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  1. World literature after empire
    rethinking universality in the long Cold War
    Autor*in: Vanhove, Pieter
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York, NY

    China and the restaging of Afro-Asian World literature -- Moravia's presidency of PEN international -- Translating anticolonial universality in Gramsci and Pasolini -- The singular universal in Sartre's Lumumba preface -- Malraux's imaginary museum... mehr

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    China and the restaging of Afro-Asian World literature -- Moravia's presidency of PEN international -- Translating anticolonial universality in Gramsci and Pasolini -- The singular universal in Sartre's Lumumba preface -- Malraux's imaginary museum of world art -- Huang Yong Ping's competing universalities. "This book makes the case that the idea of a "world" in the cultural and philosophical sense is not an exclusively Western phenomenon. During the Cold War a plethora of historical attempts were made to reinvent the notions of world literature, world art, and philosophical universality from an anticolonial perspective"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003129875; 1003129870; 9781000415438; 1000415430; 9781000415476; 1000415473
    RVK Klassifikation: HN 1071
    Schriftenreihe: Routledge studies in comparative literature
    Schlagworte: Literature, Modern; Postcolonialism in literature; Cultural studies; Geschichte; Humanities; Kolonialismus und Imperialismus; LIT020000; LIT024050; LIT024060; LIT025010; LITERARY CRITICISM / General; Literary studies: post-colonial literature; PHILOSOPHY / General; POL045000; Politik und Staat; Vergleichende Literaturwissenschaft
    Umfang: 1 online resource (x, 211 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  2. Poetry & strikes
    trade union narratives and legacies
    Autor*in: James, Michael
    Erschienen: 2023
    Verlag:  Liverpool University Press, Liverpool

    Poetry & Strikes examines shifting representations of strike action in the work of six British poets from the 1970s to the present day. It considers how these poets have come to contend with, and contribute to, narratives surrounding industrial... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Poetry & Strikes examines shifting representations of strike action in the work of six British poets from the 1970s to the present day. It considers how these poets have come to contend with, and contribute to, narratives surrounding industrial disputes. Through these conversations, the book attempts to question the way in which union narratives and legacies are constructed, and to investigate the power dynamics that underpin the presentation of labour histories. The work of these poets helps us to understand how cultural memories have been formed, and makes it possible to see how these legacies may still be rewritten and reframed

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781800855403
    Schriftenreihe: Poetry & ...
    Schlagworte: British & Irish history; HISTORY / Modern / 20th Century; HISTORY / Modern / 21st Century; Industrialisation & industrial history; Industrialisierung und Industriegeschichte; LIT024050; LIT024060; LIT025030; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Poetry; Literary studies: from c 1900 -; Literary studies: poetry & poets; Literaturwissenschaft: 1900 bis 2000; Literaturwissenschaft: Lyrik und Dichter
    Umfang: vii, 146 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 131-140

    IntroductionI.Why Poetry?II.Introducing the PoetsIII.The ChaptersChapter OneHow Did We Get Here? The HistoryChapter TwoUnions and Not UnionsI.UnionsI.I. Barry MacSweeney's Black Torch and 'Black Torch Sunrise'I.II. Tony Harrison's 'V.'I.III. Sean O'Brien's 'Summertime'I.IV Steve Ely's 'Ballad of the Scabs', 'Irish Blood, English Heart' and 'Inglan is a Bitch'II.Not UnionsII.I Helen Mort's 'Scab'Chapter ThreeNaming Scargills and ThatchersI.NamingI.I. Paul Bentley's 'The Two Magicians'I.II. Barry MacSweeney's 'John Bunyan to Johnny Rotten'I.III. Sean O'Brien's 'Unregistered'I.IV. Steve Ely's 'Arthur Scargill', 'One of Us', 'Ballad of the Scabs', 'Scum of the Earth', 'Nithing'Chapter FourStrikes and PlaceI.I. Paul Bentley's 'The Two Magicians'I.II. Helen Mort's 'Scab' and 'Pit Closure as a Tarantino Short' and Steve Ely's 'Objective One'Chapter FiveOther Poetic ResponsesI.Against All the OddsII.The Poet Laureate - Ted Hughes' 'On the Reservations' and 'The Best Worker in Europe'

  3. The art and science of making the new man in early-twentieth-century Russia
    Beteiligt: Krementsov, N. L. (HerausgeberIn); Howell, Yvonne (HerausgeberIn)
    Erschienen: 2023
    Verlag:  Bloomsbury Academic, London

    The idea that morally, mentally, and physically superior new men might replace the currently existing mankind has periodically seized the imagination of intellectuals, leaders, and reformers throughout history. This volume offers a multidisciplinary... mehr

    Universität Potsdam, Universitätsbibliothek
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    The idea that morally, mentally, and physically superior new men might replace the currently existing mankind has periodically seized the imagination of intellectuals, leaders, and reformers throughout history. This volume offers a multidisciplinary investigation into how the new man was made in Russia and the early Soviet Union in the first third of the 20th century. The traditional narrative of the Soviet new man as a creature forged by propaganda is challenged by the strikingly new and varied case studies presented here. The book focuses on the interplay between the rapidly developing experimental life sciences, such as biology, medicine, and psychology, and countless cultural products, ranging from film and fiction, dolls and museum exhibits to pedagogical projects, sculptures, and exemplary agricultural fairs. With contributions from scholars based in the United States, Canada, the UK, Germany and Russia, the picture that emerges is emphatically more complex, contradictory, and suggestive of strong parallels with other new man visions in Europe and elsewhere. In contrast to previous interpretations that focused largely on the apparent disconnect between utopian new man rhetoric and the harsh realities of everyday life in the Soviet Union, this volume brings to light the surprising historical trajectories of new man visions, their often obscure origins, acclaimed and forgotten champions, unexpected and complicated results, and mutual interrelations. In short, the volume is a timely examination of a recurring theme in modern history, when dramatic advancements in science and technology conjoin with anxieties about the future to fuel dreams of a new and improved mankind

     

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    Quelle: Verbundkataloge
    Beteiligt: Krementsov, N. L. (HerausgeberIn); Howell, Yvonne (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350232846
    Weitere Identifier:
    9781350232846
    Auflage/Ausgabe: Paperback edition
    Schlagworte: Sociobiology; Sociobiology; Human evolution; Human evolution; Human evolution in literature; Russia; Soviet Union; 20th century history: c 1900 to c 2000; European history; Europäische Geschichte; HISTORY / Europe / General; HISTORY / Europe / Russia & the Former Soviet Union; HISTORY / Social History; LIT024050; LITERARY CRITICISM / Russian & Former Soviet Union; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; Social & cultural history; Sozial- und Kulturgeschichte
    Umfang: xiv, 280 Seiten, Illustrationen
    Bemerkung(en):

    Preface List of Illustrations Introduction Nikolai Krementsov (University of Toronto, Canada) Part 1 - Nurturing the New Man 1. Encyclopedic Worldbuilding: Alexander Bogdanov and the Cognitive Creation of the New Man Michael Coates (University of California, Berkeley, USA) 2. The Road to Life : Educating the New Man Lyubov Bugaeva (Saint Petersburg State University, Russia) 3. The New Man in the Nursery: Making Soviet Dolls and Regulating Children s Play in the 1920s and 30s Olga Ilyukha (Russian Academy of Sciences, Russia) Part 2 - Imagining the New Man 4. New Sciences, New Worlds, and New Men Nikolai Krementsov (University of Toronto, Canada) 5. Entertaining Sciences, Unlikely Horrors: The Changing Image of Man in Soviet Popular-Scientific Literary Genres Matthias Schwartz (Leibniz Center for Literary and Cultural Research, Germany) 6. The New Man as a Monster of Eugenic Imagination: The Criminal Brain in Mikhail Bulgakov s Heart of a Dog and James Whale s Frankenstein Irina Golovacheva (St. Petersburg State University, Russia ) Part 3 - Displaying the New Man 7. A School of the Peasantry of the Future : Constructing the Image of a New Peasant at the 1923 All-Russian Agricultural Exhibition Olga Elina (Russian Academy of Sciences, Russia)8. Revolutionary Evolution in Apes and Humans in the 1920s: Sculpture and Constructs of the New Man at the Moscow Darwin Museum Pat Simpson (University of Hertfordshire, UK) 9. A New Man in the Ethnographic Museum: Between the Socialist Content and the National Form Stanislav Petriashin (Russian Museum of Ethnography, Russia) Part 4 - ConclusionThe New Man: One Hundred Years Later Yvonne Howell (University of Richmond, USA) List of Contributors Index

  4. The world according to Joan Didion
    Erschienen: [2023]
    Verlag:  HarperOne, New York

    An intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style.... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    An intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style. Joan Didion was a writer s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists.An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion s prose and an invitation to journalists, storytellers, and life adventurers to throw themselves into the convulsions of the world, as she once said.Evelyn McDonnell, the acclaimed journalist, essayist, critic, feminist, native Californian, and university professor who regularly teaches Didion s work, is attuned to interpret Didion s vision for readers today. Inspired by Didion s own words-from her works both published and unpublished-and informed by the people who knew Didion and those whose lives she shaped, The World According to Joan Didion is an illustrated journey through her life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion s eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc.One of the first books to be published after the revered writer s death in 2021, The World According to Joan Didion is a literary companion for those embarking on new journeys and a guide to innovative ways of being. It will radically transform the way you explore the world, and will help you answer the question as you sit in a café, or on a plane or train, pondering the future: What would Joan Didion have seen?

     

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  5. Anger in the long nineteenth century
    critical perspectives
    Beteiligt: Sengupta, Ritushree (HerausgeberIn); Hore, Shouvik Narayan (HerausgeberIn)
    Erschienen: 2023; ©2023
    Verlag:  Cambridge Scholars Publishing, Newcastle-upon-Tyne

    This edited collection traverses the genre of anger studies by documenting its transition from the Classical age up to our present-day cognizance of the philosophical, socio-historical, psycho-physiological and pathological theorizations of anger.... mehr

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    This edited collection traverses the genre of anger studies by documenting its transition from the Classical age up to our present-day cognizance of the philosophical, socio-historical, psycho-physiological and pathological theorizations of anger. The book illustrates how literature may systematically document and even institutionalize primal, emotive outbursts, providing meaningful analysis for scholars across various disciplines. The contributions here cover a wide spectrum of critical works, ranging from Aristotle's Rhetoric, Seneca's De Ira and Plutarch's On Restraining Anger to Bharat Muni's Natyashastra, as well as notable nineteenth century texts by authors such as E.T.A. Hoffmann, Edgar Allan Poe, Emily Bronte, Matthew Arnold, Algernon Swinburne, Rudyard Kipling and Henry Lawson.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Sengupta, Ritushree (HerausgeberIn); Hore, Shouvik Narayan (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781527529236
    Schlagworte: LIT024050; LITERARY CRITICISM / Ancient & Classical; Literary studies: classical, early & medieval; Literary studies: from c 1900 -; Literatur: Geschichte und Kritik; Literature: history & criticism; Literaturwissenschaft: 1900 bis 2000; Literaturwissenschaft: Antike und Mittelalter
    Umfang: 1 online resource (203 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  6. Medical Caregiving Narratives of the First World War
    Geographies of Care
    Autor*in: Allitt, Marie
    Erschienen: 2023
    Verlag:  Edinburgh University Press, Edinburgh

    Cover -- Half Title -- Dedication -- Title Page -- Copyright -- Contents -- List of Figures -- Acknowledgements -- Introduction -- 1. Corpography: Reconceptualising Somatic Geographies -- 2. Layering: Appropriating Medical Spaces -- 3. Protrusions,... mehr

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    Cover -- Half Title -- Dedication -- Title Page -- Copyright -- Contents -- List of Figures -- Acknowledgements -- Introduction -- 1. Corpography: Reconceptualising Somatic Geographies -- 2. Layering: Appropriating Medical Spaces -- 3. Protrusions, Openings, and Depths: A Medical Grotesque -- 4. Countering: Representing Coping Strategies -- 5. Surfaces: Articulating Pain and Trauma -- Conclusion -- Bibliography -- Index Explores how military medical practitioners articulated and represented their spatial and sensory experiences of caregiving

     

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  7. Shadows of Nagasaki
    trauma, religion, and memory after the atomic bombing

    A critical introduction to how the Nagasaki atomic bombing has been remembered, especially in contrast to that of Hiroshima.In the decades following the atomic bombing of Nagasaki on August 9, 1945, the city s residents processed their trauma and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    A critical introduction to how the Nagasaki atomic bombing has been remembered, especially in contrast to that of Hiroshima.In the decades following the atomic bombing of Nagasaki on August 9, 1945, the city s residents processed their trauma and formed narratives of the destruction and reconstruction in ways that reflected their regional history and social makeup. In doing so, they created a multi-layered urban identity as an atomic-bombed city that differed markedly from Hiroshima s image. Shadows of Nagasaki traces how Nagasaki s trauma, history, and memory of the bombing manifested through some of the city s many post-atomic memoryscapes, such as literature, religious discourse, art, historical landmarks, commemorative spaces, and architecture. In addition, the book pays particular attention to how the city s history of international culture, exemplified best perhaps by the region s Christian (especially Catholic) past, informed its response to the atomic trauma and shaped its postwar urban identity. Key historical actors in the volume s chapters include writers, Japanese- Catholic leaders, atomic-bombing survivors (known as hibakusha), municipal officials, American occupation personnel, peace activists, artists, and architects. The story of how these diverse groups of people processed and participated in the discourse surrounding the legacies of Nagasaki s bombing shows how regional history, culture, and politics-rather than national ones-become the most influential factors shaping narratives of destruction and reconstruction after mass trauma. In turn, and especially in the case of urban destruction, new identities emerge and old ones are rekindled, not to serve national politics or social interests but to bolster narratives that reflect local circumstances Note on Japanese Names | xiIntroduction: Imagining Nagasaki: Religion and History in Postatomic MemoryscapesChad R. Diehl | 1Part I: Catholic ResponsesThe "Saint" of Urakami: Nagai Takashi and Early Representations of the Atomic ExperienceChad R. Diehl | 33Loving Your Neighbor across the Sea:The Reception of the Work of Nagai Takashi in the Republic of KoreaHaeseong Park and Franklin Rausch | 70Faith, Family, Earth, and the Atomic Bomb in the Art of Nagai TakashiAnthony Richard Haynes | 93"Love Saves from Isolation": Ozaki ToÅmei and His Journey from Nagasaki to Auschwitz and BackGwyn McClelland | 112Part II: Literature and Testimony"Nagasaki" in Akutagawa Ryu±nosuke's Taisho-Era Literary ImaginationAnri Yasuda | 131Lambs of God, Ravens of Death, Rafts of Corpses:Three Visions of Trauma in Nagasaki Survivor PoetryChad R. Diehl | 151Listening to the Dead and Filling the Void: The Prayer and Activism of Akizuki TatsuichiroMaika Nakao | 179Breaking New Ground in Nagasaki: Seirai Yuichi's Ground Zero LiteratureMichele M. Mason | 191Part III: Sites of MemoryFragmented Memory:The Scattering of the Urakami Cathedral Ruins among Nagasaki's Memorial LandscapeAnna Gasha | 215One Fine Day: The Allied Occupation of Nagasaki and "Madame Butterfly House"Brian Burke-Gaffney | 243The Titan and the Arch:Regulating Public Memory through the Peace StatueNanase Shirokawa | 264Part IV: ReflectionsHow I Came to Criticize Nagai Takashi's Urakami Holocaust TheoryShinji Takahashi | 295On Rereleasing The Bells of Nagasaki to the WorldTokusaburo Nagai | 312Acknowledgments | 319List of Contributors | 323Index | 327

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Diehl, Chad (HerausgeberIn, VerfasserIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781531504960
    RVK Klassifikation: NQ 9020 ; NQ 2795
    Auflage/Ausgabe: First edition
    Schriftenreihe: World War II: The global, human, and ethical dimension
    Schlagworte: Asian history; Asiatische Geschichte; HISTORY / Asia / Japan; Japanese; Japanisch; Katholizismus, römisch-katholische Kirche; LIT024050; LITERARY CRITICISM / Asian / Japanese; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; RELIGION / Christianity / Catholic; Roman Catholicism, Roman Catholic Church
    Umfang: ix, 346 Seiten, Illustrationen
  8. Documentary aesthetics in the long 1960s in Eastern Europe and beyond
    Beteiligt: Günther, Clemens (HerausgeberIn); Schwartz, Matthias (HerausgeberIn)
    Erschienen: [2024]
    Verlag:  Brill, Leiden

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they... mehr

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    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of depicting daily life, writing testimony or subjective reportage emerged that still shape cultural debates today."-- This book, for the first time, investigates documentary aesthetics as a formative trend in post-war Eastern Europe. Its contributions reconstruct major artistic practices and their theoretical reflections within the broader cultural-political horizon of the turbulent 1960s

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Günther, Clemens (HerausgeberIn); Schwartz, Matthias (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004533097
    RVK Klassifikation: KD 5120
    Schriftenreihe: Studies in Slavic literature and poetics ; volume 67
    Schlagworte: Motion pictures; Documentary films; Motion pictures; Motion pictures; Documentary films; Dokumentarfilme; Fernsehen, TV; HISTORY / Military / Other; Kalte Kriege und Stellvertreterkonflikte; LIT024050; LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union); Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; PER004110; PERFORMING ARTS / Television / General; POL062000; Postwar 20th century history, from c 1945 to c 2000; Television; The Cold War
    Umfang: XIV, 349 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    "The idea for this edited volume resulted from the [...] conference "'Firsthand Time.' Documentary Aesthetics in the Long 1960s," held at the Leibnitz Center for Literary and Cultural Research (ZfL) in Berlin on January 16-18, 2020." - S. VII

    ContentsAcknowledgementsList of FiguresNotes on ContributorsIntroductionFirsthand TimeâClemens Günther and Matthias SchwartzPart 1: Exposing a Painful Past: Modes of Testimony1 Document of the Soul: Varlam Shalamov s Documentary Writing in a Contemporary ContextâFranziska Thun-Hohenstein2 A Dreyfus Affair for Soviet Children: on the Encoded Poetics of Aleksandra Brushtein s Documentary ProseâNatasha Gordinsky3 Supplementing Evidence: Danilo KisÌ s Poet(h)ics in the Context of Yugoslav Documentarism of the 1960sâTatjana Petzer4 Hands of Time and Large Numbers in Alexander Kluge s (Post-)Documentary LiteratureâGunther MartensPart 2: Discovering the Self and the Other: Modes of Expressing Individuality5 Celebration and Abstraction: the Documentary Mode of Jonas Mekas s Diary FilmsâChristian Zehnder6 Documentary and Poetics Interwoven: Mikhail Kalik s CinemaâElena Nekrasova7 The Technique of Documenting: on the Early Reportages of Ryszard KapusÌcinÌski and Hanna KrallâMatthias SchwartzPart 3: Refining the Senses: Modes of Self-Reflective Artistic Practices8 Dramas of the Fact: Soviet Conceptualisations of Documentary Theatre in the 1960sâAnna Hodel9 Instead of Approximate Precision-Precise Approximation: Ian Satunovskii s Poor PoetryâGeorg Witte10 Reproductions without an Original: the Self-Published Aesthetics of Cold War-Era CopiesâSarah A. BurgosPart 4: Exploring the Everyday: Modes of Perceiving Social Issues11 The Trials of Documenting: Frida Vigdorova s Notes of the Brodsky Court ProceedingsâAnja Tippner12 The Poetry of Mikhail Sokovnin: an Aesthetic Opposition to the Literature of Fact âIlya Kukulin13 Discourses of Sobriety: Documentary Aesthetics in Conceptual Art in the United StatesâRenate WöhrerIndex

  9. Of love and loss
    Hardy Yeats Larkin
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York

    Time and change: the mutability tradition -- Hardy I: Joy -- Hardy II: Pessimism -- Yeats I: Faerie and Byzantium -- Yeats II: The world of time and change -- Larkin I: The idealist -- Larkin II: The sad pessimist. "A study of the poetry of Hardy,... mehr

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    Time and change: the mutability tradition -- Hardy I: Joy -- Hardy II: Pessimism -- Yeats I: Faerie and Byzantium -- Yeats II: The world of time and change -- Larkin I: The idealist -- Larkin II: The sad pessimist. "A study of the poetry of Hardy, Yeats, and Larkin in relation to their shared preoccupation with time, change, and loss, the most ancient and fertile theme in lyric and reflective verse, known to earlier English poets as mutability"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032211237; 9781032257129
    Schriftenreihe: Routledge studies in contemporary literature
    Schlagworte: Change in literature; Space and time in literature; English poetry; English poetry; Verlust <Motiv>; Communication studies; Kommunikationswissenschaft; LANGUAGE ARTS & DISCIPLINES / Rhetoric; LIT024040; LIT024050; LITERARY CRITICISM / General; LITERARY CRITICISM / Poetry; Literary studies: c 1800 to c 1900; Literary studies: from c 1900 -; Literaturwissenschaft: 1800 bis 1900; Literaturwissenschaft: 1900 bis 2000; Lyrik, Poesie; Poetry
    Weitere Schlagworte: Hardy, Thomas (1840-1928); Yeats, W. B (1865-1939); Larkin, Philip; Hardy, Thomas (1840-1928); Larkin, Philip (1922-1985)
    Umfang: ix, 181 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    PrologueAcknowledgements1.Time and Change: the Mutability Tradition2. Hardy I: Joy3. Hardy II. Pessimism4. Yeats I: Faerie and Byzantium5.Yeats II. The World of Time and Change6. Larkin I: The Idealist7. Larkin II. The Sad Pessimist Epilogue

  10. Maternal Modernism
    Narrating New Mothers
    Erschienen: 2022
    Verlag:  Springer International Publishing AG, Cham

    Drawing on the figure and discourses of the Victorian fin-de-siècle New Woman, this book examines women writers who struggled with conservative, patriarchal ideologies of motherhood in novels, periodicals and life writings of the long modernist... mehr

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    Drawing on the figure and discourses of the Victorian fin-de-siècle New Woman, this book examines women writers who struggled with conservative, patriarchal ideologies of motherhood in novels, periodicals and life writings of the long modernist period. It shows how these writers challenged, resisted, adapted and negotiated traditional ideas with their own versions of new motherhood, with needs for identities and experiences beyond maternity. Tracing the period from the end of the nineteenth century through the twentieth, this study explores how some of the numerous elements and forces we identify with modernism are manifested in equally diverse and often competing representations of mothers, mothering and motherhood. It investigates how historical personages and fictional protagonists used and were constructed within textual spaces where they engaged critically with the maternal as institution, identity and practice, from perspectives informed by gender, sexuality, nationhood, race and class. The matrifocal literatures examined in this book exemplify how feminist motherhoods feature as a prominent thematic of the long modernist era and how rebellious New Woman mothers provocatively wrote maternity into text and history

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031089114
    Schlagworte: Gender Studies: Gruppen; Gender studies, gender groups; HISTORY / General; LIT020000; LIT024040; LIT024050; Literary studies: c 1800 to c 1900; Literary studies: from c 1900 -; Literaturwissenschaft: 1800 bis 1900; Literaturwissenschaft: 1900 bis 2000; Social & cultural history; Sozial- und Kulturgeschichte; Vergleichende Literaturwissenschaft
    Umfang: 1 Online-Ressource (xii, 330 Seiten)
    Bemerkung(en):

    Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)

    Chapter 1: The "persistent rebels" of Maternal ModernismChapter: The New Woman, New Modernisms, and New MotherhoodsChapter 3: Mothers in New Woman Fiction: "the terra incognita of herself"Chapter 4: "The 'momentousness' of motherhood": Maternal Ideologies, Discourses, and Debates in The Freewoman: A Weekly Feminist Review and The Freewoman: A Weekly Humanist ReviewChapter 5: "The Title Role of 'Mother'": Silent-Film Stardom and Celebrity Maternity in Photoplay MagazineChapter 6: "Freedom and childbearing": Prams, Politics, and Literary Life in NewWoman Autobiographies of the Interwar EraChapter 7: "A mother, a wife, a worker and a wonder-woman": Matroethnography, Black Feminism, and Postcolonial New Womanhood in Buchi Emecheta's London NarrativesChapter 8: Coda: New Womanism in the Twenty-First Century

  11. Passing, posing, persuasion
    cultural production and coloniality in Japan's East Asian empire
    Beteiligt: Yi, Christina (HerausgeberIn); Haag, Andre (HerausgeberIn); Ryu, Catherine (HerausgeberIn)
    Erschienen: 2023
    Verlag:  University of Hawaiʻi Press, Honolulu

    "Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian... mehr

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    "Passing, Posing, Persuasion interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan's East Asian empire (1895-1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of "passing" or "posing." Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity. The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors--in multiple senses of the word--from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Yi, Christina (HerausgeberIn); Haag, Andre (HerausgeberIn); Ryu, Catherine (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824896270; 9780824896287; 9780824896294
    Schlagworte: Ethnicity; Passing (Identity); Propaganda, Japanese; Japanese literature; Ethnicity; Passing (Identity); Literature in propaganda; Propaganda, Japanese; 20th century history: c 1900 to c 2000; Asian history; Asiatische Geschichte; Comparative politics; Film theory & criticism; Filmgeschichte, Filmtheorie und Filmkritik; HISTORY / Asia / Japan; Japanese; Japanisch; LIT024050; LITERARY CRITICISM / Asian / Japanese; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; Media studies; Medienwissenschaften; PERFORMING ARTS / Film & Video / History & Criticism; POL054000; POLITICAL SCIENCE / Government / Comparative
    Umfang: 1 Online-Ressource (208 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Passing, Posing, and Persuasion in the Japanese Empire / Christina Yi, Andre Haag, And Catherine Ryu -- A Japanese Othello in Taiwan: Performing Patriarchy, Race, and Empire in Imperial Japan / Robert Tierney -- Passing and Posing in Colonial Manchuria in Murō Saisei's Koto of the Continent / Kimberly Kono -- Passing, Paranoia, and the Korea Problem: Cultures of "Telling the Difference" in Imperial Japan / Andre Haag -- Pluralizing Passing and Transpacific Afro-Asian Solidarities: Passings and Impasses across Colonial Korea and the Segregated United States / Nayoung Aimee Kwon -- Crafting the Colonial "Japanese Child" / Joan E. Ericson -- A Woman for Every Tribe: Li Xianglan and Her Construction of a Pan-Asian Femininity / Faye Yuan Kleeman -- Ri Kōran: Posing and Passing as a "Cultured Native" / Nobuko Yamasaki -- In the Shadow of Sōshi Kaimei: Imposed and Adopted Names in Yū Miri's The End of August / Kang Yuni; translated By Cindi Textor.

  12. Affect, Emotion and Sensibility in Modern Japanese Literature
    From Natsume Sôseki to Ishimure Michiko
    Erschienen: 2025
    Verlag:  Routledge, London

    This book takes the unique approach of combining cognitive approaches with more established close-reading methods in analyzing a selection of Japanese novels mehr

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    This book takes the unique approach of combining cognitive approaches with more established close-reading methods in analyzing a selection of Japanese novels

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032539102
    Schriftenreihe: Routledge Research on Asian Literature
    Schlagworte: LIT020000; LIT024000; LIT024050; LIT024060; LITERARY CRITICISM / Asian / Japanese; LITERARY CRITICISM / General; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000
    Umfang: 210 Seiten
    Bemerkung(en):

    Introduction Part I: Sensibility and Genre 1. Natsume Sôsekis Narrative Experiments: From Shaseibun to Light and Dark 2. Shiga Naoyas Shishôsetsu: From Infatuation to A Dark Nights Passing Part II: Affect and Emotion 3. Disorienting Affect in Natsume Sôsekis Kokoro 4. Ôe Kenzaburôs The Silent Cry Revisited Through Affect Theory 5. Speech Acts and Emotion in Kirino Natsuos Grotesque 6. Cruel Optimism in Kawakami Miekos Breasts and Eggs and Murata Sayakas Convenient Store Woman Part III: Historical Trauma and Representation 7. Ibuse Masujis Black Rain and Imamura Shôheis Film Adaptation 8. Intertextual Time Machine: Tsushima Yûkos Laughing Wolf and Ôe Kenzaburôs Children of Two Hundred Years 9. Ethics of Care in Ishimure Michikos Villages of the Gods Conclusion

  13. American fiction since 1940
    Beteiligt: Patell, Cyrus R. K. (HerausgeberIn); Williams, Deborah Lindsay (HerausgeberIn)
    Erschienen: [2024]; © 2024
    Verlag:  Oxford University Press, Oxford

    An overview of US fiction since 1940 that explores the history of literary forms, the history of narrative forms, the history of the book, the history of media, and the history of higher education in the United States mehr

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    An overview of US fiction since 1940 that explores the history of literary forms, the history of narrative forms, the history of the book, the history of media, and the history of higher education in the United States

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Patell, Cyrus R. K. (HerausgeberIn); Williams, Deborah Lindsay (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780192844729
    Schriftenreihe: The Oxford history of the novel in English ; Volume 8
    Schlagworte: Film, TV & radio; Geschichte allgemein und Weltgeschichte; HISTORY / Modern / 20th Century; History of the Americas; LIT024050; Literary studies: fiction, novelists & prose writers; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; Postwar 20th century history, from c 1945 to c 2000
    Umfang: xiii, 680 Seiten
    Bemerkung(en):

    Indices

    Cyrus R. K. Patell and Deborah Lindsay Williams: IntroductionCyrus R. K. Patell and Deborah Lindsay Williams: Exemplum: Vladimir Nabokov, Lolita (1958)Part I. THE NOVEL AND THE CULTURE INDUSTRY1: Nikolaj Ramsdal Nielsen, Cyrus R. K. Patell, and Deborah Lindsay Williams: The Production and Circulation of the US NovelNikolaj Ramsdal Nielsen: Exemplum: Andrew Sean Greer, Less (2017)2: Ella Williamson and Cyrus R. K. Patell: Prize Winning Modernism and Its DiscontentsElla Williamson: Exemplum: William Faulkner, A Fable (1954)3: Jaime Harker: Middlebrow ReadingJaime Harker: Exemplum: Patricia Highsmith, The Price of Salt (1952)4: Marc Dolan: The Novel versus the Moving ImageMarc Dolan: Exemplum: Clockers (novel by Richard Price, 1992; film by Spike Lee, 1995)5: Bryan Waterman: Mediating the Novel in the Age of WarholBryan Waterman: Exemplum: Don DeLillo, Americana (1971)6: Heinz Ickstadt: US Postmodernist FictionHeinz Ickstadt: Exemplum: Robert Coover, The Public Burning (1977)7: Catherine Keyser: Shattering the Feminine MystiqueCatherine Keyser: Exemplum: Shirley Jackson, We Have Always Lived in the Castle (1962)8: Patrick Deer: The US War NovelPatrick Deer: Exemplum: Karl Marlantes, Matterhorn (2009)Part II. FICTIONS OF IDENTITY9: Werner Sollors: The Wright EraWerner Sollors: Exemplum: Richard Wright, Native Son (1940)10: Karen E. H. Skinazi: Jewish American FictionKaren E. H. Skinazi: Exemplum: Allegra Goodman, Kaaterskill Falls: An American Story (1998)11: Cyrus R. K. Patell: Cosmopolitanism and the Indigenous NovelCyrus R. K. Patell: Exemplum: Leslie Marmon Silko, Ceremony (1977)12: Ralph E. Rodriguez: The Latinx NovelRalph E. Rodriguez: Exemplum: Manuel Muñoz, What You See in the Dark (2011)13: Tina Chen: The Asian American NovelTina Chen: Exemplum: Theresa Hak Kyung Cha, Dictee (1982)14: Scott Herring: The LGBTQ NovelScott Herring: Exemplum: Andrew Holleran, Dancer from the Dance (1978)15: Waïl S. Hassan: The Hemispheric Arab American NovelHelen Makhdoumian: Exemplum: Susan Abulhawa's Mornings in Jenin (2010)16: Rachel Adams: Disability and the NovelRachel Adams: Exemplum: Jonathan Lethem, Motherless Brooklyn (1999)Part III. FORMS AND GENRES17: James J. Donahue: Historical FictionJames J. Donahue: Exemplum: Joyce Carol Oates, Blonde (2000)18: Siobhan Fallon: The Short StoryJim Savio: Exemplum: Russell Banks, Trailerpark (1981)19: Edward James: Science FictionEdward James: Exemplum: Frank Herbert, Dune (1965)20: Lauren Horst: The Romance NovelLauren Horst: Exemplum: J. R. Ward, Dark Lover (2005)21: Paul Grimstad: The Detective Novel and FilmPaul Grimstad: Exemplum: Paul Auster, City of Glass (1985)22: Deborah Lindsay Williams: Children's and Young Adult FictionDeborah Lindsay Williams: Exemplum: Nnedi Okorafor, Akata Witch (2011)23: Eliot Borenstein: The Graphic NovelEliot Borenstein: Exemplum: Alan Moore and Dave Gibbons, Watchmen (1987)Part IV. CRITICAL GEOGRAPHIES24: Donna L. Campbell: RegionalismDonna L. Campbell: Exemplum: Marilynne Robinson, Gilead (2004)25: Birgit Däwes: Ground Zero Fiction and the 9/11 NovelBirgit Däwes: Exemplum: Jonathan Safran Foer, Extremely Loud and Incredibly Close (2005)26: Stephanie LeMenager: The Anthropocene NovelStephanie LeMenager: Exemplum: Octavia Butler, Parable of the Sower (1993)Cyrus R. K. Patell and Deborah Lindsay Williams: Coda

  14. Beyond Hostile Islands
    The Pacific War in American and New Zealand Fiction Writing
    Autor*in: McKay, Daniel
    Erschienen: 2024; ©2024
    Verlag:  Fordham University Press, New York

    No detailed description available for "Beyond Hostile Islands". Cover -- Title Page -- Copyright -- Contents -- Foreword by Patrick Porter -- Introduction -- 1. Revelations and Comedy: The Combat Novel -- 2. Camera Men: Postwar Japan-Bashing -- 3.... mehr

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    No detailed description available for "Beyond Hostile Islands". Cover -- Title Page -- Copyright -- Contents -- Foreword by Patrick Porter -- Introduction -- 1. Revelations and Comedy: The Combat Novel -- 2. Camera Men: Postwar Japan-Bashing -- 3. Captive Memories: Internment North and South -- 4. The Poetics of Apology: FEPOW Narratives -- 5. Scientists and Hibakusha: Project Novels -- Coda -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author -- Series List.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Porter, Patrick (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781531505189; 9781531505172
    RVK Klassifikation: HU 1691
    Auflage/Ausgabe: 1st edition
    Schriftenreihe: World War II: the Global, Human, and Ethical Dimension Series
    Schlagworte: World War, 1939-1945; World War, 1939-1945; American fiction; New Zealand fiction; Colonialism & imperialism; HISTORY / Military / United States; HISTORY / Military / World War II; Kolonialismus und Imperialismus; LIT024050; LIT026000; LITERARY CRITICISM / American / General; LITERARY CRITICISM / Australian & Oceanian; Literary studies: fiction, novelists & prose writers; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; Literaturwissenschaft: Prosa, Erzählung, Roman, Autoren; POL045000; Second World War; Zweiter Weltkrieg
    Umfang: 1 Online Ressource (xii, 258 Seiten)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  15. Emerging from the horizon of history
    modern Chinese women's literature, 1917-1949
    Erschienen: [2023]
    Verlag:  Palgrave Macmillan, Singapore ; Peking University Press, [Peking]

    This book systematically studies the literary output of female writers in contemporary China within the frame of literary theories of feminism. With tools from psychoanalysis, structuralism and deconstructionism, the two female authors, Meng and Dai,... mehr

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    This book systematically studies the literary output of female writers in contemporary China within the frame of literary theories of feminism. With tools from psychoanalysis, structuralism and deconstructionism, the two female authors, Meng and Dai, analyze 9 important female writers from 1919 to 1949, including Yin Lu, Xin Bing, Ning Ding, Ailing Zhang. By decade, the authors provide a comprehensive depiction of these female writers' historic-cultural background as well as their reception by critics and audiences. Navigating the complex relation between mainstream literary trends and female writers’ practice, this text represents a landmark of practice of literary feminist criticism within the Chinese language

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789819940042; 9819940044
    Schlagworte: Chinese literature; Women authors, Chinese; Feminism and literature; Literature and society; Asian history; Asiatische Geschichte; Chinese; Chinesisch; Feminism & feminist theory; Feminismus und feministische Theorie; HISTORY / Asia / China; LIT024050; LITERARY CRITICISM / Asian / Chinese; LITERARY CRITICISM / Feminist; Literary studies: fiction, novelists & prose writers; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; Literaturwissenschaft: Prosa, Erzählung, Roman, Autoren; SOCIAL SCIENCE / Feminism & Feminist Theory
    Umfang: 1 Online-Ressource (x, 335 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    1. Introduction -- 2. Years of the "May Fourth" Era: A Floating Historical Stage -- 3. Lu Yin: "Wimps Standing in front of Life’s Diverging Paths" -- 4. Yuanjun: Rebellion and Sentimental AttachmentIntroduction -- 2. Years of the "May Fourth" Era: A Floating Historical Stage -- 3. Lu Yin: "Wimps Standing in front of Life’s Diverging Paths" -- 4. Yuanjun: Rebellion and Sentimental Attachment -- 5. Bing Xin: Fortune’s Favored Daughter -- 6. Ling Shuhua: A Feminine World Trapped in a Corner -- 7. The 1930s: Myths in the Crevice of Civilizations -- 8. Ding Ling: Vulnerable "Goddess" -- 9. Marching Towards Battlefields and the Bottom Classes -- 10. Women in the City: On the Margins of a Glorious Page of History -- 11. Bai Wei: A Survivor of Ordeals -- 12. Xiao Hong: The Brave and Wise Pathfinder -- 13. The Nineteen Forties: A Divided World -- 14. Su Qing: Women – "Civilians in the Occupied Areas" -- 15. Zhang Ailing: The Knowing Smile of a Desolate Beauty -- 16. Conclusion.

  16. Somerset Maugham and the cinema
    Autor*in: Calder, Robert
    Erschienen: [2024]
    Verlag:  The University of Wisconsin Press, Madison, Wisconsin

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  17. Acoustics of empire
    sound, media, and power in the long nineteenth century
    Erschienen: 2024
    Verlag:  Oxford University Press, New York

    Music and sound studies have increasingly turned their attention to questions of empire and postcolonial thought in recent years, raising new questions about the forms and circulation of cultural, technological, political, and military power as... mehr

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    Music and sound studies have increasingly turned their attention to questions of empire and postcolonial thought in recent years, raising new questions about the forms and circulation of cultural, technological, political, and military power as manifest in and through sound. However, most of this scholarship has focused on the twentieth and twenty-first centuries. Conversely, sound and media studies have made nineteenth-century histories of science and technology a central part of their canonical repertoire, but largely overlooked the ways in which these technological developments emerged from contexts of empire. Acoustics of Empire provides a cultural history of global acoustics in the Age of Empire. Examining histories of sound, listening practices, and audiovisual technologies of the long nineteenth century through the lens of geopolitical power, the authors recover a sonic history that is irrefutably entangled with questions of imperial power and colonial rule. This volume brings together historians, musicologists, anthropologists, and literary scholars to consider topics ranging from Indian music treatises and vocal practices in Brazil to Egyptian traffic noises and stethoscopes-as-props in South Africa. Across its chapters more broadly, it also draws attention to a period when Euro-American academic disciplines like musicology and linguistics were created, shaped by the imperial contexts in which they emerged. These intertwined legacies of sound and power are not simply historical curiosities; rather, they stand as formative influences in cultural modernity and its discontents that continue to shape the ways we hear and experience the world today

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0197553788; 9780197553787; 0197553796; 9780197553794
    RVK Klassifikation: NP 1300
    Schlagworte: Sound; Sound; Sound in mass media; Communication; Colonialism & imperialism; Kolonialismus und Imperialismus; LIT024050; LIT025060; Literary studies: post-colonial literature; Literaturwissenschaft: postkoloniale Literatur; MUSIC / Instruction & Study / Theory; Media studies; Medienwissenschaften; Modern history to 20th century: c 1700 to c 1900; Musikwissenschaft und Musiktheorie; POL045000; SOCIAL SCIENCE / Media Studies; Theory of music & musicology
    Umfang: viii, 372 Seiten, Illustrationen, Notenbeispiele
    Bemerkung(en):

    AcknowledgmentsList of ContributorsIntroduction: Imperial Sounds, c. 1797Peter McMurray and Priyasha MukhopadhyayPART I. INFRASTRUCTURE AND CITIES1. Grappling All Day: Towards Another History of TelegraphyAlejandra Bronfman2. Encounter and Memory in Ottoman Soundscapes: An Audiovisual Album of Street Vendors' CriesNazan Maksudyan3. Listening to Infrastructure: Traffic Noise and Classism in Modern EgyptZiad FahmyPART II. TECHNIQUES OF LISTENING4. Colonial Listening and the Epistemology of Deception: The Stethoscope in AfricaGavin Steingo5. Epistemological Jugalbandi: Sound, Science, and the Supernatural in Colonial North IndiaRichard David Williams6. Ramendrasundar Tribedi and a Sonic History of Race in Colonial BengalProjit Bihari MukharjiPART III. MUSICAL ENCOUNTERS7. Cosmopoiesis: Stories Sung of the Equatorial Gulf of Guinea, 1817James Q. Davies8. Listening to Korea: Audible Prayers, Boat Songs, and the Aural Possibilities of the U.S. Missionary ArchiveHyun Kyong Hannah Chang9. Listening through the Operatic Voice in 1820s Rio de JaneiroBenjamin Walton10. Ethnography and Exoticism in Nineteenth-Century FranceSindhumathi RevuluriPART IV. SILENCE AND ITS OTHERS11. The Anacoustic: Imperial Aurality, Aesthetic Capture, and the Spanish-American WarJairo Moreno12. pee ä wee, an Outrageous Clatter, and Other Sounds of AcclimatizationAlexandra Hui13. Gandhi's SilenceFaisal DevjiAfterword: Sound in the Imperial ArchiveElleke BoehmerIndex

  18. Documentary industrial novels and the sociology of work in the twentieth Century
    the United States, the Soviet Union and Western Europe
    Autor*in: Gier, H. G. de
    Erschienen: [2023]
    Verlag:  Amsterdam University Press B.V., Amsterdam

    In several European countries, the United States, and the Soviet Union, remarkable industrial novels based on empirical observations were written between 1900 and 1970. With two successive world wars and the rise of communism and fascism, this was an... mehr

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    In several European countries, the United States, and the Soviet Union, remarkable industrial novels based on empirical observations were written between 1900 and 1970. With two successive world wars and the rise of communism and fascism, this was an exceptionally turbulent time in the history of industrial capitalism as Taylorism and Fordism sought to increase production and consumption. This social landscape shaped modernist industrial novels. Key themes in these novels were class conflict, bad working conditions, worker alienation, changing workmen and employee cultures, urbanization, and worker migration. The primary goal was to document and publicize the real developments of working conditions in factories and offices, often aiming to influence both company welfare work and state social policies. This book focuses on the modernist industrial novel as written in five large industrial nations: the United States before WWII, the Stalinist Soviet Union, Weimar Germany, post-WWII Italy, and France.

     

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  19. Exil und Emotionen
    Beteiligt: Kilchmann, Esther (HerausgeberIn); Schirrmeister, Sebastian (HerausgeberIn)
    Erschienen: [2024]; © 2024
    Verlag:  De Gruyter, Berlin

    Das Jahrbuch beleuchtet das komplexe Spektrum an Emotionen, das mit Exilerfahrungen verbunden ist und neben Trauer und Heimweh auch Angst, Wut, Erleichterung und Dankbarkeit umfasst. Wie die Beiträge zu historischen und aktuellen Exiltexten zeigen,... mehr

    Universität Potsdam, Universitätsbibliothek
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    Das Jahrbuch beleuchtet das komplexe Spektrum an Emotionen, das mit Exilerfahrungen verbunden ist und neben Trauer und Heimweh auch Angst, Wut, Erleichterung und Dankbarkeit umfasst. Wie die Beiträge zu historischen und aktuellen Exiltexten zeigen, ist es gerade die Literatur, die dieses bislang unzureichend erforschte Themenfeld nuanciert verhandelt und so ein Archiv für eine erst noch zu schreibende Gefühlsgeschichte des Exils darstellt

     

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    Quelle: Verbundkataloge
    Beteiligt: Kilchmann, Esther (HerausgeberIn); Schirrmeister, Sebastian (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783111329314; 3111329313
    Weitere Identifier:
    9783111329314
    Schriftenreihe: Exilforschung ; Band 42 (2024)
    Schlagworte: 20th century history: c 1900 to c 2000; General & world history; Geschichte allgemein und Weltgeschichte; HISTORY / Modern / 20th Century; HISTORY / Social History; LIT024050; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; Social & cultural history; Sozial- und Kulturgeschichte
    Umfang: VII, 354 Seiten, Illustrationen, 23 cm x 15.5 cm, 528 g
    Bemerkung(en):

    Literaturangaben

  20. Architectures of Occupation in the Australian Short Story
    Literature and the Built Environment after 1900
    Autor*in: West, Patrick
    Erschienen: 2024
    Verlag:  Taylor & Francis Ltd, London

    Patrick Wests Architectures of Occupation in the Australian Short Story cultivates the potential for literary representations of architectural space to contribute to the development of a contemporary politics of Australian post-colonialism mehr

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    Patrick Wests Architectures of Occupation in the Australian Short Story cultivates the potential for literary representations of architectural space to contribute to the development of a contemporary politics of Australian post-colonialism

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003202547
    Schlagworte: ARCHITECTURE / General; Anthropologie; Anthropology; Architecture; Architektur; Colonialism & imperialism; Englisch; English; Ethnic Studies; Ethnic studies; Kolonialismus und Imperialismus; LIT024050; LIT025060; LITERARY CRITICISM / Australian & Oceanian; Literary studies: post-colonial literature; Literaturwissenschaft: postkoloniale Literatur; POL045000; SOC008030; SOCIAL SCIENCE / Anthropology / General; SOCIAL SCIENCE / Ethnic Studies / General
    Umfang: 1 Online-Ressource (200 Seiten)
    Bemerkung(en):

    1. Prolegomenon: Place and Space, Architecture and the Built Environment, and the Short Storys Spatial Potential-Experiments in Spatiality for Post-colonial (De-)Occupation 2. Huts, Distant Power, and the Distances Between Spatially Formed Places: Bush Studies by Barbara Baynton (1902) 3. Non-Indigenous and Indigenous Heterotopias, Ordered and Dis-Ordered Spaces, Occupation and De-Occupation: Kiss on the Lips and Other Stories by Katharine Susannah Prichard (1932) 4. Paper Architecture: Materiality, Peritext, Habitus, and (Inside-Outside) Politics-White Turtle: A Collection of Short Stories by Merlinda Bobis (1999). 5. Wind-Up

  21. The Politics of Transparency in Modern American Fiction
    Fear, Secrecy, and Exposure
    Beteiligt: Martín-Salván, Paula (HerausgeberIn); Pöhlmann, Sascha (HerausgeberIn)
    Erschienen: 2024; ©2024
    Verlag:  Boydell & Brewer, Incorporated, Rochester

    Explores modern and contemporary American literature's contribution to and critique of the newly emerging field of transparency studies. Front Cover -- Contents -- Acknowledgments -- Introduction: The Politics of Transparency -- 1: Walt Whitman's... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Explores modern and contemporary American literature's contribution to and critique of the newly emerging field of transparency studies. Front Cover -- Contents -- Acknowledgments -- Introduction: The Politics of Transparency -- 1: Walt Whitman's Poetry of Intimacy -- 2: The Lives and Times of Henry James and F. O. Matthiessen: The Neoliberal Transparent Society and Its Liberal Enemies -- 3: The Intelligibility of Coming Out as Gay -- 4: Invisibility and Exposure in Ralph Ellison's Invisible Man (1952) and George Schuyler's Black No More (1931) -- 5: The Transparency of the Scanner, the Opacity of the Simulacra: The Politics of Vision in Philip K. Dick's Oeuvre -- 6: "Angrier than Thou": Secrecy vs. Exposure in Philip Roth's I Married a Communist -- 7: Political Secrets in William Gibson's Sprawl Trilogy -- 8: Secrecy and Exposure in Toni Morrison's Paradise -- 9: Something Big and Invisible: Thomas Pynchon's Bleeding Edge and the Limits of Transparency -- 10: Narrating the Community in Karen Tei Yamashita's I Hotel: Story, History, System -- 11: Literary Imagination at the Digital Frontier: Dave Eggers's Recent Technological Dystopian Novel -- 12: "The Joy of Confession": Narratives of Disclosure in Jonathan Franzen's Crossroads -- 13: Celebrity 2.0: Female Influencer Figures in Contemporary American Fiction -- Contributors -- Index.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Martín-Salván, Paula (HerausgeberIn); Pöhlmann, Sascha (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781805434238; 9781805434221
    Schriftenreihe: European Studies in North American Literature and Culture Series ; v.25
    Schlagworte: LIT024050; Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; POLITICAL SCIENCE / Political Freedom & Security / General; Political control & freedoms; Politische Kontrolle, Propaganda und Freiheitsrechte
    Umfang: 1 online resource (337 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  22. Documentary aesthetics in the long 1960s in Eastern Europe and beyond
    Beteiligt: Günther, Clemens (HerausgeberIn); Schwartz, Matthias (HerausgeberIn)
    Erschienen: 2024; ©2024
    Verlag:  Brill, Leiden

    This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of depicting daily life, writing testimony or subjective reportage emerged that still shape cultural debates today

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Günther, Clemens (HerausgeberIn); Schwartz, Matthias (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004686427
    Weitere Identifier:
    RVK Klassifikation: KD 5120
    Schriftenreihe: Literature and Cultural Studies E-Books Online, Collection 2024
    Studies in Slavic Literature and Poetics ; volume 67
    Schlagworte: Documentary films; Motion pictures; Motion pictures; Motion pictures; Documentary films; Dokumentarfilme; Fernsehen, TV; HISTORY / Military / Other; Kalte Kriege und Stellvertreterkonflikte; LIT024050; LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union); Literary studies: from c 1900 -; Literaturwissenschaft: 1900 bis 2000; PER004110; PERFORMING ARTS / Television / General; POL062000; Postwar 20th century history, from c 1945 to c 2000; Television; The Cold War
    Umfang: 1 Online-Ressource (XIV, 349 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index

  23. Revolutionen der Literaturwissenschaft 1966–1971
    Beteiligt: Fries, Thomas (Hrsg.); Zanetti, Sandro (Hrsg.)
    Erschienen: [2019]; © 2019
    Verlag:  Diaphanes, Zürich

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Fries, Thomas (Hrsg.); Zanetti, Sandro (Hrsg.)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    ISBN: 9783035802177; 3035802173
    Weitere Identifier:
    9783035802177
    RVK Klassifikation: EC 1465 ; EC 1850
    DDC Klassifikation: Sprache (400)
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: DENKT KUNST
    Schlagworte: Literaturwissenschaft
    Weitere Schlagworte: Paperback / softback; LIT006000; LIT024050; Ästhetik; Avantgarde; Denkt Kunst; Intertextualität; Literaturgeschichte; Literaturwissenschaft; Poetik; Poststrukturalismus; Revolution; 1560: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft
    Umfang: 507 Seiten, Illustrationen
  24. Cosmopolitanism and transatlantic circles in music and literature
    Autor*in: Weber, Ryan
    Erschienen: [2018]; © 2018
    Verlag:  Palgrave Macmillan, Cham, Switzerland

  25. Simenon
    Ermittlungen, Existenzen, Atmosphären
    Beteiligt: Doetsch, Hermann (Hrsg.); Nitsch, Wolfram (Hrsg.)
    Erschienen: 2024
    Verlag:  Springer Berlin, Berlin ; J.B. Metzler

    Hochschule für Fernsehen und Film, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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