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  1. Stories without borders
    the Berlin Wall and the making of a global iconic event
    Autor*in: Sonnevend, Julia
    Erschienen: [2016]; © 2016
    Verlag:  Oxford University Press, New York, NY

    "An illustration of the ways in which people construct global iconic events through the case study of the fall of the Berlin Wall"..." How do stories of particular events turn into global myths, while others fade away? What becomes known and seen as... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An illustration of the ways in which people construct global iconic events through the case study of the fall of the Berlin Wall"..." How do stories of particular events turn into global myths, while others fade away? What becomes known and seen as a global iconic event? In Stories without Borders, Julia Sonnevend considers the ways in which we recount and remember news stories of historic significance. Focusing on journalists covering the fall of the Berlin Wall and on subsequent retellings of the event in a variety of ways...from Legoland reenactments to slabs of the Berlin Wall installed in global cities...Sonnevend discusses how certain events become built up so that people in many parts of the world remember them for long periods of time. She argues that five dimensions determine the viability and longevity of international news events. First, a foundational narrative must be established with certain preconditions. Next, the established narrative becomes universalized and a mythical message developed. This message is then condensed and encapsulated in a simple phrase, a short narrative, and a recognizable visual scene. Counter-narratives emerge that reinterpret events and in turn facilitate their diffusion across multiple media platforms and changing social and political contexts. Sonnevend examines these five elements through the developments of November 9, 1989...what came to be known as the fall of the Berlin Wall. Stories Without Borders concludes with a discussion of how global iconic events have an enduring effect on individuals and societies, pointing out that after common currencies, military alliances, and international courts have failed, stories may be all that we have to bring hope and unity"...

     
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  2. Stories without borders
    the Berlin Wall and the making of a global iconic event
    Autor*in: Sonnevend, Julia
    Erschienen: [2016]
    Verlag:  Oxford University Press, New York, NY

    Umfang und Inhalt: "An illustration of the ways in which people construct global iconic events through the case study of the fall of the Berlin Wall"--(Provided by publisher.) Umfang und Inhalt: "How do stories of particular events turn into global... mehr

     

    Umfang und Inhalt: "An illustration of the ways in which people construct global iconic events through the case study of the fall of the Berlin Wall"--(Provided by publisher.) Umfang und Inhalt: "How do stories of particular events turn into global myths, while others fade away? What becomes known and seen as a global iconic event? In Stories without Borders, Julia Sonnevend considers the ways in which we recount and remember news stories of historic significance. Focusing on journalists covering the fall of the Berlin Wall and on subsequent retellings of the event in a variety of ways--from Legoland reenactments to slabs of the Berlin Wall installed in global cities--Sonnevend discusses how certain events become built up so that people in many parts of the world remember them for long periods of time. She argues that five dimensions determine the viability and longevity of international news events. First, a foundational narrative must be established with certain preconditions. Next, the established narrative becomes universalized and a mythical message developed. This message is then condensed and encapsulated in a simple phrase, a short narrative, and a recognizable visual scene. Counter-narratives emerge that reinterpret events and in turn facilitate their diffusion across multiple media platforms and changing social and political contexts. Sonnevend examines these five elements through the developments of November 9, 1989--what came to be known as the fall of the Berlin Wall. Stories Without Borders concludes with a discussion of how global iconic events have an enduring effect on individuals and societies, pointing out that after common currencies, military alliances, and international courts have failed, stories may be all that we have to bring hope and unity"--(Provided by publisher.)

     
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  3. Stories without borders
    the Berlin Wall and the making of a global iconic event
    Autor*in: Sonnevend, Julia
    Erschienen: [2016]; © 2016
    Verlag:  Oxford University Press, New York, NY

    "An illustration of the ways in which people construct global iconic events through the case study of the fall of the Berlin Wall"..." How do stories of particular events turn into global myths, while others fade away? What becomes known and seen as... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    "An illustration of the ways in which people construct global iconic events through the case study of the fall of the Berlin Wall"..." How do stories of particular events turn into global myths, while others fade away? What becomes known and seen as a global iconic event? In Stories without Borders, Julia Sonnevend considers the ways in which we recount and remember news stories of historic significance. Focusing on journalists covering the fall of the Berlin Wall and on subsequent retellings of the event in a variety of ways...from Legoland reenactments to slabs of the Berlin Wall installed in global cities...Sonnevend discusses how certain events become built up so that people in many parts of the world remember them for long periods of time. She argues that five dimensions determine the viability and longevity of international news events. First, a foundational narrative must be established with certain preconditions. Next, the established narrative becomes universalized and a mythical message developed. This message is then condensed and encapsulated in a simple phrase, a short narrative, and a recognizable visual scene. Counter-narratives emerge that reinterpret events and in turn facilitate their diffusion across multiple media platforms and changing social and political contexts. Sonnevend examines these five elements through the developments of November 9, 1989...what came to be known as the fall of the Berlin Wall. Stories Without Borders concludes with a discussion of how global iconic events have an enduring effect on individuals and societies, pointing out that after common currencies, military alliances, and international courts have failed, stories may be all that we have to bring hope and unity"...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format