Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 8 von 8.

  1. Groups and identities in 21st-century British fiction
    Erschienen: 2022
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

  2. Reading contemporary Black British and African American women writers
    race, ethics, narrative form
    Beteiligt: Wyatt, Jean (Hrsg.); George, Sheldon (Hrsg.)
    Erschienen: 2020
    Verlag:  Routledge, New York

    Contemporary African American and Black British Women Writers: Narrative, Race, Ethics brings together British and American scholars to explore how, in texts by contemporary black women writers in the U. S. and Britain, formal narrative techniques... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Contemporary African American and Black British Women Writers: Narrative, Race, Ethics brings together British and American scholars to explore how, in texts by contemporary black women writers in the U. S. and Britain, formal narrative techniques express new understandings of race or stimulate ethical thinking about race in a reader. Taken together, the essays also demonstrate that black women writers from both sides of the Atlantic borrow formal structures and literary techniques from one another to describe the workings of structural racism in the daily lives of black subjects and to provoke readers to think anew about race. Narratology has only recently begun to use race as a category of narrative theory. This collection seeks both to show the ethical effects of narrative form on individual readers and to foster reconceptualizations of narrative theory that account for the workings of race within literature and culture.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. Groups and identities in 21st-century British fiction
    Erschienen: [2022]; © 2022
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9783868219609
    RVK Klassifikation: HO 13310
    Schriftenreihe: Studies in English Literary and Cultural History (ELCH) /Studien zur Englischen Literatur- und Kulturwissenschaft (ELK) ; Band 88
    Schlagworte: Gruppenidentität <Motiv>; Englisch; Roman
    Weitere Schlagworte: Julian Barnes; Jon McGregor; Group Identity; Zadie Smith; Identity Formation; Andrea Levy; British Novels since 2000; Kazuo Ishiguro; Nick Hornby
    Umfang: 175 Seiten
    Bemerkung(en):

    Dissertation, Ruprecht-Karls-Universität Heidelberg, 2019

  4. Groups and identities in 21st-century British fiction
    Erschienen: [2022]
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

    Climate change, the rise of right-wing parties across Europe, the growing power and impact of social media or the Covid-19 pandemic – the discussions surrounding some of the most pressing issues of our times lay bare growing chasms between... mehr

    Universitätsbibliothek Bielefeld
    WM180 E12
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ruhr-Universität Bochum, Universitätsbibliothek
    JVB574
    Ausleihe von Bänden möglich, keine Kopien
    Universitätsbibliothek Siegen
    11DTJ1060
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Wissenschaftliche Bibliothek der Stadt Trier
    420 22 A 808
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Climate change, the rise of right-wing parties across Europe, the growing power and impact of social media or the Covid-19 pandemic – the discussions surrounding some of the most pressing issues of our times lay bare growing chasms between conflicting group interests, hierarchies and identities. In light of these debates, understanding how groups are constructed, how identification processes work and what may lie behind inclusion and exclusion seems more relevant and pertinent than ever. This book sheds light on how 21st-century British fiction represents the relationship between groups and individual identities and also zooms in on the construction of groups as social entities. By doing so, this study highlights the importance of literature and literary studies in understanding (and possibly even bridging the gap between) some of the divides between groups in the 21st century.Contents1.- Introduction11.1 Studying Groups in Literary Studies: Aims and Methodology41.2 State of Research: Group Studies across the Disciplines72. Establishing a Theoretical Framework: Groups and Identities112.1 "I – Me – Us": The Nexus of Groups and Individuals122.1.1 Contextual Selves? Personal and Social Identity122.1.2 Interactive Selves162.2 Groups as Social Systems183. Groups and Identities in Literary Narratives253.1 Forms, Functions and Ways of Narrative Representation253.2 Three Stages of Groups and Group Identities303.2.1 Becoming: Similarity and Difference313.2.2 Belonging: Experience and Performance343.2.3 Maintaining: Memory and Group Identity as Inseparable Concepts364. Becoming: New Constellations, New Beginnings424.1 Challenging Perceptions of Similarity and Difference: Andrea Levy’s Small Island (2004)434.2 Similarity in Difference: Nick Hornby’s A Long Way Down (2005)574.3 Comparative Conclusion: Negotiating Group Identities695.- Experiencing Group Identity: Performing "Faithful Allegiances"735.1 Ambivalent Roots: Zadie Smith’s NW (2012)745.2 Comparative Conclusion I: Collective Spaces895.3 Forms and Formations: Jon McGregor’s Even the Dogs (2010)965.4 Comparative Conclusion II: Performing Groups through Narratives1096. Maintaining Group Identities: Shared Pasts and Entangled Lives1136.1 Groups That Never Let You Go: Julian Barnes’ The Sense of an Ending (2011)1146.2 Sensing the End in Kazuo Ishiguro’s Never Let Me Go (2005)1266.3 Comparative Conclusion: Memories as Tools for Belonging1427. Outlook and Concluding Remarks1458. Works Cited154

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9783868219609
    Weitere Identifier:
    9783868219609
    Schriftenreihe: Studies in English literary and cultural history ; Band 88
    Schlagworte: Gruppenidentität <Motiv>; Roman; Englisch
    Weitere Schlagworte: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft; Julian Barnes; Jon McGregor; Group Identity; Zadie Smith; Identity Formation; Andrea Levy; British Novels since 2000; Kazuo Ishiguro; Nick Hornby
    Umfang: 175 Seiten, 22.5 grams.
    Bemerkung(en):

    Dissertation, University of Heidelberg, 2019

  5. Groups and identities in 21st-century British fiction
    Erschienen: [2022]; © 2022
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9783868219609
    RVK Klassifikation: HO 13310
    Schriftenreihe: Studies in English Literary and Cultural History (ELCH) /Studien zur Englischen Literatur- und Kulturwissenschaft (ELK) ; Band 88
    Schlagworte: Gruppenidentität <Motiv>; Englisch; Roman
    Weitere Schlagworte: Julian Barnes; Jon McGregor; Group Identity; Zadie Smith; Identity Formation; Andrea Levy; British Novels since 2000; Kazuo Ishiguro; Nick Hornby
    Umfang: 175 Seiten
    Bemerkung(en):

    Dissertation, Ruprecht-Karls-Universität Heidelberg, 2019

  6. Groups and identities in 21st-century British fiction
    Erschienen: [2022]
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

    Climate change, the rise of right-wing parties across Europe, the growing power and impact of social media or the Covid-19 pandemic – the discussions surrounding some of the most pressing issues of our times lay bare growing chasms between... mehr

    Universitätsbibliothek Bielefeld
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ruhr-Universität Bochum, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Siegen
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Climate change, the rise of right-wing parties across Europe, the growing power and impact of social media or the Covid-19 pandemic – the discussions surrounding some of the most pressing issues of our times lay bare growing chasms between conflicting group interests, hierarchies and identities. In light of these debates, understanding how groups are constructed, how identification processes work and what may lie behind inclusion and exclusion seems more relevant and pertinent than ever. This book sheds light on how 21st-century British fiction represents the relationship between groups and individual identities and also zooms in on the construction of groups as social entities. By doing so, this study highlights the importance of literature and literary studies in understanding (and possibly even bridging the gap between) some of the divides between groups in the 21st century.Contents1.- Introduction11.1 Studying Groups in Literary Studies: Aims and Methodology41.2 State of Research: Group Studies across the Disciplines72. Establishing a Theoretical Framework: Groups and Identities112.1 “I – Me – Us”: The Nexus of Groups and Individuals122.1.1 Contextual Selves? Personal and Social Identity122.1.2 Interactive Selves162.2 Groups as Social Systems183. Groups and Identities in Literary Narratives253.1 Forms, Functions and Ways of Narrative Representation253.2 Three Stages of Groups and Group Identities303.2.1 Becoming: Similarity and Difference313.2.2 Belonging: Experience and Performance343.2.3 Maintaining: Memory and Group Identity as Inseparable Concepts364. Becoming: New Constellations, New Beginnings424.1 Challenging Perceptions of Similarity and Difference: Andrea Levy’s Small Island (2004)434.2 Similarity in Difference: Nick Hornby’s A Long Way Down (2005)574.3 Comparative Conclusion: Negotiating Group Identities695.- Experiencing Group Identity: Performing “Faithful Allegiances”735.1 Ambivalent Roots: Zadie Smith’s NW (2012)745.2 Comparative Conclusion I: Collective Spaces895.3 Forms and Formations: Jon McGregor’s Even the Dogs (2010)965.4 Comparative Conclusion II: Performing Groups through Narratives1096. Maintaining Group Identities: Shared Pasts and Entangled Lives1136.1 Groups That Never Let You Go: Julian Barnes’ The Sense of an Ending (2011)1146.2 Sensing the End in Kazuo Ishiguro’s Never Let Me Go (2005)1266.3 Comparative Conclusion: Memories as Tools for Belonging1427. Outlook and Concluding Remarks1458. Works Cited154

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783868219609
    Weitere Identifier:
    9783868219609
    Schriftenreihe: Studies in English literary and cultural history ; Band 88
    Schlagworte: Julian Barnes; Jon McGregor; Group Identity; Zadie Smith; Identity Formation; Andrea Levy; British Novels since 2000; Kazuo Ishiguro; Nick Hornby
    Weitere Schlagworte: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft
    Umfang: 175 Seiten, 22.5 grams
    Bemerkung(en):

    Dissertation, University of Heidelberg, 2019

  7. Reading contemporary Black British and African American women writers :
    race, ethics, narrative form /
    Beteiligt: Wyatt, Jean, (Hrsg.); George, Sheldon, (Hrsg.)
    Erschienen: 2020.
    Verlag:  Routledge,, New York :

    Contemporary African American and Black British Women Writers: Narrative, Race, Ethics brings together British and American scholars to explore how, in texts by contemporary black women writers in the U. S. and Britain, formal narrative techniques... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Contemporary African American and Black British Women Writers: Narrative, Race, Ethics brings together British and American scholars to explore how, in texts by contemporary black women writers in the U. S. and Britain, formal narrative techniques express new understandings of race or stimulate ethical thinking about race in a reader. Taken together, the essays also demonstrate that black women writers from both sides of the Atlantic borrow formal structures and literary techniques from one another to describe the workings of structural racism in the daily lives of black subjects and to provoke readers to think anew about race. Narratology has only recently begun to use race as a category of narrative theory. This collection seeks both to show the ethical effects of narrative form on individual readers and to foster reconceptualizations of narrative theory that account for the workings of race within literature and culture.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  8. Groups and identities in 21st-century British fiction /
    Erschienen: [2022].; © 2022.
    Verlag:  WVT Wissenschaftlicher Verlag Trier,, Trier :

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 978-3-86821-960-9
    RVK Klassifikation: HO 13310
    DDC Klassifikation: Englisch, Altenglisch (420)
    Schriftenreihe: Studies in English Literary and Cultural History (ELCH) /Studien zur Englischen Literatur- und Kulturwissenschaft (ELK) ; Band 88
    Schlagworte: Englisch.; Roman.; Gruppenidentität <Motiv>
    Weitere Schlagworte: Julian Barnes; Jon McGregor; Group Identity; Zadie Smith; Identity Formation; Andrea Levy; British Novels since 2000; Kazuo Ishiguro; Nick Hornby
    Umfang: 175 Seiten.
    Bemerkung(en):

    Dissertation, Ruprecht-Karls-Universität Heidelberg, 2019