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Displaying results 1 to 9 of 9.

  1. Moonbit
    Published: 2019
    Publisher:  punctum books, Brooklyn, NY

    "Moonbit is a hybrid work comprised of experimental poetry and a critical theory of the poetics and politics of computer code. It offers an extended intellectual and creative engagement with the affordances of computer software through multiple... more

     

    "Moonbit is a hybrid work comprised of experimental poetry and a critical theory of the poetics and politics of computer code. It offers an extended intellectual and creative engagement with the affordances of computer software through multiple readings and re-writings of a singular text, the source code of the Apollo 11 Guidance Computer or the “AGC.” Moonbit re-marks and remixes the code that made space travel possible. Half of this book is erasure poetry that uses the AGC code as the source text, building on the premise that code can speak beyond its functional purpose.

     

    When we think about the 1960s U.S. space program and obscure scientific computer code, we might not first think about the Watts riots, Shakespeare, Winnie the Pooh, T.S. Eliot, or scatological jokes. Yet these cultural references and influences along with many more are scattered throughout the body of the code that powered the compact digital computer that successfully guided astronauts to the Moon and back and in July of 1969. Moonbit unravels and rewrites the many embedded cultural references that were braided together within the language resources of mid-century computer code.

     

    Moonbit also provides a gentle, non-expert introduction to the text of the AGC code, to digital poetics, and to critical code studies. Outlining a capacious interpretive practice, Moonbit takes up all manner of imaginative decodings and recodings of this code. It introduces some of the major existing approaches to the study of code and culture while provide multiple readings of the source code along with an explanation and theorization of the way in which the code works, as both a computational and a cultural text."

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781950192342
    Other identifier:
    Subjects: Poetry by individual poets; Astronautics
    Other subjects: Apollo Mission; digital poetics; computer code; experimental poetry; cultural theory; digital humanities; technology
    Scope: 1 electronic resource (152 p.)
  2. Massa por Argamassa : A "Libraria de Babel" e o Sonho de Totalidade
    Published: 2019
    Publisher:  punctum books, Brooklyn, NY

    "Mass by Mortar presents an in-depth exploration of one of the greatest illusionists in literature, Jorge Luis Borges. His tale" The Library of Babel "is an illustrious example of its playful ability, though not only because of the inverted world... more

     

    "Mass by Mortar presents an in-depth exploration of one of the greatest illusionists in literature, Jorge Luis Borges. His tale" The Library of Babel "is an illustrious example of its playful ability, though not only because of the inverted world imagined in it in the past. which a library, which supposedly contains all possible combinations of all letters, words, and books, is searched by devout librarians for divinely prefabricated truths, for one also has to deal with the irony of Borges's narration, which constantly puts check the narrator's claims about the universality of the library, including the very possibility of exhausting the possible meanings through a combinatorial process. "Massa por Argamassa apresenta uma exploração profunda de um dos maiores ilusionistas da literatura, Jorge Luis Borges. Seu conto “A Biblioteca de Babel” é um exemplar ilustre de sua capacidade lúdica, embora não somente devido ao mundo invertido que nele é imaginado, no qual uma biblioteca, que supostamente contém todas as combinações possíveis de todas as letras, palavras e livros, é vasculhada por bibliotecários devotos em busca de verdades divinamente pré-fabricadas. Pois também é preciso lidar com a ironia da narração de Borges, que constantemente põe em xeque as afirmações do narrador sobre a universalidade da biblioteca, incluindo a própria possibilidade de exaurir os significados possíveis através de um processo combinatório.

     

    Borges direcionava seus leitores para sua obra de não-ficção para que descobrissem o verdadeiro autor da ideia da biblioteca universal. Mas seus ensaios supostamente históricos são notoriamente repletos de referências falsas e contradições. Seja na verdade ou na ficção, Borges nunca atinge uma conclusão estável sobre as premissas atomistas da biblioteca universal – seria possível encontrar um conjunto de caracteres capaz de expressar todo o significado possível, ou estariam essas letras, assim como suas histórias e ensaios, se multiplicando e dividindo em uma incompletude incansável?

     

    Embora muitos leitores de Borges o veem como um presságio de nossas tecnologias digitais, eles muitas vezes dão crédito demais a nossas invenções ao fazê-lo. Aqueles que elidem a necessária incompletude da Biblioteca de Babel a comparam com a Internet, assumindo que ambos seriam arquivos totais de todo o pensamento e expressão possíveis. Embora as imaginações de Borges tenham contribuído para a criatividade digital (libraryofbabel.info é certamente uma evidência disto), elas o fazem demonstrando a necessária incompletude de todos os projetos totalizadores, independentemente de seu refino tecnológico. No final, Basile guia os leitores em direção à ideia de que uma exposição fictícia/imaginária possui certo poder sobre a tecnologia."

     

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    Source: OAPEN
    Language: Portuguese
    Media type: Ebook
    Format: Online
    ISBN: 9781950192465
    Other identifier:
    Subjects: Literary studies: from c 1900 -
    Other subjects: Library of Babel; Jorge Luis Borges; technology; librarianship; digital humanities; literary studies
  3. Machine
    Contributor: Patrick Pringle, Thomas (Publisher); Koch, Gertrud (Publisher); Stiegler, Bernard (Publisher)
    Published: 2019
    Publisher:  meson press

    In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of... more

     

    In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.

     

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    Source: OAPEN
    Contributor: Patrick Pringle, Thomas (Publisher); Koch, Gertrud (Publisher); Stiegler, Bernard (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Film, TV & radio
    Other subjects: technology; automation; animation; digitization; cybernetics; ecosystems; politics; economics; exploitation; philosophy
    Scope: 1 electronic resource (104 p.)
  4. Frame by Frame : A Materialist Aesthetics of Animated Cartoons
    Published: 2019
    Publisher:  University of California Press, Oakland

    For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then... more

     

    For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians, most of them anonymous. In order to understand how the industrial mode of production influenced the medium’s visual style, this book regards each frame of a given animated cartoon as a historical document in its own right. This new consideration of the materiality of the medium analyzes cartoons frame by frame to expose hitherto unseen qualities of the image. The book covers the different technologies of reproduction involved in this process, from photography to xerography, as well as the idiosyncrasies of the image—from abstract imagery to mistakes in reproduction—that can be seen only when the film is halted. What emerges is both a new methodology for thinking about animation, the idea of frame-by-frame analysis, and a highly original account of an art formed on the assembly line.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520303621
    Other identifier:
    Subjects: Films, cinema; Media studies
    Other subjects: Aesthetics; animation; avant-garde; cartoons; labor; photography; technology
    Scope: 1 electronic resource (278 p.)
  5. Hephaestus Reloaded : Composed for Ten Hands / Efesto Reloaded: Composizioni per 10 mani
    Published: 2019
    Publisher:  punctum books, Brooklyn, NY

    Hephaestus Reloaded / Efesto Reloaded, presented in a bilingual (English/Italian) publication, and whose five authors are from Greece, Italy, and the US, invokes as its first inspiration the myth of Hephaestus who embodied a twofold entity: both... more

     

    Hephaestus Reloaded / Efesto Reloaded, presented in a bilingual (English/Italian) publication, and whose five authors are from Greece, Italy, and the US, invokes as its first inspiration the myth of Hephaestus who embodied a twofold entity: both disabled and technically capacious. The myth of Hephaestus has been passed across the centuries as an ancient metaphor signifying the idea of becoming-world, in which any distinction between the natural and the artificial, or the organic and the technical, is blurred. Human beings, by virtue of their physical vulnerabilities and limits, have enhanced their technological powers to the point of transcending their own given nature. At present, a variety of critical discourses in disciplines such as philosophy, history, aesthetics, and cognitive sciences pay attention to our becoming-hybrid (organic and mechanical beings) – unleashing a space for research that probes the concept of transcendence. Each of the contributions in this book addresses – through its own peculiar perspective, method and experimental style – a new way to approach the role of transcendence in socio-cultural life.In the Occidental history of ideas, the notion of transcendence has received at least three canonical articulations that are challenged by this book: religious (Judeo-Christian traditions), philosophical (Platonic-intellectual universality of ideas), and scientific (the objective and technological turn of knowledge). Nonetheless, it is with the rise of cybernetics, with its digital and virtual modalities of systems, networks, and knowledge, that our human environment emerges as a source of knowledge in itself -- not simply as an object but rather as an immersive agency in which nature, knowledge, technique merge. The transcendence of the actual and the virtual into a “third” element is construed and analyzed in this book through conceptual schemes that rely on a post-binary or non-binary understanding of coincidences, triangulations, hybrids, or post-human combinatorics. What is ultimately explored is how transcendence is ejected from strictly theological, philosophical, or scientific groundings and emerges as a germinating point of becoming (something else).

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781950192366
    Other identifier:
    Subjects: Literary essays; Philosophy: metaphysics & ontology
    Other subjects: technology; posthumanism; poetry; cybernetics; aesthetics; transcendence; becoming
    Scope: 1 electronic resource (118 p.)
  6. Post Memes : Seizing the Memes of Production
    Contributor: Bown, Alfie (Publisher); Bristow , Dan (Publisher)
    Published: 2019
    Publisher:  punctum books, Brooklyn, NY

    Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation -- memes are the inner currency of the internet’s circulatory system.... more

     

    Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation -- memes are the inner currency of the internet’s circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike,  and they are impervious to many economic valuations: the attempts made in co-opting their discourse in advertising and big business have made little headway, and have usually been derailed by retaliative meming. Post-Memes: Seizing the Memes of Production takes advantage of the meme’s subversive adaptability and ripeness for a focused, in-depth study. Pulling together the interrogative forces of a raft of thinkers at the forefront of tech theory and media dissection, this collection of essays paves a way to articulating the semiotic fabric of the early 21st century’s most prevalent means of content posting, and aims at the very seizing of the memes of production for the imagining and creation of new political horizons.With contributions from Scott and McKenzie Wark, Patricia Reed, Jay Owens, Thomas Hobson and Kaajal Modi, Dominic Pettman, Bogna M. Konior, and Eric Wilson, among others, this essay volume offers the freshest approaches available in the field of memes studies and inaugurates a new kind of writing about the newest manifestations of the written online. The book aims to become the go-to resource for all students and scholars of memes, and will be of the utmost interest to anyone interested in the internet’s most viral phenomenon.

     

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    Source: OAPEN
    Contributor: Bown, Alfie (Publisher); Bristow , Dan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781950192441
    Other identifier:
    Subjects: Media studies
    Other subjects: memes; media studies; popular culture; Digital Humanities; technology; social media; internet culture
    Scope: 1 electronic resource (423 p.)
  7. Innovation in Music : Performance, Production, Technology and Business
    Contributor: Hepworth-Sawyer, Russ (Publisher); Hodgson, Jay (Publisher); Paterson , Justin (Publisher); Toulson, Rob (Publisher)
    Published: 2019
    Publisher:  Taylor & Francis

    Innovation in Music: Performance, Production, Technology and Business is an exciting collection comprising of cutting-edge articles on a range of topics, presented under the main themes of artistry, technology, production and industry. Each chapter... more

     

    Innovation in Music: Performance, Production, Technology and Business is an exciting collection comprising of cutting-edge articles on a range of topics, presented under the main themes of artistry, technology, production and industry. Each chapter is written by a leader in the field and contains insights and discoveries not yet shared.

     

    Innovation in Music covers new developments in standard practice of sound design, engineering and acoustics. It also reaches into areas of innovation, both in technology and business practice, even into cross-discipline areas. This book is the perfect companion for professionals and researchers alike with an interest in the Music industry.

     

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    Source: OAPEN
    Contributor: Hepworth-Sawyer, Russ (Publisher); Hodgson, Jay (Publisher); Paterson , Justin (Publisher); Toulson, Rob (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781138498211; 9781351016711
    Other identifier:
    Subjects: Music
    Other subjects: innovation; music; performance; production; technology; business
    Scope: 1 electronic resource (544 p.)
  8. Bubbles and Machines : Gender, Information and Financial Crises
    Author: Lee, Mickey
    Published: 2019
    Publisher:  University of Westminster Press, London

    Are financial crises embedded in IT? Can gender studies offer insights into financial reporting? Feminist theories and Science and Technology Studies (STS) can enrich a critique of financial crises in capitalism as the author argues their critical,... more

     

    Are financial crises embedded in IT? Can gender studies offer insights into financial reporting? Feminist theories and Science and Technology Studies (STS) can enrich a critique of financial crises in capitalism as the author argues their critical, political economic approaches to communication can help in understanding because they historicize technology and economy and how these are materially embedded. Current literature has neglected finance and capital’s gendered aspect – even – the ideology of a ‘crisis’. This book develops four themes: women as resources in financial markets and as producers of values; gender ideology and unequal distribution; machine production and distribution of financial information and the varied actuality of markets. Working with case histories of tulipmania, microcredit, Wall Street reporting and the role of ‘screens’, Bubbles and Machines argues that rather than calling financial crises human-made or inevitable they should be recognized as technological.

     

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  9. Medium, Format, Configuration : The Displacements of Film
    Published: 2019
    Publisher:  meson press

    In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of... more

     

    In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Film, TV & radio
    Other subjects: technology; Simondon; format; media; network; digital cinema
    Scope: 1 electronic resource (54 p.)