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  1. Epic and Empire
    Politics and Generic Form from Virgil to Milton
    Autor*in: Quint, David
    Erschienen: [2021]; © 1993
    Verlag:  Princeton University Press, Princeton, NJ

    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major... mehr

     

    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691222950
    Weitere Identifier:
    Schriftenreihe: Literature in History ; 1
    Schlagworte: LITERARY CRITICISM / European / General; Epic poetry; Literary form; Literature and history
    Umfang: 1 Online-Ressource (444 Seiten), 1 fig
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
  2. Epic and Empire
    Politics and Generic Form from Virgil to Milton
    Autor*in: Quint, David
    Erschienen: [2021]; © 1993
    Verlag:  Princeton University Press, Princeton, NJ

    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major... mehr

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    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691222950
    Weitere Identifier:
    Schriftenreihe: Literature in History ; 1
    Schlagworte: LITERARY CRITICISM / European / General; Epic poetry; Literary form; Literature and history
    Umfang: 1 Online-Ressource (444 Seiten), 1 fig
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
  3. Epic and Empire
    Politics and Generic Form from Virgil to Milton
    Autor*in: Quint, David
    Erschienen: [1993]; ©1993
    Verlag:  Princeton University Press, Princeton, NJ ; Walter de Gruyter GmbH, Berlin

    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major... mehr

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    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691222950
    Weitere Identifier:
    Schriftenreihe: Literature in History ; 1
    Umfang: 1 Online-Ressource (444 p.), 1 fig
  4. Epic and empire
    politics and generic form from Virgil to Milton
    Autor*in: Quint, David
    Erschienen: ©1993
    Verlag:  Princeton University Press, Princeton, N.J

    Epic and empire: versions of actium -- Repetition and ideology in the Aeneid -- The epic curse and Camões' adamastor -- Epics of the defeated: the other tradition of Lucan, Ercilla, and d'Aubigné -- Political allegory in the Gerusalemme liberata --... mehr

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    Verlag (lizenzpflichtig)

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    keine Fernleihe

    Fernleihe:
    keine Fernleihe

     

    Epic and empire: versions of actium -- Repetition and ideology in the Aeneid -- The epic curse and Camões' adamastor -- Epics of the defeated: the other tradition of Lucan, Ercilla, and d'Aubigné -- Political allegory in the Gerusalemme liberata -- Tasso, Milton, and the boat of romance -- Paradise lost and the fall of the English commonwealth -- David's census: Milton's politics and Paradise regained -- Ossian, medieval "epic", and Eisenstein's Alexander Nevsky.

     
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  5. Epic and empire
    politics and generic form from Virgil to Milton
    Autor*in: Quint, David
    Erschienen: 1993; ©1993
    Verlag:  Princeton University Press, Princeton

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    Aggregator (lizenzpflichtig)

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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691222950
    RVK Klassifikation: FX 178105 ; FT 92000 ; FX 178405
    Schriftenreihe: Literature in History Ser. ; v.1
    Schlagworte: Politik; Electronic books
    Weitere Schlagworte: Girard, René (1923-2015); Vergilius Maro, Publius (v70-v19)
    Umfang: 1 online resource (448 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  6. Epic and empire
    politics and generic form from Virgil to Milton
    Autor*in: Quint, David
    Erschienen: [2021]; ©1993
    Verlag:  Princeton University Press, Princeton, NJ

    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major... mehr

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    Resolving-System (lizenzpflichtig)
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    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form

     
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  7. Epic and Empire :
    Politics and Generic Form from Virgil to Milton /
    Autor*in: Quint, David,
    Erschienen: [2021]; ©1993
    Verlag:  Princeton University Press,, Princeton, NJ :

    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major... mehr

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    Standort:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format