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  1. Indecorous thinking
    figures of speech in early modern poetics
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780823277919; 9780823277926
    RVK Klassifikation: HI 1125
    Auflage/Ausgabe: First edition
    Schlagworte: English poetry; Figures of speech in literature; Figures of speech; English language; Englisch; Bildersprache; Rhetorik; Lyrik
    Umfang: vii, 308 Seiten, Faksimiles
    Bemerkung(en):

    Includes bibliographical references and index

  2. Indecorous Thinking
    Figures of Speech in Early Modern Poetics
    Erschienen: [2018]
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent... mehr

    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.

     

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    Sprache: Englisch
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    ISBN: 9780823277940
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    Umfang: 1 Online-Ressource (312 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  3. Indecorous thinking
    figures of speech in early modern poetics
    Erschienen: 2018
    Verlag:  Fordham University Press, New York

    Inventing figures of speech -- Figure pointing in the humanist schoolroom -- Queenly fig trees: figures of speech and decorum -- Such as might best be: simile in Edmund Spenser's Faerie Queene -- Fighting words: antithesis in Philip Sidney's Arcadia... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Inventing figures of speech -- Figure pointing in the humanist schoolroom -- Queenly fig trees: figures of speech and decorum -- Such as might best be: simile in Edmund Spenser's Faerie Queene -- Fighting words: antithesis in Philip Sidney's Arcadia -- Withholding words: periphrasis in Mary Wroth's Urania

     

    Export in Literaturverwaltung   RIS-Format
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    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823277926; 9780823277919
    RVK Klassifikation: HI 1125
    Auflage/Ausgabe: First edition
    Schlagworte: English poetry; Figures of speech in literature; Figures of speech; English language
    Umfang: vii, 308 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  4. Indecorous thinking
    figures of speech in early modern poetics
    Erschienen: 2018
    Verlag:  Fordham University Press, New York

    Inventing figures of speech -- Figure pointing in the humanist schoolroom -- Queenly fig trees: figures of speech and decorum -- Such as might best be: simile in Edmund Spenser's Faerie Queene -- Fighting words: antithesis in Philip Sidney's Arcadia... mehr

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    HI 1125 ros 2018
    keine Fernleihe
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    L/V/3 R 14 I
    keine Fernleihe

     

    Inventing figures of speech -- Figure pointing in the humanist schoolroom -- Queenly fig trees: figures of speech and decorum -- Such as might best be: simile in Edmund Spenser's Faerie Queene -- Fighting words: antithesis in Philip Sidney's Arcadia -- Withholding words: periphrasis in Mary Wroth's Urania

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823277919; 9780823277926
    Umfang: vii, 308 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  5. Indecorous thinking
    figures of speech in early modern poetics
    Erschienen: 2018
    Verlag:  Fordham University Press, New York

    Inventing figures of speech -- Figure pointing in the humanist schoolroom -- Queenly fig trees: figures of speech and decorum -- Such as might best be: simile in Edmund Spenser's Faerie Queene -- Fighting words: antithesis in Philip Sidney's Arcadia... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 56072
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2018 A 4034
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brechtbau-Bibliothek
    NJ 261.143
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    68.3344
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Inventing figures of speech -- Figure pointing in the humanist schoolroom -- Queenly fig trees: figures of speech and decorum -- Such as might best be: simile in Edmund Spenser's Faerie Queene -- Fighting words: antithesis in Philip Sidney's Arcadia -- Withholding words: periphrasis in Mary Wroth's Urania

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823277926; 9780823277919
    RVK Klassifikation: HI 1125
    Auflage/Ausgabe: First edition
    Schlagworte: English poetry; Figures of speech in literature; Figures of speech; English language
    Umfang: vii, 308 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  6. Indecorous Thinking
    Figures of Speech in Early Modern Poetics
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York, NY

    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823277940
    Weitere Identifier:
    Schlagworte: Decorum; Edmund Spenser; Eloquence; Epistemology; Figures of Speech; Form; Mary Wroth; Philip Sidney; Style; rhetoric; LITERARY CRITICISM / Renaissance; English language; English poetry; Figures of speech in literature; Figures of speech
    Umfang: 1 online resource (312 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  7. Indecorous Thinking
    Figures of Speech in Early Modern Poetics
    Erschienen: [2018]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Introduction -- 1. Inventing Figures of Speech -- 2. Figure Pointing in the Humanist Schoolroom -- 3. Queenly Fig Trees: Figures of Speech and Decorum -- 4. “Such as might best be”: Simile in Edmund Spenser’s Faerie Queene... mehr

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    Frontmatter -- Contents -- Introduction -- 1. Inventing Figures of Speech -- 2. Figure Pointing in the Humanist Schoolroom -- 3. Queenly Fig Trees: Figures of Speech and Decorum -- 4. “Such as might best be”: Simile in Edmund Spenser’s Faerie Queene -- 5. Fighting Words: Antithesis in Philip Sidney’s Arcadia -- 6. Withholding Words: Periphrasis in Mary Wroth’s Urania -- Coda -- Acknowledgments -- Notes -- Bibliography -- Index Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823277940
    Weitere Identifier:
    Schlagworte: Figures of speech; English language; English poetry; Figures of speech in literature; LITERARY CRITICISM / Renaissance
    Umfang: 1 Online-Ressource (312 p)
  8. Indecorous Thinking
    Figures of Speech in Early Modern Poetics
    Erschienen: [2018]; © 2018
    Verlag:  Fordham University Press, New York, NY

    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Universitätsbibliothek Passau
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    Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823277940
    Weitere Identifier:
    Schlagworte: Decorum; Edmund Spenser; Eloquence; Epistemology; Figures of Speech; Form; Mary Wroth; Philip Sidney; Style; rhetoric; LITERARY CRITICISM / Renaissance; English language; English poetry; Figures of speech in literature; Figures of speech
    Umfang: 1 online resource (312 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  9. Indecorous thinking
    figures of speech in early modern poetics
    Erschienen: 2018
    Verlag:  Fordham University Press, New York ; Oxford University Press, Oxford

    'Indecorous Thinking' argues that early modern writers including Philip Sidney, Edmund Spenser, and Mary Wroth challenged humanism's increasingly dogmatic conflation of truth with plainness by treating figures of speech as the instruments of thinking... mehr

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe

     

    'Indecorous Thinking' argues that early modern writers including Philip Sidney, Edmund Spenser, and Mary Wroth challenged humanism's increasingly dogmatic conflation of truth with plainness by treating figures of speech as the instruments of thinking and as the engines of poetry's imaginative worlds.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823280667
    Weitere Identifier:
    Auflage/Ausgabe: First edition.
    Schlagworte: English poetry; Figures of speech in literature; Figures of speech; English language
    Umfang: 1 Online-Ressourcece
    Bemerkung(en):

    This edition previously issued in print: 2018

    Includes bibliographical references and index