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  1. The hand at work
    the poetics of poiesis in the Russian avant-garde
    Autor*in: Strätling, Susanne
    Erschienen: [2021]
    Verlag:  Academic Studies Press, Brookline, MA

    Zusammenfassung: "Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost... mehr

     

    Zusammenfassung: "Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as heyday for modernisms obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts"--(Provided by publisher.)

     
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  2. It all tastes of farewell
    diaries, 1964-1970
    Autor*in: Reimann, Brigitte
    Erschienen: 2021
    Verlag:  Seagull Books, London

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    Quelle: Verbundkataloge
    Beteiligt: Drescher, Angela (Herausgeber); Morris, Steph (Übersetzer)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780857427809; 0857427806
    Schriftenreihe: The German list
    Schlagworte: Reimann, Brigitte;
    Weitere Schlagworte: Reimann, Brigitte (1933-1973); (lcsh)Reimann, Brigitte 1933-1973--Diaries.; Reimann, Brigitte.; (fast)Reimann, Brigitte, 1933-1973.; (fast)1900-1999; (lcsh)Authors, German--20th century--Diaries.; Authors, German.; Diaries.; (fast)Authors, German.; (fast)Diaries.
    Umfang: 368 Seiten, 23 cm
  3. Anti-Heimat cinema
    the Jewish invention of the German landscape
    Autor*in: Ashkenazi, ʿOfer
    Erschienen: [2020]
    Verlag:  University of Michigan Press, Ann Arbor

    Zusammenfassung: "Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"--A... mehr

     

    Zusammenfassung: "Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"--A provincial German landscape associated with belonging and authenticity-it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers' contribution to this endeavor. It shows how they devised the landscapes of the German "Homeland" as Jews, namely, as acculturated, "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War One to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema"--(Provided by publisher)

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780472132010; 0472132016
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: Juden; Heimatfilm; Identität <Motiv>
    Weitere Schlagworte: (fast)1900-1999; (lcsh)Heimatfilme--History and criticism.; (lcsh)Jews in motion pictures.; (lcsh)Jews in the motion picture industry--Germany.; (lcsh)Motion pictures--Germany--History--20th century.; (fast)Heimatfilme.; (fast)Jews in motion pictures.; (fast)Jews in the motion picture industry.; (fast)Motion pictures.; (fast)Germany.; (fast)Criticism, interpretation, etc.; (fast)History
    Umfang: ix, 302 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  4. Textos críticos
    Autor*in: Mann, Thomas
    Erschienen: junio de 2016
    Verlag:  Navona Eidtorial, Barcelona

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    Quelle: Verbundkataloge
    Beteiligt: Tortajada, Anna (Übersetzer)
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788416259533; 8416259534
    Auflage/Ausgabe: Primera edición
    Schriftenreihe: Navona people
    Weitere Schlagworte: (lcsh)Mann, Thomas, 1875-1955--Translations.; (fast)Mann, Thomas, 1875-1955.; (fast)1900-1999; (lcsh)Literature--History and criticism--20th century.; (fast)Literature.; (fast)Criticism, interpretation, etc.; (fast)Translations.
    Umfang: 228 Seiten, 24 cm
  5. La réception littéraire en France et en Allemagne
    André Malraux, Georges Bernanos, Emile Zola, Günter Grass
    Autor*in: Jurt, Joseph
    Erschienen: [2020]
    Verlag:  L'Harmattan, Paris

  6. Shu xie zhe, kan jian
    Autor*in: Chen, Wenfa
    Erschienen: 2015
    Verlag:  Yun chen wen hua shi ye wen hua gu fen you xian gong si, Taibei Shi

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    Quelle: Verbundkataloge
    Sprache: Chinesisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789865794453; 9865794454
    Auflage/Ausgabe: Chu ban
    Schriftenreihe: Sheng huo mei xue ; 89
    Weitere Schlagworte: (fast)1900-1999; (lcsh)Authors, Chinese--Taiwan--20th century.; (lcsh)Authors, Chinese--Taiwan--Interviews.; (fast)Authors, Chinese.; (fast)Taiwan.; (fast)Interviews.
    Umfang: 295 Seiten, Illustrationen, 23 cm
  7. Underworlds of memory
    W.G. Sebald's epic journeys through the past
    Autor*in: Itkin, Alan
    Erschienen: 2017
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction. Sebald's modern epics -- Katabasis : space and memory -- Classical underworlds as spaces of memory -- Sebald's underworlds of memory -- Ekphrasis : history and representation -- Staging poetic theory in encounters with works of art --... mehr

    Standort:
    Universitätsbibliothek der Fernuniversität
    Signatur:
    CSCS/SEBA
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction. Sebald's modern epics -- Katabasis : space and memory -- Classical underworlds as spaces of memory -- Sebald's underworlds of memory -- Ekphrasis : history and representation -- Staging poetic theory in encounters with works of art -- "A synoptic and artificial view" -- Nostos : exile and closure -- Exile as a disturbance of memory -- Sebald's epics without homecoming -- Conclusion. Epic today Zusammenfassung: Underworlds of Memory aruges persuasively that the literary works of the expatriate German author W. G. Sebald can best be understood through the lens of the classical genre of epic. Scholars often read Sebald's work as a project of cultural memory that aims to reevaluate Europe's past in the wake of the traumatic and complex events of the twentieth century. Sebald's characters seek out the traces of Europe's destructive history in strange places. They linger in disused train stations, pause before works of art, and return to childhood homes that turn out to be more foreign than any place they have visited. Underworlds of Memory demonstrates that these strange encounters with the past are bsaed on central tropes of classical epic: the journey to the underworld, the encounter with a work of art, and the return to the homeland. Sebald thus follows in the footsteps of German Jewish authors including Peter Weiss, Siegfried Kracauer, and Jean Améry who use these same epic tropes to reconsider the cultural memory of the Holocaust. Underworlds of Memory reads Sebald's works together with the works of these German Jewish authors and the classical epics of Homer and Virgil in order to describe and trace the origins of the unique intervention into cultural memory they embody. -- from back cover

     
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  8. Bauhaus weaving theory
    from feminine craft to mode of design
    Autor*in: Smith, T'ai Lin
    Erschienen: [2014]; © 2014
    Verlag:  University of Minnesota Press, Minneapolis ; London

    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are... mehr

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    kuni540.s662
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Niederrhein, Bibliothek
    Signatur:
    Rqn 51 Smit
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitätsbibliothek Siegen
    Signatur:
    21KDJ1924
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschulbibliothek Trier
    Signatur:
    G 52.4/241
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

     

    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role of these women in debates about medium in the twentieth century and a nuanced history of the Bauhaus come to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts."--Publisher's description

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816687237; 9780816687244
    Schlagworte: Ästhetik; Bauhaus; Webarbeit; Textilkünstlerin
    Weitere Schlagworte: (lcsh)Bauhaus; Bauhaus; Bauhaus Dessau, 1925 - 1932; Staatliches Bauhaus Weimar; (fast)Bauhaus; (fast)1900-1999; (lcsh)Textile design--Germany--History--20th century; (lcsh)Weaving--Germany--History--20th century; (lcsh)Women textile designers--Germany; (lcsh)Modernism (Art); (lcsh)Art and craft debate; (bisacsh)ART--History--General; (bisacsh)DESIGN--History & Criticism; (bisacsh)SOCIAL SCIENCE--Women's Studies; (fast)Art and craft debate; (fast)Modernism (Art); (fast)Textile design; (fast)Weaving; (fast)Women textile designers; (fast)Germany; (fast)History
    Umfang: xxxiv, 229 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references (pages 175-219) and index

    Introduction: textiles, text, and a medium-specific craft -- Pictures made of wool: weaving labor in the workshop -- Toward a modernist theory of weaving: the use of textiles in architectural space -- The haptics of optics: weaving and photography -- Weaving as invention: patenting authorship -- Conclusion: on weaving, on writing.
  9. Comedy and trauma in Germany and Austria after 1945
    the inner side of mourning
    Autor*in: Bird, Stephanie
    Erschienen: 2016
    Verlag:  Legenda, Cambridge

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    PS395 B618
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster
    Signatur:
    3K 74559
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  10. Underworlds of memory
    W.G. Sebald's epic journeys through the past
    Autor*in: Itkin, Alan
    Erschienen: [2017]
    Verlag:  Northwestern University Press, Evanston

    Introduction. Sebald's modern epics -- Katabasis : space and memory -- Classical underworlds as spaces of memory -- Sebald's underworlds of memory -- Ekphrasis : history and representation -- Staging poetic theory in encounters with works of art --... mehr

     

    Introduction. Sebald's modern epics -- Katabasis : space and memory -- Classical underworlds as spaces of memory -- Sebald's underworlds of memory -- Ekphrasis : history and representation -- Staging poetic theory in encounters with works of art -- "A synoptic and artificial view" -- Nostos : exile and closure -- Exile as a disturbance of memory -- Sebald's epics without homecoming -- Conclusion. Epic today Zusammenfassung: Underworlds of Memory aruges persuasively that the literary works of the expatriate German author W. G. Sebald can best be understood through the lens of the classical genre of epic. Scholars often read Sebald's work as a project of cultural memory that aims to reevaluate Europe's past in the wake of the traumatic and complex events of the twentieth century. Sebald's characters seek out the traces of Europe's destructive history in strange places. They linger in disused train stations, pause before works of art, and return to childhood homes that turn out to be more foreign than any place they have visited. Underworlds of Memory demonstrates that these strange encounters with the past are bsaed on central tropes of classical epic: the journey to the underworld, the encounter with a work of art, and the return to the homeland. Sebald thus follows in the footsteps of German Jewish authors including Peter Weiss, Siegfried Kracauer, and Jean Améry who use these same epic tropes to reconsider the cultural memory of the Holocaust. Underworlds of Memory reads Sebald's works together with the works of these German Jewish authors and the classical epics of Homer and Virgil in order to describe and trace the origins of the unique intervention into cultural memory they embody. -- from back cover

     
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  11. Franz Kafka in context
    Beteiligt: Duttlinger, Carolin (Herausgeber)
    Erschienen: [2018]
    Verlag:  Cambridge University Press, Cambridge

  12. Persistent legacy
    the Holocaust and German studies
    Beteiligt: McGlothlin, Erin Heather (Herausgeber); Kapczynski, Jennifer M. (Herausgeber)
    Erschienen: 2016
    Verlag:  Camden House, Rochester, New York

    Zusammenfassung: "In studies of Holocaust representation and memory, scholars of literature and culture traditionally have focused on particular national contexts. At the same time, recent work has brought the Holocaust into the arena of the... mehr

     

    Zusammenfassung: "In studies of Holocaust representation and memory, scholars of literature and culture traditionally have focused on particular national contexts. At the same time, recent work has brought the Holocaust into the arena of the transnational, leading to a crossroads between localized and global understandings of Holocaust memory. Further complicating the issue are generational shifts that occur with the passage of time, and which render memory and representations of the Holocaust ever more mediated, commodified, and departicularized. Nowhere is the inquiry into Holocaust memory more fraught or potentially more productive than in German Studies, where scholars have struggled to address German guilt and responsibility while doing justice to the global impact of the Holocaust, and are increasingly facing the challenge of engaging with the broader, interdisciplinary, transnational field. Persistent Legacy connects the present, critical scholarly moment with this long disciplinary tradition, probing the relationship between German Studies and Holocaust Studies today. Fifteen prominent scholars explore how German Studies engages with Holocaust memory and representation, pursuing critical questions concerning the borders between the two fields and how they are impacted by emerging scholarly methods, new areas of inquiry, and the changing place of Holocaust memory in contemporary Germany."--(Provided by publisher.)

     
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    Quelle: Verbundkataloge
    Beteiligt: McGlothlin, Erin Heather (Herausgeber); Kapczynski, Jennifer M. (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781571139610; 1571139613
    Schriftenreihe: Dialogue and disjunction
    Schlagworte: Judenvernichtung; Vergangenheitsbewältigung; Kollektives Gedächtnis; Germanistik; Deutsch; Literatur; Judenvernichtung <Motiv>; Deutsch; Germanistik; Judenvernichtung; Judenvernichtung, Motiv; Kollektives Gedächtnis; Literatur; Vergangenheitsbewältigung; Judenvernichtung
    Weitere Schlagworte: (fast)1900-1999; (lcsh)Holocaust, Jewish (1939-1945)--Congresses; (lcsh)Collective memory--Germany--Congresses; (lcsh)German literature--20th century--Congresses; (lcsh)Holocaust, Jewish (1939-1945), in literature--Congresses; (lcsh)Memory in literature--Congresses
    Umfang: vi, 319 pages, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction / Jennifer M. Kapczynski and Erin McGlothlin -- Part I. Abiding challenges -- Never over, over and over / Jennifer M. Kapczynski -- The voice of the perpetrator, the voices of the survivors / Erin McGlothlin -- Part II. The Holocaust in German Studies in the North American and the German contexts -- Teaching Holocaust memories as part of "Germanistik" / Stephan Braese -- "Aber das ist Alles Vergangenheitsbewaltigung": German Studies' "Holocaust Bubble" and its literary aftermath / William Collins Donahue -- Part III. Disentangling "German," "Jewish," and "Holocaust" memory -- Epistemology of the hyphen: German-Jewish-Holocaust studies / Leslie Morris -- Writing before the Shoah, and reading after: Charlotte Salomon's Life? or theater? and its reception / Liliane Weissberg -- The power of paratext: Jewish authorship and testimonial authority in Benjamin Stein's Die Leinwand / Katja Garloff -- Part IV. Descendant narratives of survival and perpetration -- Identifying with the victims in the land of the perpetrators: Iris Hanika's Das Eigentliche and Kevin Vennemann's Nahe Jedenew / Sven Kramer -- Laying claim to painful truths in survivor- and perpetrator-family memoirs / Irene Kacandes -- Pinpointing evil: Nazi family photographs, remediated / Brad Prager -- Fritz Moeller's Harlan: Im Schatten von Jud Suss as family drama / David Bathrick -- Part V. Remediated icons of memory -- Goebbels's fear and legacy: Babelsberg and its Berlin street as cinematic memory place / Tobias Ebbrecht-Hartmann -- Hitler in the age of irony: Timur Vermes's Er ist wieder da / Michael D. Richardson -- Part VI. Holocaust memory in post-Holocaust traumas -- Remembering genocide in the digital age: the afterlife of the Holocaust in Rwanda / Karen Remmler -- The memory work of William Kentridge's Shadow Processions and his drawings for projection / Andreas Huyssen
  13. Stories without borders
    the Berlin Wall and the making of a global iconic event
    Autor*in: Sonnevend, Julia
    Erschienen: [2016]
    Verlag:  Oxford University Press, New York, NY

    Umfang und Inhalt: "An illustration of the ways in which people construct global iconic events through the case study of the fall of the Berlin Wall"--(Provided by publisher.) Umfang und Inhalt: "How do stories of particular events turn into global... mehr

     

    Umfang und Inhalt: "An illustration of the ways in which people construct global iconic events through the case study of the fall of the Berlin Wall"--(Provided by publisher.) Umfang und Inhalt: "How do stories of particular events turn into global myths, while others fade away? What becomes known and seen as a global iconic event? In Stories without Borders, Julia Sonnevend considers the ways in which we recount and remember news stories of historic significance. Focusing on journalists covering the fall of the Berlin Wall and on subsequent retellings of the event in a variety of ways--from Legoland reenactments to slabs of the Berlin Wall installed in global cities--Sonnevend discusses how certain events become built up so that people in many parts of the world remember them for long periods of time. She argues that five dimensions determine the viability and longevity of international news events. First, a foundational narrative must be established with certain preconditions. Next, the established narrative becomes universalized and a mythical message developed. This message is then condensed and encapsulated in a simple phrase, a short narrative, and a recognizable visual scene. Counter-narratives emerge that reinterpret events and in turn facilitate their diffusion across multiple media platforms and changing social and political contexts. Sonnevend examines these five elements through the developments of November 9, 1989--what came to be known as the fall of the Berlin Wall. Stories Without Borders concludes with a discussion of how global iconic events have an enduring effect on individuals and societies, pointing out that after common currencies, military alliances, and international courts have failed, stories may be all that we have to bring hope and unity"--(Provided by publisher.)

     
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  14. Żydowska Warszawa - żydowski Berlin
    literacki portret miasta w pierwszej połowie XX wieku
    Autor*in: Molisak, Alina
    Erschienen: 2016
    Verlag:  Instytut Badań Literackich PAN Wydawnictwo, Warszawa

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  15. Dong dang
    qin li 20 shi ji 60 nian dai yun dong = Tumult
    Autor*in: Enzensberger, Hans Magnus
    Erschienen: 2017
    Verlag:  Jiangsu feng huang wen yi chu ban she, Nanjing Shi

  16. German reunification and the legacy of East-German literature and culture
    Beteiligt: Byrnes, Deirdre (Herausgeber); Conacher, Jean E. (Herausgeber); Holfter, Gisela M. B. (Herausgeber)
    Erschienen: [2018]
    Verlag:  Brill, Leiden

    Since the tumultuous events of 1989/1990, writers, cultural practitioners and academics have responded to, reconstructed and reflected upon the process and enduring impact of German reunification. This bilingual volume provides a nuanced... mehr

     

    Since the tumultuous events of 1989/1990, writers, cultural practitioners and academics have responded to, reconstructed and reflected upon the process and enduring impact of German reunification. This bilingual volume provides a nuanced understanding of the literature and culture of the GDR and its legacy today. It explores a broad range of genres, combines perspectives on both lesser-known and more established writers, and juxtaposes academic articles with the personal reflections of those who directly experienced and engaged with the GDR from within or beyond its borders. Whether creative practitioners or academics, contributors consider the broader literary and intellectual contexts and traditions shaping GDR literature and culture in a way that broadens and enriches our understanding of reunification and its legacy.

     
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  17. La letteratura tedesca in Italia
    un'introduzione (1900-1920)
    Autor*in: Baldini, Anna
    Erschienen: marzo 2018
    Verlag:  Quodlibet, Macerata

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    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788822901699; 882290169X
    Auflage/Ausgabe: Prima edizione
    Schriftenreihe: Quodlibet stuio. Letteratura tradotta in Italia
    Schlagworte: Deutsch; Literatur; Rezeption; Deutsch; Literatur; Übersetzung; Italienisch
    Weitere Schlagworte: (fast)1900-1999; (lcsh)German literature--Italy--20th century.; (lcsh)German literature--Translations into Italian.; (lcsh)German literature--Criticism and interpretation.; (fast)German literature.; (fast)Italy.; (fast)Criticism, interpretation, etc.; (fast)Translations.
    Umfang: 316 Seiten, 22 cm
  18. Il personaggio di Mozart nella letteratura d'invenzione
    atti del convegno, Verona, Accademia Filarmonica, 4-5 dicembre 2007
    Beteiligt: Cappellari, Simona (Herausgeber); Cappelletti, Cristina (Herausgeber)
    Erschienen: 2011
    Verlag:  QuiEdit, Verona, Italy

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    Quelle: Verbundkataloge
    Beteiligt: Cappellari, Simona (Herausgeber); Cappelletti, Cristina (Herausgeber)
    Sprache: Italienisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9788864641409; 8864641408
    Auflage/Ausgabe: [1. ed.]
    Körperschaften/Kongresse: Il personaggio di Mozart nella letteratura d'invenzione (2007, Verona)
    Weitere Schlagworte: (lcsh)Mozart, Wolfgang Amadeus, 1756-1791--In literature--Congresses.; (fast)Mozart, Wolfgang Amadeus, 1756-1791.; Geschichte 1800-2007.; (fast)1900-1999; (lcsh)Fiction--20th century--History and criticism--Congresses.; (fast)Fiction.; (fast)Literature.; Kongress--Verona--2007.; (fast)Conference papers and proceedings.; (fast)Criticism, interpretation, etc.
    Umfang: XXII, 262 Seiten, 22 cm
  19. The moment of rupture
    historical consciousness in interwar German thought
    Autor*in: Beck, Humberto
    Erschienen: [2019]
    Verlag:  University of Pennsylvania Press, Philadelphia

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  20. Scultura programmatica nel Terzo Reich
    corpi dogmatici, letali dettami de bellezza
    Autor*in: Wolbert, Klaus
    Erschienen: [2018]
    Verlag:  Allemandi, Torino

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  21. Ensayos escogidos
    Autor*in: Benjamin, Walter
    Erschienen: 2010
    Verlag:  El cuenco de plata, Buenos Aires

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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789871228980; 9871228988
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Teoría y ensayo
    Weitere Schlagworte: (fast)1900-1999; (lcsh)Philosophy, Modern--20th century.; (fast)Philosophy, Modern.
    Umfang: 190 Seiten, 21 cm
    Bemerkung(en):

    Essays
  22. La obra de arte en la era de su reproducción técnica
    Autor*in: Benjamin, Walter; Monteleone, Jorge.
    Erschienen: [2011]
    Verlag:  El Cuenco de Plata, Buenos Aires

    Zusammenfassung: "La creciente proletarización de los seres humanos de hoy y la creciente formación de las masas son dos caras de un mismo proceso histórico. El fascismo intenta organizar las masas proletarizadas de reciente aparición sin tocar las... mehr

     

    Zusammenfassung: "La creciente proletarización de los seres humanos de hoy y la creciente formación de las masas son dos caras de un mismo proceso histórico. El fascismo intenta organizar las masas proletarizadas de reciente aparición sin tocar las relaciones de propiedad que las masas aspiran a eliminar. Ve su salvación en dejar que las masas se expresen (pero que ni por asomo exijan sus derechos). Las masas tienen derecho a la transformación de las relaciones de propiedad; el fascismo busca darles expresión a las masas para conservar el régimen."--Contratapa.

     
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  23. Infancia en Berlín hacia 1900 incluye: "Crónica de Berlín"
    Autor*in: Benjamin, Walter
    Erschienen: [2016]
    Verlag:  El Cuenco de Plata, Buenos Aires

    Zusammenfassung: ""A comienzos de 1932 Walter Benjamin escribe en una libreta de apuntes una crónica autobiográfica sobre sus días de infancia en Berlín, su ciudad natal. A menudo la imagen recordada es una palabra, bajo la especie de una imagen... mehr

     

    Zusammenfassung: ""A comienzos de 1932 Walter Benjamin escribe en una libreta de apuntes una crónica autobiográfica sobre sus días de infancia en Berlín, su ciudad natal. A menudo la imagen recordada es una palabra, bajo la especie de una imagen acústica, tanto como porta el signo, ya que muchos recuerdos son auditivos. Como si oyese constantemente en la cámara de ecos de la memoria, la remota experiencia resuena con todos los sonidos diminutos de la vida común. El narrador se siente envuelto en un mar de palabras como si fuera un molusco dentro de su caparazón en el vasto océano del siglo diecinueve, que percibe las resonancias en el agua profunda. El cuerpo mismo atiende la resonancia del recuerdo en el lenguaje. Las palabras son hechos sonoros que producen sentidos nuevos y en ellas lo vivido retorna en el relámpago de su actualidad." Jorge Monteleone."--Contratapa.

     
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    Quelle: Verbundkataloge
    Beteiligt: Monteleone, Jorge (Herausgeber); Magnus, Ariel (Übersetzer); Mársico, Griselda (Hrsg.)
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789873743726; 9873743723
    Schriftenreihe: Extraterritorial
    Schlagworte: Benjamin, Walter;
    Weitere Schlagworte: Benjamin, Walter (1892-1940); (lcsh)Benjamin, Walter, 1892-1940--Childhood and youth.; Benjamin, Walter, 1892-1940--Niñez y juventud.; (fast)Benjamin, Walter, 1892-1940.; (fast)1900-1999; (lcsh)Authors, German--20th century--Biography.; Autores alemanes--Siglo XX--Biografía.; (fast)Authors, German.; (fast)Biographies.
    Umfang: 254 Seiten, Illustrationen, 21 cm
  24. Biological modernism
    the new human in Weimar culture
    Autor*in: Gelderloos, Carl
    Erschienen: [2020]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Zusammenfassung: "Biological Modernism details how German writers during the Weimar Republic drew on discourses and tropes from the biological sciences to redefine the human being for a modern, technological age" mehr

     

    Zusammenfassung: "Biological Modernism details how German writers during the Weimar Republic drew on discourses and tropes from the biological sciences to redefine the human being for a modern, technological age"

     
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  25. Dimensions of storytelling in German literature and beyond
    "for once, telling it all from the beginning"
    Beteiligt: Boney, Kristy R. (Herausgeber); William, Jennifer Marston (Herausgeber)
    Erschienen: 2018
    Verlag:  Camden House, Rochester, New York

    Zusammenfassung: "While Walter Benjamin, in his famous essay "The Storyteller" (1936), lamented the decline of the storytelling tradition in the age of the modernist novel, Anna Seghers and other twentieth-century German writers went on to chronicle... mehr

     

    Zusammenfassung: "While Walter Benjamin, in his famous essay "The Storyteller" (1936), lamented the decline of the storytelling tradition in the age of the modernist novel, Anna Seghers and other twentieth-century German writers went on to chronicle the century's darkest days in creative and compelling ways. This volume is at its heart a tribute to Germanist Helen Fehervary, whose work, particularly on the prose of Anna Seghers, continues to inspire scholars who examine narration and storytelling. The subtitle quotation, "for once, telling it all from the beginning," is a translation of the phrase "einmal alles von Anfang an erzählen," from Seghers's exile novel Transit, in which she told not only her own story but that of countless others who faced existential challenges in their attempts to escape the Nazi regime. This volume examines a number of such writers, exploring the tensions between aesthetics and politically conscious writing, as well as individual struggles involving conformity and resistance in a totalitarian state"--(Provided by publisher.)

     
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    Quelle: Verbundkataloge
    Beteiligt: Boney, Kristy R. (Herausgeber); William, Jennifer Marston (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781640140400; 1640140409
    Weitere Identifier:
    40028847105
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Literatur; Erzählen
    Weitere Schlagworte: (fast)1900-1999; (lcsh)German literature--20th century--History and criticism.; (lcsh)Storytelling in literature.; (fast)German literature.; (fast)Storytelling in literature.; (fast)Criticism, interpretation, etc
    Umfang: vii, 280 Seiten, Illustrationen, 24 cm