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  1. Masking the drama
    a space for revolution in Aphra Behn's "The Rover and The Feign'd Courtezans"
    Autor*in: Arena, Tiziana Febronia
    Erschienen: 2017
    Verlag:  Peter Lang, Bern

    «Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    «Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such as Aphra Behn and of how a new articulation of social space contributed to the formation of a potentially emancipatory sense of gendered selfhood understood as a flexible and porous instantiation of performative roles.The author interrogates the prominent role played among Restoration women playwrights by the tropes of theatrical performativity as providing an alternative path to feminist revision and thus offering new perspectives on and challenges to existing scholarship on early modern women’s studies and the status of Aphra Behn studies in this scholarly context and stressing how women challenged, transgressed and subverted heteropatriarchal normativity by stepping outside their allotted social roles to appropriate a female space within the public domain of the theatre.From within a widely-argued critical discourse concerning masking and masquerade, the book takes a novel look at Behn’s internal and external mental conditionings, arguing that they still lived on even though the political divisions which had sustained their ideological rationale were no longer in place. One of the thesis’s critical edges lies here: rather than fixing Behn’s representational discourse within a rigid revolutionary/conservative dialectics, even when such a narrative of difference partly informs the plays analysed, the author convincingly argues against any monolithic view, thus eschewing the risk of ideological reductionism. The book brilliantly fashions a novel narrative of cultural phenomena especially relevant to the discussion of such a self-contradictory artist as Aphra Behn arguably is Introduction – Chapter 1: The Power of Representation: the Political Use of the Theatre in the Seventeenth Century – Chapter 2: The Woman in the Shadow: Woman’s position in the Patriarchal Society – Chapter 3: Performing the Masculine: Masculine domination in Behn’s works – Chapter 4: Talking Revolution – Chapter 5: Portrait of a Lady Cavalier – Chapter 6: Masking the drama: a space for Revolution – Conclusion – References

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783034326490
    Weitere Identifier:
    9783034326490
    Schlagworte: Behn, Aphra; Behn, Aphra; Frau <Motiv>; Geschlechterverhältnis <Motiv>;
    Umfang: 1 Online-Ressource (184 Seiten)
  2. Masking the drama
    a space for revolution in Aphra Behn's : the rover and the feign'd courtezans
    Autor*in: Arena, Tiziana Febronia
    Erschienen: 2017; ©2017
    Verlag:  Peter Lang, Bern, Switzerland

    Zugang:
    Aggregator (lizenzpflichtig)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783034326490
    Schlagworte: Behn, Aphra ; 1640-1689 ; Criticism and interpretation; Electronic books
    Umfang: 1 online resource (186 pages)
    Bemerkung(en):

    Includes bibliographical references. Description based on online resource; title from PDF title page (ebrary, viewed May 29, 2017)
  3. Masking the Drama
    Autor*in: Arena, Tiziana Febronia
    Erschienen: 2017
    Verlag:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    «Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    «Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such as Aphra Behn and of how a new articulation of social space contributed to the formation of a potentially emancipatory sense of gendered selfhood understood as a flexible and porous instantiation of performative roles.The author interrogates the prominent role played among Restoration women playwrights by the tropes of theatrical performativity as providing an alternative path to feminist revision and thus offering new perspectives on and challenges to existing scholarship on early modern women’s studies and the status of Aphra Behn studies in this scholarly context and stressing how women challenged, transgressed and subverted heteropatriarchal normativity by stepping outside their allotted social roles to appropriate a female space within the public domain of the theatre.From within a widely-argued critical discourse concerning masking and masquerade, the book takes a novel look at Behn’s internal and external mental conditionings, arguing that they still lived on even though the political divisions which had sustained their ideological rationale were no longer in place. One of the thesis’s critical edges lies here: rather than fixing Behn’s representational discourse within a rigid revolutionary/conservative dialectics, even when such a narrative of difference partly informs the plays analysed, the author convincingly argues against any monolithic view, thus eschewing the risk of ideological reductionism. The book brilliantly fashions a novel narrative of cultural phenomena especially relevant to the discussion of such a self-contradictory artist as Aphra Behn arguably is.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783034326490
    Weitere Identifier:
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1st, New ed.
    Schlagworte: Frau <Motiv>; Geschlechterverhältnis <Motiv>
    Weitere Schlagworte: Behn, Aphra (1640-1689): The feign'd curtizans; Behn, Aphra (1640-1689): The rover
    Umfang: 1 Online-Ressource
  4. Masking the drama
    a space for revolution in Aphra Behn's "The Rover and The Feign'd Courtezans"
    Autor*in: Arena, Tiziana Febronia
    Erschienen: 2017
    Verlag:  Peter Lang, Bern

    «Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    «Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such as Aphra Behn and of how a new articulation of social space contributed to the formation of a potentially emancipatory sense of gendered selfhood understood as a flexible and porous instantiation of performative roles.The author interrogates the prominent role played among Restoration women playwrights by the tropes of theatrical performativity as providing an alternative path to feminist revision and thus offering new perspectives on and challenges to existing scholarship on early modern women’s studies and the status of Aphra Behn studies in this scholarly context and stressing how women challenged, transgressed and subverted heteropatriarchal normativity by stepping outside their allotted social roles to appropriate a female space within the public domain of the theatre.From within a widely-argued critical discourse concerning masking and masquerade, the book takes a novel look at Behn’s internal and external mental conditionings, arguing that they still lived on even though the political divisions which had sustained their ideological rationale were no longer in place. One of the thesis’s critical edges lies here: rather than fixing Behn’s representational discourse within a rigid revolutionary/conservative dialectics, even when such a narrative of difference partly informs the plays analysed, the author convincingly argues against any monolithic view, thus eschewing the risk of ideological reductionism. The book brilliantly fashions a novel narrative of cultural phenomena especially relevant to the discussion of such a self-contradictory artist as Aphra Behn arguably is Introduction – Chapter 1: The Power of Representation: the Political Use of the Theatre in the Seventeenth Century – Chapter 2: The Woman in the Shadow: Woman’s position in the Patriarchal Society – Chapter 3: Performing the Masculine: Masculine domination in Behn’s works – Chapter 4: Talking Revolution – Chapter 5: Portrait of a Lady Cavalier – Chapter 6: Masking the drama: a space for Revolution – Conclusion – References

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783034326490
    Weitere Identifier:
    9783034326490
    Schlagworte: Behn, Aphra; Behn, Aphra; Frau <Motiv>; Geschlechterverhältnis <Motiv>;
    Umfang: 1 Online-Ressource (184 Seiten)
  5. Masking the Drama
    A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»
    Autor*in: Arena, Tiziana Febronia
    Erschienen: 2017
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  6. Masking the Drama
    A Space for Revolution in Aphra Behn’s «The Rover» and «The Feign’d Courtezans»
    Autor*in: Arena, Tiziana Febronia
    Erschienen: 2017
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    «Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such... mehr

    Zugang:

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    «Masking the Drama: A Space for Revolution in Aphra Behn’s The Rover and The Feign’d Courtezans» pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such as Aphra Behn and of how a new articulation of social space contributed to the formation of a potentially emancipatory sense of gendered selfhood understood as a flexible and porous instantiation of performative roles. The author interrogates the prominent role played among Restoration women playwrights by the tropes of theatrical performativity as providing an alternative path to feminist revision and thus offering new perspectives on and challenges to existing scholarship on early modern women’s studies and the status of Aphra Behn studies in this scholarly context and stressing how women challenged, transgressed and subverted heteropatriarchal normativity by stepping outside their allotted social roles to appropriate a female space within the public domain of the theatre. From within a widely-argued critical discourse concerning masking and masquerade, the book takes a novel look at Behn’s internal and external mental conditionings, arguing that they still lived on even though the political divisions which had sustained their ideological rationale were no longer in place. One of the thesis’s critical edges lies here: rather than fixing Behn’s representational discourse within a rigid revolutionary/conservative dialectics, even when such a narrative of difference partly informs the plays analysed, the author convincingly argues against any monolithic view, thus eschewing the risk of ideological reductionism. The book brilliantly fashions a novel narrative of cultural phenomena especially relevant to the discussion of such a self-contradictory artist as Aphra Behn arguably is.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783034326490
    Weitere Identifier:
    9783034326490
    Auflage/Ausgabe: 1st, New ed.
    Umfang: 1 online resource (184 p.), 21,0 x 14,8 cm
    Bemerkung(en):

    Doctoral Thesis, ,

    Introduction – Chapter 1: The Power of Representation: the Political Use of the Theatre in the Seventeenth Century – Chapter 2: The Woman in the Shadow: Woman’s position in the Patriarchal Society – Chapter 3: Performing the Masculine: Masculine domination in Behn’s works – Chapter 4: Talking Revolution – Chapter 5: Portrait of a Lady Cavalier – Chapter 6: Masking the drama: a space for Revolution – Conclusion – References