S.E. Gontarski: Introduction :towards a minoritarian criticism :the questions we ask C.J. Ackerley: 'Deux Besoins' :Samuel Beckett and the aesthetic dilemma David Lloyd: 'Siege laid again' :Arikha's gaze, Beckett's painted stage Ulrike Maude: Convulsive aesthetics :Beckett, Chaplin and Charcot Sam Slote: Pain degree zero Paul Stewart: Sexual indifference in the Three novels Andrew V. McFeaters: A neuropolitics of subjectivity in Samuel Beckett's Three novels Tomasz Wiśnieswki: Evening, night and other shades of dark :Beckett's short prose Andrew Gibson: French Beckett and French literary politics 1945-52 John Pilling: Beckett/Sade :texts for nothing Jean-Michel Rabaté: Beckett's Masson :from abstraction to non-relation Anthony Uhlmann: Beckett, Duthuit and ongoing dialogue Laura Salisbury: Gloria SMH and Beckett's linguistic encryptions Peter Fifield: 'I am writing a manifesto because I have nothing to say' (Soupault) :Samuel Beckett and the interwar avant-garde Sief Houppermans: Beckett and contemporary French literature Anthony Roche: The 'Irish' translation of Samuel Beckett's En attendant Godot Emilie Morin: Odds, ends, beginnings :Samuel Beckett and theatre cultures in 1930s Dublin Seán Kennedy: 'Bid us sigh on from day to day' :Beckett and the Irish big house Graley Herren: A womb with a view :Film as regression fantasy Everett C. Frost: 'The sound is enough' :Beckett's radio plays Steven Connor: 'Was that a point?'Beckett's punctuation Mark Nixon: Beckett's unpublished canon Dirk Van Hulle: Textual scars :Beckett, genetic criticism and textual scholarship Adam Piette: Beckett's Ill seen ill said :reading the subject, subject to reading Matthew Feldman: Beckett and philosophy S.E. Gontarski: 'Ruse a by' :Watt, the rupture of the everyday and transcendental empiricism Erik Tonning: Beckett, modernism and Christianity David Tucker: 'Oh lovely art' :Beckett and music Laura Peja: Victimised actors and despotic directors :clichés of theatre at stake in Beckett's Catastrophe John Paul Riquelme: Staging the modernist monologue as capable negativity :Beckett's 'A piece of monologue' between and beyond Eliot and Joyce Anna McMullan: Designing Beckett :Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics Annamaria Cascetta: Dianoetic laughter in tragedy :accepting finitude--Beckett's Endgame Geneviève Chevallier: Performing the formless Fábio de Souza Andrade: 'Facing other windows' :Beckett in Brazil Predrag Todorovic: Beckett in Belgrade Mariko Hori Tanaka.: 'Struggling with a dead language' :language of others in All that fall and the Japanese avant-garde theatre in the 1960s |
