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  1. Disgust and desire
    the paradox of the monster
    Autor*in: Wright, Kristen
    Erschienen: [2018]
    Verlag:  BRILL Rodpoi, Leiden

    Preliminary Material /Kristen Wright -- How Ignorance Made a Monster, Or: Writing the History of Vlad the Impaler without the Use of Sources Leads to 20,000 Impaled Turks /Peter Mario Kreuter -- Unveiling the Truth through Testimony: The Argentinean... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Preliminary Material /Kristen Wright -- How Ignorance Made a Monster, Or: Writing the History of Vlad the Impaler without the Use of Sources Leads to 20,000 Impaled Turks /Peter Mario Kreuter -- Unveiling the Truth through Testimony: The Argentinean Dirty War /Adriana Spahr -- Fanatics and Absolutists: Communist Monsters in John le Carré’s Cold War Fiction /Toby Manning -- Queer Race Play: Kinky Sex and the Trauma of Racism /Dejan Kuzmanovic -- Absolute Beasts? Social Mechanics of Achieved Monstrosity /William Redwood -- Utopian Leprosy: Transforming Gender in Bram Stoker’s Dracula and History in the Strugatsky Brothers’ The Ugly Swans /Elsa Bouet -- Monstrosity and the Fantastic: The Threats and Promises of Monsters in Tommaso Landolfi’s Fiction /Irene Bulla -- ‘This Thing of Darkness I Acknowledge Mine’: Man's Monstrous Potential in The Tempest and Titus Andronicus /Kristen D. Wright -- Paedophilic Productions and Gothic Performances: Contending with Monstrous Identity /Jen Baker -- Creeper Bogeyman: Cultural Narratives of Gay as Monstrous /Sergio Fernando Juárez -- Full Metal Abs: The Obscene Spartan Supplement of Liberal Democracy /Carlo Comanducci. Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity’s desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004360150
    Weitere Identifier:
    RVK Klassifikation: EC 5410 ; HG 436 ; HG 674
    Schriftenreihe: At the Interface / Probing the Boundaries ; volume 91
    At the interface/probing the boundaries ; 91
    Schlagworte: Monsters; Aversion; Aversion in literature; Desire; Queer theory; Monsters in literature
    Umfang: 1 Online-Ressource (283 pages)
  2. Disgust and desire
    the paradox of the monster
    Erschienen: 2018
    Verlag:  Brill Rodopi, Leiden ; Boston

    "Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity's desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture."--Back cover

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004360150
    Weitere Identifier:
    RVK Klassifikation: EC 5410
    Schriftenreihe: At the Interface/Probing the Boundaries ; Volume 91
    Schlagworte: Literatur; Ungeheuer
    Weitere Schlagworte: Monsters in literature
    Umfang: 1 Online-Ressource (xii, 270 Seiten)
  3. Disgust and desire
    the paradox of the monster
    Beteiligt: Wright, Kristen (Hrsg.)
    Erschienen: [2018]; © 2018
    Verlag:  Brill Rodopi, Leiden

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Wright, Kristen (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004360150
    Weitere Identifier:
    RVK Klassifikation: EC 5410
    Schriftenreihe: At the interface/probing the boundaries ; volume 91
    Schlagworte: Literatur; Kultur; Ungeheuer;
    Umfang: 1 Online-Ressource (xii, 270 Seiten), Illustrationen
    Bemerkung(en):

    Literaturangaben

  4. Disgust and desire
    rhe paradox of the monster
    Beteiligt: Wright, Kristen (HerausgeberIn)
    Erschienen: [2018]
    Verlag:  Brill, Leiden, The Netherlands

    Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human... mehr

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity's desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Wright, Kristen (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004360150; 9004360158
    Schriftenreihe: At the interface/probing the boundaries ; volume 91
    Schlagworte: Monsters; Monsters in literature; Monsters; Monsters in literature; Monsters ; Symbolic aspects; LITERARY CRITICISM / Subjects & Themes / General
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references

  5. Disgust and desire
    the paradox of the monster
    Erschienen: 2018
    Verlag:  Brill Rodopi, Leiden

    "Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human... mehr

    Universität Marburg, Universitätsbibliothek
    keine Fernleihe

     

    "Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity's desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture."--Back cover

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004360150
    RVK Klassifikation: EC 5410
    Schriftenreihe: At the Interface/Probing the Boundaries ; Volume 91
    Schlagworte: Ungeheuer; Literatur
    Umfang: 1 Online-Ressource (xii, 270 Seiten)
  6. Disgust and desire
    the paradox of the monster
    Autor*in: Wright, Kristen
    Erschienen: [2018]
    Verlag:  BRILL Rodpoi, Leiden

    Preliminary Material /Kristen Wright -- How Ignorance Made a Monster, Or: Writing the History of Vlad the Impaler without the Use of Sources Leads to 20,000 Impaled Turks /Peter Mario Kreuter -- Unveiling the Truth through Testimony: The Argentinean... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Universitätsbibliothek Leipzig
    keine Fernleihe
    Universitätsbibliothek Osnabrück
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    keine Fernleihe

     

    Preliminary Material /Kristen Wright -- How Ignorance Made a Monster, Or: Writing the History of Vlad the Impaler without the Use of Sources Leads to 20,000 Impaled Turks /Peter Mario Kreuter -- Unveiling the Truth through Testimony: The Argentinean Dirty War /Adriana Spahr -- Fanatics and Absolutists: Communist Monsters in John le Carré’s Cold War Fiction /Toby Manning -- Queer Race Play: Kinky Sex and the Trauma of Racism /Dejan Kuzmanovic -- Absolute Beasts? Social Mechanics of Achieved Monstrosity /William Redwood -- Utopian Leprosy: Transforming Gender in Bram Stoker’s Dracula and History in the Strugatsky Brothers’ The Ugly Swans /Elsa Bouet -- Monstrosity and the Fantastic: The Threats and Promises of Monsters in Tommaso Landolfi’s Fiction /Irene Bulla -- ‘This Thing of Darkness I Acknowledge Mine’: Man's Monstrous Potential in The Tempest and Titus Andronicus /Kristen D. Wright -- Paedophilic Productions and Gothic Performances: Contending with Monstrous Identity /Jen Baker -- Creeper Bogeyman: Cultural Narratives of Gay as Monstrous /Sergio Fernando Juárez -- Full Metal Abs: The Obscene Spartan Supplement of Liberal Democracy /Carlo Comanducci. Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity’s desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004360150
    Weitere Identifier:
    RVK Klassifikation: EC 5410 ; HG 436 ; HG 674
    Schriftenreihe: At the Interface / Probing the Boundaries ; volume 91
    At the interface/probing the boundaries ; 91
    Schlagworte: Monsters; Aversion; Aversion in literature; Desire; Queer theory; Monsters in literature
    Umfang: 1 Online-Ressource (283 pages)
  7. Disgust and desire
    the paradox of the monster
    Autor*in: Wright, Kristen
    Erschienen: [2018]
    Verlag:  BRILL Rodpoi, Leiden

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004360150
    RVK Klassifikation: EC 5410 ; HG 436 ; HG 674
    Schriftenreihe: At the Interface / Probing the Boundaries ; volume 91
    Schlagworte: Monsters in literature
    Umfang: 1 Online-Ressource (283 pages)
  8. DISGUST AND DESIRE :
    the paradox of the monster.
    Erschienen: 2017.
    Verlag:  RODOPI BRILL,, LEIDEN :

    Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human... mehr

    Zugang:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity's desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004360150
    Weitere Identifier:
    DOI: 10.1163/9789004360150
    Schriftenreihe: At the interface/probing the boundaries ; ; 91
    Schlagworte: Monsters.; Aversion.; Aversion in literature.; Desire.; Queer theory.
    Umfang: 1 online resource (xii, 270 pages) :, illustrations.
    Bemerkung(en):

    Array: Array