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  1. Appropriating history : the Soviet past in Belarusian, Russian and Ukrainian popular culture
    Erschienen: 03.09.2024

    Popular media play an important role in reconstructing collective imaginations of history. Dramatic events and ruptures of the 20th century provide the material for playful as well as neo-imperialist and nationalist appropriations of the past. The... mehr

     

    Popular media play an important role in reconstructing collective imaginations of history. Dramatic events and ruptures of the 20th century provide the material for playful as well as neo-imperialist and nationalist appropriations of the past. The contributors to the volume investigate this phenomenon using case studies from Belarusian, Russian and Ukrainian popular cultures. They show how in mainstream films, TV series, novels, comics and computer games, the reference to Soviet history offers role models, action patterns and even helps to justify current political and military developments. The volume thus presents new insights into the multi-layered and explosive dynamics of popular culture in Eastern Europe.

     

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  2. Popular culture and history in Post-Soviet nation states
    Erschienen: 03.09.2024

    Soviet history has been the subject of controversial debates in the spheres of history politics and commemorative culture from the moment the world's first socialist state finally collapsed. [...] At the same time, the three countries, which actually... mehr

     

    Soviet history has been the subject of controversial debates in the spheres of history politics and commemorative culture from the moment the world's first socialist state finally collapsed. [...] At the same time, the three countries, which actually had never existed as nation states for any length of time, set out in the early 1990s to search for an independent national history, for a 'national idea'. Particularly anti-communist narratives from the Cold War era circulating among the Belarusian, Ukrainian and Russian diasporas in the West, who then longed for a 'liberation' and 'rebirth' of their 'supressed' nations, became very popular among the new elites of the young post-Soviet countries. However, due to the close historical interconnections of the three newly founded states, this almost inevitably led to conflicts. [...] Yet, besides these debates among the political and cultural elites of how to construct their respective invented tradition, therewas also a vivid interest among ordinary people in how to cope with the disruptions and upheavals of history, whose object and subject they themselves had become in the preceding years and decades. And they found possible answers in the then flourishing commercial mass culture, which developed particular appeal in Eastern Europe during the 1990s as a previously unknown phenomenon. [...] 'Appropriating history' does not necessarily imply either critically reappraising and adequately remembering the past or, conversely, ideologically trivialising and relativising it; in popular culture, it means above all presenting dramatic episodes, dazzling figures and stereotypical images, which appeal in an entertaining way to the needs and desires, challenges and conflicts of the respective public. Especially in the nascent post-Soviet nation states, these entertaining representations often do more than government institutions, political parties or public educational organisations to shape ideas about how national belonging is articulated. Ideas about history and historical belonging sometimes have a strong effect in situations of political upheaval by fuelling rebellion and in creasing bellicosity, as well as by exposing national myths or suggesting a retreat into the private sphere.

     

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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-8394-6077-1; 978-3-8376-6077-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL); transcript Independent Academic Publishing
    Schlagworte: Sowjetunion <Motiv>; Geschichte <Motiv>; Belarus; Russland; Ukraine; Popkultur
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess

  3. Come and see, once again : a Russian television series on the Seventh Symphony in defeated Leningrad
    Erschienen: 03.09.2024

    Matthias Schwartz examines the multi-award-winning television series "The Seventh Symphony" ("Sed'maia simfoniia", 2021) about the performance of Dmitrii Shostakovich's "Symphony No. 7" in August 1942 during the Leningrad Blockade to analyse how... mehr

     

    Matthias Schwartz examines the multi-award-winning television series "The Seventh Symphony" ("Sed'maia simfoniia", 2021) about the performance of Dmitrii Shostakovich's "Symphony No. 7" in August 1942 during the Leningrad Blockade to analyse how popular formats use traumatic historical experiences for the present as a multi-layered imaginary offer to come to terms with the ever more authoritarian and militarised regime in Russia. So, when in the 1990s the critical encounter with the tabooed and silenced traumatic aspects of Soviet history were highlighted primarily to uncover and demonstrate the failures and crimes of the Soviet system, nowadays sites of trauma mainly provide imaginary patterns and models for the present on how to act under situations of pressure, misery and danger.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-8394-6077-1; 978-3-8376-6077-7
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL); transcript Independent Academic Publishing
    Schlagworte: Fernsehserie; Leningrader Blockade; Zweiter Weltkrieg <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. Public history, popular culture, and the Belarusian experience in a comparative perspective : a conversation : Aliaksei Bratachkin in conversation with the editors
    Erschienen: 03.09.2024

    In focussing on Belarus from a comparative perspective, the historian and public history expert Aliaksei Bratachkin discusses how the use of popular cultural elements in public history has played a crucial role in post-Soviet nation-building since... mehr

     

    In focussing on Belarus from a comparative perspective, the historian and public history expert Aliaksei Bratachkin discusses how the use of popular cultural elements in public history has played a crucial role in post-Soviet nation-building since 1991. Historical themes in particular were promoted as didactic and educational tools by the state, but have also been used by opposition groups in competing national narratives, especially since 2020.

     

    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-8394-6077-1; 978-3-8376-6077-7
    DDC Klassifikation: Literatur und Rhetorik (800); Geschichte Europas (940)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL); transcript Independent Academic Publishing
    Schlagworte: Belarus; Public History; Popkultur
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess