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  1. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: EC 5410 ; HG 431 ; HG 620
    Series: Lettre
    Subjects: Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General; Aversion in literature; Drama; Ekel; Drama; Theater; Ästhetik
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017
  2. Dramatic Disgust
    Aesthetic Theory and Practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; ©2020
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: HG 620 ; HG 431 ; EC 5410
    DDC Categories: 792; 800
    Series: Lettre
    Subjects: Ästhetik; Ekel; Drama; Theater; Aversion in literature; Drama; Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (204 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)
  3. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

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    Universität Potsdam, Universitätsbibliothek
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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: EC 5410 ; HG 431 ; HG 620
    Series: Lettre
    Subjects: Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General; Aversion in literature; Drama; Ekel; Drama; Theater; Ästhetik
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017