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  1. Comintern aesthetics
    Beteiligt: Glaser, Amelia (Hrsg.); Lee, Steven S. (Hrsg.)
    Erschienen: [2020]
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    "Founded by Vladimir Lenin in 1919 to instigate a world revolution, the Comintern advanced not just the proletarian struggle but also a wide variety of radical causes, including those against imperialism and racism in settings as varied as Ireland,... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Founded by Vladimir Lenin in 1919 to instigate a world revolution, the Comintern advanced not just the proletarian struggle but also a wide variety of radical causes, including those against imperialism and racism in settings as varied as Ireland, India, the United States, and China. Notoriously, and from the organization's outset, these causes grew ever more subservient to Soviet state interest and Stalinist centralization. Comintern Aesthetics shows how the cultural and political networks emerging from the Comintern have continued, even after its demise in 1943. Tracking these networks through a multiplicity of artistic forms geared towards advancing a common, liberated humanity, this volume captures the failure of a Soviet-centered world revolution, but also its enduring allure in the present."--

     
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  2. Red aesthetics
    Rodchenko, Brecht, Eisenstein
    Autor*in: Cronan, Todd
    Erschienen: [2022]
    Verlag:  Rowman & Littlefield, Lanham ; Boulder ; New York ; London

    "This book is a synthesis of Rodchenko, Brecht and Eisenstein. Amongst the most influential artists of the interwar period, and among the most influential political artists of the century, between them they tried to develop a socialist theory of art,... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "This book is a synthesis of Rodchenko, Brecht and Eisenstein. Amongst the most influential artists of the interwar period, and among the most influential political artists of the century, between them they tried to develop a socialist theory of art, and a red aesthetic centered around removing barriers to 'production'. The book is an urgently needed intervention into mainstream interpretations of political art in the twentieth century - and therefore, into the understanding of the relationship between aesthetics and politics. Working in different media-sculpture, posters, photography (Rodchenko), theater td (Brecht) and film (Eisenstein)-and in different but often overlapping geographical contexts-Russia, Germany and in Hollywood-they shared a vision of artistic will as the defining quality of leftist art in an age defined by political extremism. This is a deeply controversial and deeply convincing set of arguments, that go right to the heart of contemporary philosophical debates about the relation between aesthetics and politics"--

     
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  3. Comintern aesthetics
    Beteiligt: Glaser, Amelia (Hrsg.); Lee, Steven S. (Hrsg.)
    Erschienen: [2020]
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    "Founded by Vladimir Lenin in 1919 to instigate a world revolution, the Comintern advanced not just the proletarian struggle but also a wide variety of radical causes, including those against imperialism and racism in settings as varied as Ireland,... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Founded by Vladimir Lenin in 1919 to instigate a world revolution, the Comintern advanced not just the proletarian struggle but also a wide variety of radical causes, including those against imperialism and racism in settings as varied as Ireland, India, the United States, and China. Notoriously, and from the organization's outset, these causes grew ever more subservient to Soviet state interest and Stalinist centralization. Comintern Aesthetics shows how the cultural and political networks emerging from the Comintern have continued, even after its demise in 1943. Tracking these networks through a multiplicity of artistic forms geared towards advancing a common, liberated humanity, this volume captures the failure of a Soviet-centered world revolution, but also its enduring allure in the present."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  4. Comintern aesthetics /
    Beteiligt: Glaser, Amelia (Hrsg.); Lee, Steven S. (Hrsg.)
    Erschienen: [2020].
    Verlag:  University of Toronto Press,, Toronto ; Buffalo ; London :

    "Founded by Vladimir Lenin in 1919 to instigate a world revolution, the Comintern advanced not just the proletarian struggle but also a wide variety of radical causes, including those against imperialism and racism in settings as varied as Ireland,... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Founded by Vladimir Lenin in 1919 to instigate a world revolution, the Comintern advanced not just the proletarian struggle but also a wide variety of radical causes, including those against imperialism and racism in settings as varied as Ireland, India, the United States, and China. Notoriously, and from the organization's outset, these causes grew ever more subservient to Soviet state interest and Stalinist centralization. Comintern Aesthetics shows how the cultural and political networks emerging from the Comintern have continued, even after its demise in 1943. Tracking these networks through a multiplicity of artistic forms geared towards advancing a common, liberated humanity, this volume captures the failure of a Soviet-centered world revolution, but also its enduring allure in the present."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format