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  1. Cinema between media
    an intermediality approach
    Autor*in: Bruhn, Jørgen; Gjelsvik, Anne
    Erschienen: [2018]; © 2018
    Verlag:  Edinburgh University Press, Edinburgh

    Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important roles in shaping narrative cinema. The list of influencing forms goes on, and includes music, architecture, and painting. Following the more recent historical advents of technical media like the VCR and the DVD, and digitalisation and its effects, the notion of cinema as a mixed medium has become even more prominent within film theory. So cinema both has been and is intermedial. However, we argue that the acknowledgement of this has not affected the practice of film analysis to any great extent. This book on cinema and intermediality therefore rethinks both cinema as a form and the practice of film analysis, using concepts and analytical tools derived mainly from the fields of media theory and intermediality

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1474429025; 9781474429023; 1474429017; 9781474429016
    RVK Klassifikation: AP 47500 ; AP 47600 ; AP 45400
    Schlagworte: Film; Intermedialität; Filmästhetik
    Weitere Schlagworte: Motion pictures / Criticism and interpretation; Motion picture film / History; Intermediality; New media art; Technology and the arts
    Umfang: vi, 154 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Inhalt: Media behind the scenes: Orson Welles's Citizen Kane, Cinematic theatre: Alejandro G. Iñárritu's Birdman, A novelist on film?: Joachim Trier's Louder than bombs, Between cinema and photography: Jan Troell's Everlasting moments, Mixing senses and media: Epstein and Friedman's Howl, Surveilling media: Kathryn Bigelow's Zero dark thirty, Cinematic representations of a 'super wicked problem': climate change in documentary film (Ice and the sky and Chasing Ice)
  2. Cinema between media
    an intermediality approach
    Autor*in: Bruhn, Jørgen; Gjelsvik, Anne
    Erschienen: [2018]; © 2018
    Verlag:  Edinburgh University Press, Edinburgh

    Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important roles in shaping narrative cinema. The list of influencing forms goes on, and includes music, architecture, and painting. Following the more recent historical advents of technical media like the VCR and the DVD, and digitalisation and its effects, the notion of cinema as a mixed medium has become even more prominent within film theory. So cinema both has been and is intermedial. However, we argue that the acknowledgement of this has not affected the practice of film analysis to any great extent. This book on cinema and intermediality therefore rethinks both cinema as a form and the practice of film analysis, using concepts and analytical tools derived mainly from the fields of media theory and intermediality

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1474429025; 9781474429023; 1474429017; 9781474429016
    RVK Klassifikation: AP 47500 ; AP 47600 ; AP 45400
    Schlagworte: Film; Intermedialität; Filmästhetik
    Weitere Schlagworte: Motion pictures / Criticism and interpretation; Motion picture film / History; Intermediality; New media art; Technology and the arts
    Umfang: vi, 154 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Inhalt: Media behind the scenes: Orson Welles's Citizen Kane, Cinematic theatre: Alejandro G. Iñárritu's Birdman, A novelist on film?: Joachim Trier's Louder than bombs, Between cinema and photography: Jan Troell's Everlasting moments, Mixing senses and media: Epstein and Friedman's Howl, Surveilling media: Kathryn Bigelow's Zero dark thirty, Cinematic representations of a 'super wicked problem': climate change in documentary film (Ice and the sky and Chasing Ice)
  3. Cinema between media :
    an intermediality approach /
    Autor*in: Bruhn, Jørgen,; Gjelsvik, Anne,
    Erschienen: [2018].; © 2018.
    Verlag:  Edinburgh University Press,, Edinburgh :

    Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important... mehr

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important roles in shaping narrative cinema. The list of influencing forms goes on, and includes music, architecture, and painting. Following the more recent historical advents of technical media like the VCR and the DVD, and digitalisation and its effects, the notion of cinema as a mixed medium has become even more prominent within film theory. So cinema both has been and is intermedial. However, we argue that the acknowledgement of this has not affected the practice of film analysis to any great extent. This book on cinema and intermediality therefore rethinks both cinema as a form and the practice of film analysis, using concepts and analytical tools derived mainly from the fields of media theory and intermediality

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1-4744-2902-5; 978-1-4744-2902-3; 1-4744-2901-7; 978-1-4744-2901-6
    RVK Klassifikation: AP 47500 ; AP 47600 ; AP 45400
    Schlagworte: Motion pictures / Criticism and interpretation; Motion picture film / History; Intermediality; New media art; Technology and the arts; Film.; Filmästhetik.; Intermedialität.
    Umfang: vi, 154 Seiten :, Illustrationen ;, 24 cm.
    Bemerkung(en):

    Inhalt: Media behind the scenes: Orson Welles's Citizen Kane, Cinematic theatre: Alejandro G. Iñárritu's Birdman, A novelist on film?: Joachim Trier's Louder than bombs, Between cinema and photography: Jan Troell's Everlasting moments, Mixing senses and media: Epstein and Friedman's Howl, Surveilling media: Kathryn Bigelow's Zero dark thirty, Cinematic representations of a 'super wicked problem': climate change in documentary film (Ice and the sky and Chasing Ice)