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  1. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300229066
    RVK Klassifikation: LH 84160 ; LH 85130
    Schlagworte: Kunst; Schwarze <Motiv>; Geschichte 1800-2018; ; Schwarze; Modell <Kunst>; Geschichte 1800-2018; Manet, Edouard; Matisse, Henri; Rezeption; Kunst; Schwarze <Motiv>; ; Bearden, Romare; Ringgold, Faith; Mpane, Aimé; Sulter, Maud; Thomas, Mickalene;
    Weitere Schlagworte: Artists and models in art / Blacks / Exhibitions; Artists' models / Blacks / Exhibitions; African American models / Exhibitions; Modernism (Art) / Europe / Exhibitions; Blacks / France / Paris; Modernism (Art) / United States / Exhibitions; Art / Exhibitions
    Umfang: XVII, 206 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Published on the occasion of the exhibition "Posing Modernity: the black model from Manet and Matisse to today" [...] The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018-February 10, 2019 ; Musée d'Orsay, Paris (as the expanded exhibition "Le Modèle noir de Gericault à Matisse"), March 26-July 14, 2019

    Enthält Literaturangaben
  2. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven ; London

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300229066
    RVK Klassifikation: LH 84160 ; LH 85130
    Schlagworte: Schwarze <Motiv>; Schwarze; Modell <Kunst>; Rezeption; Kunst
    Weitere Schlagworte: Ringgold, Faith (1930-2024); Mpane, Aimé (1968-); Manet, Edouard (1832-1883): Olympia; Sulter, Maud (1960-2008); Bearden, Romare (1911-1988); Matisse, Henri (1869-1954); Thomas, Mickalene (1971-); Artists and models in art / Blacks / Exhibitions; Artists' models / Blacks / Exhibitions; African American models / Exhibitions; Modernism (Art) / Europe / Exhibitions; Blacks / France / Paris; Modernism (Art) / United States / Exhibitions; Art / Exhibitions
    Umfang: XVII, 206 Seiten, Illustrationen, Karten, 27 cm
    Bemerkung(en):

    Published on the occasion of the exhibition ... The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018 - February 10, 2019; Musée d'Orsay, Paris (as the expanded exhibition "Le Modèle noir de Gericault à Matisse"), March 26 - July 14, 2019
  3. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven ; London

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300229066
    RVK Klassifikation: LH 84160 ; LH 85130
    Schlagworte: Schwarze <Motiv>; Schwarze; Modell <Kunst>; Rezeption; Kunst
    Weitere Schlagworte: Ringgold, Faith (1930-2024); Mpane, Aimé (1968-); Manet, Edouard (1832-1883): Olympia; Sulter, Maud (1960-2008); Bearden, Romare (1911-1988); Matisse, Henri (1869-1954); Thomas, Mickalene (1971-); Artists and models in art / Blacks / Exhibitions; Artists' models / Blacks / Exhibitions; African American models / Exhibitions; Modernism (Art) / Europe / Exhibitions; Blacks / France / Paris; Modernism (Art) / United States / Exhibitions; Art / Exhibitions
    Umfang: XVII, 206 Seiten, Illustrationen, Karten, 27 cm
    Bemerkung(en):

    Published on the occasion of the exhibition ... The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018 - February 10, 2019; Musée d'Orsay, Paris (as the expanded exhibition "Le Modèle noir de Gericault à Matisse"), March 26 - July 14, 2019
  4. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven ; London

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical... mehr

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    FH Münster, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Wuppertal
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300229066
    RVK Klassifikation: LH 84160 ; LH 85130 ; LH 84160 ; LH 85130
    Schlagworte: Artists and models in art / Blacks / Exhibitions; Artists' models / Blacks / Exhibitions; African American models / Exhibitions; Modernism (Art) / Europe / Exhibitions; Blacks / France / Paris; Modernism (Art) / United States / Exhibitions; Art / Exhibitions
    Umfang: XVII, 206 Seiten, 27 cm
    Bemerkung(en):

    "Published on the occasion of the exhibition 'Posing Modernity: The Black Model from Manet and Matisse to Today' [...], The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018-February 10, 2019; Musée d'Orsay, Paris (as the expanded exhibition 'Le Modèle noir de Gericault à Matisse'), March 26-July 14, 2019" - Impressum