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  1. Humoring the body
    emotions and the Shakespearean stage
    Autor*in: Paster, Gail Kern
    Erschienen: 2004
    Verlag:  University of Chicago Press, Chicago

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0226648478; 0226648486; 9780226648477; 9780226648484
    Schlagworte: Drama; Psychiatry; Emotions; Literature, Medieval; Literature; Théâtre (Genre littéraire) / Aspect psychologique; Esprit et corps dans la littérature; Corps humain dans la littérature; Émotions dans la littérature; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Drama / Psychological aspects; Emotions in literature; Human body in literature; Mind and body in literature; Psychology; Emoties; Lichamelijkheid; Toneelvoorstellingen; Humor <Motiv>; Drama; Körper <Motiv>; Gefühl <Motiv>; Literatur; Psychologie; Wissen; Drama; Mind and body in literature; Human body in literature; Emotions in literature; Leidenschaft <Motiv>; Humoralpathologie; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Et le psychologie; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xv, 274 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 247-259) and index

    Roasted in wrath and fire : the ecology of the passions in Hamlet and Othello -- Love will have heat : Shakespeare's maidens and the caloric economy -- Melancholy cats, lugged bears, and other passionate animals : reading Shakespeare's psychological materialism across the species barrier -- Belching quarrels : male passions and the problem of individuation

    "In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major Shakespearean plays, Paster identifies a historical phenomenology in the language of affect by underscoring the significance of the four humors as the language of embodied emotion. Beginning with an overview of the differences between early modern behavioral theory and the models of mind-body relations dominant in post-Enlightenment thought, Humoring the Body goes on to consider the relationship among the body, the emotions, and the natural world in Hamlet and Othello; the phenomenon of the melancholy virgin in As You Like It and the opposite phenomenon of choler in The Taming of the Shrew; the representation of animal and human emotion against the backdrop of early modern natural history in Macbeth; and the connection between early modern social and emotional hierarchies. With unmatched acumen, Paster expertly probes how Shakespearean characters experienced rage, pain, and joy in a world in which no distinction existed between physiology and psychology." "A major contribution both to Shakespeare studies and to the history of embodied emotions, Humoring the Body challenges modern readers - steeped in the influence of post-Cartesian abstraction and the disembodiment of human psychology - to reexamine the literal language of embodied emotion in early modern England."--Jacket
  2. Humoring the body
    emotions and the Shakespearean stage
    Erschienen: 2004
    Verlag:  University of Chicago Press, Chicago

    "In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major Shakespearean plays, Paster identifies a historical phenomenology in the language of affect by underscoring the significance of the four humors as the language of embodied emotion. Beginning with an overview of the differences between early modern behavioral theory and the models of mind-body relations dominant in post-Enlightenment thought, Humoring the Body goes on to consider the relationship among the body, the emotions, and the natural world in Hamlet and Othello; the phenomenon of the melancholy virgin in As You Like It and the opposite phenomenon of choler in The Taming of the Shrew; the representation of animal and human emotion against the backdrop of early modern natural history in Macbeth; and the connection between early modern social and emotional hierarchies. With unmatched acumen, Paster expertly probes how Shakespearean characters experienced rage, pain, and joy in a world in which no distinction existed between physiology and psychology." "A major contribution both to Shakespeare studies and to the history of embodied emotions, Humoring the Body challenges modern readers - steeped in the influence of post-Cartesian abstraction and the disembodiment of human psychology - to reexamine the literal language of embodied emotion in early modern England."--Jacket

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  3. Humoring the body
    emotions and the Shakespearean stage
    Autor*in: Paster, Gail Kern
    Erschienen: 2004
    Verlag:  University of Chicago Press, Chicago ; EBSCO Industries, Inc., Birmingham, AL, USA

    "In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major Shakespearean plays, Paster identifies a historical phenomenology in the language of affect by underscoring the significance of the four humors as the language of embodied emotion. Beginning with an overview of the differences between early modern behavioral theory and the models of mind-body relations dominant in post-Enlightenment thought, Humoring the Body goes on to consider the relationship among the body, the emotions, and the natural world in Hamlet and Othello; the phenomenon of the melancholy virgin in As You Like It and the opposite phenomenon of choler in The Taming of the Shrew; the representation of animal and human emotion against the backdrop of early modern natural history in Macbeth; and the connection between early modern social and emotional hierarchies. With unmatched acumen, Paster expertly probes how Shakespearean characters experienced rage, pain, and joy in a world in which no distinction existed between physiology and psychology." "A major contribution both to Shakespeare studies and to the history of embodied emotions, Humoring the Body challenges modern readers - steeped in the influence of post-Cartesian abstraction and the disembodiment of human psychology - to reexamine the literal language of embodied emotion in early modern England."--Jacket.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226648484; 0226648486
    RVK Klassifikation: HI 1250 ; HI 3323 ; HI 3385
    Schlagworte: Drama; Körper <Motiv>; Gefühl <Motiv>; Humor <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xv, 274 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 247-259) and index