Ergebnisse für *

Zeige Ergebnisse 1 bis 5 von 5.

  1. Dynameis :
    Bausteine zu einer Geschichte der Virtualität /
    Autor*in: Weber, Julia,
    Erschienen: [2024]; ©2024
    Verlag:  De Gruyter,, Berlin ;

    Das Buch von Julia Weber zeigt, auf welche Weise das von Aristoteles herrührende Verständnis von virtuellen Kräften als real nicht nachweisbaren, aber dennoch wirksamen Kräften den philosophischen Diskurs bis in die Moderne geprägt hat. Es verfolgt... mehr

    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Das Buch von Julia Weber zeigt, auf welche Weise das von Aristoteles herrührende Verständnis von virtuellen Kräften als real nicht nachweisbaren, aber dennoch wirksamen Kräften den philosophischen Diskurs bis in die Moderne geprägt hat. Es verfolgt die Entwicklungen von den philosophischen Diskussionen um die Existenz von virtuellen Kräften in der Antike und im Mittelalter über das Aufkommen von virtuellen Räumen in der Frühen Neuzeit bis hin zur Entstehung von virtuellen Welten in der Literatur des 18. Jahrhunderts und macht auf diese Weise die bisher kaum nachvollzogenen Kontinuitäten und Verschiebungen zwischen antiken philosophischen Kraftdiskussionen und zeitgenössischen virtual realities sichtbar. Julia Weber's book demonstrates how Aristotle's understanding of virtual forces as undetectable but nonetheless effective has shaped philosophical discourse up until the modern age. It traces developments from philosophical debate about the existence of virtual forces in antiquity and the Middle Ages to the emergence of virtual spaces in the early modern period, and the appearance of virtual worlds in 18th-century literature. In this way, it reveals the seldom traced continuities and shifts between ancient philosophical discussion of forces and contemporary virtual realities.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Medientyp: Ebook
    Format: Online
    ISBN: 9783111322520; 3111322521
    Weitere Identifier:
    Schriftenreihe: Imaginarien der Kraft , ; 6
    Schlagworte: 18. Jahrhundert.; Aristoteles.; Dynamis.; Frühe Neuzeit.; Kraft.; Literaturwissenschaft.; René Descartes.; Stimmung.; Virtualität.; Ästhetik.; LITERARY CRITICISM / Comparative Literature.
    Weitere Schlagworte: 18th century.; Aristotle.; Early Modern Period.; Literary Studies.; René Descartes.; aesthetics.; dynamis.; force.; virtuality.
    Umfang: 1 online resource (284 p.).
  2. Samuel Johnson :
    selected poetry and prose /
    Autor*in: Brady, Frank,
    Erschienen: 1977.
    Verlag:  University of California Press,, Berkeley :

    This is a major new selection of Samuel Johnson's best work, delightfully introduced by W. K. Wimsatt and scrupulously annotated by Frank Brady and Mr. Wimsatt.Samuel Johnson, the only writer in English since the Renaissance to give his name to a... mehr

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is a major new selection of Samuel Johnson's best work, delightfully introduced by W. K. Wimsatt and scrupulously annotated by Frank Brady and Mr. Wimsatt.Samuel Johnson, the only writer in English since the Renaissance to give his name to a literary period, was the center of English letters in his time. He was Dictionary Johnson, the lexicographer who had single-handedly settled the English language (it was hoped) on a firm basis; he was the author of a handful of fine poems, including two of the most remarkable satires of the century; he was a moralist whose Rambler and Idler essays, and novel-of-ideas Rasselas, provided a searching view of men and matters. And in his final years he produced his greatest work, that extraordinary combination of biography and criticism which came to be known as the Lives of the Poets.This first extensive anthology of Johnson's writings to be published in many years emphasizes Johnson the writer. It responds to those aspects of Johnson's work of special interest to modern readers. It comprises a selection of Johnson's letters, all of his major poems (including London), Rasselas, twenty-one Rambler, nineteen Idlers, the Prefaces to the Dictionary and to the edition of Shakespeare, and the following Lives of the Poets: Cowley, Milton, Swift, Pope, Savage, Collins, and Gray. All these works are extensively annotated and printed complete. Mr. Wimsatt, one of the outstanding Johnsonians of this century, provides in his Introduction a clear, connected biographical account of Johnson, stressing his writings. An up-to-date bibliography is also included. Johnson's varied accomplishments-as poet, as moralist, as biographer, as critic-are all amply represented.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  3. Making the Case :
    Narrative Psychological Case Histories and the Invention of Individuality in Germany, 1750-1800 /
    Erschienen: [2019]; ©2019
    Verlag:  De Gruyter,, Berlin ;

    One hundred years before Freud's striking psychoanalytic case-histories, the narrative psychological case-history emerged in the second half of the eighteenth century in Germany as an epistemic genre (Gianna Pomata) that cut across the disciplines of... mehr

    Zugang:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    One hundred years before Freud's striking psychoanalytic case-histories, the narrative psychological case-history emerged in the second half of the eighteenth century in Germany as an epistemic genre (Gianna Pomata) that cut across the disciplines of medicine, philosophy, law, psychology, anthropology and literature. It differed significantly from its predecessors in theology, jurisprudence, and medicine. Rather than subsuming the individual under an established classification, moral precept, category, or type, the narrative psychological case-history endeavored to articulate the individual in its very individuality, thereby constructing a 'self' in its irreducible singularity. The presentation and analysis of several significant psychological case-histories, their theory and practice, as well as the controversies surrounding their utility, validity, and function for an envisioned 'science of the soul' constitutes the core of the book. Close and 'distant' (F. Moretti) readings of key texts and figures in the discussion regarding 'empirical psychology' (psychologia empirica), experiential psychology (Erfahrungsseelenkunde) and 'medical psychology' (medizinische Psychologie) such as Christian Wolff, J.C. Krüger, J.C. Bolton, Ernst Nicolai, J.A. Unzer, J.G. Sulzer, J.G. Herder, Friedrich Schiller, Jacob Friedrich Abel, Marcus Herz, Karl Philipp Moritz, J.C. Reil, Ernst Platner and Immanuel Kant provide the disciplinary, historical-scientific context within which this genre comes to the fore. As the first systematic argument concerning the early history of this genre, my thesis is that the psychological case-history evolved as part of a pastoral apparatus of care, concern, guidance and direction for what it fashioned as the 'unique' individual, as the discursive medium in a process by which the soul became a 'self'. The narrative psychological case-history was in fact a meta-genre that transcended traditional boundaries of history and fiction, medicine and philosophy, psychology and anthropology, and sought, for the first time, to explicitly link the experience, history, memory, fantasy, previous trauma or suffering of a unique individual to illness, deviance, aberration and crime. In a word, it demonstrated, as Freud later said of his own case-histories in Studies on Hysteria, "the intimate relation between the history of suffering and the symptoms of illness" ("die innige Beziehung zwischen Leidensgeschichte und Krankheitssymptome"). This genre not only had a profound and far-reaching effect on the evolution of German and European literature - one thinks of the rich traditions of the Novella and the Fallgeschichte from Goethe, Büchner, R. L Stevenson, Edgar Allen Poe and Chekhov to Kafka and beyond - but in shaping modern literature, the clinical sciences, and even popular culture. The book should therefore be of interest not merely to Germanists, modern European cultural historians, historians of science, and literary historians, but also those interested in the history of medicine and psychology, the origins of psychoanalysis, the history of anthropology, cultural studies, and, more generally, the history of ideas.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110643466
    Weitere Identifier:
    Schriftenreihe: Interdisciplinary German Cultural Studies ; ; 25
    Schlagworte: 18th century.; Case-history.; Germany.; bio-politics.; psychology.; SOCIAL SCIENCE / General.
    Umfang: 1 online resource (XIV, 409 p.)
  4. Wahrnehmungskräfte - Kräfte wahrnehmen :
    Dynamiken der Sinne in Wissenschaft, Kunst und Literatur /
    Beteiligt: Borghardt, Dennis, (contributor.); Chichester, K. Lee, (contributor.); Fedorova, Ksenia, (contributor.); Fehrenbach, Frank, (contributor.); Fehrenbach, Frank, (editor.); Finkelstein, Clemens, (contributor.); Heller, Anatol, (contributor.); Hoffmann, Christoph, (contributor.); Isengard, Laura, (contributor.); Isengard, Laura, (editor.); Jütte, Robert, (contributor.); Kirakosian, Racha, (contributor.); Laner, Iris, (contributor.); Micheluzzi, Gerd Mathias, (contributor.); Micheluzzi, Gerd, (editor.); Mohagheghi, Yashar, (contributor.); Moser, Thomas, (contributor.); Renner, Adrian, (contributor.); Schumm, Johanna, (contributor.); Schwan, Alexander H., (contributor.); Welsch, Wolfgang, (contributor.); Zumbusch, Cornelia, (contributor.); Zumbusch, Cornelia, (editor.)
    Erschienen: [2024]; ©2024
    Verlag:  De Gruyter,, Berlin ;

    Forces elude perception. Since antiquity, however, perception itself (aisthesis) has been considered a force (dynamis). Thinking about perception means balancing the tensions between truthfulness and susceptibility to deception, passive impression... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Forces elude perception. Since antiquity, however, perception itself (aisthesis) has been considered a force (dynamis). Thinking about perception means balancing the tensions between truthfulness and susceptibility to deception, passive impression and active imagination, hidden cause and perceptible effect. Aesthetically encoded perceptual attitudes such as stimulus, overwhelmedness, attention, or distraction also give rise to reflections on aesthetic concepts of force. From a variety of disciplinary perspectives, the contributions to this volume ask how conceptualizations of sensory forces relate to the problematic perceptibility of forces, how artistic processes are adapted to perceptual models, and how this plays out in the formation and modification of perceptual conventions. Kräfte entziehen sich der Wahrnehmung. Umgekehrt wird Wahrnehmung (aisthesis) seit der Antike als Kraft (dynamis) bestimmt. Das Nachdenken über Wahrnehmung tariert die Spannung zwischen Wahrheitsfähigkeit und Täuschungsanfälligkeit, passiver Impression und aktiver Imagination, verborgener Ursache und wahrnehmbarer Wirkung aus. Ästhetisch kodierte Wahrnehmungseinstellungen wie Reiz, Überwältigung, Aufmerksamkeit oder Zerstreuung geben außerdem Anlass, über ästhetische Kraftvorstellungen nachzudenken. Die Beiträge fragen aus mehreren Fachperspektiven, wie sich Konzeptualisierungen der Sinneskräfte zur problematischen Wahrnehmbarkeit von Kräften verhalten, wie künstlerische Verfahren an Perzeptionsmodelle angepasst werden und welche Rolle sie bei der Ausbildung und Veränderung von Wahrnehmungskonventionen spielen.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Beteiligt: Borghardt, Dennis, (contributor.); Chichester, K. Lee, (contributor.); Fedorova, Ksenia, (contributor.); Fehrenbach, Frank, (contributor.); Fehrenbach, Frank, (editor.); Finkelstein, Clemens, (contributor.); Heller, Anatol, (contributor.); Hoffmann, Christoph, (contributor.); Isengard, Laura, (contributor.); Isengard, Laura, (editor.); Jütte, Robert, (contributor.); Kirakosian, Racha, (contributor.); Laner, Iris, (contributor.); Micheluzzi, Gerd Mathias, (contributor.); Micheluzzi, Gerd, (editor.); Mohagheghi, Yashar, (contributor.); Moser, Thomas, (contributor.); Renner, Adrian, (contributor.); Schumm, Johanna, (contributor.); Schwan, Alexander H., (contributor.); Welsch, Wolfgang, (contributor.); Zumbusch, Cornelia, (contributor.); Zumbusch, Cornelia, (editor.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783111060385
    Weitere Identifier:
    RVK Klassifikation: CC 4800 ; CC 6900 ; MR 6300
    Schriftenreihe: Imaginarien der Kraft , ; 7
    Schlagworte: 14. Jahrhundert.; 18. Jahrhundert.; 19. Jahrhundert.; Kraft.; Kunst.; Kunstrezeption.; Kunsttheorie.; Mittelalter.; Philosophie.; Sehen.; Sinnesorgane und Sinne.; Sinnlichkeit.; Vorstellungskraft.; Wahrnehmungskraft.; Ästhetik.; PHILOSOPHY / Aesthetics.
    Weitere Schlagworte: 18th century.; 19th century.; Aesthetics.; Philosophy.; art theory.; art.; force.; imagination.; perception.; senses.; sensuality.; sight.
    Umfang: 1 online resource (456 p.)
    Bemerkung(en):

    Issued also in print.

  5. Making the Case :
    Narrative Psychological Case Histories and the Invention of Individuality in Germany, 1750-1800 /
    Erschienen: [2019]; ©2019
    Verlag:  De Gruyter,, Berlin ;

    One hundred years before Freud's striking psychoanalytic case-histories, the narrative psychological case-history emerged in the second half of the eighteenth century in Germany as an epistemic genre (Gianna Pomata) that cut across the disciplines of... mehr

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    One hundred years before Freud's striking psychoanalytic case-histories, the narrative psychological case-history emerged in the second half of the eighteenth century in Germany as an epistemic genre (Gianna Pomata) that cut across the disciplines of medicine, philosophy, law, psychology, anthropology and literature. It differed significantly from its predecessors in theology, jurisprudence, and medicine. Rather than subsuming the individual under an established classification, moral precept, category, or type, the narrative psychological case-history endeavored to articulate the individual in its very individuality, thereby constructing a 'self' in its irreducible singularity. The presentation and analysis of several significant psychological case-histories, their theory and practice, as well as the controversies surrounding their utility, validity, and function for an envisioned 'science of the soul' constitutes the core of the book. Close and 'distant' (F. Moretti) readings of key texts and figures in the discussion regarding 'empirical psychology' (psychologia empirica), experiential psychology (Erfahrungsseelenkunde) and 'medical psychology' (medizinische Psychologie) such as Christian Wolff, J.C. Krüger, J.C. Bolton, Ernst Nicolai, J.A. Unzer, J.G. Sulzer, J.G. Herder, Friedrich Schiller, Jacob Friedrich Abel, Marcus Herz, Karl Philipp Moritz, J.C. Reil, Ernst Platner and Immanuel Kant provide the disciplinary, historical-scientific context within which this genre comes to the fore. As the first systematic argument concerning the early history of this genre, my thesis is that the psychological case-history evolved as part of a pastoral apparatus of care, concern, guidance and direction for what it fashioned as the 'unique' individual, as the discursive medium in a process by which the soul became a 'self'. The narrative psychological case-history was in fact a meta-genre that transcended traditional boundaries of history and fiction, medicine and philosophy, psychology and anthropology, and sought, for the first time, to explicitly link the experience, history, memory, fantasy, previous trauma or suffering of a unique individual to illness, deviance, aberration and crime. In a word, it demonstrated, as Freud later said of his own case-histories in Studies on Hysteria, "the intimate relation between the history of suffering and the symptoms of illness" ("die innige Beziehung zwischen Leidensgeschichte und Krankheitssymptome"). This genre not only had a profound and far-reaching effect on the evolution of German and European literature - one thinks of the rich traditions of the Novella and the Fallgeschichte from Goethe, Büchner, R. L Stevenson, Edgar Allen Poe and Chekhov to Kafka and beyond - but in shaping modern literature, the clinical sciences, and even popular culture. The book should therefore be of interest not merely to Germanists, modern European cultural historians, historians of science, and literary historians, but also those interested in the history of medicine and psychology, the origins of psychoanalysis, the history of anthropology, cultural studies, and, more generally, the history of ideas.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3-11-064279-4; 3-11-064346-4
    Weitere Identifier:
    Schriftenreihe: Interdisciplinary German Cultural Studies ; ; 25
    Schlagworte: Psychological literature.
    Weitere Schlagworte: 18th century.; Case-history.; Germany.; bio-politics.; psychology.
    Umfang: 1 online resource (xiv, 407 pages) :, illustrations.
    Bemerkung(en):

    Includes bibliographical references (pages 363-390) and index.

    Issued also in print.