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Displaying results 1 to 25 of 4400.

  1. Die Revolution der modernen Kunst
    Author: Sedlmayr, Hans
    Published: 1996
    Publisher:  DuMont, Köln

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    Freie Universität Berlin, Universitätsbibliothek
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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Kunsthochschule Berlin-Weißensee, Bibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    RVK Categories: LH 65800
    Edition: Nachdr. der Ausg. Köln, DuMont, 1985, Sonderausg. als Teil der Kassette "Klassiker der Kunstgeschichte"
    Series: Klassiker der Kunstgeschichte
    Subjects: Avantgarde; Kunstgeschichte <Fach>; Moderne; Ästhetik; Entwicklung; Kunstbetrachtung; Kunst
    Scope: 169 S., Ill., 18 cm
    Notes:

    Auch als: DuMont-Taschenbuch ; Bd. 170
  2. Literatur und Kulturhermeneutik
    Beiträge der Tateshina-Symposien 1994 und 1995
    Published: 1996
    Publisher:  Iudicium-Verl., München

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 389129428X
    RVK Categories: GB 1726 ; GE 3151
    Subjects: Ästhetik; Aesthetics; German literature; Hermeneutics; Leiblichkeit; Deutsch; Körper; Hermeneutik; Literatur; Körper <Motiv>
    Scope: 292 S.
  3. Kunst mit Eigen-Sinn
    aktuelle Kunst von Frauen ; Texte u. Dokumentation ; [anläßl. d. Ausstellung Kunst mit Eigen-Sinn, Museum Moderner Kunst, Museum d. 20. Jh., Wien, 29. März bis 12. Mai 1985]
    Published: 1985
    Publisher:  Löcker, Wien ; München

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    Europa-Universität Viadrina, Universitätsbibliothek
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  4. The critical edge
    controversy in recent American architecture
    Published: 1985
    Publisher:  MIT Pr., Cambridge, Mass. u.a.

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    TU Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 0262132079
    RVK Categories: LO 96600
    Subjects: Postmoderne; Moderne; Kunstbetrachtung; Ästhetik; Architektur
    Scope: 203 S., zahlr. Ill.
  5. Sang der Maschinen
    Brechts Medienästhetik
    Author: Herrmann, Hans-Christian von
    Published: 1996
    Publisher:  Fink, München

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    Hessisches BibliotheksInformationsSystem hebis
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    Source: Digi20
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 3770531078
    Other identifier:
    RVK Categories: GM 2660
    Subjects: Massenmedien; Ästhetik; Medienästhetik
    Other subjects: Brecht, Bertolt (1898-1956)
    Scope: 207 S.
    Notes:

    Online-Ausg.:

    Zugl.: Bochum, Univ., Diss.
  6. Kategorien der Anschauung
    zur transzendentalphilosophischen Bedeutung von Heinrich Wölfflins "Kunstgeschichtlichen Grundbegriffen"
    Author: Eckl, Andreas
    Published: 1996
    Publisher:  Fink, München

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    Source: Digi20
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 3770530721
    Other identifier:
    RVK Categories: CC 4400 ; CC 6700 ; CC 6900 ; CI 1200 ; LH 61020 ; LH 63670
    Subjects: Transzendentalphilosophie; Ästhetik
    Other subjects: Wölfflin, Heinrich (1864-1945): Kunstgeschichtliche Grundbegriffe; Wölfflin, Heinrich (1864-1945)
    Scope: 321 S., Ill.
    Notes:

    Online-Ausg.:

    Zugl.: Diss.
  7. Nennen und Erklingen
    die Zeit als Logos
    Author: Georgiades, Thrasybulos G.
    Published: 1985
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

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    Source: Digi20
    Contributor: Bengen, Irmgard
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3525013310
    Other identifier:
    RVK Categories: BS 4890 ; CC 6900 ; LR 56800 ; LR 57710 ; LR 57730
    Series: Sammlung Vandenhoeck
    Subjects: Musik; Sprache; Ästhetik; Musikästhetik; Sprachverstehen; Theorie; Musikverstehen; Tonalität; Musiktheorie; Sprachphilosophie
    Scope: 303 S., Ill., Notenbeisp.
    Notes:

    Online-Ausg.:
  8. Esthetics of the Moment
    Literature and Art in the French Enlightenment
    Author: Kavanagh, Thomas M.
    Published: [2011]; © 1996
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812202441
    Other identifier:
    Series: Critical Authors and Issues
    Subjects: Fine Arts; Arts, French; Arts, Modern; Ut pictura poesis (Aesthetics); Aufklärung; Text; Französisch; Augenblick; Bild; Ästhetik; Literatur; Ut pictura poesis; Kunst
    Scope: 1 online resource, 51 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 21, 2016)
  9. Theory Rules
    Art as Theory / Theory as art
    Published: [2016]; © 1996
    Publisher:  University of Toronto Press, Toronto

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664647
    Other identifier:
    Subjects: Philosophie; Art criticism; Arts; Neue Medien; Kunst; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  10. Das auratische Kunstwerk
    Zur Ästhetik von Richard Wagners Musiktheaterutopie
    Author: Friedrich, Sven
    Published: [2015]; © 1996
    Publisher:  Max Niemeyer Verlag, Tübingen

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110942446; 9783484660199
    Other identifier:
    Edition: Reprint 2015
    Series: Theatron ; 19
    Subjects: 20th Century; Architecture, Art, Music; Ästhetik; Gesamtkunstwerk; Music; Wagner, Richard; Musik; Oper; Gesamtkunstwerk; Ästhetik
    Other subjects: Wagner, Richard (1813-1883)
    Scope: 1 online resource (239pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Nov. 24, 2015)

    :
  11. Ästhetische Autonomie als Abnormität
    kritische Analysen zu Schopenhauers Ästhetik im Horizont seiner Willensmetaphysik
    Author: Neymeyr, Barbara
    Published: 1996
    Publisher:  W. de Gruyter, Berlin ;New York

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3110152290; 9783110152296; 9783110813593
    Other identifier:
    Series: Quellen und Studien zur Philosophie ; Bd. 42
    Subjects: Ästhetik; Willensfreiheit; Ästhetik
    Other subjects: Schopenhauer, Arthur (1788-1860); Schopenhauer, Arthur (1788-1860)
    Scope: 1 Online-Ressource (x, 430 p)
    Notes:

    Includes bibliographical references and index. - Originally presented as the author's thesis--Freiburg im Breisgau, 1992

    Review text: "Barbara Neymeyr hat damit eine neue Interpretation des Verhältnisses von Willen und Intellekt entwickelt, die dem dualistischen Ansatz, auf dem das Postulat einer ästhetischen Autonomie des Intellekts basiert, durch das Zurückgreifen auf den fundamentalen Willensmonismus die Geltung streitig macht." Gezeigt wird, "daß die These u.a. zu einer neuen Lektüre der Beziehung Schopenhauers zu Kant auf dem Gebiet des Ästhetischen führt. Heideggers Polarisierung der Theorien Kants und Schopenhauers erscheint demgemäß in einem neuen Licht. Seine Interpretation ist nicht genügend offen für die grundlegenden Ambivalenzen der Schopenhauerschen Ästhetik […]. Barbara Neymeyr zeigt, wie unterschiedliche Traditionsmuster diese Ästhetik prägen, wobei der Platonismus die Ausgangsposition liefert für Komponenten, die sich nicht harmonisch mit Kantischen Denkansätzen vereinen lassen.

    Auch Nietzsches Kritik an Schopenhauers ästhetischer Kontemplation wird von der Autorin unter den neuen, von ihr entwickelten Voraussetzungen beurteilt. Alles in allem ein Buch, das fortan zum Grundbestand der Schopenhauer-Rezeption zählen dürfte. [...] Das Hauptverdienst besteht wohl darin, daß es den einzelnen, häufig grundsätzlich untereinander divergierenden Thesen Schopenhauers mit größter Sorgfalt Rechnung trägt und zugleich ein kohärentes Schema entwickelt, das sie zu umfassen und aufzunehmen vermag."Georges Goedert in: Philosophisches Jahrbuch 108/2001 "[...] eine fulminante und sprachlich ausgereifte Auseinandersetzung mit Arthur Schopenhauers ästhetischen Grundsätzen […].

    Man wird in Zukunft an diesen Erörterungen und differenziert vorgetragenen Argumenten nicht vorübergehen können."Wolfgang von Löhneysen in: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 44/1999 "Barbara Neymeyr’s thorough and well-informed reading of Schopenhauer’s aesthetics continues this trend toward a systematic Schopenhauer interpretation. […] Exhibiting great ingenuity and extensive familiarity with the entire corpus of Schopenhauer’s writings, Neymeyr tracks the various levels and forms of inconsistency that plague Schopenhauer’s aesthetic theory […]. In particular, she criticizes the paradoxical nature of the self-less aesthetic subject […].

    Neymeyr’s systematic critique of Schopenhauer’s account of aesthetic autonomy has far-reaching implications which extend beyond the scope of the book."Günter Zöller in: Journal of the History of Philosophy 36/1998 "[...] hervorragende Detailrekonstruktionen und –analysen zu Schopenhauer, deren Luzidität und Stringenz besonders hervorzuheben ist."Reinhard Margreiter in: Philosophischer Literaturanzeiger 51/1998
  12. Nietzsche und die Metaphysik
    Author: Djurić, Mihailo
    Published: 1985
    Publisher:  Walter de Gruyter, Berlin ; New York

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110858907
    Other identifier:
    Series: Monographien und Texte zur Nietzsche-Forschung ; Band 16
    Subjects: Metaphysik; Ästhetik
    Other subjects: Nietzsche, Friedrich Wilhelm (1844-1900); Nietzsche, Friedrich (1844-1900)
    Scope: 1 Online-Ressource (326 Seiten)
    Notes:

    "... die stark erweiterte Fassung einer Vorlesung, die im Sommersemester 1982 an der Universität Augsburg gehalten wurde"--Foreword. - Includes bibliographical references and indexes
  13. Is There Truth in Art?
    Author: Rapaport, Herman
    Published: [2018]; © 1996
    Publisher:  Cornell University Press, Ithaca, NY

    The question posed by Herman Rapaport, in the title of this book, is intended both seriously and ironically. It is not Rapaport's purpose to debate whether or not truth resides in art. The title points rather to his belief that truth needs to be... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The question posed by Herman Rapaport, in the title of this book, is intended both seriously and ironically. It is not Rapaport's purpose to debate whether or not truth resides in art. The title points rather to his belief that truth needs to be reconceptualized in the light of continuing efforts to deconstruct and to discredit the notion of truthfulness in art.The question of art's truthfulness persists because truth in art is neither an entity or content that has been injected into the work, nor a transcendental concept or ground that exists outside it. Moreover, when used in relation to art, Rapaport says, truth means something quite different from conventional definitions of the term. Indeed, a central question that informs the book is the return of truth at the far side of its deconstruction.Is There Truth in Art? includes chapters on atonal music, environmental art, modern German and French poetry, contemporary French fiction, experimental French film, and a photograph taken by the National Socialists during the destruction of the Warsaw ghetto. Determining how truth can be said to occur in these examples, Rapaport maintains, requires analysis in each instance. He draws chiefly upon the thinkers who have radically reformulated questions about truth-Nietzsche, Heidegger, Derrida, and Levinas-and uses their writings to explore the works under analysis

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501729607
    Other identifier:
    Subjects: Literary Studies; LITERARY CRITICISM / Semiotics & Theory; Truth (Aesthetics); Truth (Aesthetics); Truth; Philosophie; Kunst; Ästhetik; Wahrheit
    Scope: 1 online resource (240 pages), 3 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  14. The Poetics of Perspective
    Author: Elkins, James
    Published: [2018]; © 1996
    Publisher:  Cornell University Press, Ithaca, NY

    Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor. Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E. H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painter's tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501723896
    Other identifier:
    Subjects: Aesthetics; Perspective; Space perception; Ästhetik; Perspektive
    Scope: 1 online resource, 63 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  15. Words of Light
    Theses on the Photography of History
    Author: Cadava, Eduardo
    Published: [2018]; © 1996
    Publisher:  Princeton University Press, Princeton, NJ

    Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby becomes a lens through which we can begin to view his analysis of the convergence between the new technological media and a revolutionary concept of historical action and understanding. Written in the form of theses--what Cadava calls "snapshots in prose"--the book memorializes Benjamin's own thetic method of writing. It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls "dialectical images." In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. It gives us the most complete picture to date of Benjamin's reflections on history

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691188713
    Other identifier:
    Subjects: Historiography; Photography; Fotografie; Ästhetik; Geschichtsphilosophie
    Other subjects: Benjamin, Walter (1892-1940)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  16. Schönheit und Geschmack
    Die Theorie der Künste in der spanischen Literatur des 18. Jahrhunderts
    Author: Jacobs, Helmut C.
    Published: [1996]; © 1996
    Publisher:  Vervuert Verlagsgesellschaft, Frankfurt am Main

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783968690025
    Other identifier:
    Subjects: LITERARY CRITICISM / European / Spanish & Portuguese; Künste; Spanisch; Theorie; Ästhetik; Literatur; Schönheit; Anmut; Geschmack <Ästhetik>
    Scope: 1 online resource (418 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Mai 2020)
  17. Estetica dell'ornamento
    Author: Carboni, Massimo
    Published: 1996
    Publisher:  Centro Internazionale Studi di Estetica, Palermo

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 293237
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    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    01-4165
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    RVK Categories: CC 6900
    Series: Array ; 47
    Subjects: Ästhetik; Ornament;
    Scope: 66 S
  18. L' estetica di Pirandello
    Author: Vicentini, Claudio
    Published: 1985
    Publisher:  Mursia, Milano

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    715342
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    Source: Staatsbibliothek zu Berlin
    Media type: Book
    Format: Print
    RVK Categories: IV 40721
    Edition: 2. ed., aggiornata
    Series: Saggi di estetica e di poetica ; 11
    Subjects: Pirandello, Luigi; Ästhetik;
    Other subjects: Pirandello, Luigi
    Scope: 247 S
  19. Die ästhetische Fähigkeit des Unternehmens
    wissenschaftliche Beobachtungen diesseits und jenseits der modernen Betriebswirtschaftslehre
    Author: Wadosch, Michael
    Published: 1996
    Publisher:  Kirsch, Herrsching

    Location:
    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    Signature:
    A 212257
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3882320869
    Series: Münchener Schriften zur angewandten Führungslehre ; 86
    Subjects: Unternehmenskultur; Ästhetik; Betriebswirtschaftslehre; Theorie
    Scope: 237 S
    Notes:

    Literaturverz. S. 221 - 237
  20. Postmodernizm wobec kryzysu estetyki współczesnej
    Author: Dziamski, Grzegorz
    Published: 1996
    Publisher:  Wydawn. Naukowe UAM, Poznań

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    3 A 90024
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A/318091
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    Source: Staatsbibliothek zu Berlin
    Language: Polish
    Media type: Book
    Format: Print
    ISBN: 8323207666
    Series: Seria Filozofia i logika ; 76
    Subjects: Postmoderne; Ästhetik;
    Other subjects: Array; Array; Postmodernism
    Scope: 183 p, 21 cm
    Notes:

    Zsfassung in engl. Sprache u.d.T.: Postmodernism and crisis of contemporary aesthetics
  21. Schein und Reflexion
    Studien zur Ästhetik
    Author: Zimmer, Jörg
    Published: 1996
    Publisher:  Dinter, Köln

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    97 A 14469
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    Thüringer Universitäts- und Landesbibliothek
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    PHI:CV:200:::1996
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3924794308
    Series: Dialectica minora ; 11
    Subjects: Ästhetik; Anschauung; Begriff;
    Other subjects: Aesthetics
    Scope: 134 S, 21 cm
    Notes:

    Includes bibliographical references
  22. Kunst und Geschichte im Zeitalter Hegels
    Published: 1996
    Publisher:  Meiner, Hamburg

    Location:
    Universitätsbibliothek Greifswald
    Signature:
    310/CG 1260 J32
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    96 A 10731
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    O 220 S 1955
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A/423448

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    Universitätsbibliothek Ilmenau
    Signature:
    GWN CG 4077 J32 K9
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    Thüringer Universitäts- und Landesbibliothek
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    2011 NA 5520
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    Thüringer Universitäts- und Landesbibliothek
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    PHI:HM:900:H462:401:1996
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    Thüringer Universitäts- und Landesbibliothek
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    GER:GH:2920:S34::1996
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Pa 2730-2
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    97-7601
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    96.07350
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    Universität Potsdam, Universitätsbibliothek
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    CG 4077 JAM
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    N 60781
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    UB Weimar
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    145 747
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    47.3166
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3787313052; 9783787313051
    Series: Hegel-Deutungen ; 2
    Subjects: Hegel, Georg Wilhelm Friedrich; Ästhetik; ; Deutschland; Künste; Geschichte 1700-1850;
    Other subjects: Array; Array
    Scope: XV, 311 S., Ill., 23 cm
    Notes:

    Verzeichnis der Veröffentlichungen des Hegel-Archivs S. 285 - 311
  23. Die Töchter des "Disegno"
    zur Kanonisierung der drei bildenden Künste durch Giorgio Vasari
    Author: Roggenkamp, Bernd
    Published: 1996
    Publisher:  Lit-Verl., Münster

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:1997:1518
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    96 A 26895
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    K Fg 2593
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    KGS-It 8456,50
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    97/6026
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    Thüringer Universitäts- und Landesbibliothek
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    96 NA 43206/1
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3825828859
    RVK Categories: LI 91650
    Series: Uni-Press-Hochschulschriften ; 81
    Subjects: Vasari, Giorgio; Ästhetik;
    Scope: 164, [21] S, Ill, 21 cm
    Notes:

    Zugl.: Köln, Univ., Diss., 1995
  24. Denken über Kunst
    eine Einführung in die Kunstphilosophie
    Author: Braembussche, Antoon A. van den
    Published: 1996
    Publisher:  Verl. Die Blaue Eule, Essen

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:1996:5084
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    Universitätsbibliothek Braunschweig
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    2752-3793
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Bibliothek der Pädagogischen Hochschule Erfurt
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    C-B 194/60
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    PHL 899:YA0002
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Pa 838-12
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    10-50398
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    97.16791
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    Hochschule Neubrandenburg, Bibliothek
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    19:HMR-31
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    Universitätsbibliothek Rostock
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    97 A 1679
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    UB Weimar
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    147 269
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    Content information
    Source: Union catalogues
    Contributor: Braembussche, Antoon A. van den
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3892067317
    Series: Kunstwissenschaft in der Blauen Eule ; 12
    Subjects: Ästhetik; Geschichte;
    Scope: 325 S, Ill, 21 cm
  25. Die Kunsttheorie Antoine Coypels
    eine Ästhetik am Übergang vom Grand Siècle zum Dixhuitième
    Author: Schille, Dorothea
    Published: 1996
    Publisher:  Lang, Frankfurt am Main [u.a.]

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:YC:7960:::1996
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    phi 898.8 rat BF 5291
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3631304714
    Series: Array ; Bd. 281
    Subjects: Ästhetik
    Other subjects: Coypel, Antoine (1661-1722); Array; Array
    Scope: 292 S, 21 cm
    Notes:

    Originally presented as the author's thesis (doctoral--Ruhr-Universität-Bochum, 1995)

    Zugl.: Bochum, Univ., Diss., 1995