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  1. How poets see the world
    the art of description in contemporary poetry
    Author: Spiegelman, Willard
    Published: 2005
    Publisher:  Oxford Univ. Press, New York [u.a.]

    "Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    "Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work."--BOOK JACKET.

     
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  2. How poets see the world
    the art of description in contemporary poetry
    Author: Spiegelman, Willard
    Published: 2005
    Publisher:  Oxford Univ. Press, New York [u.a.]

    "Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work."--BOOK JACKET.

     
    Export to reference management software   RIS file
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  3. How poets see the world
    the art of description in contemporary poetry
    Author: Spiegelman, Willard
    Published: 2005
    Publisher:  Oxford University Press, New York

    How do poets see the world? What are they looking for? How do they transcribe their vision and make poems out of their observations? This work looks at poets (John Ashbery, Amy Clampitt, Jorie Graham, Charles Tomlinson, and Charles Wright), with an... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    How do poets see the world? What are they looking for? How do they transcribe their vision and make poems out of their observations? This work looks at poets (John Ashbery, Amy Clampitt, Jorie Graham, Charles Tomlinson, and Charles Wright), with an eye to explain the art of description in poetry

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195174917; 9780195174915
    Subjects: American poetry; Nature in literature; Art in literature; Ekphrasis; Visual perception in literature; Landscape in literature; Vision in literature; Description (Rhetoric); Art and literature; American poetry ; 20th century ; History and criticism; Art and literature ; United States; Description (Rhetoric) ; History ; 20th century; Landscapes in literature; Nature in literature; Vision in literature; Visual perception in literature; Electronic books
    Scope: Online-Ressource (xi, 238 p), 25 cm
    Notes:

    Includes bibliographical references (p. 201-217) and index

    Electronic reproduction; Available via World Wide Web

    Contents; ONE: "The Way Things Look Each Day": Poetry, Description, Nature; TWO: "Just Looking": Charles Tomlinson and the "Labour of Observation"; THREE: What to Make of an Augmented Thing: Amy Clampitt's Syntactic Dramas; FOUR: Charles Wright and "The Metaphysics of the Quotidian"; FIVE: "A Space for Boundless Revery": Varieties of Ekphrastic Experience; SIX: John Ashbery's Haunted Landscapes; SEVEN: Jorie Graham's "New Way of Looking"; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
  4. How poets see the world
    the art of description in contemporary poetry
    Author: Spiegelman, Willard
    Published: 2005
    Publisher:  Oxford University Press, Oxford

  5. How poets see the world
    the art of description in contemporary poetry
    Author: Spiegelman, Willard
    Published: 2005
    Publisher:  Oxford University Press, New York

    Spiegelman looks closely at a handful of contemporary poets including John Ashbery, Amy Clampitt, Jorie Graham, Charles Tomlinson and Charles Wright, to illustrate the art of description in poetry more

     

    Spiegelman looks closely at a handful of contemporary poets including John Ashbery, Amy Clampitt, Jorie Graham, Charles Tomlinson and Charles Wright, to illustrate the art of description in poetry

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423746104; 9781423746102; 1280428228; 9781280428227; 9780198039006; 019803900X; 1602565163; 9781602565166
    Subjects: American poetry / 20th century / History and criticism; Vision in literature; Description (Rhetoric) / History / 20th century; Art and literature / United States; Visual perception in literature; Landscapes in literature; Nature in literature; Art in literature; Ekphrasis; American poetry; Art and literature; Description (Rhetoric); History and criticism; Landscape in literature; LITERARY CRITICISM / Poetry; American poetry / (OCoLC)fst00807348; Art and literature / (OCoLC)fst00815400; Art in literature / (OCoLC)fst00815566; Description (Rhetoric) / (OCoLC)fst00891119; Ekphrasis / (OCoLC)fst00904124; Landscapes in literature / (OCoLC)fst01899802; Nature in literature / (OCoLC)fst01034680; Vision in literature / (OCoLC)fst01167902; Visual perception in literature / (OCoLC)fst01168077
    Scope: 1 online resource (xi, 238 pages)
    Notes:

    Print version record

    Includes bibliographical references (pages 201-217) and index

    The way things look each day : how poets see the world -- Just looking : Charles Tomlinson and the "labour of observation" -- What to make of an augmented thing : Amy Clampitt's syntactic dramas -- Charles Wright and "the metaphysics of the quotidian" -- A space for boundless revery : varieties of ekphrastic experience -- John Ashbery's haunted landscapes -- Jorie Graham's "new way of looking."