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  1. "... und darum ist sie so qualvoll gestorben"
    Tradition und indigene Moderne bei den Diang des ostindischen Alor-Archipels am Beispiel ihres Umgangs mit dem Tod
    Published: 2013
    Publisher:  Lit-Verl., Berlin

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 880460
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    Weltkulturen Museum, Bibliothek
    In VIII 138
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    Universitätsbibliothek Freiburg
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    2013 A 9773
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783643118813; 3643118813
    RVK Categories: LB 55420 ; LB 17420 ; LC 31420
    Series: Southeast Asian modernities ; v. 14
    Subjects: Diang; Traditionale Kultur; Krankheit; Vorstellung; Todesvorstellung; Bestattungsritus; ; Alor, Kleine Sundainseln; Tod <Motiv>; Totenkult;
    Scope: 248 S, graph. Darst., Kt, 24 cm
    Notes:

    Includes bibliographical references and glossary

    Zugl.: Frankfurt am Main, Univ., Diss., 2012

  2. "Also, wir Jungs sind ..."
    Geschlechtervorstellungen von Grundschülern
    Published: 2006
    Publisher:  Waxmann, Münster [u.a.]

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783830917199; 3830917198
    Other identifier:
    9783830917199
    RVK Categories: DU 2000 ; MS 2950
    DDC Categories: 300; 370
    Subjects: Geschlechterforschung; Junge <6-10 Jahre>; ; Junge <8-11 Jahre>; Geschlechtsunterschied; Vorstellung; ; Junge; Schuljahr 3; Männlichkeit; Weiblichkeit; Vorstellung; Gruppendiskussion;
    Scope: 281 S.
    Notes:

    Zugl.: Freiburg, Univ., Diss., 2006

  3. "Also, wir Jungs sind ..."
    Geschlechtervorstellungen von Grundschülern
    Published: c 2006
    Publisher:  Waxmann, Münster [u.a.]

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783830917199; 3830917198
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    9783830917199
    RVK Categories: DU 2000 ; MS 2850 ; CR 6000 ; DG 5000
    Subjects: Geschlechterforschung; Junge <6-10 Jahre>; ; Junge <6-10 Jahre>; Grundschule; Geschlechtsunterschied; Vorstellung; Gruppeninterview;
    Scope: 281 S., 21 cm
    Notes:

    Literaturverz. S. [263] - 280

    Zugl.: Freiburg (Breisgau), Pädagogische Hochschule, Diss., 2006

  4. "Priroda" und "graždanskoe obščestvo"
    zur rechtlich-kulturellen Codierung des Naturverhältnisses in Russland
    Published: 2011

    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Subjects: Recht; Religion; Natur; Literatur; Vorstellung; Kunst
    Scope: 342 S., Ill., graph. Darst.
    Notes:

    Bonn, Univ., Diss., 2011

  5. "Priroda" und "graždanskoe obščestvo"
    zur rechtlich-kulturellen Codierung des Naturverhältnisses in Russland
    Published: 2011

    Universitäts- und Landesbibliothek Bonn
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    Language: German
    Media type: Dissertation
    Format: Online
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    Subjects: Natur; Recht; Vorstellung; Literatur; Kunst; Religion
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    Bonn, Univ., Diss., 2011

  6. "Und seh'n wir uns nicht in dieser Welt, dann seh'n wir uns in Bielefeld!"
    Himmelsbilder
    Published: 2005

    Ev. Hochschul- und Zentralbibliothek Württemberg, Standort Stuttgart-Möhringen
    A 17/ 10143
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    Index theologicus der Universitätsbibliothek Tübingen
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    Source: Union catalogues
    Language: German
    Media type: Article (edited volume)
    Format: Print
    Parent title: In: Alles in allem; Neukirchen-Vluyn : Neukirchener Verlag, 2005; (2005), Seite 3-14; XII, 577 S

    Subjects: Himmel; Vorstellung
  7. 'Normative Vorstellungen' zur Arbeitsteilung in der Erwerbsarbeit, Hausarbeit und Kindererziehung
    Published: 2006
    Publisher:  GRIN Verlag, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783640084722
    Other identifier:
    9783640084722
    Edition: 1. Auflage, digitale Originalausgabe
    Subjects: Arbeit; Arbeitsteilung; Vorstellung; Kind; Erziehung
    Other subjects: (Produktform)Electronic book text; (BISAC Subject Heading)SOC026010: SOCIAL SCIENCE / Sociology / Marriage & Family; Normative;Vorstellungen;Arbeitsteilung;Erwerbsarbeit;Hausbarbeit;Kindererziehung;Forschungspraktikum;Eichstätt;Ingolstadt; (VLB-WN)9726: Soziologie / Frauenforschung, Geschlechterforschung
    Scope: Online-Ressource, 31 Seiten
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    Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

  8. <<Der>> veröffentlichte Raum
    Published: 2012
    Publisher:  Merve-Verl., Berlin

    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783883963174; 3883963178
    Other identifier:
    9783883963174
    Edition: Orig.-Ausg.
    Series: [Internationaler Merve-Diskurs] ; 377
    Subjects: Öffentlicher Raum; Vorstellung; Neue Medien; Privatheit; Öffentlichkeit; Medientheorie
    Scope: 140 S. : Ill., Kt.
  9. <<Der>> veröffentlichte Raum
    Published: 2012
    Publisher:  Merve-Verl., Berlin

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783883963174; 3883963178
    Other identifier:
    9783883963174
    DDC Categories: 300
    Edition: Orig.-Ausg.
    Series: [Internationaler Merve-Diskurs] ; 377
    Subjects: Öffentlicher Raum; Vorstellung; Neue Medien; Privatheit; Öffentlichkeit; Medientheorie; ;
    Scope: 140 S., Ill., Kt., 17 cm, 110 g
  10. <<Die>> Engel-Vorstellung vom Kinde
    Author: Hoof, Dieter
    Published: 2005
    Publisher:  Winkler, Bochum

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3899110439
    Other identifier:
    9783899110432
    DDC Categories: 230; 700; 300
    Subjects: Engel; Vorstellung; Kind; ; Engel <Motiv>; Kind <Motiv>;
    Scope: 43 S., Ill., 23 cm, 129 gr.
    Notes:

    Literaturverz. S. 40 - 43

  11. <<Die>> Engel-Vorstellung vom Kinde
    Author: Hoof, Dieter
    Published: 2005
    Publisher:  Winkler, Bochum

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3899110439
    Subjects: Engel; Vorstellung; Kind; Engel <Motiv>; Kind <Motiv>
    Scope: 43 S. : Ill.
  12. <<Die>> Suche nach dem Paradies
    Illusionen, Wuensche, Realitaeten
    Contributor: Baumgardt, Ursula (Herausgeber)
    Published: 1989
    Publisher:  Koesel, Muenchen

    Universitätsbibliothek der RWTH Aachen
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    Source: Union catalogues
    Contributor: Baumgardt, Ursula (Herausgeber)
    Media type: Book
    Format: Print
    ISBN: 3466342201
    RVK Categories: CX 7000 ; BH 6400
    Subjects: Paradies <Motiv>; Paradies; Utopie; Paradies; Vorstellung; Psychologie
    Scope: 155 S.
  13. <<Die>> Welt als Wille und Vorstellung
    Published: [2020]
    Publisher:  Felix Meiner Verlag, Hamburg

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    Source: Union catalogues
    Contributor: Koßler, Matthias (Publisher); Massei, William (Publisher); Eschmann, Erik (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783787335435; 3787335439
    Other identifier:
    9783787335435
    RVK Categories: BF 6950 ; CG 6944
    DDC Categories: 100
    Edition: Kritische Jubiläumsausgabe der ersten Auflage von 1819 mit den Zusätzen von Arthur Schopenhauer aus seinem Handexemplar
    Series: Philosophische Bibliothek ; Band 717
    Subjects: Vorstellung; ; Wille;
    Other subjects: Erkenntnistheorie; Ethik; Metaphysik; Ästhetik; Hardcover, Softcover / Philosophie/Deutscher Idealismus, 19. Jahrhundert
    Scope: 21, 409 Seiten, Illustrationen, 32 cm
  14. <<The>> English Renaissance, orientalism, and the idea of Asia
    Contributor: Johanyak, Debra (Herausgeber)
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Contributor: Johanyak, Debra (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230615991; 0230615996
    Edition: 1. ed.
    Subjects: England; Orientalismus <Kulturwissenschaften>; Vorstellung; Asien <Motiv>; Geschichte 1500-1700
    Scope: VI, 246 S.
    Notes:

    Hier auch später erschienene unveränderte Nachdrucke

  15. <<The>> English Renaissance, orientalism, and the idea of Asia
    Contributor: Johanyak, Debra (Herausgeber)
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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    Contributor: Johanyak, Debra (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230106222
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    Edition: 1. ed.
    Subjects: England; Orientalismus <Kunst>; Vorstellung; Asien <Motiv>; Geschichte 1500-1700
    Scope: VI, 246 S.
  16. A "beleza livre" e a arte não-figurativa
    Published: 2004
    Publisher:  Humanitas Publicações, São Paulo

    Der Artikel unternimmt eine "interessierte" Interpretation der "Kritik der Urteilskraft". Interessiert, weil – gegen die dominante Tendenz der letzten Jahrzehnte – versucht wird, den Kantischen Begriff der freien Schönheit von der vorweggenommenen... more

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    Der Artikel unternimmt eine "interessierte" Interpretation der "Kritik der Urteilskraft". Interessiert, weil – gegen die dominante Tendenz der letzten Jahrzehnte – versucht wird, den Kantischen Begriff der freien Schönheit von der vorweggenommenen Verteidigung der abstrakten Kunst abzutrennen. Interessiert auch, weil – anstatt von Neuem den Aufbau der "KdU" nachzuzeichnen – gezeigt werden soll, dass die dritte Kritik etwas fundieren kann, was nicht so beabsichtigt war: eine Überprüfung der Mimesis. Hierzu ist das Verständnis des Kantischen Erhabenen entscheidend: ursprünglich eine Modalität der ästhetischen Erfahrung zu seinem Gegenstück, der Schönheit, entfernt sich das Erhabene in steigendem Maße von der letzteren. Wenn Schönheit und Erhabenes außerhalb des "bestimmenden Urteils" thematisiert werden, wo sich die Eigenschaften des Objekts dem Subjekt aufdrängen, setzen die Modalitäten der Erfahrung im Gegenteil den Primat des Subjekts voraus, sich steigernd von der durch die Schönheit vermittelten Erfahrung der Harmonie bis zur Erfahrung der negativen Lust am Erhabenen. Zwischen diesen Polen arbeitet das Subjekt die Realität durch. Am Pol der Schönheit spielt die "Vorstellung" der Realität noch eine herausragende Rolle. In der "negativen Lust" am Erhabenen ordnet sich die "Vorstellung" der Gewalt der "Darstellung" unter. Aber die zwei Arten der Erfahrung – des Schönen und des Erhabenen – gehören demselben Feld ästhetischer Erfahrung an, denn in beiden arbeitet das Subjekt das von außen Herantretende durch, anstatt es zu verwerfen. Mit anderen Worten, "Vorstellung" ist immer zu verstehen als eine Erfahrung, in der das Äußere vom Subjekt transformiert wird. D. h., die "Vorstellung" in der dritten Kritik ist immer eine wirkende Vorstellung. Sowohl im Erhabenen als auch in der "freien Schönheit", erreicht die vom Subjekt bewirkte Metamorphose des Äußeren ihre höchste Intensität, ohne dass der äußere Pol – was wir gewöhnlich die "Welt" oder "Realität" nennen – verschwände. Es ist daher nötig, den Begriff der Mimesis neu zu formulieren, um sich die Metamorphose der Welt klarzumachen, die durch die Radikalisierung der ästhetischen Erfahrung mittels der "freien Schönheit" bewirkt wird. This paper is an "interested" reading of "The Critique of Judgement" – "interested", because, unlike what has become usual in recent decades, it strives to disassociate the Kantian concept of "free beauty" from any interpretation of it as an early defense of abstract art. It is also "interested" because, instead of exposing (once more) the framework of the "Kritik der Urteilskraft", it tries to show how the Third Kantian Critique can be taken as a basis for something that was not part of its original purpose: reviewing the idea of mimesis itself. For that, the understanding of the Kantian sublime (das Erhabene) will be decisive: understood initially as one of the modalities of aesthetic experience, the other being beauty, the sublime progressively distances itself from the latter. If beauty and the sublime are to be thematized independently of "determining judgement", in which the properties of the object impose themselves upon the subject, the modalities of aesthetic experience suppose, on the contrary, the primacy of the subject. This implies gradations: from the experience of harmony propitiated by beauty up through the "negative pleasure" of the sublime, both poles through which reality is reworked by the subject. At the pole of beauty, "representation" of reality still plays a prominent role. At the pole of the "negative pleasure" of the sublime, "representation" is subordinated to the power of "presentation". However, both kinds of experience, the one of beauty and the other of the sublime, belong to the same field of aesthetic experience, because in both of them the subject reworks – does not discard – what comes to him from the outside: it will be necessary to understand "Vorstellung" always as an experience in which the exterior will be transformed by the subject. That is, the representation of the Third Critic will always be an effectual representation. In the sublime as much as in "free beauty", the metamophosis of the exterior by the subject achieves its maximum level without meaning that the external pole – that we usually call "world" or "reality" – disappears. It will thus be necessary to rethink the concept of mimesis in order to understand the metamorphosis of the world performed by radicalization of the aesthetic experience through "free beauty".

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 8 (2004), Seite 75-119; 22 cm

    DDC Categories: 800
    Subjects: Abstrakte Kunst; Darstellung; Das Erhabene; Vorstellung
    Other subjects: Kant, Immanuel (1724-1804)
    Notes:

    Online-Ausg.:

  17. A "beleza livre" e a arte não-figurativa

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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 8.2004, S. 75-119; Online-Ressource
    Subjects: Kant, Immanuel; Das Erhabene; Vorstellung; Darstellung; Abstrakte Kunst
    Scope: Online-Ressource
  18. A "beleza livre" e a arte não-figurativa
    Published: 2004
    Publisher:  Humanitas Publicações, São Paulo

    Der Artikel unternimmt eine "interessierte" Interpretation der "Kritik der Urteilskraft". Interessiert, weil – gegen die dominante Tendenz der letzten Jahrzehnte – versucht wird, den Kantischen Begriff der freien Schönheit von der vorweggenommenen... more

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    Der Artikel unternimmt eine "interessierte" Interpretation der "Kritik der Urteilskraft". Interessiert, weil – gegen die dominante Tendenz der letzten Jahrzehnte – versucht wird, den Kantischen Begriff der freien Schönheit von der vorweggenommenen Verteidigung der abstrakten Kunst abzutrennen. Interessiert auch, weil – anstatt von Neuem den Aufbau der "KdU" nachzuzeichnen – gezeigt werden soll, dass die dritte Kritik etwas fundieren kann, was nicht so beabsichtigt war: eine Überprüfung der Mimesis. Hierzu ist das Verständnis des Kantischen Erhabenen entscheidend: ursprünglich eine Modalität der ästhetischen Erfahrung zu seinem Gegenstück, der Schönheit, entfernt sich das Erhabene in steigendem Maße von der letzteren. Wenn Schönheit und Erhabenes außerhalb des "bestimmenden Urteils" thematisiert werden, wo sich die Eigenschaften des Objekts dem Subjekt aufdrängen, setzen die Modalitäten der Erfahrung im Gegenteil den Primat des Subjekts voraus, sich steigernd von der durch die Schönheit vermittelten Erfahrung der Harmonie bis zur Erfahrung der negativen Lust am Erhabenen. Zwischen diesen Polen arbeitet das Subjekt die Realität durch. Am Pol der Schönheit spielt die "Vorstellung" der Realität noch eine herausragende Rolle. In der "negativen Lust" am Erhabenen ordnet sich die "Vorstellung" der Gewalt der "Darstellung" unter. Aber die zwei Arten der Erfahrung – des Schönen und des Erhabenen – gehören demselben Feld ästhetischer Erfahrung an, denn in beiden arbeitet das Subjekt das von außen Herantretende durch, anstatt es zu verwerfen. Mit anderen Worten, "Vorstellung" ist immer zu verstehen als eine Erfahrung, in der das Äußere vom Subjekt transformiert wird. D. h., die "Vorstellung" in der dritten Kritik ist immer eine wirkende Vorstellung. Sowohl im Erhabenen als auch in der "freien Schönheit", erreicht die vom Subjekt bewirkte Metamorphose des Äußeren ihre höchste Intensität, ohne dass der äußere Pol – was wir gewöhnlich die "Welt" oder "Realität" nennen – verschwände. Es ist daher nötig, den Begriff der Mimesis neu zu formulieren, um sich die Metamorphose der Welt klarzumachen, die durch die Radikalisierung der ästhetischen Erfahrung mittels der "freien Schönheit" bewirkt wird. This paper is an "interested" reading of "The Critique of Judgement" – "interested", because, unlike what has become usual in recent decades, it strives to disassociate the Kantian concept of "free beauty" from any interpretation of it as an early defense of abstract art. It is also "interested" because, instead of exposing (once more) the framework of the "Kritik der Urteilskraft", it tries to show how the Third Kantian Critique can be taken as a basis for something that was not part of its original purpose: reviewing the idea of mimesis itself. For that, the understanding of the Kantian sublime (das Erhabene) will be decisive: understood initially as one of the modalities of aesthetic experience, the other being beauty, the sublime progressively distances itself from the latter. If beauty and the sublime are to be thematized independently of "determining judgement", in which the properties of the object impose themselves upon the subject, the modalities of aesthetic experience suppose, on the contrary, the primacy of the subject. This implies gradations: from the experience of harmony propitiated by beauty up through the "negative pleasure" of the sublime, both poles through which reality is reworked by the subject. At the pole of beauty, "representation" of reality still plays a prominent role. At the pole of the "negative pleasure" of the sublime, "representation" is subordinated to the power of "presentation". However, both kinds of experience, the one of beauty and the other of the sublime, belong to the same field of aesthetic experience, because in both of them the subject reworks – does not discard – what comes to him from the outside: it will be necessary to understand "Vorstellung" always as an experience in which the exterior will be transformed by the subject. That is, the representation of the Third Critic will always be an effectual representation. In the sublime as much as in "free beauty", the metamophosis of the exterior by the subject achieves its maximum level without meaning that the external pole – that we usually call "world" or "reality" – disappears. It will thus be necessary to rethink the concept of mimesis in order to understand the metamorphosis of the world performed by radicalization of the aesthetic experience through "free beauty".

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In: Pandaemonium Germanicum; São Paulo : Humanitas Publicações, 1997-2006; Band 8 (2004), Seite 75-119; 22 cm

    DDC Categories: 800
    Subjects: Abstrakte Kunst; Darstellung; Das Erhabene; Vorstellung
    Other subjects: Kant, Immanuel (1724-1804)
    Notes:

    Online-Ausg.:

  19. A "beleza livre" e a arte não-figurativa
    Published: 2004

    This paper is an "interested" reading of "The Critique of Judgement" – "interested", because, unlike what has become usual in recent decades, it strives to disassociate the Kantian concept of "free beauty" from any interpretation of it as an early... more

     

    This paper is an "interested" reading of "The Critique of Judgement" – "interested", because, unlike what has become usual in recent decades, it strives to disassociate the Kantian concept of "free beauty" from any interpretation of it as an early defense of abstract art. It is also "interested" because, instead of exposing (once more) the framework of the "Kritik der Urteilskraft", it tries to show how the Third Kantian Critique can be taken as a basis for something that was not part of its original purpose: reviewing the idea of mimesis itself. For that, the understanding of the Kantian sublime (das Erhabene) will be decisive: understood initially as one of the modalities of aesthetic experience, the other being beauty, the sublime progressively distances itself from the latter. If beauty and the sublime are to be thematized independently of "determining judgement", in which the properties of the object impose themselves upon the subject, the modalities of aesthetic experience suppose, on the contrary, the primacy of the subject. This implies gradations: from the experience of harmony propitiated by beauty up through the "negative pleasure" of the sublime, both poles through which reality is reworked by the subject. At the pole of beauty, "representation" of reality still plays a prominent role. At the pole of the "negative pleasure" of the sublime, "representation" is subordinated to the power of "presentation". However, both kinds of experience, the one of beauty and the other of the sublime, belong to the same field of aesthetic experience, because in both of them the subject reworks – does not discard – what comes to him from the outside: it will be necessary to understand "Vorstellung" always as an experience in which the exterior will be transformed by the subject. That is, the representation of the Third Critic will always be an effectual representation. In the sublime as much as in "free beauty", the metamophosis of the exterior by the subject achieves its maximum level without meaning that the ...

     

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    Source: BASE Selection for Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Kant; Immanuel; Das Erhabene; Vorstellung; Darstellung; Abstrakte Kunst
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess

  20. Adiós, América, adiós
    antecedentes hispánicos de un mundo poscolonial (1687-1897)
    Published: [2017]
    Publisher:  Tecnos, Madrid

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Content information
    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788430971572
    Series: Biblioteca de historia y pensamiento político
    Subjects: Spanien; Kolonie; Entkolonialisierung; Postkolonialismus; Vorstellung; Geschichte 1687-1897;
    Scope: 289 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 285-289)

  21. Adiós, América, adiós
    antecedentes hispánicos de un mundo poscolonial (1687-1897)
    Published: [2017]
    Publisher:  Tecnos, Madrid

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    A 17 / 14945
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A/726697
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    Content information
    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788430971572
    Series: Biblioteca de historia y pensamiento político
    Subjects: Spanien; Kolonie; Entkolonialisierung; Postkolonialismus; Vorstellung; Geschichte 1687-1897;
    Scope: 289 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 285-289)

  22. Adiós, América, adiós!
    antecedentes hispánicos de un mundo poscolonial (1687-1897)
    Published: 2017
    Publisher:  Editorial Tecnos, Madrid

    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Language: Spanish
    Media type: Book
    ISBN: 9788430971572
    Series: Biblioteca de historia y pensamiento político
    Subjects: Postkolonialismus; Kolonie; Entkolonialisierung; Vorstellung
    Scope: 289 Seiten, Illustrationen
  23. Ai limiti dell'immagine
    Published: 2005
    Publisher:  Quodlibet, Macerata

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 8874620381; 9788874620388
    RVK Categories: CC 5500
    Edition: 1. ed
    Series: Estetica e critica
    Subjects: Philosophy of Mind; Ästhetik; Vorstellung; Begriff
    Scope: 1 Online-Ressource
    Notes:

    Contains bibliographical references and notes. - Papers presented to the congress, Siena, 2003, 1 already publ., now revised and in Italian transl

  24. Ai limiti dell'immagine
    Published: 2005
    Publisher:  Quodlibet, Macerata

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 8874620381
    RVK Categories: CC 5500
    Edition: 1. ed
    Series: Estetica e critica
    Subjects: Begriff; Vorstellung; Ästhetik; Philosophy of Mind
    Scope: 265 p., ill., 22 cm
    Notes:

    Contains bibliographical references and notes. - Papers presented to the congress, Siena, 2003, 1 already publ., now revised and in Italian transl

  25. Animals, Disability, and the End of Capitalism
    Voices from the Eco-ability Movement
    Contributor: Nocella II, Anthony J. (HerausgeberIn); George, Amber E. (HerausgeberIn); Lupinacci, John (HerausgeberIn)
    Published: 2019
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

    Animals, Disability, and the End of Capitalism is a collection of essays from the leaders in the field of eco-ability. The book is rooted in critical pedagogy, inclusive education, and environmental education. The efforts of diverse disability... more

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    Animals, Disability, and the End of Capitalism is a collection of essays from the leaders in the field of eco-ability. The book is rooted in critical pedagogy, inclusive education, and environmental education. The efforts of diverse disability activists work to weave together the complex diversity and vastly overlooked interconnections among nature, ability, and animals. Eco-ability challenges social constructions, binaries, domination, and normalcy. Contributors challenge the concepts of disability, animal, and nature in relation to human and man. Eco-ability stresses the interdependent relationship among everything and how the effect of one action such as the extinction of a species in Africa can affect the ecosystem in Northern California. Animals, Disability, and the End of Capitalism is timely and offers important critical insight from within the growing movement and the current academic climate for such scholarship. The book also provides insights and examples of radical experiences, pedagogical projects, and perspectives shaped by critical animal studies, critical environmental studies, and critical disability studies Acknowledgments – Judy K.C. Bentley: Foreword – Anthony J. Nocella II/Amber E. George/John Lupinacci: Introduction: Defending and Sharing Space and Place for Eco-ability Voices for Total Liberation –Anthony J. Nocella II/Amber E. George/John Lupinacci /Meneka Repka: Critical Animal Studies and the Importance of Anti-Racist and Anti-Ableist Politics – Sarah R. Adams: The Interdependency of Humans and Nature: A Plea for Ecopedagogy and Eco-ability Activism – Daniel Salomon: From Collective Autism to Autistic Wildness – Daniel Salomon: I Fled to the Wilderness and Was Surprised by Enlightenment – Hannah Monroe: Post-Structural Analyses of Conformity and Oppression: A Discussion of Critical Animal Studies and Neurodiversity – Mary Fantaske: Giving a Face to the Nameless Numbers – Nic ole R. Pallotta: Reframing Companion Animal Disability Using the Social Model: Removing Barriers and Facilitating Care – Ava HaberkornHalm: Seeding Ableism – Marissa Anderson: Dealing with Trauma Holistically: Introducing Eco-ability Liberatory Therapy – Contributors – Index. “Having spent many years campaigning with my wife, Louise, who is a wheelchair user, for both animal liberation and the rights of people with disabilities, I am delighted to see this book.” “«Animals, Disability, and the End of Capitalism» is a key book to move the earth and animal liberation movements to be more inclusive and complex with their goals and analysis. This rich read offers any social justice activist a holistic understanding of intersectionality.” “Highly original in both content and ambition, «Animals, Disability, and the End of Capitalism» makes a tremendously powerful and timely contribution to the literature. Accessible and inspiring, this book deserves to be read—and re-read—widely. It should certainly be embraced by critical scholars and activists alike, but, in the final analysis, this is a book that speaks to everyone who desires a better world, based on freedom and justice for each and all “This important contribution to political resistance in the era of Trump calls for nothing short of total liberation. As the Earth shrieks in its descent into oblivion, and the vast majority of its inhabitants prepare themselves for the slaughter bench of history, the activists in this volume chart a different course, one that needs our attention now, more than at any previous time.... It’s a book that demands to be read.” “The eco-ability movement and this book in particular give both practical (and theo-retical) insight in that total liberation is much more than mere intersectionality: Able-ism (towards humans) and speciesism don’t intersect at all, but still the exchange between both perspectives, the learning from each other and the co-operation and combination of both struggles and strugglers make a lot of sense and are highly beneficial, if not an absolute necessity to true liberatory success of any of these struggles.” “This book adds to the growing literature on eco-ability, adding a number of new voices to the conversation. Drawing on diverse theoretical perspectives and firsthand experience, the authors in this collection make clear the connections between ableism and speciesism.”

     

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    Content information
    Source: Union catalogues
    Contributor: Nocella II, Anthony J. (HerausgeberIn); George, Amber E. (HerausgeberIn); Lupinacci, John (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781433157417
    Other identifier:
    Edition: 1st, New ed
    Series: Radical Animal Studies and Total Liberation ; 1
    Subjects: Mensch; Tiere; Naturverständnis; Tierethik; Umweltethik; ; Behinderung; Normalität; Vorstellung; Ethik; ; Tiergesundheit; Ecocriticism;
    Scope: 1 Online-Ressource (144 p)