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  1. The Queer Cultures of 1930s Prose
    Language, Identity and Performance in Interwar Britain
    Published: 2019
    Publisher:  Springer International Publishing, Cham

    Offering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours... more

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    Offering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours encompassed by the term ‘queer’ in its many senses. Whilst it is informed by the history of sexuality in twentieth-century Europe, it is also profoundly concerned with what Christopher Isherwood termed ‘the market value of the Odd.’ Drawing, for its methodology, on the work of Raymond Williams, it traces the impact of the Great War on the development of language, examining the use of ten ‘keywords’ in the prose of Christopher Isherwood, Evelyn Waugh and Patrick Hamilton, and that of their respective literary milieux, in order to establish how queer lives and modern sub-cultural identities were forged collaboratively within the fictional realm. By utilizing contemporary perspectives on performativity in conjunction with detailed close readings it repositions these authors as self-conscious agents actively producing their own queer masculinities through calculated acts of linguistic transgression Introduction: Language, Identity and Performance -- Part I: Christopher Isherwood and the Auden Generation -- Part II: Evelyn Waugh and the Bright Young People -- Part III: Patrick Hamilton and the Fitzrovians -- Afterword: James Hanley and the Liverpool-Irish -- Select Bibliography -- Index

     

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  2. The queer cultures of 1930s prose
    language, identity and performance in interwar Britain
    Published: 2019
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

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  3. The queer cultures of 1930s prose
    language, identity and performance in interwar Britain
    Published: [2019]; © 2019
    Publisher:  palgrave macmillan, Cham, Switzerland

  4. The Queer Cultures of 1930s Prose
    Language, Identity and Performance in Interwar Britain
    Published: 2019
    Publisher:  Springer International Publishing, Cham

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030024147
    Other identifier:
    Subjects: Literature, Modern-20th century; Queer theory; Comparative literature; British literature; Linguistics
    Scope: 1 Online-Ressource (IX, 285 p)
  5. The queer cultures of 1930s prose
    language, identity and performance in interwar Britain
    Published: 2019
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030024147
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    RVK Categories: HM 1071
    Subjects: Twentieth-Century Literature; Queer Theory; Comparative Literature; British and Irish Literature; Philosophy of Language; Literature, Modern-20th century; Queer theory; Comparative literature; British literature; Linguistics / Philosophy; Literatur; Queer-Theorie
    Scope: 1 Online-Ressource (ix, 285 Seiten)
  6. The Queer Cultures of 1930s Prose
    Language, Identity and Performance in Interwar Britain
    Published: 2019
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030024147
    Other identifier:
    Subjects: Literature, Modern-20th century; Queer theory; Comparative literature; British literature; Linguistics
    Scope: 1 Online-Ressource (IX, 285 p)
  7. <<The>> queer cultures of 1930s prose
    language, identity and performance in interwar Britain
    Published: [2019]; © 2019
    Publisher:  Palgrave Macmillan, Cham ; Springer Nature Switzerland AG

    Offering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours... more

     

    Offering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours encompassed by the term ‘queer’ in its many senses. Whilst it is informed by the history of sexuality in twentieth-century Europe, it is also profoundly concerned with what Christopher Isherwood termed ‘the market value of the Odd.’ Drawing, for its methodology, on the work of Raymond Williams, it traces the impact of the Great War on the development of language, examining the use of ten ‘keywords’ in the prose of Christopher Isherwood, Evelyn Waugh and Patrick Hamilton, and that of their respective literary milieux, in order to establish how queer lives and modern sub-cultural identities were forged collaboratively within the fictional realm. By utilizing contemporary perspectives on performativity in conjunction with detailed close readings it repositions these authors as self-conscious agents actively producing their own queer masculinities through calculated acts of linguistic transgression

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030024147
    Other identifier:
    RVK Categories: EC 1876 ; HM 1139
    Subjects: Literature, Modern-20th century; Queer theory; Comparative literature; British literature; Linguistics; Twentieth-Century Literature; Queer Theory; Comparative Literature; British and Irish Literature; Philosophy of Language
    Scope: 1 Online-Ressource (ix, 285 Seiten)
    Notes:

    Enthält Literaturverzeichnis auf Seite 273-276

    Introduction: Language, Identity and Performance -- Part I: Christopher Isherwood and the Auden Generation -- Part II: Evelyn Waugh and the Bright Young People -- Part III: Patrick Hamilton and the Fitzrovians -- Afterword: James Hanley and the Liverpool-Irish -- Select Bibliography -- Index