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  1. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: [c2005]
    Verlag:  State University of New York Press, Albany

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    Quelle: Verbundkataloge
    Sprache: Englisch
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    ISBN: 9780791464243; 0791464237; 0791464245
    Weitere Identifier:
    2004016207
    RVK Klassifikation: EG 9440
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Schlagworte: Chinese classics; Hermeneutics; Chinese classics; Hermeneutics
    Umfang: xiv, 334 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 303-320) and index
  2. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: 2005
    Verlag:  State Univ. of New York Press, Albany

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0791464237
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Schlagworte: Chinese classics; Hermeneutics; Lyrik; Jingxue; Hermeneutik; Chinesisch
    Umfang: XIV, 334 S.
    Bemerkung(en):

    Zusammenfassung d. Verlags: A groundbreaking work that uncovers an implicit system of hermeneutics in traditional Chinese thought and aesthetics. This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the politico-moralistic mainstream and the metaphysico-aesthetical undercurrent. In exploring the interaction between the two, Ming Dong Gu finds a movement toward interpretive openness. In this, the Chinese practice anticipates modern and Western theories of interpretation, especially literary openness and open poetics. Classic Chinese works are examined, including the Zhouyi (the I Ching or Book of Changes), the Shijing (the Book of Songs or Book of Poetry), and selected poetry, along with the philosophical background of the hermeneutic theories. Ultimately, Gu relates the Chinese practices of reading to Western hermeneutics, offering a cross-cultural conceptual model for the comparative study of reading and writing in general.

    Inhalt: Preface -- INTRODUCTION: HERMENEUTIC OPENNESS: A TRANSCULTURAL PHENOMENON: The Rise of Hermeneutic Openness; Origins of Openness in China; Origins of Openness in the West; Paradoxes in Interpretive Theories; Two Hermeneutic Traditions in China; Objectives and Scope of Inquiry; Assumptions and Orientations -- Part I: CONCEPTUAL INQUIRIES INTO READING AND OPENNESS: 1. Theories of Reading and Writing in Intellectual Thought: Reading in a Comparative Context; Mencius' Positive Thesis of Reading; Zhuangzi's Counterstatement; Mencius' Hermeneutic Circle; Zhuangzi's Wordless Communication; Views of Reading after Mencius and Zhuangzi; A Chinese Model of Reading and Writing -- 2. Hermeneutic Openness in Aesthetic Thought: Suggestiveness as an Aesthetic Category; Yiyin (Lingering Sound) and Yiwei (Lingering Taste); Bujin zhiyi (Endless Meaning): Multivalence and Polysemy; Hanxu (Reserve): Unlimited Semiosis; Wu (Ontological Non-Being): Self-Generative Suggestiveness; Beyond Aesthetic Suggestiveness -- Part II: ZHOUYI HERMENEUTICS: 3. The Zhouyi and Open Representation: The Zhouyi as a System of Representation; The Eight Trigrams as an Open System of Representation; The Mechanisms of Openness in Hexagram Images; Open Representation in Hexagram and Line Statements; Indeterminacy in Zhouyi's Genesis; Ideas of Openness in Zhouyi Intellectual Thought; A Semiotic Model of Reading and Representation; The Source of the Zhouyi's Seductive Power -- 4. Elucidation of Images: Ancient Insights into Modern Ideas of Reading and Writing: Situating The Hermeneutic Controversy; Mingxiang as a Hermeneutic Issue; Wang Bi as an Innovative Synthesizer; The Controversy over "Forgetting Images"; A Distinction between Meaning and Significance; Premodern Husserlians and Heideggerians; The Death of the Author and Rise of the Reader; Conceptual Significance of the Paradigm shift; Concluding Remarks --

    Inhalt: Part III: SHIJING HERMENEUTICS: 5. The Shijing and Open Poetics: Literary Openness in the Shijing; The Open Textuality of "Guanju"; Textual and Extratextual Indeterminacy; A Notion of Open Field; Paronomastic Reading and Writing -- 6. Shijing Hermeneutics: Blindness and Insight: In Search of Original Intentions; Two Paradigms: One Orientation; Indeterminate Subject Position; From Allegory To Open Readings; A Writing Model of Intertextual Dissemination -- Part IV: LITERARY HERMENEUTICS: 7. Open Poetics in Chinese Poetry: Spatial Form and Linguistic Economy; The "Eye" of Openness; Symbiosis of Opposite Aesthetic Feelings; Metaphysical Emptiness; Serial Form and Oriented Openness -- 8. Linguistic Openness and the Poetic Unconscious: Openness and Poetic Language; Openness and Syntactic Ambiguity; Dream Language and the Poetic Unconscious; Juxtaposition and Multidetermination; Metaphor, Metonymy and Signifying Practice; The "Soul" of Openness -- Conclusion. Toward A Self-Conscious Open Poetics in Reading and Writing: How Open Is A Literary Text?; Le Mot Juste and Endless Meaning; Hermeneutic Openness Is A Positive Thing -- Notes -- Works Cited -- Index
  3. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: [c2005]
    Verlag:  State University of New York Press, Albany

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2018 A 5726
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0791464237; 0791464245; 9780791464243
    Weitere Identifier:
    2004016207
    RVK Klassifikation: EG 9440
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Schlagworte: Chinese classics; Hermeneutics
    Umfang: xiv, 334 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 303-320) and index
  4. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: 2005
    Verlag:  State Univ. of New York Press, New York, NY

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
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    ISBN: 0791464237; 0791464245
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Schlagworte: Array; Hermeneutics
    Umfang: XIV, 334 S.
    Bemerkung(en):

    Literaturverz. S. 303 - 320
  5. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: 2005
    Verlag:  State Univ. of New York Press, Albany, NY

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    ISBN: 0791464237
    RVK Klassifikation: EG 9440
    Schriftenreihe: Suny series in chinese philosophy and culture
    Schlagworte: Chefs-d'œuvre (Littérature) - Chine - Histoire et critique; Herméneutique; Array; aHermeneutics; Chinesisch; Jingxue; Hermeneutik; Lyrik
    Weitere Schlagworte: Yijing (635-713)
    Umfang: XIV, 334 S.
    Bemerkung(en):

    Includes bibliographical references and index
  6. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: 2005
    Verlag:  State Univ. of New York Press, Albany, NY

    Standort:
    Bayerische Staatsbibliothek
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    ISBN: 0791464237
    RVK Klassifikation: EG 9440
    Schriftenreihe: Suny series in chinese philosophy and culture
    Schlagworte: Chefs-d'œuvre (Littérature) - Chine - Histoire et critique; Herméneutique; Array; aHermeneutics; Chinesisch; Jingxue; Hermeneutik; Lyrik
    Weitere Schlagworte: Yijing (635-713)
    Umfang: XIV, 334 S.
    Bemerkung(en):

    Includes bibliographical references and index
  7. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: 2005
    Verlag:  State Univ. of New York Press, Albany

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
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    83/Sin/HA 48149
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    http://hdl.handle.net/1951/29125 (To read click here, then click view/open)
    Quelle: Verbundkataloge
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    ISBN: 0791464237; 0791464245; 9780791464236; 9780791464243
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Umfang: XIV, 334 S., 24 cm
    Bemerkung(en):

    Literaturverz. S. 303 - 320
  8. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: 2005
    Verlag:  State Univ. of New York Press, Albany

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Quelle: Verbundkataloge
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    ISBN: 0791464237
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Schlagworte: Chinese classics; Hermeneutics
    Umfang: XIV, 334 S.
    Bemerkung(en):

    Zusammenfassung d. Verlags: A groundbreaking work that uncovers an implicit system of hermeneutics in traditional Chinese thought and aesthetics. This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the politico-moralistic mainstream and the metaphysico-aesthetical undercurrent. In exploring the interaction between the two, Ming Dong Gu finds a movement toward interpretive openness. In this, the Chinese practice anticipates modern and Western theories of interpretation, especially literary openness and open poetics. Classic Chinese works are examined, including the Zhouyi (the I Ching or Book of Changes), the Shijing (the Book of Songs or Book of Poetry), and selected poetry, along with the philosophical background of the hermeneutic theories. Ultimately, Gu relates the Chinese practices of reading to Western hermeneutics, offering a cross-cultural conceptual model for the comparative study of reading and writing in general

    Inhalt: Preface -- INTRODUCTION: HERMENEUTIC OPENNESS: A TRANSCULTURAL PHENOMENON: The Rise of Hermeneutic Openness; Origins of Openness in China; Origins of Openness in the West; Paradoxes in Interpretive Theories; Two Hermeneutic Traditions in China; Objectives and Scope of Inquiry; Assumptions and Orientations -- Part I: CONCEPTUAL INQUIRIES INTO READING AND OPENNESS: 1. Theories of Reading and Writing in Intellectual Thought: Reading in a Comparative Context; Mencius' Positive Thesis of Reading; Zhuangzi's Counterstatement; Mencius' Hermeneutic Circle; Zhuangzi's Wordless Communication; Views of Reading after Mencius and Zhuangzi; A Chinese Model of Reading and Writing -- 2. Hermeneutic Openness in Aesthetic Thought: Suggestiveness as an Aesthetic Category; Yiyin (Lingering Sound) and Yiwei (Lingering Taste); Bujin zhiyi (Endless Meaning): Multivalence and Polysemy; Hanxu (Reserve): Unlimited Semiosis; Wu (Ontological Non-Being): Self-Generative Suggestiveness; Beyond Aesthetic Suggestiveness -- Part II: ZHOUYI HERMENEUTICS: 3. The Zhouyi and Open Representation: The Zhouyi as a System of Representation; The Eight Trigrams as an Open System of Representation; The Mechanisms of Openness in Hexagram Images; Open Representation in Hexagram and Line Statements; Indeterminacy in Zhouyi's Genesis; Ideas of Openness in Zhouyi Intellectual Thought; A Semiotic Model of Reading and Representation; The Source of the Zhouyi's Seductive Power -- 4. Elucidation of Images: Ancient Insights into Modern Ideas of Reading and Writing: Situating The Hermeneutic Controversy; Mingxiang as a Hermeneutic Issue; Wang Bi as an Innovative Synthesizer; The Controversy over "Forgetting Images"; A Distinction between Meaning and Significance; Premodern Husserlians and Heideggerians; The Death of the Author and Rise of the Reader; Conceptual Significance of the Paradigm shift; Concluding Remarks --

    Inhalt: Part III: SHIJING HERMENEUTICS: 5. The Shijing and Open Poetics: Literary Openness in the Shijing; The Open Textuality of "Guanju"; Textual and Extratextual Indeterminacy; A Notion of Open Field; Paronomastic Reading and Writing -- 6. Shijing Hermeneutics: Blindness and Insight: In Search of Original Intentions; Two Paradigms: One Orientation; Indeterminate Subject Position; From Allegory To Open Readings; A Writing Model of Intertextual Dissemination -- Part IV: LITERARY HERMENEUTICS: 7. Open Poetics in Chinese Poetry: Spatial Form and Linguistic Economy; The "Eye" of Openness; Symbiosis of Opposite Aesthetic Feelings; Metaphysical Emptiness; Serial Form and Oriented Openness -- 8. Linguistic Openness and the Poetic Unconscious: Openness and Poetic Language; Openness and Syntactic Ambiguity; Dream Language and the Poetic Unconscious; Juxtaposition and Multidetermination; Metaphor, Metonymy and Signifying Practice; The "Soul" of Openness -- Conclusion. Toward A Self-Conscious Open Poetics in Reading and Writing: How Open Is A Literary Text?; Le Mot Juste and Endless Meaning; Hermeneutic Openness Is A Positive Thing -- Notes -- Works Cited -- Index
  9. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: 2005
    Verlag:  State University of New York Press, Albany ; EBSCO Industries, Inc., Birmingham, AL, USA

    This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the... mehr

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    keine Fernleihe

     

    This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the politico-moralistic mainstream and the metaphysico-aesthetical undercurrent. In exploring the interaction between the two, Ming Dong Gu finds a movement toward interpretive openness. In this, the Chinese practice anticipates modern and Western theories of interpretation, especially literary openness and open poetics. Classic Chinese works are examined, including the Zhouyi (the I Ching or Book of Changes), the Shijing (the Book of Songs or Book of Postry), and selected poetry, along with the philosophical background of the hermeneutic theories. Ultimately, Gu relates the Chinese practices of reading to Western hermeneutics, offering a cross-cultural conceptual model for the comparative study of reading and writing in general. Book jacket.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1423744098; 9781423744092; 0791464237; 9780791464236; 9780791483473; 0791483479
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Umfang: 1 Online-Ressource (xiv, 334 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 303-320) and index
  10. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Autor*in: Gu, Ming Dong
    Erschienen: c2005
    Verlag:  State University of New York Press, Albany

    Chinese Theories of Reading and Writing: A Route to Hermeneutics and Open Poetics -- Contents -- Preface -- Introduction: Hermeneutic Openness: A Transcultural Phenomenon -- The Rise of Hermeneutic Openness -- Origins of Openness in China -- Origins... mehr

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    Chinese Theories of Reading and Writing: A Route to Hermeneutics and Open Poetics -- Contents -- Preface -- Introduction: Hermeneutic Openness: A Transcultural Phenomenon -- The Rise of Hermeneutic Openness -- Origins of Openness in China -- Origins of Openness in the West -- Paradoxes in Interpretive Theories -- Two Hermeneutic Traditions in China -- Objectives and Scope of Inquiry -- Assumptions and Orientations -- Part 1. Conceptual Inquiries into Reading and Openness -- 1. Theories of Reading and Writing in Intellectual Thought -- Reading in a Comparative Context -- Mencius' Positive Thesis of Reading -- Zhuangzi's Counterstatement -- Mencius' Hermeneutic Circle -- Zhuangzi's Wordless Communication -- Views of Reading after Mencius and Zhuangzi -- A Chinese Model of Reading and Writing -- 2. Hermeneutic Openness in Aesthetic Thought -- Suggestiveness as an Aesthetic Category -- Yiyin (Lingering Sound) and Yiwei (Lingering Taste) -- Bujin zhiyi (Endless Meaning): Multivalence and Polysemy -- Hanxu (Subtle Reserve): Unlimited Semiosis -- Wu (Ontological Non-Being): Self-Generative Suggestiveness -- Beyond Aesthetic Suggestiveness -- Part 2. Zhouyi Hermeneutics -- 3. The Zhouyi and Open Representation -- The Zhouyi as a System of Representation -- The Eight Trigrams as an Open System of Representation -- The Mechanisms of Openness in Hexagram Images -- Open Representation in Hexagram and Line Statements -- Indeterminacy in the Zhouyi's Genesis -- Ideas of Openness in Zhouyi Intellectual Thought -- A Semiotic Model of Reading and Representation -- The Source of the Zhouyi's Seductive Power -- 4. Elucidation of Images: Ancient Insights intoModern Ideas of Reading and Writing -- Situating the Hermeneutic Controversy -- Mingxiang as a Hermeneutic Issue -- Wang Bi as an Innovative Synthesizer -- The Controversy over "Forgetting Images A Distinction between Meaning and Significance -- Premodern Husserlians and Heideggerians -- The Death of the Author and Rise of the Reader -- Conceptual Significance of the Paradigm Shift -- Concluding Remarks -- Part 3. Shijing Hermeneutics -- 5. The Shijing and Open Poetics -- Literary Openness in the Shijing -- The Open Texuality of "Guanju" -- Textual and Extratextual Indeterminacy -- A Notion of Open Field -- Paronomastic Reading and Writing -- 6. Shijing Hermeneutics: Blindness and Insight -- In Search of Original Intentions -- Two Paradigms: One Orientation -- Indeterminate Subject Position -- From Allegory to Open Readings -- A Writing Model of Intertextual Dissemination -- Part 4. Literary Hermeneutics -- 7. Open Poetics in Chinese Poetry -- Spatial Form and Linguistic Economy -- The "Eye" of Openness -- Symbiosis of Opposite Aesthetic Feelings -- Metaphysical Emptiness -- Serial Form and Oriented Openness -- 8. Linguistic Openness and the Poetic Unconscious -- Openness and Poetic Language -- Openness and Syntactic Ambiguity -- Dream Language and the Poetic Unconscious -- Juxtaposition and Multidetermination -- Metaphor, Metonymy, and Signifying Practice -- The "Soul" of Openness -- Conclusion: Toward A Self-Conscious Open Poetics in Reading and Writing -- How Open Is a Literary Text? -- Le Mot Juste and Endless Meaning -- Hermeneutic Openness Is a Positive Thing -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

     
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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0791464237; 9780791483473; 9780791464236
    Schriftenreihe: Suny series in Chinese philosophy and culture
    Schlagworte: Hermeneutics; Chinese classics; Chinese classics ; History and criticism; Hermeneutics; Electronic books
    Umfang: Online-Ressource (xiv, 334 p), ill
    Bemerkung(en):

    Includes bibliographical references (p. 273-320) and index

    Electronic reproduction; Available via World Wide Web

    ""CHINESE THEORIES OF FICTION""; ""Contents""; ""Preface""; ""ABSTRACT""; ""INTRODUCTION: Theory of Fiction: A Chinese Perspective""; ""INTERNATIONALIZATION OF CHINESE FICTION""; ""A CRITIQUE OF REALISM""; ""A CRITIQUE OF HISTORY""; ""A CRITIQUE OF THE POETRY-FICTION DIVIDE""; ""OBJECTIVES OF INQUIRY""; ""SCOPE OF I NQUIRY""; ""ASSUMPTIONS AND METHODOLOGY""; ""1. Chinese Notions of Fiction""; ""CHINESE XIAOSHUO AND WESTERN “FICTION�""; ""FROM “XIAOSHUO� TO XIAOSHUO""; ""THE CONTINUITY OF FICTIONALITY IN XIAOSHUO""; ""THE INTRINSIC NATURE OF XIAOSHUO""

    ""THE P ROBLEM OF SELF-CONSCIOUS FICTIONALIZATION""""2. The Nature of (Chinese) Fiction""; ""A DEFINITION OF FICTION""; ""FICTIONALITY:THE CONCEPTUAL CORE OF XIAOSHUO""; ""A DEFINITION OF PURE FICTION""; ""INTRINSIC REASONS FOR THE RISE OF FICTION""; ""HISTORICAL AND NARRATIVE INERTIA""; ""FROM STORYTELLING TO FICTIONAL ART""; ""3. The Aesthetic Turn in Chinese Fiction""; ""THE INITIAL TURN TO FICTIONALITYIN EARLY XIAOSHUO""; ""THE TURN TO REALISM AND INWARDNESS""; ""THE TURN TO MULTIPLICITY IN THE FULL-LENGTH NOVEL""; ""THE DRIVE TOWARD PURE FICTION""

    ""A CHANGE IN MODEL FOR FICTION WRITING""""THE LINGUISTIC TURN TO FICTION AS VERBAL ART""; ""4. The Poetic Nature of Chinese Fiction""; ""THE LYRIC UNCONSCIOUS OF CHINESE FICTION""; ""POETICIZATION OF PROSE FICTION""; ""THE RISE OF POETIC FICTION""; ""INTRINSIC POETIC QUALITIES IN FICTION""; ""A DEFINITION OF POETIC FICTION""; ""LYRICAL REALISM AND MYTHICAL REALISM""; ""AESTHETIC SUGGESTIVENESS:HALLMARK OF FICTIONAL ART""; ""5. The Art of the Jin Ping Mei: Poetics of Pure Fiction""; ""A SELF-CONSCIOUS TURN TO PURE FICTION""; ""A NOVELISTIC CONCEPTION OF WEAVING""

    ""CREATIVE IMPULSE AND MOTIVATIONFOR FICTION MAKING""""THE INVENTION OF CHARACTERS AND PLOT""; ""A DISSEMINATIVE PARADIGM OF READING/WRITING""; ""THE POETICS OF FABRICATION""; ""A NOVEL OF MULTIPLE DIMENSIONS""; ""6. The Art of the Hongloumeng: Poetic Fiction and Open Fiction""; ""THE ONTOLOGY OF REPRESENTATION""; ""THE EPISTEMOLOGY OF REPRESENTATION""; ""CREATIVE VISION: OPENNESS OF FICTION""; ""DREAMS AND THE MAKING OF POETIC FICTION""; ""THE POETIC UNCONSCIOUS AND POETICS OF OPENNESS""; ""A WRITING MODEL OF OPEN FICTION""; ""7. Theory of Fiction: A Chinese System""

    ""A SYNTHETIC OVERVIEW""""GENES I S: LYRICAL AND PSYCHOLOGICAL RISE""; ""ONTOLOGY:BEING IN NONBEING OR REAL IN UNREAL""; ""EPISTEMOLOGY:MAKE-BELIEVE OR TAKING THE UNREAL AS REAL""; ""CREATIVE CONCEPTION: MANY- IN-ONE TOTALITY""; ""MODEL OF WRITING: LINGUISTIC DISSEMINATION""; ""A DEF INITION OF OPEN FICTION""; ""THEORY OF READING: OPEN HERMENEUTICS""; ""Conclusion: Toward a Transcultural Theory of Fiction""; ""CONCEPTUAL ROOTS OFSAMENESS AND D IFFERENCE""; ""MIMETIC DOGMA AND CHINESE DISSENT""; ""CONCEPTUAL BASIS FORA TRANSCULTURAL FICTION THEORY""

    ""FICTION AS A LINGUISTIC REPRESENTATION OF THE ONE""