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  1. Body Work
    Objects of Desire in Modern Narrative
    Autor*in: Brooks, Peter
    Erschienen: 2009
    Verlag:  Harvard University Press, Cambridge

    Intro -- Contents -- Preface -- 1 Narrative and the Body -- 2 Invasions of Privacy: The Body in the Novel -- 3 Marking Out the Modern Body: The French Revolution and Balzac -- 4 The Body in the Field of Vision -- 5 Nana at Last Unveil'd? Problems of... mehr

     

    Intro -- Contents -- Preface -- 1 Narrative and the Body -- 2 Invasions of Privacy: The Body in the Novel -- 3 Marking Out the Modern Body: The French Revolution and Balzac -- 4 The Body in the Field of Vision -- 5 Nana at Last Unveil'd? Problems of the Modern Nude -- 6 Gauguin's Tahitian Body -- 7 What Is a Monster? (According to Frankenstein) -- 8 Talking Bodies, Delicate Vessels -- 9 Transgressive Bodies -- Notes -- Index.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674077249
    Schlagworte: Human body in literature; Human figure in art; Literature, Modern ; History and criticism; Narration (Rhetoric); Sex in literature; Electronic books
    Umfang: Online-Ressource (342 p)
    Bemerkung(en):

    Description based upon print version of record

    ""Contents""; ""Preface""; ""1 Narrative and the Body""; ""2 Invasions of Privacy: The Body in the Novel""; ""3 Marking Out the Modern Body: The French Revolution and Balzac""; ""4 The Body in the Field of Vision""; ""5 Nana at Last Unveil�d? Problems of the Modern Nude""; ""6 Gauguin�s Tahitian Body""; ""7 What Is a Monster? (According to Frankenstein)""; ""8 Talking Bodies, Delicate Vessels""; ""9 Transgressive Bodies""; ""Notes""; ""Index""
  2. Body work
    objects of desire in modern narrative
    Autor*in: Brooks, Peter
    Erschienen: 1993
    Verlag:  Harvard University Press, Cambridge, MA

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674077249
    RVK Klassifikation: EC 5410
    Schlagworte: Human body in literature; Sex in literature; Narration (Rhetoric); Literature, Modern; Human figure in art; Körper; Nacktheit <Motiv>; Körper <Motiv>; Literatur; Malerei; Kunst
    Umfang: xiv, 325 p.
    Bemerkung(en):

    Includes bibliographical references (p. [289]-318) and index
  3. Body work
    objects of desire in modern narrative
    Autor*in: Brooks, Peter
    Erschienen: 1993
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Standort:
    Universitätsbibliothek Passau
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674028869; 0674028864; 9780674077249
    RVK Klassifikation: EC 5410
    Schlagworte: Corps humain dans la littérature; Sexualité dans la littérature; Narration; Littérature / Histoire et critique; Corps humain dans l'art; LITERARY CRITICISM / Gay & Lesbian; Vertelkunst; Literaire thema's; Menselijk lichaam; Human body in literature; Human figure in art; Literature, Modern; Narration (Rhetoric); Sex in literature; Human body in literature; Sex in literature; Narration (Rhetoric); Literature, Modern; Human figure in art; Körper; Nacktheit <Motiv>; Körper <Motiv>; Literatur; Malerei; Kunst
    Umfang: 1 Online-Ressource (xiv, 325 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [289]-318) and index

    Preface -- Narrative and the body -- Invasions of privacy: the body in the novel -- Marking out the modern body: the French revolution and Balzac -- The body in the field of vision -- Nana at last unveil'd? Problems of the modern nude -- Gauguin's Tahitian body -- What is a monster? (according to Frankenstein) -- Talking bodies, delicate vessels -- Transgressive bodies

    The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the "epistemophilic urge"--The desire to know - guides fictional plots and our reading of them. The novel is so singularly powerful an art form because it plays on our deepest yearnings, including the desire to penetrate the most private of realms. The body that interests Brooks most is defined radically by its sexuality. It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself - which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. In modern art and literature, the body as object of curiosity has been predominantly that of a woman. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force