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  1. The objective eye
    color, form, and reality in the theory of art
    Author: Hyman, John
    Published: 2006
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

    'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective.

     

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  2. The objective eye
    color, form, and reality in the theory of art
    Author: Hyman, John
    Published: 2006
    Publisher:  University of Chicago Press, Chicago

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226365522; 0226365530; 0226365549; 9780226365527; 9780226365534; 9780226365541
    Subjects: Fine Arts; ART / General; Visuele waarneming; Kunsttheorie; Beeldende kunsten; Psychologische aspecten; Visuelle Wahrnehmung; Kunstpsychologie; Kunst; Psychologie; Visual perception; Art; Composition (Art); Color in art; Methode; Kunstpsychologie; Visuelle Wahrnehmung; Farbe; Künstlerische Form; Ästhetik
    Scope: 1 Online-Ressource (xix, 286 pages, [8] pages of plates)
    Notes:

    Includes bibliographical references (pages 269-275) and index

    List of illustrations -- Preface -- Introduction -- Color -- Galileos myth -- Frames of reference -- Perceiving powers -- Depiction -- Art and imitation -- Art and occlusion -- Art and optics -- Art and experience -- Realism -- Words and pictures -- Realism and relativism -- The canvas of the brain -- Conclusion

    'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective

  3. The objective eye
    color, form, and reality in the theory of art
    Author: Hyman, John
    Published: 2006
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

    'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780226365534; 0226365522; 9780226365527
    RVK Categories: CC 6900
    Subjects: Beeldende kunsten; Kunsttheorie; Psychologische aspecten; Visuele waarneming; Kunst; Psychologie; Color in art; Composition (Art); Visual perception; Methode; Künstlerische Form; Kunstpsychologie; Farbe; Ästhetik; Visuelle Wahrnehmung
    Scope: XIX, 286, [16] S., Ill.