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  1. The meaning of soul
    black music and resilience since the 1960s
    Autor*in: Lordi, Emily J.
    Erschienen: [2020]; © 2020
    Verlag:  Duke University Press, Durham ; London

    In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices-inventive cover... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices-inventive cover versions, falsetto vocals, adlibs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies are later re-animated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power Movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478012245
    Weitere Identifier:
    Schriftenreihe: Refiguring American music
    Schlagworte: afro-presentism; MUSIC / Genres & Styles / Soul & R 'n B.; African Americans; Music and race; Popular music; Soul music; Soul musicians; Afroamerikanische Musik; Soulmusiker; Ethnische Identität <Motiv>; Resilienz <Motiv>
    Umfang: 1 Online-Ressource (x, 217 Seiten)
  2. Black resonance
    iconic women singers and African American literature
    Autor*in: Lordi, Emily J.
    Erschienen: 2013
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    WU828 L867
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    Signatur:
    HU 1728 L867
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    angm910.l867
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    Signatur:
    115-3246
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780813562506; 9780813562490
    RVK Klassifikation: HU 1728
    Schriftenreihe: American literatures initiative
    Schlagworte: Sängerin <Motiv>; Literatur; Jazz <Motiv>; Schwarze
    Weitere Schlagworte: American fictionAfrican American authorsHistory and criticism; African American women singersIn literature; African American women in literature; Music in literature
    Umfang: XIII, 286 S., Ill.
  3. The meaning of soul
    Black music and resilience since the 1960s
    Autor*in: Lordi, Emily J.
    Erschienen: [2020]
    Verlag:  Duke University Press, Durham

    "THE MEANING OF SOUL discusses Black resilience and innovation through soul music and soul logic. Emily Lordi analyzes soul music and musicians from the 1960s, the 1970s, and after, bridging the different valences of soul as a way of moving through... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "THE MEANING OF SOUL discusses Black resilience and innovation through soul music and soul logic. Emily Lordi analyzes soul music and musicians from the 1960s, the 1970s, and after, bridging the different valences of soul as a way of moving through the world. The book encompasses soul's racial-political meanings while being sensitive to the details of the music and small details that shaped artists' lives and their relationship to soul. Chapter 1 is about the relationship of soul and jazz music, tracing soul's emergence in the late 1960s as a mode that underscored the redemptive possibilities of Black suffering. Lordi describes how soul music channeled the styles and techniques of the church into secular lyrical content, while soul discourse simultaneously drafted religious logic into a secular faith in collective redemption. Chapter 2 is about how soul artists transformed expressive deprivation into musical abundance by crafting innovative covers of other artists' songs. Landmark covers of this type propelled many soul artists, including Nina Simone and Aretha Franklin, into the spotlight, their displacement turned into stylized survivorship. In chapter 3, Lordi unpacks jazz improvisation and soul adlibs as performing a hard-won achievement of self-trust, trusting oneself enough to break with destructive or stifling conventions. Chapter 4 extends inquiry into the performative relationships with self and others discussed in the previous chapter, by exploring a deeper sense of interiority and a broader scope of sociality as enacted through falsetto vocals. Lordi talks about soul falsettos as used by Ann Peebles, Al Green, Isaac Hayes, and Minnie Riperton, and the ways falsetto signifies different things contextually. Lordi ends the book with a chapter on false endings - bringing the song to a close before striking it up again - symbolizing soul's message of Black group resilience, not a matter of stasis, but of change. The false ending signals the endurance necessary to keep changing, not only oneself, but one's surroundings. Through the close attention to vocal and musical details, as well as to singers beyond the familiar and mostly male stars, Lordi retells the much-told story of soul in a new and rich way. This book will be of interest to general readers and scholars in African American studies, American studies, Black diaspora studies, popular music, and critical theory"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478009597; 9781478008699
    RVK Klassifikation: LS 48640
    Schriftenreihe: Refiguring American music
    Schlagworte: Resilienz <Motiv>; Soulmusiker; Ethnische Identität <Motiv>; Afroamerikanische Musik
    Weitere Schlagworte: Soul music / History and criticism; Soul musicians; African Americans / Music / History and criticism; Music and race / United States / History / 20th century; Popular music / United States / History and criticism; African Americans / Music; Music and race; Popular music; Soul music; Soul musicians; United States; 1900-1999; Criticism, interpretation, etc; History
    Umfang: x, 217 Seiten
    Bemerkung(en):

    From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
  4. Black resonance
    iconic women singers and African American literature
    Autor*in: Lordi, Emily J.
    Erschienen: c 2013
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780813562490; 9780813562506
    RVK Klassifikation: HU 1728
    Schriftenreihe: American literatures initiative
    Schlagworte: American fiction; African American women singers; African American women in literature; Music in literature
    Umfang: XIII, 286 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Black resonance -- Vivid lyricism: Richard Wright and Bessie Smith's blues -- The timbre of sincerity: Mahalia Jackson's gospel sound and Ralph Ellison's Invisible Man -- Understatement: James Baldwin, Bessie Smith, and Billie Holiday -- Haunting: Gayl Jones's Corregidora and Billie Holiday's "strange Fruit" -- Signature voices: Nikki Giovanni, Aretha Franklin, and the Black Arts movement -- Epilogue: "At Last": Etta James, poetry, hip hop.
  5. The meaning of soul
    black music and resilience since the 1960s
    Autor*in: Lordi, Emily J.
    Erschienen: [2020]; © 2020
    Verlag:  Duke University Press, Durham ; London

    In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices-inventive cover... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices-inventive cover versions, falsetto vocals, adlibs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies are later re-animated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power Movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478012245
    Weitere Identifier:
    RVK Klassifikation: LS 48640
    Schriftenreihe: Refiguring American music
    Schlagworte: afro-presentism; MUSIC / Genres & Styles / Soul & R 'n B.; African Americans; Music and race; Popular music; Soul music; Soul musicians; Ethnische Identität <Motiv>; Afroamerikanische Musik; Soulmusiker; Resilienz <Motiv>
    Umfang: 1 Online-Ressource (x, 217 Seiten)
  6. The meaning of soul
    Black music and resilience since the 1960s
    Autor*in: Lordi, Emily J.
    Erschienen: [2020]
    Verlag:  Duke University Press, Durham

    "THE MEANING OF SOUL discusses Black resilience and innovation through soul music and soul logic. Emily Lordi analyzes soul music and musicians from the 1960s, the 1970s, and after, bridging the different valences of soul as a way of moving through... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "THE MEANING OF SOUL discusses Black resilience and innovation through soul music and soul logic. Emily Lordi analyzes soul music and musicians from the 1960s, the 1970s, and after, bridging the different valences of soul as a way of moving through the world. The book encompasses soul's racial-political meanings while being sensitive to the details of the music and small details that shaped artists' lives and their relationship to soul. Chapter 1 is about the relationship of soul and jazz music, tracing soul's emergence in the late 1960s as a mode that underscored the redemptive possibilities of Black suffering. Lordi describes how soul music channeled the styles and techniques of the church into secular lyrical content, while soul discourse simultaneously drafted religious logic into a secular faith in collective redemption. Chapter 2 is about how soul artists transformed expressive deprivation into musical abundance by crafting innovative covers of other artists' songs. Landmark covers of this type propelled many soul artists, including Nina Simone and Aretha Franklin, into the spotlight, their displacement turned into stylized survivorship. In chapter 3, Lordi unpacks jazz improvisation and soul adlibs as performing a hard-won achievement of self-trust, trusting oneself enough to break with destructive or stifling conventions. Chapter 4 extends inquiry into the performative relationships with self and others discussed in the previous chapter, by exploring a deeper sense of interiority and a broader scope of sociality as enacted through falsetto vocals. Lordi talks about soul falsettos as used by Ann Peebles, Al Green, Isaac Hayes, and Minnie Riperton, and the ways falsetto signifies different things contextually. Lordi ends the book with a chapter on false endings - bringing the song to a close before striking it up again - symbolizing soul's message of Black group resilience, not a matter of stasis, but of change. The false ending signals the endurance necessary to keep changing, not only oneself, but one's surroundings. Through the close attention to vocal and musical details, as well as to singers beyond the familiar and mostly male stars, Lordi retells the much-told story of soul in a new and rich way. This book will be of interest to general readers and scholars in African American studies, American studies, Black diaspora studies, popular music, and critical theory"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478009597; 9781478008699
    RVK Klassifikation: LS 48640
    Schriftenreihe: Refiguring American music
    Schlagworte: Resilienz <Motiv>; Soulmusiker; Ethnische Identität <Motiv>; Afroamerikanische Musik
    Weitere Schlagworte: Soul music / History and criticism; Soul musicians; African Americans / Music / History and criticism; Music and race / United States / History / 20th century; Popular music / United States / History and criticism; African Americans / Music; Music and race; Popular music; Soul music; Soul musicians; United States; 1900-1999; Criticism, interpretation, etc; History
    Umfang: x, 217 Seiten
    Bemerkung(en):

    From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
  7. Black resonance
    iconic women singers and African American literature
    Autor*in: Lordi, Emily J.
    Erschienen: 2013
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780813562506; 9780813562490; 9780813562513
    RVK Klassifikation: HU 1728
    Schriftenreihe: American Literatures Initiative
    Schlagworte: American fiction; African American women singers; African American women in literature; Music in literature; Sängerin <Motiv>; Literatur; Jazz <Motiv>; Schwarze
    Umfang: XIII, 286 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  8. The Meaning of Soul
    Black Music and Resilience since The 1960s
    Autor*in: Lordi, Emily J.
    Erschienen: 2020
    Verlag:  Duke University Press, Durham ; ProQuest, Ann Arbor, Michigan

    Examining the work of Aretha Franklin, Nina Simone, Solange Knowles, Flying Lotus, and others, Emily J. Lordi proposes a new understanding of soul, showing how it came to signify a belief in black resilience enacted through musical practices. mehr

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Examining the work of Aretha Franklin, Nina Simone, Solange Knowles, Flying Lotus, and others, Emily J. Lordi proposes a new understanding of soul, showing how it came to signify a belief in black resilience enacted through musical practices.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478012245
    RVK Klassifikation: LS 48640
    Schriftenreihe: Refiguring American Music Ser.
    Schlagworte: Soulmusiker; Afroamerikanische Musik; Ethnische Identität <Motiv>
    Umfang: 1 Online-Ressource (233 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  9. The Meaning of Soul
    Black Music and Resilience since the 1960s
    Autor*in: Lordi, Emily J.
    Erschienen: [2020]
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices—inventive cover... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices—inventive cover versions, falsetto vocals, adlibs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies are later re-animated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power Movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478012245
    Weitere Identifier:
    RVK Klassifikation: LS 48640
    Schriftenreihe: Refiguring American Music
    Schlagworte: Soulmusiker; Afroamerikanische Musik; Ethnische Identität <Motiv>
    Umfang: 1 Online-Ressource (232 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
  10. The meaning of soul
    black music and resilience since the 1960s
    Autor*in: Lordi, Emily J.
    Erschienen: [2020]
    Verlag:  Duke University Press, Durham

    Standort:
    Universität Gießen, Zweigbibliothek im Philosophikum II
    Signatur:
    009 LS 48640 L867
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signatur:
    781.644 LOR
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478009597; 9781478008699
    RVK Klassifikation: LS 48640
    Schriftenreihe: Refiguring American music
    Schlagworte: Soulmusiker; Afroamerikanische Musik; Ethnische Identität <Motiv>
    Umfang: x, 217 Seiten
  11. Black Resonance
    Iconic Women Singers and African American Literature
    Autor*in: Lordi, Emily J.
    Erschienen: [2013]
    Verlag:  Rutgers University Press, New Brunswick, NJ ; Walter de Gruyter GmbH, Berlin

    Ever since Bessie Smith’s powerful voice conspired with the “race records” industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Ever since Bessie Smith’s powerful voice conspired with the “race records” industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith’s blues and Richard Wright’s neglected film of Native Son, Mahalia Jackson’s gospel music and Ralph Ellison’s Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century’s most beloved and challenging voices.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Solano, Nicole
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813562513
    Weitere Identifier:
    Schriftenreihe: The American Literatures Initiative
    Umfang: 1 Online-Ressource, 11 illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  12. Black resonance
    iconic women singers and African American literature
    Autor*in: Lordi, Emily J.
    Erschienen: 2013
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Standort:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signatur:
    810.9896073 LOR
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 081356249X; 0813562503; 9780813562490; 9780813562506
    Schriftenreihe: American Literatures Initiative
    Schlagworte: Schwarze; Literatur; Sängerin <Motiv>; Jazz <Motiv>
    Umfang: XIII, 286 S., Ill.
  13. Black Resonance
    Iconic Women Singers and African American Literature
    Autor*in: Lordi, Emily J.
    Erschienen: 2013
    Verlag:  Rutgers University Press, Piscataway

    <DIV><p style=""margin-bottom:0in;margin-bottom:.0001pt;line-height:150%"" class=""MsoNormal""><I>Black Resonance</i> analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
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    Black Resonance analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. The book focuses on two generations of artists from the 1920s to the 1970s; each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice.

    ...

     
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    ISBN: 9780813562506; 9780813562513 (Sekundärausgabe)
    Schriftenreihe: The American Literatures Initiative
    Schlagworte: Schwarze; Literatur; Sängerin <Motiv>; Jazz <Motiv>
    Umfang: 303 p.
    Bemerkung(en):

    Description based upon print version of record

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  14. Black resonance
    iconic women singers and African American literature
    Autor*in: Lordi, Emily J.
    Erschienen: c 2013
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780813562490; 9780813562506
    RVK Klassifikation: HU 1728
    Schriftenreihe: American literatures initiative
    Schlagworte: American fiction; African American women singers; African American women in literature; Music in literature
    Umfang: XIII, 286 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Black resonance -- Vivid lyricism: Richard Wright and Bessie Smith's blues -- The timbre of sincerity: Mahalia Jackson's gospel sound and Ralph Ellison's Invisible Man -- Understatement: James Baldwin, Bessie Smith, and Billie Holiday -- Haunting: Gayl Jones's Corregidora and Billie Holiday's "strange Fruit" -- Signature voices: Nikki Giovanni, Aretha Franklin, and the Black Arts movement -- Epilogue: "At Last": Etta James, poetry, hip hop.
  15. Black Resonance
    Iconic Women Singers and African American Literature
    Autor*in: Lordi, Emily J.; Solano, Nicole
    Erschienen: [2013]; © 2013
    Verlag:  Rutgers University Press, New Brunswick, NJ

    Ever since Bessie Smith’s powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily... mehr

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    Ever since Bessie Smith’s powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith’s blues and Richard Wright’s neglected film of Native Son, Mahalia Jackson’s gospel music and Ralph Ellison’s Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century’s most beloved and challenging voices

     
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    Format: Online
    ISBN: 9780813562513
    Weitere Identifier:
    Schriftenreihe: The American Literatures Initiative
    Schlagworte: LITERARY CRITICISM / General; African American women in literature; African American women singers; American fiction; Music in literature; Jazz <Motiv>; Sängerin <Motiv>; Literatur; Schwarze
    Umfang: 1 online resource, 11 illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  16. Black Resonance
    Iconic Women Singers and African American Literature
    Autor*in: Lordi, Emily J.; Solano, Nicole
    Erschienen: [2013]; © 2013
    Verlag:  Rutgers University Press, New Brunswick, NJ

    Ever since Bessie Smith’s powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily... mehr

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    Ever since Bessie Smith’s powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith’s blues and Richard Wright’s neglected film of Native Son, Mahalia Jackson’s gospel music and Ralph Ellison’s Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century’s most beloved and challenging voices

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813562513
    Weitere Identifier:
    Schriftenreihe: The American Literatures Initiative
    Schlagworte: LITERARY CRITICISM / General; African American women in literature; African American women singers; American fiction; Music in literature; Jazz <Motiv>; Sängerin <Motiv>; Literatur; Schwarze
    Umfang: 1 online resource, 11 illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  17. Black resonance
    iconic women singers and African American literature
    Autor*in: Lordi, Emily J.
    Erschienen: 2013
    Verlag:  Rutgers University Press, New Brunswick, New Jersey

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813562506; 9780813562490; 9780813562513
    Schriftenreihe: American Literatures Initiative
    Schlagworte: American fiction; African American women singers in literature; African American women in literature; Music in literature; Jazz <Motiv>; Sängerin <Motiv>; Literatur; Schwarze
    Umfang: 1 online resource (303 pages), illustrations
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    Description based on print version record
  18. The meaning of soul
    Black music and resilience since the 1960s
    Autor*in: Lordi, Emily J.
    Erschienen: 2020
    Verlag:  Duke University Press, Durham

    From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul --... mehr

     

    From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478012245; 1478012242
    Weitere Identifier:
    RVK Klassifikation: LS 48640
    Schriftenreihe: Refiguring American music
    Schlagworte: Soul music / History and criticism; Soul musicians; African Americans / Music / History and criticism; Music and race / History / 20th century / United States; Popular music / History and criticism / United States; Resilienz <Motiv>; Afroamerikanische Musik; Ethnische Identität <Motiv>; Soulmusiker
    Umfang: 1 Online-Ressource (x, 217 pages)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record
  19. Black Resonance
    Iconic Women Singers and African American Literature
    Autor*in: Lordi, Emily J.
    Erschienen: 2013
    Verlag:  Rutgers University Press, Piscataway

    <DIV><p style=""margin-bottom:0in;margin-bottom:.0001pt;line-height:150%"" class=""MsoNormal""><I>Black Resonance</i> analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as... mehr

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    Black Resonance analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. The book focuses on two generations of artists from the 1920s to the 1970s; each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice.

     
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    Sprache: Englisch
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    ISBN: 9780813562506
    Schriftenreihe: The American Literatures Initiative
    The American Literatures Initiative Ser
    Schlagworte: African American women singers - In literature; Electronic books
    Umfang: Online-Ressource (303 p)
    Bemerkung(en):

    Description based upon print version of record

    Title Page; Copyright; Contents; Acknowledgements; Introduction: Black Resonance; 1. Vivid Lyricism: Richard Wright and Bessie Smith's Blues; 2. The Timbre of Sincerity: Mahalia Jackson's Gospel Sound and Ralph Ellison's Invisible Man; 3. Understatement: James Baldwin, Bessie Smith, and Billie Holiday; 4. Haunting: Gayl Jones's Corregidoraand Billie Holiday's "Strange Fruit"; 5. Signature Voices: Nikki Giovanni,Aretha Franklin, and the Black Arts Movement; Epilogue. "At Last":Etta James, Poetry, Hip Hop; Notes; Index