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  1. Written voices, spoken signs
    tradition, performance, and the epic text
    Erschienen: 1997
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464; 0674962605; 9780674962606
    Weitere Identifier:
    Schriftenreihe: Center for Hellenic Studies colloquia
    Schlagworte: Analyse des formules orales; Analyse des formules orales / Congrès; Communication écrite / Grèce / Congrès; Ilias (Homerus); Littérature comparée / Grecque et médiévale / Congrès; Littérature comparée / Médiévale et grecque / Congrès; Mondelinge literatuur; Odyssea (Homerus); POETRY / Medieval; Poésie / Lecture publique; Poésie épique / Histoire et critique / Théorie, etc / Congrès; Poésie épique grecque / Histoire et critique / Congrès; Poésie épique médiévale / Histoire et critique / Congrès; Tradition orale / Europe / Congrès; Tradition orale / Grèce / Congrès; Tradition orale / Grèce / Congrès; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Mündliche Literatur; Epik; Geschichte
    Weitere Schlagworte: Homer / Congresses / Criticism and interpretation; Homère / (08..?-08..? av.J.-C.) / Critique et interprétation / Congrès; Homère / Critique et interprétation / Congrès; Homer; Homerus (ca. v8. Jh.)
    Umfang: 1 Online-Ressource (viii, 305 p.)
    Bemerkung(en):

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C.. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 265-295) and index

    Storytelling in the future: truth, time, and tense in Homeric epic / Egbert Bakker -- Writing the emperor's clothes on: literacy and the production of facts / Franz H. Bäuml -- Traditional signs and Homeric art / John Miles Foley -- The inland ship: problems in the performance and reception of Homeric epic / Andrew Ford -- Hexameter progression and the Homeric hero's solitary state / Ahuvia Kahane -- Similes and performance / Richard P. Martin -- Ellipsis in Homer / Gregory Nagy -- Types of orality in text / Wulf Oesterreicher -- The medial approach: a paradigm shift in the philologies? / Ursula Schaefer

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description
  2. Written voices, spoken signs
    tradition, performance, and the epic text
    Erschienen: 1997
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464; 0674962605; 9780674962606
    Weitere Identifier:
    Schriftenreihe: Center for Hellenic Studies colloquia
    Schlagworte: Analyse des formules orales; Analyse des formules orales / Congrès; Communication écrite / Grèce / Congrès; Ilias (Homerus); Littérature comparée / Grecque et médiévale / Congrès; Littérature comparée / Médiévale et grecque / Congrès; Mondelinge literatuur; Odyssea (Homerus); POETRY / Medieval; Poésie / Lecture publique; Poésie épique / Histoire et critique / Théorie, etc / Congrès; Poésie épique grecque / Histoire et critique / Congrès; Poésie épique médiévale / Histoire et critique / Congrès; Tradition orale / Europe / Congrès; Tradition orale / Grèce / Congrès; Tradition orale / Grèce / Congrès; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Mündliche Literatur; Epik; Geschichte
    Weitere Schlagworte: Homer / Congresses / Criticism and interpretation; Homère / (08..?-08..? av.J.-C.) / Critique et interprétation / Congrès; Homère / Critique et interprétation / Congrès; Homer; Homerus (ca. v8. Jh.)
    Umfang: 1 Online-Ressource (viii, 305 p.)
    Bemerkung(en):

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C.. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 265-295) and index

    Storytelling in the future: truth, time, and tense in Homeric epic / Egbert Bakker -- Writing the emperor's clothes on: literacy and the production of facts / Franz H. Bäuml -- Traditional signs and Homeric art / John Miles Foley -- The inland ship: problems in the performance and reception of Homeric epic / Andrew Ford -- Hexameter progression and the Homeric hero's solitary state / Ahuvia Kahane -- Similes and performance / Richard P. Martin -- Ellipsis in Homer / Gregory Nagy -- Types of orality in text / Wulf Oesterreicher -- The medial approach: a paradigm shift in the philologies? / Ursula Schaefer

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description
  3. Written voices, spoken signs
    tradition, performance, and the epic text
    Erschienen: 2010
    Verlag:  Harvard University Press, Cambridge, Mass

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464
    Schriftenreihe: Center for Hellenic Studies colloquia
    Schlagworte: Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Poésie épique; Littérature comparée; Littérature comparée; Poésie; Communication écrite; Analyse des formules orales; Tradition orale; Tradition orale; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; POETRY ; Medieval; DRAMA ; Ancient & Classical; Mythology, Greek, in literature; Oral-formulaic analysis; Oral interpretation of poetry; Oral tradition; Written communication; Mondelinge literatuur; Ilias (Homerus); Odyssea (Homerus); Poésie épique médiévale ; Histoire et critique ; Congrès; Analyse des formules orales ; Congrès; Tradition orale ; Grèce ; Congrès; Poésie épique grecque ; Histoire et critique ; Congrès; Conference papers and proceedings; Criticism, interpretation, etc
    Weitere Schlagworte: Homer; Homère; Homer; Homer; Homère ; Critique et interprétation ; Congrès; Homer
    Umfang: Online Ressource (viii, 305 p.), ill.
    Bemerkung(en):

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C. - Includes bibliographical references (p. 265-295) and index. - Description based on print version record
  4. Written voices, spoken signs
    tradition, performance, and the epic text
    Erschienen: 1997
    Verlag:  Harvard University Press, Cambridge, Mass

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in... mehr

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Merseburg, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    Fernleihe:
    keine Fernleihe
    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0674020464; 9780674020467
    Schriftenreihe: Center for Hellenic Studies colloquia
    Schlagworte: Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Epic poetry; Comparative literature; Comparative literature
    Weitere Schlagworte: Homer
    Umfang: Online-Ressource (viii, 305 p), ill
    Bemerkung(en):

    Includes bibliographical references (p. 265-295) and index

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    Storytelling in the future: truth, time, and tense in Homeric epic / Egbert BakkerWriting the emperor's clothes on: literacy and the production of facts / Franz H. Bäuml -- Traditional signs and Homeric art / John Miles Foley -- The inland ship: problems in the performance and reception of Homeric epic / Andrew Ford -- Hexameter progression and the Homeric hero's solitary state / Ahuvia Kahane -- Similes and performance / Richard P. Martin -- Ellipsis in Homer / Gregory Nagy -- Types of orality in text / Wulf Oesterreicher -- The medial approach: a paradigm shift in the philologies? / Ursula Schaefer.
  5. Written voices, spoken signs
    tradition, performance, and the epic text
    Beteiligt: Bakker, Egbert J.; Kahane, Ahuvia
    Erschienen: 1997
    Verlag:  Harvard University Press, Cambridge, Mass. ; EBSCO Industries, Inc., Birmingham, AL, USA

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Bakker, Egbert J.; Kahane, Ahuvia
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464
    RVK Klassifikation: EC 8200 ; FH 20085
    Schriftenreihe: Center for Hellenic Studies colloquia
    Umfang: 1 Online-Ressource (viii, 305 pages), Illustrations
    Bemerkung(en):

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C

    Includes bibliographical references (pages 265-295) and index