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  1. Privat - bitte eintreten!
    Rhetoriken des Privaten in der Kunst der 1990er Jahre
    Author: Zanichelli, Elena
    Published: [2015]
    Publisher:  transcript, Bielefeld

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783837626353; 3837626350
    Other identifier:
    9783837626353
    RVK Categories: LH 65830 ; LH 84300 ; LH 61020
    DDC Categories: 700
    Series: Image ; Band 66
    Subjects: Intimsphäre <Motiv>; Kunst; Geschichte 1990-2000;
    Scope: 361 Seiten, Illustrationen, 225 mm x 148 mm, 543 g
    Notes:

    Literaturverz. S. [335] - 352. - Abbildungsverz. S. [353] - 361

    Dissertation, Humboldt-Universität zu Berlin, Fakultät III, Institut für Kundt-und Bildgeschichte, 2012
  2. »Privat - bitte eintreten!«
    Rhetoriken des Privaten in der Kunst der 1990er Jahre
    Author: Zanichelli, Elena
    Published: 2015; ©2015.
    Publisher:  transcript, Bielefeld

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even... more

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    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even demonstrate »live«: Wolfgang Tillmans has photographed intimate scenes of his circle of friends since 1990, Félix González-Torres appeared on New York billboards with a close-up of his bed in 1992, and Elke Krystufek masturbated at the Kunsthalle Wien in 1994. Against the background of current theoretical reconceptualization of the »private«, which debates the nonetheless inseparable relevance to its moving boundary with the public realm, Elena Zanichelli explores artistic practices of visualizing that sphere which must in fact remain concealed and autonomy and freedom at once promised and regulated.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839426357
    Other identifier:
    RVK Categories: LH 65827 ; LH 84300 ; LH 65830
    DDC Categories: 700#DNB
    Series: Image ; Band 66
    De Gruyter eBook-Paket Kunst, Architektur und Design
    Subjects: Arts; Privatleben; Kunst; Privatheit; Intimsphäre; Privatsphäre; ART / History / Contemporary (1945-); Arts
    Scope: 1 Online-Ressource (361 Seiten)
    Notes:

    Literaturverzeichnis: Seite 335-352

    Dissertation, Humboldt-Universität zu Berlin, 2012

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even demonstrate »live«: Wolfgang Tillmans has photographed intimate scenes of his circle of friends since 1990, Félix González-Torres appeared on New York billboards with a close-up of his bed in 1992, and Elke Krystufek masturbated at the Kunsthalle Wien in 1994. Against the background of current theoretical reconceptualization of the »private«, which debates the nonetheless inseparable relevance to its moving boundary with the public realm, Elena Zanichelli explores artistic practices of visualizing that sphere which must in fact remain concealed and autonomy and freedom at once promised and regulated
  3. »Privat - bitte eintreten!«
    Rhetoriken des Privaten in der Kunst der 1990er Jahre
    Author: Zanichelli, Elena
    Published: 2015; ©2015.
    Publisher:  transcript, Bielefeld

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even... more

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    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even demonstrate »live«: Wolfgang Tillmans has photographed intimate scenes of his circle of friends since 1990, Félix González-Torres appeared on New York billboards with a close-up of his bed in 1992, and Elke Krystufek masturbated at the Kunsthalle Wien in 1994. Against the background of current theoretical reconceptualization of the »private«, which debates the nonetheless inseparable relevance to its moving boundary with the public realm, Elena Zanichelli explores artistic practices of visualizing that sphere which must in fact remain concealed and autonomy and freedom at once promised and regulated.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839426357
    Other identifier:
    RVK Categories: LH 65827 ; LH 84300 ; LH 65830
    DDC Categories: 700#DNB
    Series: Image ; Band 66
    De Gruyter eBook-Paket Kunst, Architektur und Design
    Subjects: Arts; Privatleben; Kunst; Privatheit; Intimsphäre; Privatsphäre; ART / History / Contemporary (1945-); Arts
    Scope: 1 Online-Ressource (361 Seiten)
    Notes:

    Literaturverzeichnis: Seite 335-352

    Dissertation, Humboldt-Universität zu Berlin, 2012

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even demonstrate »live«: Wolfgang Tillmans has photographed intimate scenes of his circle of friends since 1990, Félix González-Torres appeared on New York billboards with a close-up of his bed in 1992, and Elke Krystufek masturbated at the Kunsthalle Wien in 1994. Against the background of current theoretical reconceptualization of the »private«, which debates the nonetheless inseparable relevance to its moving boundary with the public realm, Elena Zanichelli explores artistic practices of visualizing that sphere which must in fact remain concealed and autonomy and freedom at once promised and regulated
  4. Privat - bitte eintreten!
    Rhetoriken des Privaten in der Kunst der 1990er Jahre
    Author: Zanichelli, Elena
    Published: c 2015
    Publisher:  transcript, Bielefeld

    Warum soll uns interessieren, was uns eigentlich nichts angeht? Woher kommt das zunehmende Interesse an der Privatsphäre? Künstlerische Praktiken der 1990er Jahre bewegen sich in diesem Spannungsfeld, wenn sie private Lebenserfahrungen "aufrichtig"... more

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    Warum soll uns interessieren, was uns eigentlich nichts angeht? Woher kommt das zunehmende Interesse an der Privatsphäre? Künstlerische Praktiken der 1990er Jahre bewegen sich in diesem Spannungsfeld, wenn sie private Lebenserfahrungen "aufrichtig" wiedergeben oder gar "live" vorführen: So fotografierte Wolfgang Tillmans ab 1990 Intimszenen seines Freundeskreises, Felix Gonzalez-Torres zeigte 1992 in New York Werbetafeln mit der Großaufnahme seines Bettes und Elke Krystufek masturbierte 1994 in der Kunsthalle Wien. Vor dem Hintergrund der aktuellen theoretischen Rekonzeptualisierung des "Privaten", welche dessen mobile Trennlinie zum Öffentlichen erörtert, untersucht Elena Zanichelli künstlerische Praktiken der Visualisierung jenes Feldes, das eigentlich verborgen bleiben müsste und das Autonomie und Freiheit zugleich verspricht und reguliert. Warum soll uns interessieren, was uns eigentlich nichts angeht? Woher kommt das zunehmende Interesse an der Privatsphäre? Künstlerische Praktiken der 1990er Jahre bewegen sich in diesem Spannungsfeld, wenn sie private Lebenserfahrungen »aufrichtig« wiedergeben oder gar »live« vorführen: So fotografierte Wolfgang Tillmans ab 1990 Intimszenen seines Freundeskreises, Félix González-Torres zeigte 1992 in New York Werbetafeln mit der Großaufnahme seines Bettes und Elke Krystufek masturbierte 1994 in der Kunsthalle Wien. Vor dem Hintergrund der aktuellen theoretischen Rekonzeptualisierung des »Priva

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3837626350; 9783837626353
    Other identifier:
    9783837626353
    RVK Categories: LH 65830 ; LH 84300 ; LH 65827
    DDC Categories: 700#DNB
    Series: Image ; Bd. 66
    Subjects: Kunst; Privatsphäre <Motiv>; Geschichte 1990-2000; ; Privatheit <Motiv>; Privatleben <Motiv>; Privatsphäre <Motiv>; Intimsphäre <Motiv>; Kunst; Geschichte 1990-2000;
    Scope: 361 S., Ill., 225 mm x 148 mm, 543 g
    Notes:

    Litertaturverz. S. [335] - 352

    Zugl.: Berlin, Humboldt-Univ., Diss., 2012