; Kind <Motiv>
    Weitere Schlagworte: Children in motion pictures; Motion pictures / Latin America / History
    Umfang: xii, 245 Seiten, Illustrationen, 22 cm
  6. The question of class in contemporary Latin American cinema
    Autor*in: Vázquez Vázquez, María Mercedes
    Erschienen: [2018]; © 2018
    Verlag:  Lexington Books, Lanham ; Boulder ; New York ; London

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498553025
    Schlagworte: Soziale Klasse <Motiv>; Film
    Weitere Schlagworte: Motion pictures / Latin America / History; Social classes in motion pictures; Motion pictures; Social classes in motion pictures; Latin America; Bibliography; History; 24.32 history of film art; Latin America; Bibliography; History
    Umfang: xxxv, 185 Seiten, Illustrationen
  7. Indigeneity in Latin American cinema
    Autor*in: Gonzalez Rodriguez, Milton Fernando
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London

    "Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global... mehr

    Standort:
    Universitätsbibliothek Bayreuth
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    Standort:
    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek der LMU München
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    Standort:
    Universitätsbibliothek Regensburg
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    "Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational and intersectional, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The corpus of this study consists of 68 fictional features directed by non-indigenous filmmakers, 31 cinematic works produced by indigenous directors/communities, and 22 Cine Regional (Regional Cinema) films. The book also draws upon a significant number of engravings, drawings, paintings, photographs and films, produced between 1493 and 2000, as primary sources for the historical review of the visual representations of indigeneity. Through content and close (textual) analysis, interviews with audiences, surveys and social media posts analysis, the author looks at the contexts in which Latin American films circulate in international festivals and the paradigm shifts introduced by self-representational cinema and Roma (Mexico, 2018). Conclusively, the author provides the foundations of histrionic indigeneity, a theory that explains how overtly histrionic proclivities play a significant role in depictions of an imagined indigenous Other in recent films."

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501384660; 9781501384684; 9781501384691
    Weitere Identifier:
    Schlagworte: Indianerbild; Indigenes Volk <Motiv>; Film
    Weitere Schlagworte: Motion pictures / Latin America / History; Indigenous peoples in motion pictures; Motion pictures / Latin America / History / 21st century
    Umfang: 1 Online-Ressource (336 Seiten), Illustrationen
  8. Poetics of race in Latin America
    Beteiligt: Moraña, Mabel (Hrsg.)
    Erschienen: 2022
    Verlag:  Anthem Press, London

    "Poetics of race offers the readers a combined historical, political and aesthetic approach to the symbolic representation of race in Latin America in different periods and cultural regions. Chapters focus on issues of social conflict, identity... mehr

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    Bayerische Staatsbibliothek
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    "Poetics of race offers the readers a combined historical, political and aesthetic approach to the symbolic representation of race in Latin America in different periods and cultural regions. Chapters focus on issues of social conflict, identity politics and self-recognition by historically marginalized populations, such as indigenous peoples, Afro-descendants, and Asian immigrants. Literary texts, cultural practices and visual arts (painting, film) are analyzed as representative moments in the process of social and political recognition of subaltern subjectivities and non-dominant cultures, providing insightful studies of negritude, indigenous cultures and Japanese communities in Latin America. Through the exploration of different media and alternative critical categories, Poetics of Race proposes new avenues for the comparative and intersectional study of race, gender and class in postcolonial societies."--Publisher description

     
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    Quelle: Verbundkataloge
    Beteiligt: Moraña, Mabel (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781839984761
    Schriftenreihe: Anthem studies in Latin American literature and culture
    Schlagworte: Kunst; Film; Literatur; Rasse <Motiv>; Ethnische Identität <Motiv>
    Weitere Schlagworte: Latin America / Race relations; Latin American literature / History and criticism; Art, Latin American / History and criticism; Motion pictures / Latin America / History; Race in literature; Race in art; Race in motion pictures; Art, Latin American; Latin American literature; Motion pictures; Race relations; Latin America; Art criticism; Criticism, interpretation, etc; Film criticism; History; Literary criticism; Art criticism; Film criticism
    Umfang: x, 203 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction. The Poetics of Race and the "Color Line" / Mabel Moraña -- Part 1. PRISMS OF RACE: CARIBBEAN AND BRAZILIAN ENCOUNTERS -- 1. Blackness, Postslavery, and What Never Ceases Not to Write Itself / Horacio Legrás -- 2. Etched in Sugar, Soil, Metal and Blood: The Plantationocene and the Afterlives of Racialized Plantation in Contemporary Cuban Art / Elzbieta Sklodowska -- 3. Policies of Repair in "Black" Female Poetics: Nancy Morejón and Astrid Roemer / Ineke Phaf-Rheinberger -- 4. The Rise of the Black Hero: Heroic Imagination and Print Culture in Nineteenth-Century Brazil / María Alejandra Aguilar Dornelles -- Part 2. COLORING OTHERNESS IN MEXICO -- 5. Phantasms of Our Deluded Eyes: Race in the Era of Cinematic Movement / Adela Pineda Franco -- 6. Marking Race and Class Privilege in Contemporary Mexican Cinema / Mónica García Blizzard -- 7. The Limits of Nihonjinron: Issei Immigrants’ Literary Representation of Japaneseness in Mexico / Ignacio López-Calvo -- Part 3. INDIGENOUS SUBJECTS: REPRESENTATION AND RESISTANCE -- 8. What Indigenous Literatures Tell Us about Race / Arturo Arias -- 9. Yuyachkani’s Andinismo: Performing (toward) a Poetics of Race / Anne Lambright -- 10. Antiracist Spatial Narratives in Daniel Munduruku’s Crônicas De São Paulo: Indigenous Place-Names and Migration in the Paulista Capital City / Christian Elguera
  9. Poetics of race in Latin America
    Beteiligt: Moraña, Mabel (Hrsg.)
    Erschienen: 2022
    Verlag:  Anthem Press, London

    <i>Poetics of Race</i> constitutes a critically and theoretically innovative analysis of racial and ethnic dynamics in Latin America, and their symbolic - artistic, ideological - representation. The book illustrates the relevance of cultural and... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
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    Poetics of Race constitutes a critically and theoretically innovative analysis of racial and ethnic dynamics in Latin America, and their symbolic - artistic, ideological - representation. The book illustrates the relevance of cultural and racial minorities in different national contexts (particularly in Mexico, Brazil, the Andean region and the Caribbean) through the study of literary, filmic and visual productions that depict otherness, marginalization and popular resistance. The book focuses on negritude, indigenous cultures, andinismo, performance and cinematic discourses in which racial issues are displayed, elaborated and symbolized. The various critical approaches utilized in this volume also contribute to expand methodological horizons in the field while contributing to widening the corpus of literary texts and cultural practices in this area of studies

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Moraña, Mabel (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781839984778
    Schlagworte: Latin American literature / History and criticism; Motion pictures / Latin America / History; Race in literature; Race in art; Race in motion pictures; Minorities in literature; Minorities in art; Arts, Latin American / Themes, motives; Ethnische Identität <Motiv>; Kunst; Literatur; Film; Rasse <Motiv>
    Umfang: 1 Online-Ressource (x, 203 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 09 Dec 2022)
  10. The film archipelago
    islands in Latin American cinema
    Beteiligt: Gómez, Antonio (Hrsg.); Hernández Adrián, Francisco-J. (Hrsg.)
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London

    "How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising sixteen essays and a critical introduction, The Film Archipelago : Islands in Latin American Cinema addresses this by examining a series of... mehr

    Standort:
    Universitätsbibliothek Bayreuth
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    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
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    "How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising sixteen essays and a critical introduction, The Film Archipelago : Islands in Latin American Cinema addresses this by examining a series of intersections between insular spaces and filmmaking in Latin America. The volume brings together international scholars and filmmakers to consider a diverse corpus of films about islands, films that take place on islands, films produced in islands, and films that problematize islands. The book explores a diverse range of films that extend from the Chilean documentaries of Patricio Guzmán to work on the Malvinas/Falkland Islands, and films by Argentine directors Gustavo Fontán and Lucrecia Martel. Chapters focus on Rapa Nui (Easter Island), the Mexican Islas Marías, and the Panamanian Caribbean, and on ecocritical, environmental and film historical aspects of Brazilian and Argentine river islands ; on Haitian, Puerto Rican, and Guadeloupean contexts ; and on the complex location of the San Andrés, Providencia and Santa Catalina archipelago in Colombian media archives. The Film Archipelago argues that the islands and archipelagos of Latin American cinema constitute a critically interesting, analytically complex, and historically suggestive angle to explore issues of marginality and peripherality, remoteness and isolation, fragility and dependency. As a whole, the collection demonstrates through a series of rigorous and nuanced analyses to what extent the combined insular and archipelagic lens can re-frame and re-figure both longstanding and recent discussions on the spaces of Latin American cinema"

     
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    Quelle: Verbundkataloge
    Beteiligt: Gómez, Antonio (Hrsg.); Hernández Adrián, Francisco-J. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350157996; 9781350157972; 9781350157989
    Weitere Identifier:
    Schriftenreihe: World cinema series
    Schlagworte: Insel <Motiv>; Film
    Weitere Schlagworte: Motion pictures / Latin America / History; Islands in motion pictures
    Umfang: 1 Online-Ressource, Illustrationen
  11. The film archipelago :
    islands in Latin American cinema /
    Beteiligt: Gómez, Antonio, (Hrsg.); Hernández Adrián, Francisco-J., (Hrsg.)
    Erschienen: 2022.
    Verlag:  Bloomsbury Academic,, London :

    "How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising sixteen essays and a critical introduction, The Film Archipelago : Islands in Latin American Cinema addresses this by examining a series of... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising sixteen essays and a critical introduction, The Film Archipelago : Islands in Latin American Cinema addresses this by examining a series of intersections between insular spaces and filmmaking in Latin America. The volume brings together international scholars and filmmakers to consider a diverse corpus of films about islands, films that take place on islands, films produced in islands, and films that problematize islands. The book explores a diverse range of films that extend from the Chilean documentaries of Patricio Guzmán to work on the Malvinas/Falkland Islands, and films by Argentine directors Gustavo Fontán and Lucrecia Martel. Chapters focus on Rapa Nui (Easter Island), the Mexican Islas Marías, and the Panamanian Caribbean, and on ecocritical, environmental and film historical aspects of Brazilian and Argentine river islands ; on Haitian, Puerto Rican, and Guadeloupean contexts ; and on the complex location of the San Andrés, Providencia and Santa Catalina archipelago in Colombian media archives. The Film Archipelago argues that the islands and archipelagos of Latin American cinema constitute a critically interesting, analytically complex, and historically suggestive angle to explore issues of marginality and peripherality, remoteness and isolation, fragility and dependency. As a whole, the collection demonstrates through a series of rigorous and nuanced analyses to what extent the combined insular and archipelagic lens can re-frame and re-figure both longstanding and recent discussions on the spaces of Latin American cinema"

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Gómez, Antonio, (Hrsg.); Hernández Adrián, Francisco-J., (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 978-1-350-15799-6; 978-1-350-15797-2; 978-1-350-15798-9
    Weitere Identifier:
    Schriftenreihe: World cinema series
    Schlagworte: Motion pictures / Latin America / History; Islands in motion pictures; Film.; Insel <Motiv>
    Umfang: 1 Online-Ressource (xiv,346 Seiten) :, Illustrationen.
  12. Gender-based violence in Latin American and Iberian cinemas /
    Beteiligt: Maseda García, Rebeca (Hrsg.); Gámez Fuentes, María José (Hrsg.); Zecchi, Barbara (Hrsg.)
    Erschienen: 2020.
    Verlag:  Routledge,, London ; New York :

    "Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation. This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based... mehr

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    Standort:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    "Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation. This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based violence. With essays from diverse cultural backgrounds and institutions, this collection analyses a wide range of films across Latin America and the Iberian Peninsula. The volume makes use of varied perspectives including feminist, postcolonial and queer theory to consider such issues as the visual configuration of power and inequality, the objectification and the invisibilization of women's and LGBTQ subjects' resistance, the role of female filmmakers in transforming hegemonic accounts of violence, and the subversion of common tropes of gendered violence. This will be of significance for students and scholars in Latin American and Iberian Studies, as well as in Film Studies, Cultural Studies, and Gender and Queer Studies"--

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Beteiligt: Maseda García, Rebeca (Hrsg.); Gámez Fuentes, María José (Hrsg.); Zecchi, Barbara (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 978-0-429-79054-6; 978-0-429-43630-7; 978-0-429-79056-0; 978-0-429-79055-3
    Weitere Identifier:
    Schriftenreihe: Global gender
    Schlagworte: Women in motion pictures; Sexual minorities in motion pictures; Psychic trauma in motion pictures; Violence in motion pictures; Terrorism in motion pictures; Motion pictures / Latin America / History; Motion pictures / Iberian Peninsula / History; Film; Gewalt <Motiv>; Geschlecht <Motiv>; Geschlechtsunterschied; Gewalt
    Umfang: 1 Online-Ressource (xviii, 202 Seiten) :, Illustrationen.
  13. The question of class in contemporary Latin American cinema /
    Autor*in: Vázquez Vázquez, María Mercedes
    Erschienen: [2018].; © 2018.
    Verlag:  Lexington Books,, Lanham ; Boulder ; New York ; London :

    Standort:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 978-1-4985-5302-5
    Schlagworte: Motion pictures / Latin America / History; Social classes in motion pictures; Motion pictures; Bibliography; History; 24.32 history of film art; Film; Soziale Klasse <Motiv>
    Umfang: xxxv, 185 Seiten :, Illustrationen.
  14. Gender-based violence in Latin American and Iberian cinemas
    Beteiligt: Maseda García, Rebeca (Hrsg.); Gámez Fuentes, María José (Hrsg.); Zecchi, Barbara (Hrsg.)
    Erschienen: 2020
    Verlag:  Routledge, London ; New York

    "Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation. This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based... mehr

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    "Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation. This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based violence. With essays from diverse cultural backgrounds and institutions, this collection analyses a wide range of films across Latin America and the Iberian Peninsula. The volume makes use of varied perspectives including feminist, postcolonial and queer theory to consider such issues as the visual configuration of power and inequality, the objectification and the invisibilization of women's and LGBTQ subjects' resistance, the role of female filmmakers in transforming hegemonic accounts of violence, and the subversion of common tropes of gendered violence. This will be of significance for students and scholars in Latin American and Iberian Studies, as well as in Film Studies, Cultural Studies, and Gender and Queer Studies"--

     
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