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  1. The Anthropocene and the undead
    cultural anxieties in the contemporary popular imagination
    Beteiligt: Bacon, Simon (Hrsg.)
    Erschienen: [2022]
    Verlag:  Lexington Books, Lanham ; Boulder ; New York ; London

    "This book explores the interconnectedness of the cultural zeitgeists around the anthropocene and the undead showing how the latter reveals increasing cultural anxieties over who and what constitutes humanity in the twenty-first century and whether... mehr

    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book explores the interconnectedness of the cultural zeitgeists around the anthropocene and the undead showing how the latter reveals increasing cultural anxieties over who and what constitutes humanity in the twenty-first century and whether it has a place in any possible post-Anthropocene futures"--

     

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  2. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Boydell & Brewer Ltd, Columbia, MD

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     

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  3. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     

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  4. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Europa-Universität Viadrina, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     

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  5. Écocritiques
    cinéma, audiovisuel, arts
    Beteiligt: Delon, Gaspard (Herausgeber); Hewison, Charlie (Herausgeber); Pantet, Ayméric (Herausgeber)
    Erschienen: [2023]
    Verlag:  Hermann, Paris

    «L’analyse du cinéma et de l’audiovisuel peut-elle contribuer au développement de l’écocritique? Existe-t-il des concepts et des méthodes propres à l’enracinement de ces approches de l’image animée dans la sphère française ? Contribuant à un champ de... mehr

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.440.65
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    «L’analyse du cinéma et de l’audiovisuel peut-elle contribuer au développement de l’écocritique? Existe-t-il des concepts et des méthodes propres à l’enracinement de ces approches de l’image animée dans la sphère française ? Contribuant à un champ de réflexion nouveau, cet ouvrage balaie un spectre temporel allant du cinéma muet jusqu’aux productions contemporaines. Traversant des univers géographiques, médiatiques et esthétiques contrastés, il apporte un éclairage sur les enjeux théoriques, historiques et formels structurant l’expression, depuis les origines, d’une sensibilité écocritique portée par le cinéma ou suscitée par sa réception. Face aux sombres horizons du XXIe siècle, il interroge l’engagement de la fiction, des images documentaires, du cinéma expérimental ou militant. L’ouvrage invite enfin à élargir la focale en considérant plusieurs espaces créatifs et narratifs voisins (arts, clip musical, réseaux sociaux).» -- Page 4 de la couverture

     

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    Quelle: Verbundkataloge
    Beteiligt: Delon, Gaspard (Herausgeber); Hewison, Charlie (Herausgeber); Pantet, Ayméric (Herausgeber)
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9791037022554
    Schriftenreihe: Cahier Textuel
    Schlagworte: Ecology in motion pictures; Human ecology in motion pictures; Motion pictures; Environmental protection and motion pictures; Ecocriticism; Environnement au cinéma; Écologie humaine au cinéma; Cinéma; Protection de l'environnement et cinéma; Écocritique
    Umfang: 226 Seiten, Illustrationen, 23 cm
  6. Framing the world
    explorations in ecocriticism and film
    Beteiligt: Willoquet-Maricondi, Paula (HerausgeberIn)
    Erschienen: 2010
    Verlag:  University of Virginia Press, Charlottesville

    Annotation, The essays in this collection make a contribution to the greening of film studies and expand the scope of ecocriticism as a discipline traditionally rooted in literary studies. In addition to highlighting particular films as productive... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe

     

    Annotation, The essays in this collection make a contribution to the greening of film studies and expand the scope of ecocriticism as a discipline traditionally rooted in literary studies. In addition to highlighting particular films as productive tools for raising awareness and educating us about environmental issues, Framing the World: Explorations in Ecocriticism and Film encourages its readers to become more ecologically minded viewers, sensitive to the ways in which films reflect, shape, reinforce, and challenge our perceptions of nature, of human/nature relations, and of environmental issues. The contributors to this volume offer in-depth analyses of a broad range of films, including fictional and documentary, Hollywood and independent, domestic and foreign, experimental and indigenous. Drawing from disciplines including film theory, ecocriticism, philosophy, rhetoric, environmental justice, and American and Indigenous studies, Framing the World offers new and original approaches to the ecocritical study of cinema. The twelve essays are gathered in four parts, focusing on ecocinema as activist cinema; the representation of environmental justice issues in Hollywood, independent, and foreign films; the representation of animals, ecosystems, and natural and human-made landscapes in live action and animation; and ecological themes in the films of two eco-auteurs, Kiyoshi Kurosawa and Peter Greenaway. Willoquet-Maricondi's introduction provides an overview of the field of ecocriticism and offers both philosophical and theoretical foundations for the ecocritical study of films. ContributorsBeth Berila, St. Cloud State University * Lynne Dickson Bruckner, Chatham College * Elizabeth Henry, University of Denver * Joseph K. Heumann, Eastern Illinois University * Harri Kilpi, University of East Anglia * Jennifer Machiorlatti, Western Michigan University * Mark Minster, Rose-Hulman Institute of Technology * Robin L. Murray, Eastern Illinois University * Tim Palmer, University of North Carolina, Wilmington * Cory Shaman, Arkansas Tech University * Rachel Stein, Siena College * Paula Willoquet-Maricondi, Marist College

     

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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Willoquet-Maricondi, Paula (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813930057; 0813930065; 0813930669; 9780813930053; 9780813930060; 9780813930664
    RVK Klassifikation: EC 1879
    Schriftenreihe: Under the sign of nature : explorations in ecocentricism
    Schlagworte: Ecocriticism; Environmental protection and motion pictures; Motion pictures; Human ecology in motion pictures; Protection de l'environnement et cinéma; Écologie humaine au cinéma; Cinéma - Aspect social; Écocritique; ART - Film & Video; PERFORMING ARTS - Film & Video - Reference; LITERARY CRITICISM - American - General; Ecocriticism; Environmental protection and motion pictures; Human ecology in motion pictures; Motion pictures - Social aspects; cinéma - écologie - études diverses; cinéma - environnement - études diverses
    Umfang: 1 Online-Ressource (xvii, 258 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Paula Willoquet-Maricondi: Introduction : from literary to cinematic ecocriticism

    Mark Minster ; Shifting paradigms : from environmentalist films to ecocinema: pt. I. Ecocinema as and for activism. The rhetoric of ascent in An inconvenient truth and Everything's cool

    Cory Shaman ; Disposable bodies : biocolonialism in The constant gardener and Dirty pretty things: pt. II. Bodies that matter : environmental justice in fiction and documentary films. Testimonial structures in environmental justice films

    Harri Kilpi ; Fast, furious, and out of control : the erasure of natural landscapes in car culture films: pt. III. Positioning ecosystems in fiction, documentary, and animation. The landscape's lie : class, economy, and ecology in Hotel Rwanda

    Tim Palmer ; Beyond the frame : the spirit of place in Peter Greenaway's The draughtsman's contract: pt. IV. Art cinema eco-auteurs. The rules of the world : Japanese ecocinema and Kiyoshi Kurosawa

  7. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

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    Aggregator (lizenzpflichtig)
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    in Bearbeitung
    keine Fernleihe

     

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     

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  8. Film history for the anthropocene :
    the ecological archive of German cinema /
    Autor*in: Peabody, Seth
    Erschienen: 2023.
    Verlag:  Camden House,, Rochester, New York :

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Europa-Universität Viadrina, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     

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