Tom Gunning: Flickers: on cinema's power for evil Gwendolyn Audrey Foster: Monstrosity and the bad-white-body film Aaron Baker: Beyond the thin line of black and blue: movies and police misconduct in Los Angeles Christopher Sharrett: Genocidal spectacles and the ideology of death Peter Lehman: Bad, worse, worst: 8mm and Hollywood's bad boys of porn Kirby Farrell: Toxic corps: rage against the corporate state Henry A. Giroux: Ghost World of neoliberalism: abandoning the abandoned generation Wheeler Winston Dixon: How will I get my opium? Jean Cocteau and the treachery of friendship Kristen Hatch: Sweeter the kitten the sharper the claws: Russ Meyer's bad girls Tony Williams: Wanted for murder: the strange case of Eric Portman Steven Woodward: Arch archenemies of James Bond Gina Marchetti: From Fu Manchu to M. Butterfly and Irma Vep: cinematic incarnations of Chinese villainy Dana Polan: On the bad goodness of Born to Be Bad: auteurism, evaluation, and Nicholas Ray's outsider cinema William Rothman: Villain in Hitchcock: Does He Look Like a Wrong One to You? Alexander Doty and Patricia Clare Ingham: Evil medieval: gender, sexuality, miscegenation, and assimilation in Cat People E. Ann Kaplan: Wicked old ladies from Europe: Jeanne Moreau and Marlene Dietrich on the screen and live Lester D. Friedman: Darkness visible: images of Nazis in American film Cynthia Fuchs: Whole fucking world warped around me: bad kids and worse contexts Rebecca Bell-Metereau: Searching for blobby fissures: slime, sexuality, and the grotesque Ina Rae Hark: Crazy like a prof: mad science and the transgressions of the rational Murray Pomerance.: Tom Ripley's talent |
