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Displaying results 1 to 25 of 93.

  1. Frauenphantasien
    der imaginierte Mann im Werk von Film- und Buchautorinnen
    Contributor: Möhrmann, Renate (HerausgeberIn); Herrmann, Anja (MitwirkendeR)
    Published: [2014]; © 2014
    Publisher:  Alfred Kröner Verlag, Stuttgart

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    Bibliothek der International Psychoanalytic University Berlin (IPU)
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    E 2500 M6935
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 919022
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2014 A 2522
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    CD fm 2014
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    8/13507
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    ZHW 130/1407
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    CR/370/418
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Landesbibliothek Oldenburg
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    15-1428
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    Universitätsbibliothek Osnabrück
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    BOU 6174-268 2
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    Universitätsbibliothek Rostock
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    EC 5410 M281 M69
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    Source: Staatsbibliothek zu Berlin
    Contributor: Möhrmann, Renate (HerausgeberIn); Herrmann, Anja (MitwirkendeR)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783520304018
    Other identifier:
    9783520304018
    RVK Categories: EC 1876 ; EC 5410 ; AP 47600 ; MS 3010
    Series: Kröners Taschenausgabe ; Band 304
    Subjects: Masculinity in literature; Men in literature; Masculinity in motion pictures; Men in motion pictures; Literature
    Scope: XXII, 689 Seiten, Illustrationen
  2. Irish masculinity on screen
    the pugilists and peacemakers of John Ford, Jim Sheridan and Paul Greengrass
    Author: Moser, Joseph Paul
    Published: 2013
    Publisher:  McFarland, Jefferson, NC [u.a.]

    "Examining images of gender and violence through the lens of representation studies, this book analyzes selected works of three influential artists of the Irish cinema who span the period from 1939 to the present. These three filmmakers explore... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    "Examining images of gender and violence through the lens of representation studies, this book analyzes selected works of three influential artists of the Irish cinema who span the period from 1939 to the present. These three filmmakers explore fundamental questions about identity, patriarchy and violence within Irish and Irish-American contexts, and upset conventional notions of masculine authority"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780786474165
    RVK Categories: HD 402
    Subjects: Masculinity in motion pictures; Irish in motion pictures
    Other subjects: Ford, John (1894-1973); Sheridan, Jim (1949-); Greengrass, Paul
    Scope: IX, 203 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (pages 187-196) and index

    A fragile liberalism: Gender in John Ford's pre-World War II cinemaThe persistence of patriarchy: Gender and politics in John Ford's later films --- Assimilation, integration, continuity and critique: Gender and genre in the Hollywood Irish cinemas of John Ford and Jim Sheridan -- Jim Sheridan: Reconstructing the family, redefining the nation -- Alternative masculinity and Irish historical trauma in Paul Greengrass's Bloody Ssunday and Omagh.
  3. White masculinity in crisis in Hollywood's fin de millennium cinema
    Author: Deakin, Pete
    Published: [2019]
    Publisher:  Lexington Books, Lanham, Maryland

    Preface: white masculinity in crisis in Hollywood's fin de millennium cinema -- On the road to crisis -- Crisis, work, and consumption -- Crisis and violence -- Crisis, sex, and sexuality. "White Masculinity in Crisis in Hollywood's Fin de Millennium... more

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    Preface: white masculinity in crisis in Hollywood's fin de millennium cinema -- On the road to crisis -- Crisis, work, and consumption -- Crisis and violence -- Crisis, sex, and sexuality. "White Masculinity in Crisis in Hollywood's Fin de Millennium Cinema claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity. From Fight Club (Fincher, 1999) and American Psycho (Harron, 2000), to Office Space (Judge, 1999), The Matrix (Wachowski's, 1999) and American Beauty (Mendes, 1999), Pete Deakin attests that alongside the emergent "crisis" came a definitive body of some twenty-five Hollywood "crisis" titles; each film with a representational concern for the apparent "masculine malaise". Asking whether Hollywood helped create, propel or sooth the very notion of the crisis-of-masculinity at this time, Deakin engages with some important cultural questions: how discursive--or even authentic--was it, and more vitally, whose actual crisis was this? To this end, scholars of film studies, media studies, gender studies, history, and sociology will find this book particularly useful."-- Back cover

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781498585194
    Subjects: Masculinity in motion pictures; Men, White, in motion pictures; Men, White, in motion pictures; Masculinity in motion pictures
    Scope: xxix, 169 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index
  4. The male body and masculinity
    representations of men in british visual culture of the 1990s
    Author: Pietrzak-Franger, Monika
    Published: 2007
    Publisher:  WVT, Wiss. Verl. Trier, Trier

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 3884769065; 9783884769065
    Other identifier:
    9783884769065
    RVK Categories: AP 50300 ; HN 1101
    Series: Array ; Bd. 12
    Subjects: Masculinity in art; Masculinity in motion pictures; Masculinity; Human figure in art; Art, English
    Scope: 275 S., 210 mm x 148 mm
    Notes:

    Literaturverz.: S. 243 - 275

    Zugl.: Mainz, Univ., Diss., 2006
  5. Prisons, race, and masculinity in twentieth-century U.S. literature and film
    Author: Caster, Peter
    Published: 2008
    Publisher:  Ohio State Univ. Press, Columbus, Ohio

    Imprisonment in U.S. history and the cultural imagination -- Literary execution: race, crime, and punishment in three Faulkner novels -- Soul on ice, schizoanalysis, and the subject of imprisonment -- The executioner's song and the narration of... more

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    Imprisonment in U.S. history and the cultural imagination -- Literary execution: race, crime, and punishment in three Faulkner novels -- Soul on ice, schizoanalysis, and the subject of imprisonment -- The executioner's song and the narration of history -- The contradictions of documentary realism in American history X -- "Based upon a true story": the hurricane and the problem of prison redemption -- The farm: "This is no dream or nothing made up, this is for real" -- Staging prisons and the performance of history

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0814210732; 9780814210734
    RVK Categories: HU 1691 ; AP 59483
    Series: Black performance and cultural criticism
    Subjects: Imprisonment in literature; American literature; Imprisonment in motion pictures; Masculinity in literature; Masculinity in motion pictures; African Americans; Motion pictures and literature; American literature; Executions and executioners in literature; Imprisonment in literature; American literature; Imprisonment in motion pictures; Masculinity in literature; Masculinity in motion pictures; African Americans; Motion pictures and literature; American literature; Executions and executioners in literature
    Scope: XX, 279 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. 251-272) and index

    Imprisonment in U.S. history and the cultural imagination -- Literary execution: race, crime, and punishment in three Faulkner novels -- Soul on ice, schizoanalysis, and the subject of imprisonment -- The executioner's song and the narration of history -- The contradictions of documentary realism in American history X -- "Based upon a true story": the hurricane and the problem of prison redemption -- The farm: "This is no dream or nothing made up, this is for real" -- Staging prisons and the performance of history.

    Imprisonment in U.S. history and the cultural imagination -- Literary execution: race, crime, and punishment in three Faulkner novels -- Soul on ice, schizoanalysis, and the subject of imprisonment -- The executioner's song and the narration of history -- The contradictions of documentary realism in American history X -- "Based upon a true story": the hurricane and the problem of prison redemption -- The farm: "This is no dream or nothing made up, this is for real" -- Staging prisons and the performance of history
  6. The representation of masculinity in British cinema of the 1960s
    Lawrence of Arabia, The loneliness of the long distance runner, and The Hill
    Author: Claydon, Elizabeth Anna
    Published: c 2005
    Publisher:  Edwin Mellen Press, Lewiston [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0773459723
    Other identifier:
    2005054364
    RVK Categories: AP 59730
    Subjects: Men in motion pictures; Masculinity in motion pictures; Motion pictures
    Scope: V, 331 S, 25 cm
    Notes:

    Includes bibliographical references (S. [291]-313) and index

    Filmography: (S. [315]-323)
  7. Irish masculinity on screen
    the pugilists and peacemakers of John Ford, Jim Sheridan and Paul Greengrass
    Author: Moser, Joseph Paul
    Published: 2013
    Publisher:  McFarland, Jefferson, NC [u.a.]

    "Examining images of gender and violence through the lens of representation studies, this book analyzes selected works of three influential artists of the Irish cinema who span the period from 1939 to the present. These three filmmakers explore... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Examining images of gender and violence through the lens of representation studies, this book analyzes selected works of three influential artists of the Irish cinema who span the period from 1939 to the present. These three filmmakers explore fundamental questions about identity, patriarchy and violence within Irish and Irish-American contexts, and upset conventional notions of masculine authority"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780786474165
    RVK Categories: HD 402
    Subjects: Masculinity in motion pictures; Irish in motion pictures
    Other subjects: Ford, John (1894-1973); Sheridan, Jim (1949-); Greengrass, Paul
    Scope: IX, 203 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (pages 187-196) and index

    A fragile liberalism: Gender in John Ford's pre-World War II cinemaThe persistence of patriarchy: Gender and politics in John Ford's later films --- Assimilation, integration, continuity and critique: Gender and genre in the Hollywood Irish cinemas of John Ford and Jim Sheridan -- Jim Sheridan: Reconstructing the family, redefining the nation -- Alternative masculinity and Irish historical trauma in Paul Greengrass's Bloody Ssunday and Omagh.
  8. I am legend as American myth
    race and masculinity in the novel and its film adaptations
    Author: Ransom, Amy J.
    Published: [2018]; © 2018
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson

    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II... more

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    Staats- und Universitätsbibliothek Bremen
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    a ang 957 math 7/979
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2019 A 3974
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    19-10492
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    "Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II context. The author analyzes several film adaptations, with a focus on the casting and interpretations protagonist Robert Neville"-- Introduction: I am legends: adapting Richard Matheson's last man novel to the screen -- Richard Matheson's I am legend: the trauma of World War II and the decline of western "right" -- Visualizing apocalypse through compromised masculinity: Vincent Price as the last man on Earth -- The last white man on earth: Charlton Heston in The omega man -- The color of the new hero: Will Smith in I am legend -- Conclusion: I am legend as American myth

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781476668338
    Subjects: Race in literature; Masculinity in literature; Race in motion pictures; Masculinity in motion pictures
    Other subjects: Matheson, Richard: I am legend; Matheson, Richard
    Scope: vii, 223 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seite 198-213
  9. The playboy and James Bond
    007, Ian Fleming and Playboy magazine
    Author: Hines, Claire
    Published: 2018
    Publisher:  Manchester University Press, Manchester

    "This is the first book to focus on James Bond's relationship to the playboy ideal through the sixties and beyond. Examining aspects of the Bond phenomenon and the playboy lifestyle, it considers how ideas of gender and consumption were manipulated... more

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    10 A 39919
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2020 A 2885
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    "This is the first book to focus on James Bond's relationship to the playboy ideal through the sixties and beyond. Examining aspects of the Bond phenomenon and the playboy lifestyle, it considers how ideas of gender and consumption were manipulated to construct and reflect a powerful male fantasy in the post-war era. This analysis of the close association and relations between the emerging cultural icons of James Bond and the playboy is particularly concerned with Sean Connery's definitive Bond as he was promoted and used by the media. By exploring the connections that developed between Bond and Playboy magazine within a historical framework, the book offers new insights into these related phenomena and their enduring legacy in popular culture."--Page 4 of cover

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780719082269; 9780719082276
    RVK Categories: HN 3385 ; AP 59800
    Subjects: Playboy (Chicago, Ill.); James Bond films; Masculinity in motion pictures
    Scope: xvi, 208 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 199-203) and index

    Revised dissertation
  10. Der Mann in der Krise
    oder: Kapitalismuskritik in der Mainstreamkultur
    Author: Kappert, Ines
    Published: [2008]
    Publisher:  transcript Verlag, Bielefeld

    Die Figur des 'ganz normalen Mannes' als Verlierer unserer Gesellschaft erfreut sich seit Ende der 1990er Jahre großer Popularität. Aber was ist an der marktfähigen Rede von Männern in der Krise interessant? Die Studie zeigt, dass die Inszenierung... more

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    Katholische Hochschule für Sozialwesen Berlin, Bibliothek
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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Die Figur des 'ganz normalen Mannes' als Verlierer unserer Gesellschaft erfreut sich seit Ende der 1990er Jahre großer Popularität. Aber was ist an der marktfähigen Rede von Männern in der Krise interessant? Die Studie zeigt, dass die Inszenierung des unrettbar realitätsuntüchtigen Mannes zum Sigle einer harschen Gesellschaftskritik wird. Hollywoodblockbuster wie »American Beauty« von Sam Mendes oder »Fight Club« von David Fincher ebenso wie die Romane von Michel Houellebecq koppeln die Erzählung von dysfunktionalen Mittelschichtsmännern an die Beschreibung der Konsumgesellschaft als weder menschliches noch zu humanisierendes System.

     
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    Volltext (kostenfrei)
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839408971
    Other identifier:
    RVK Categories: MR 5500 ; MS 2950 ; MS 3010 ; EC 5410
    Edition: 1. Aufl.
    Series: Kultur- und Medientheorie
    Subjects: Communication. Mass media; Anti-globalization movement.; Capitalism.; Film.; Gesellschaft.; Literatur, Rhetorik, Literaturwissenschaft.; Literatur.; Mann (Motiv).; Mann.; Männlichkeit (Motiv).; Masculinity in literature.; Masculinity in motion pictures.; Masculinity in popular culture.; Selbstverständnis.; Anti-globalization movement; Capitalism; Masculinity in literature; Masculinity in motion pictures; Masculinity in popular culture; SOCIAL SCIENCE / Gender Studies
    Scope: 1 online resource (250 pages)
    Notes:

    open access

    Electronic reproduction; Mode of access: World Wide Web

    Frontmatter -- Inhalt -- 1. Einleitung: Die Debatten um den ›Mann in der Krise‹ berühren das Selbstverständnis einer Gesellschaft in ihrem Kern -- 2. Die Heilige Cäcilie oder die Gewalt der Musik. Eine Legende: Heinrich von Kleist hat wie kein anderer Zeitgenosse die Geschlechterfrage gestellt -- 3. Der Mann in der Familie und der geplatzte Amerikanische Traum: American Beauty von Sam Mendes -- 4. Heilung durch Schmerz: Fight Club von David Fincher -- 5. Ressentiment und Depression: Drei Romane von Michel Houellebecq -- 6. Die Schande, die Melancholie und der Hund des weißen Mannes: Schande von J. M. Coetzee -- 7. Schluss: Warum die in den Krisenszenarien formulierte Kritik am Kapitalismus und am normalen Mann konservativ ist -- Literatur -- Filmographie -- Abbildungsnachweis -- Dank -- Backmatter.
  11. The male body and masculinity
    representations of men in British visual culture of the 1990s
    Author: Pietrzak-Franger, Monika
    Published: 2007
    Publisher:  WVT, Wiss. Verl. Trier, Trier

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9783884769065; 3884769065
    Other identifier:
    9783884769065
    RVK Categories: AP 50300 ; HN 1101
    DDC Categories: 300; 791
    Series: Mainz University studies in English ; 12
    Subjects: Art, English; Human figure in art; Masculinity; Masculinity in art; Masculinity in motion pictures; Körperbild; Männlichkeit <Motiv>; Film; Theater; Männerbild
    Scope: 275 S., 210 mm x 148 mm
    Notes:

    Zugl.: Mainz, Univ., Diss., 2006
  12. Transfigurations : Violence, Death and Masculinity in American Cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press, Amsterdam

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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  13. Der Mann in der Krise oder: Kapitalismuskritik in der Mainstreamkultur
    Author: Kappert, Ines
    Published: 2008
    Publisher:  transcript, Bielefeld

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    Alice Salomon Hochschule Berlin, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 9783899428971; 3899428978; 9783839408971
    Other identifier:
    9783899428971
    RVK Categories: EC 5410 ; MR 5500 ; MS 3010
    DDC Categories: 900
    Series: Kultur- und Medientheorie
    Subjects: Kapitalismus; Anti-globalization movement; Capitalism; Masculinity in literature; Masculinity in motion pictures; Masculinity in popular culture; Literatur; Selbstverständnis; Männlichkeit <Motiv>; Gesellschaft; Mann <Motiv>; Film; Mann
    Scope: 246 S., Ill., 23 cm
    Notes:

    Zugl.: Hamburg, Univ., Diss., 2006
  14. Contemporary masculinities in fiction, film and television
    Author: Baker, Brian
    Published: 2015
    Publisher:  Bloomsbury, New York [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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  15. Descended from Hercules
    biopolitics and the muscled male body on screen
    Author: Rushing, Robert A.
    Published: [2016]; © 2016
    Publisher:  Indiana University Press, Bloomington ; Indianapolis

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780253022509; 9780253022462
    RVK Categories: MS 3010 ; AP 50300
    Series: New directions in national cinemas
    Subjects: Masculinity in motion pictures; Human body in motion pictures; Peplum films; Biopolitik; Mann <Motiv>; Sandalenfilm; Körper <Motiv>
    Scope: xi, 210 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  16. Transfigurations
    violence, death and masculinity in American cinema
    Author: Grønstad, Asbjørn
    Published: 2008
    Publisher:  Amsterdam University Press, Amsterdam

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048508501
    RVK Categories: AP 50300
    Series: Film culture in transition
    Subjects: Violence in motion pictures; Death in motion pictures; Masculinity in motion pictures; Motion pictures, American; Mann <Motiv>; Gewalt <Motiv>; Film
    Scope: 274 p.
    Notes:

    Includes bibliographical references (p. [221]-260) and indexes
  17. Irish masculinity on screen
    the pugilists and peacemakers of John Ford, Jim Sheridan and Paul Greengrass
    Author: Moser, Joseph Paul
    Published: [2013]
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Examining images of gender and violence through the lens of representation studies, this book analyzes selected works of three influential artists of the Irish cinema who span the period from 1939 to the present. These three filmmakers explore... more

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    "Examining images of gender and violence through the lens of representation studies, this book analyzes selected works of three influential artists of the Irish cinema who span the period from 1939 to the present. These three filmmakers explore fundamental questions about identity, patriarchy and violence within Irish and Irish-American contexts, and upset conventional notions of masculine authority"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780786474165
    RVK Categories: HD 402
    Subjects: Masculinity in motion pictures; Irish in motion pictures; Masculinity in motion pictures; Irish in motion pictures
    Other subjects: Ford, John 1894-1973; Sheridan, Jim 1949-; Greengrass, Paul; Ford, John (1894-1973); Sheridan, Jim (1949-); Greengrass, Paul
    Scope: x, 203 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (pages 187-196) and index

    A fragile liberalism: Gender in John Ford's pre-World War II cinemaThe persistence of patriarchy: Gender and politics in John Ford's later films --- Assimilation, integration, continuity and critique: Gender and genre in the Hollywood Irish cinemas of John Ford and Jim Sheridan -- Jim Sheridan: Reconstructing the family, redefining the nation -- Alternative masculinity and Irish historical trauma in Paul Greengrass's Bloody Ssunday and Omagh.
  18. Reel men
    Australian masculinity in the movies, 1949-1962
    Author: Barnett, Chelsea
    Published: 2019
    Publisher:  Melbourne University Press, Carlton, Victoria

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    Universitätsbibliothek Rostock
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780522872477; 0522872476; 9780522874990; 0522874991
    RVK Categories: AP 59491
    Subjects: Masculinity in motion pictures; Men in motion pictures; Motion pictures
    Scope: vii, 233 pages, 22 cm
    Notes:

    Includes bibliographical references (pages 213-225) and index
  19. White masculinity in crisis in Hollywood's fin de millennium cinema
    Author: Deakin, Pete
    Published: [2019]
    Publisher:  Lexington Books, Lanham, Maryland

    Preface: white masculinity in crisis in Hollywood's fin de millennium cinema -- On the road to crisis -- Crisis, work, and consumption -- Crisis and violence -- Crisis, sex, and sexuality. "White Masculinity in Crisis in Hollywood's Fin de Millennium... more

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    Preface: white masculinity in crisis in Hollywood's fin de millennium cinema -- On the road to crisis -- Crisis, work, and consumption -- Crisis and violence -- Crisis, sex, and sexuality. "White Masculinity in Crisis in Hollywood's Fin de Millennium Cinema claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity. From Fight Club (Fincher, 1999) and American Psycho (Harron, 2000), to Office Space (Judge, 1999), The Matrix (Wachowski's, 1999) and American Beauty (Mendes, 1999), Pete Deakin attests that alongside the emergent "crisis" came a definitive body of some twenty-five Hollywood "crisis" titles; each film with a representational concern for the apparent "masculine malaise". Asking whether Hollywood helped create, propel or sooth the very notion of the crisis-of-masculinity at this time, Deakin engages with some important cultural questions: how discursive--or even authentic--was it, and more vitally, whose actual crisis was this? To this end, scholars of film studies, media studies, gender studies, history, and sociology will find this book particularly useful."-- Back cover

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781498585194
    Subjects: Masculinity in motion pictures; Men, White, in motion pictures; Men, White, in motion pictures; Masculinity in motion pictures
    Scope: xxix, 169 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index
  20. Legacies of the drunken master
    politics of the body in Hong Kong kung fu comedy films
    Author: White, Luke
    Published: 2020
    Publisher:  University of Hawaiʻi Press, Honolulu

    Carnival -- Utopia -- Violence -- Hysteria -- Masculinity -- Legacies. "In 1978 the films Snake in the Eagle's Shadow and Drunken Master, both starring a young Jackie Chan, caused a stir in the Hong Kong cinema industry and changed the landscape of... more

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    Carnival -- Utopia -- Violence -- Hysteria -- Masculinity -- Legacies. "In 1978 the films Snake in the Eagle's Shadow and Drunken Master, both starring a young Jackie Chan, caused a stir in the Hong Kong cinema industry and changed the landscape of martial arts cinema. Mixing virtuoso displays of acrobatic kung fu with knockabout humor to huge box office success, they broke the mold of the tragic and heroic martial arts film and sparked not only a wave of imitations, but also a much longer trend for kung fu comedies that continues to the present day. Legacies of the Drunken Master-the first book-length analysis of kung fu comedy-interrogates the politics of the films and their representations of the performing body. It draws on an interdisciplinary engagement with popular culture and an interrogation of the critical literature on Hong Kong and martial arts cinema to offer original readings of key films. These readings pursue the genre in terms of its carnival aesthetic, the utopias of the body it envisions, its highly stylized depictions of violence, its images of masculinity, and the registers of its "hysterical" laughter. The book's analyses are carried out amidst kung fu comedy's shifting historical contexts, including the aftermath of the 1960s radical youth movements, the rapidly globalizing colonial enclave of Hong Kong and the emerging consciousness of its 1997 handover to China, and the transnationalization of cinema audiences. It argues that through kung fu comedy's images of the body, the genre articulated in complex and often contradictory ways political realities relevant to late twentieth-century Hong Kong and the wider conditions of globalized capitalism. The kung fu comedy entwines us in a popular cultural history that stretches into the folk past and forward into utopian and dystopian possibilities"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780824881573; 9780824889715
    Series: Asia pop!
    Subjects: Martial arts films; Comedy films; Human body in motion pictures; Violence in motion pictures; Masculinity in motion pictures
    Scope: x, 240 Seiten, Seiten
    Notes:

    Includes bibliographical references and index
  21. Deutschsein (wieder-)herstellen
    Weißsein und Männlichkeit im bundesdeutschen Kino der fünfziger Jahre
    Author: Figge, Maja
    Published: 2015; ©2015
    Publisher:  transcript, Bielefeld

    The early Federal Republic was characterized by efforts to (re)define what it might mean to be German after National Socialism. The German Cinema of the 1950s - long regarded as escapist, narrowed, and restorative - becomes the focus of attention in... more

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    The early Federal Republic was characterized by efforts to (re)define what it might mean to be German after National Socialism. The German Cinema of the 1950s - long regarded as escapist, narrowed, and restorative - becomes the focus of attention in this book as the central location of national self-image negotiation. Starting from the consideration of the figurations of white masculinity, Maja Figge's comprehensive study shows that efforts have been made to normalize the basis of racist and sexualized interpretations, displacements, and omissions. Social discourses and cinematic movements - fades, flashes, dissolves - cooperated in this ambivalent process.

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783837625387
    Other identifier:
    RVK Categories: AP 44911
    Edition: Online-Ausg.
    Series: Post-koloniale Medienwissenschaft ; 3
    Post_koloniale Medienwissenschaft ; 3
    De Gruyter eBook-Paket Sozialwissenschaften
    Subjects: Socialism; Motion pictures; Motion pictures; Masculinity in motion pictures; Film; Deutsche; Weiße; Männlichkeit; SOCIAL SCIENCE / Gender Studies
  22. The remasculinization of Korean cinema
    Author: Kim, Kyŏng-hyŏn
    Published: 2004
    Publisher:  Duke Univ. Press, Durham [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822332671; 0822332787
    Edition: 2. print
    Series: asia-pacific
    Asia-Pacific
    Subjects: Motion pictures; Men in motion pictures; Masculinity in motion pictures; Motion pictures; Men in motion pictures; Masculinity in motion pictures
    Scope: XII, 331 S, Ill, 25 cm
    Notes:

    Includes bibliographical references (p. [277]-312) and index

    Filmography: p. [313]-319
  23. The representation of masculinity in British cinema of the 1960s
    Lawrence of Arabia, The loneliness of the long distance runner, and The Hill
    Author: Claydon, Elizabeth Anna
    Published: c 2005
    Publisher:  Edwin Mellen Press, Lewiston [u.a.]

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    1 A 603626
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0773459723
    Other identifier:
    2005054364
    RVK Categories: AP 59730
    Subjects: Men in motion pictures; Masculinity in motion pictures; Motion pictures
    Scope: V, 331 S, 25 cm
    Notes:

    Includes bibliographical references (S. [291]-313) and index

    Filmography: (S. [315]-323)
  24. The making and mirroring of masculine subjectivities
    gender, affect, and ethics in modern world narratives
    Author: Mooney, Susan
    Published: [2022]
    Publisher:  Palgrave Macmillan, Cham

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030991463
    Subjects: Masculinity in literature; Masculinity in motion pictures; Subjectivity; Electronic books
    Scope: 1 Online-Ressource (xii, 351 Seiten), Illustrationen
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    Description based on publisher supplied metadata and other sources
  25. Masculinities and Hong Kong cinema
    Published: 2005
    Publisher:  Hong Kong Univ. Press, Aberdee, Hong Kong

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9622097383; 9622097375
    Subjects: Motion pictures; Masculinity in motion pictures
    Scope: XI, 342 S, 23cm
    Notes:

    Includes bibliographical references and index