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  1. Drama und Wirklichkeit in der Shakespearezeit
    ein Beitrag zur Entwicklungsgeschichte des elisabethanischen Theaters
    Author: Weimann, Robert
    Published: 1958
    Publisher:  Niemeyer, Halle (Saale)

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Language: German; English
    Media type: Book
    Subjects: Englisch; Drama; Geschichte 1558-1603
    Scope: 333 S.
    Notes:

    Literaturverz. S. 318 - 332
  2. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek der RWTH Aachen
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    NI578-39
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    Universitätsbibliothek Bielefeld
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    WE903 W422
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    Universitätsbibliothek Duisburg-Essen
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    DXX1397_d
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    Englisches Seminar I, Bibliothek
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    411/S45/2000/2
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    Englisches Seminar der Universität, Bibliothek
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    Sh 569/96
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521781302; 0521787351
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Aufführungspraxis; Literaturproduktion; Drama
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
  3. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
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    16S YEE Z00003
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521781305; 0521781302; 9780521787352; 0521787351
    Edition: Digital print.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Literaturproduktion; Drama; Aufführungspraxis
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
  4. Shakespeare and the power of performance
    stage and page in the Elizabethan theatre
    Author: Weimann, Robert
    Published: 2008
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    /HI 3560 W422
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek Gießen
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    FH Angl KS WEI V 3
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    Universität Marburg, Universitätsbibliothek
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    F 2008/0179
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    Source: Union catalogues
    Contributor: Bruster, Douglas
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521895324; 9780521895323
    RVK Categories: HI 3560
    Subjects: Drama; Sprache
    Other subjects: Shakespeare, William (1564-1616)
    Scope: X, 266 S.
    Notes:

    Literaturangaben
  5. Prologues to Shakespeare's theatre
    performance and liminality in early modern drama
    Author: Bruster, Douglas
    Published: 2004
    Publisher:  Routledge, London [u.a.]

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    /HI 1250 B912
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
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    25 Eng LA 5490
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
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    SL B 84 III
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    Source: Union catalogues
    Contributor: Weimann, Robert
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415334438; 041533442X
    RVK Categories: HI 1250 ; HI 1269 ; HI 2675 ; HI 2715 ; HI 3075 ; HI 3378 ; HI 3390
    Subjects: Englisch; Drama; Prolog; Zeitgenossen
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XI, 189 S.
  6. Shakespeare and the popular tradition in the theater
    studies in the social dimension of dramatic form and function
    Author: Weimann, Robert
    Published: 1978
    Publisher:  Johns Hopkins Univ. Press, Baltimore [u.a.]

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    Universitätsbibliothek Kassel, Standort Holländischer Platz
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    25 Eng LA 5005
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801819857
    RVK Categories: HI 3381 ; HI 3560
    Subjects: Drama; Volkstheater; Englisch; Theater
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XXII, 325 S.
  7. Shakespeare and the power of performance
    stage and page in the Elizabethan theatre
    Author: Weimann, Robert; Bruster, Douglas
    Published: 2008
    Publisher:  Cambridge University Press, Cambridge

    Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511481437
    RVK Categories: HI 3560
    Subjects: Drama; Sprache
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (x, 266 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. Prologues to Shakespeare's Theatre
    Performance and Liminality in Early Modern Drama
    Author: Bruster, Douglas
    Published: 2004
    Publisher:  Taylor and Francis, London ; ProQuest, Ann Arbor, Michigan

    This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in... more

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    Universität Frankfurt, Elektronische Ressourcen
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    This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.

     
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    Source: Union catalogues
    Contributor: Weimann, Robert
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780203362686
    RVK Categories: HI 1250 ; HI 1269 ; HI 2675 ; HI 2715 ; HI 3075 ; HI 3378 ; HI 3390 ; HI 1250 ; HI 1269 ; HI 2675 ; HI 2715 ; HI 3075 ; HI 3378 ; HI 3390
    Edition: 1st ed.
    Subjects: Englisch; Drama; Prolog; Zeitgenossen
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (181 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  9. Shakespeare und die Macht der Mimesis
    Autorität und Repräsentation im elisabethanischen Theater
    Author: Weimann, Robert
    Published: 1988
    Publisher:  Aufbau-Verl., Berlin [u.a.]

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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3351005954
    RVK Categories: HI 3375 ; HI 3385 ; HI 3390
    Edition: 1. Aufl.
    Series: Dokumentation, Essayistik, Literaturwissenschaft
    Subjects: Authority in literature; Mimesis in literature; Zeithintergrund; Drama; Mimesis
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: 369 S.
  10. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  11. Shakespeare and the popular tradition in the theater
    studies in the social dimension of dramatic form and function
    Author: Weimann, Robert
    Published: 1978
    Publisher:  Johns Hopkins Univ. Press, Baltimore

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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  12. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511013086; 051111866X; 0511484070; 0521781302; 0521787351; 9780511013089; 9780511118661; 9780511484070; 9780521781305; 9780521787352
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Acting in literature; Drama / Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Englisch; Theater; Wissen; Theater in literature; Acting in literature; Drama; Aufführung; Drama; Textproduktion
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 298 pages)
    Notes:

    Includes bibliographical references (pages 269-288) and index

    Introduction: conjunctures and concepts -- - Performance and authority in Hamlet (1603) -- - A new agenda for authority -- - The "low and ignorant" crust of corruption -- - Towards a circulation of authority in the theatre -- - Players, printers, preachers: distraction in authority -- - Pen and voice: versions of doubleness -- - "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- - Bifold authority in Troilus and Cressida -- - "Unworthy scaffold" for "so great an object" (Henry V) -- - Playing with a difference -- - To "disfigure, or to present" (A Midsummer Night's Dream) -- - To "descant" on difference and deformity (Richard III) -- - The "self-resembled show" -- - Presentation, or the performant function -- - Histories in Elizabethan performance -- - Disparity in mid-Elizabethan theatre history -- - Reforming "a whole theatre of others" (Hamlet) -- - From common player to excellent actor -- - Differentiation, exclusion, withdrawal -- - Hamlet and the purposes of playing -- - Renaissance writing and common playing -- - Unworthy antics in the glass of fashion -- - "When in one line two crafts directly meet" -- - (Word)play and the mirror of representation -- - Space (in)dividable: locus and platea revisited -- - Space as symbolic form: the locus -- - The open space: provenance and function -- - Locus and platea in Macbeth -- - Banqueting in Timon of Athens -- - Shakespeare's endings: commodious thresholds -- - Epilogues vs. closure -- - Ends of postponement: holiday into workaday -- - Thresholds to memory and commodity -- - Liminality: cultural authority 'betwixt-and-between'
  13. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521781302; 0521787351
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Wissen; Theater in literature; Acting in literature; Drama; Textproduktion; Aufführung; Drama
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: xiii, 298 p
    Notes:

    Includes bibliographical references (p. 269-288) and index
  14. Shakespeare und die Tradition des Volkstheaters
    Soziologie, Dramaturgie, Gestaltung
    Author: Weimann, Robert
    Published: 1967
    Publisher:  Henschel, Berlin

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Universitätsbibliothek Freiburg
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    Bibliothek im KG IV, Bereich Anglistik und Amerikanistik
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    Frei 24: XVI Shak 3713
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    Universitätsbibliothek Heidelberg
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    73 A 1596
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    Anglistisches Seminar der Universität, Bibliothek
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    SHA CF 975
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    Badische Landesbibliothek
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    68 A 655
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    eng 879:s527:p/w24
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    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
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  15. Prologues to Shakespeare's theatre
    performance and liminality in early modern drama
    Author: Bruster, Douglas; Weimann, Robert
    Published: 2004
    Publisher:  Routledge, London [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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  16. Shakespeare and the power of performance
    stage and page in the Elizabethan theatre
    Author: Weimann, Robert; Bruster, Douglas
    Published: 2008
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Bridging the gap between today's page- and stage-centred interpretations, the authors demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how he explored... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bridging the gap between today's page- and stage-centred interpretations, the authors demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how he explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor.

     
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  17. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek der RWTH Aachen
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    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521781302; 0521787351
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Shakespeare, William; Drama; Literaturproduktion; Aufführungspraxis; Geschichte 1590-1616
    Scope: XIII, 298 S.
  18. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521781305; 0521781302; 9780521787352; 0521787351
    Edition: Digital print.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Shakespeare, William; Drama; Literaturproduktion; Aufführungspraxis; Geschichte 1590-1616
    Scope: XIII, 298 S.
  19. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    01/HI 3390 W422
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
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    Universität Marburg, Universitätsbibliothek
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    F 93/437, 39
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521787351; 0521781302
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Drama; Theater
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
    Notes:

    Literaturverz. S. 269 - 288
  20. Prologues to Shakespeare's theatre
    performance and liminality in early modern drama
    Author: Bruster, Douglas; Weimann, Robert
    Published: 2004
    Publisher:  Routledge, London [u.a.]

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  21. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0521787351; 0521781302
    RVK Categories: EC 5146 ; HI 3390
    Edition: 1. publ.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Engels; Schriftcultuur; Toneel; Englisch; Theater; Wissen; Theater in literature; Acting in literature; Drama -- Technique; Drama; Aufführung; Textproduktion
    Other subjects: Shakespeare, William, 1564-1616 -- Knowledge -- Performing arts; Shakespeare, William, 1564-1616 -- Criticism and interpretation; Shakespeare, William, 1564-1616 -- Dramatic production; Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
  22. Shakespeare und die Macht der Mimesis
    Autorität und Repräsentation im elisabethanischen Theater
    Author: Weimann, Robert
    Published: 1988
    Publisher:  Aufbau-Verl., Berlin [u.a.]

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    Archiv der Akademie der Künste, Bibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 3351005954
    RVK Categories: HI 3375 ; HI 3385 ; HI 3390
    Edition: 1. Aufl.
    Series: Dokumentation, Essayistik, Literaturwissenschaft
    Subjects: Authority in literature; Mimesis in literature; Zeithintergrund; Drama; Mimesis
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: 369 S.
  23. Prologues to Shakespeare's theatre
    performance and liminality in early modern drama
    Author: Bruster, Douglas; Weimann, Robert
    Published: 2004
    Publisher:  Routledge, London [u.a.]

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    Universitätsbibliothek Freiburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 041533442X; 0415334438
    Other identifier:
    9780415334433
    RVK Categories: HI 3378 ; HI 2715 ; HI 3075 ; HI 2675
    Edition: 1. publ.
    Subjects: Shakespeare; English drama; English drama; Prologues and epilogues; Mimesis in literature; Drama
    Scope: XI, 189 S.
  24. Prologues to Shakespeare's theatre
    performance and liminality in early modern drama
    Author: Bruster, Douglas; Weimann, Robert
    Published: 2004
    Publisher:  Routledge, London [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 584196
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415334438; 041533442X; 9780415334433
    RVK Categories: HI 2675 ; HI 2715 ; HI 3075 ; HI 3378
    Subjects: English drama; English drama; Prologues and epilogues; Mimesis in literature; Drama; Openings (Rhetoric)
    Other subjects: Shakespeare, William (1564-1616)
    Scope: [XIII], 189 S.
    Notes:

    Literaturverz. S. [157] - 182

    The Elizabethan prologue : text, actor, performance -- Prologue as threshold and usher -- Authority and authorization in the pre-Shakespearean prologue -- Frivolous jestures versus matter of worth : Christopher Marlowe -- Kingly harp and iron pen in the playhouse : George Peele -- From hodge-podge to scene individable : John Lyly -- Henry V and the signs of power : William Shakespeare
  25. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Higbee, Helen (HerausgeberIn); West, William N. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484070
    Other identifier:
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Acting in literature; Drama; Theater in literature; Shakespeare, William ; 1564-1616 ; Knowledge ; Performing arts; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Dramatic production; Theater in literature; Acting in literature; Drama ; Technique
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 298 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between'.