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1. Reduction in computer music : bodies, temporalities, and generative computation

   Autor*in: Buongiorno, Federica

   Erschienen: 01.03.2023

   In the age of pervasive computing the way our body interacts with reality needs to be reconceptualized. The reduction of embodiment is a problem for computer music since this music relies heavily on different layers of (digital) technology and... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/72260/buongiorno_reduction-in-computer-music.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-722607 https://doi.org/10.37050/ci-25_09

   In the age of pervasive computing the way our body interacts with reality needs to be reconceptualized. The reduction of embodiment is a problem for computer music since this music relies heavily on different layers of (digital) technology and mediation in order to be produced and performed. The article shows that such a mediation should not be conceived of as an obstacle but rather as a constitutive element of a permanent, complex negotiation between the artist, the machinery, and the audience, aimed at shaping a different temporality for musical language (as the Italian artist Caterina Barbieri develops).

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-041-1; 978-3-96558-040-4
   DDC Klassifikation:	Musik (780); Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Computermusik; Phänomenologie; Temporalität
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess