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1. The reactivation of time

   Autor*in: Baldacci, Cristina; Nicastro, Clio; Sforzini, Arianna

   Erschienen: 07.04.2022

   Reappropriating, restaging, revisioning, remediating: at the crossroad of the new millennium, reenactment has undoubtedly emerged as a key issue in the field of artistic production, in theoretical discourse, and in the socio-political sphere. Taking... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/67747/Baldacci_Nicastro_Sforzini_Reactivation-Time.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-677479 https://doi.org/10.37050/ci-21_01

   Reappropriating, restaging, revisioning, remediating: at the crossroad of the new millennium, reenactment has undoubtedly emerged as a key issue in the field of artistic production, in theoretical discourse, and in the socio-political sphere. Taking an ever larger distance from notions of historical revival and 'Living History', current reenactments call into question whether the present can unpack, embody, or disentangle the past. Accordingly, to reenact is to experience the past by reactivating either a particular cultural heritage or unexplored utopias. If to reenact means not to restore but to challenge the past, history is thus turned into a possible and perpetual becoming, a site for invention and renewal.

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-029-9; 978-3-96558-028-2
   DDC Klassifikation:	Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Reenactment; Geschichte; Künste
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess

2. Unintentional reenactments : "Yella" by Christian Petzold

   Autor*in: Nicastro, Clio

   Erschienen: 14.04.2022

   What is the relationship between reenactment and repetition compulsion? By shedding light upon the different levels of reenactment at stake in "Yella" by Christian Petzold, I analyse the 'transitional spaces' where the German filmmaker places his... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/67775/Nicastro_unintentional-reenactments.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-677755 https://doi.org/10.37050/ci-21_11

   What is the relationship between reenactment and repetition compulsion? By shedding light upon the different levels of reenactment at stake in "Yella" by Christian Petzold, I analyse the 'transitional spaces' where the German filmmaker places his wandering characters who have 'slipped out of history'. In "Yella" Petzold mixes up past, present, future, and oneiric re-elaboration to question the memory of the past of GDR, which in his view has never really been constituted as history. The characters that populate this movie move in a setting constructed at the crossroad between a protected environment where the reenacted events are sheltered by the time and the space of the plot and a place weathered by the unpredictable atmospheric agents of the present. How and to which extent can the clash between different temporalities produce a minimal variation?

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-029-9; 978-3-96558-028-2
   DDC Klassifikation:	Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Petzold, Christian; Yella; Reenaction; Wiederholungszwang; Zeit
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess