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  1. Producing women's poetry, 1600-1730
    text and paratext, manuscript and print
    Autor*in: Wright, Gillian
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their... mehr

    Universitätsbibliothek Bamberg
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    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139795463
    Weitere Identifier:
    RVK Klassifikation: HI 1249 ; HK 1181
    Schlagworte: Geschichte; English poetry / Early modern, 1500-1700 / History and criticism; English poetry / 18th century / History and criticism; English poetry / Women authors / History and criticism; Women and literature / England / History / 17th century; Women and literature / England / History / 18th century; Poetry / Publishing / Great Britain / History / 17th century; Poetry / Publishing / Great Britain / History / 18th century; Englisch; Frauenlyrik
    Umfang: 1 online resource (x, 274 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- The resources of manuscript: Anne Southwell, readership and literary property -- The material muse: Anne Bradstreet in manuscript and print -- The extraordinary Katherine Philips -- The anxieties of agency: compilation, publicity and judgement in Anne Finch's poetry -- Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach -- Conclusion: producing women's poetry

  2. Producing women's poetry, 1600-1730
    text and paratext, manuscript and print
    Autor*in: Wright, Gillian
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge, UK

    Gillian Wright combines literary and bibliographical approaches to examine the work of five English women poets in the period 1600-1730 Introduction -- The resources of manuscript: Anne Southwell, readership and literary property -- The material... mehr

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    Gillian Wright combines literary and bibliographical approaches to examine the work of five English women poets in the period 1600-1730 Introduction -- The resources of manuscript: Anne Southwell, readership and literary property -- The material muse: Anne Bradstreet in manuscript and print -- The extraordinary Katherine Philips -- The anxieties of agency: compilation, publicity and judgement in Anne Finch's poetry -- Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach -- Conclusion: producing women's poetry.

     

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  3. Producing women's poetry, 1600-1730
    text and paratext, manuscript and print
    Autor*in: Wright, Gillian
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their... mehr

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    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history Introduction -- The resources of manuscript: Anne Southwell, readership and literary property -- The material muse: Anne Bradstreet in manuscript and print -- The extraordinary Katherine Philips -- The anxieties of agency: compilation, publicity and judgement in Anne Finch's poetry -- Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach -- Conclusion: producing women's poetry

     

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  4. Producing women's poetry, 1600-1730
    text and paratext, manuscript and print
    Autor*in: Wright, Gillian
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their... mehr

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    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139795463
    RVK Klassifikation: HK 1181 ; HI 1249
    Schlagworte: Englisch; Frauenlyrik
    Umfang: 1 Online-Ressource (x, 274 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. Producing women's poetry, 1600-1730
    text and paratext, manuscript and print
    Autor*in: Wright, Gillian
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their... mehr

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    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history Introduction -- The resources of manuscript: Anne Southwell, readership and literary property -- The material muse: Anne Bradstreet in manuscript and print -- The extraordinary Katherine Philips -- The anxieties of agency: compilation, publicity and judgement in Anne Finch's poetry -- Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach -- Conclusion: producing women's poetry

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
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