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Displaying results 1 to 25 of 182.

  1. Writing East
    the "travels" of Sir John Mandeville
    Author: Higgins, Iain MacLeod
    Published: 1997
    Publisher:  University of Pennsylvania Press, Philadelphia

    Main description: "A remarkable analysis of an important medieval text. . . . This work will surely initiate new studies of the precolonial frame of mind and the role of distinct versions of medieval manuscripts in the shaping of medieval... more

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Gemeinsamer Bibliotheksverbund (GBV)

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Main description: "A remarkable analysis of an important medieval text. . . . This work will surely initiate new studies of the precolonial frame of mind and the role of distinct versions of medieval manuscripts in the shaping of medieval understanding."—Sixteenth Century Journal

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812202267
    Other identifier:
    RVK Categories: HH 9800
    Series: The Middle Ages series
    Subjects: Travelers' writings, English; Geography, Medieval, in literature; Travel, Medieval; Englisch; Übersetzung
    Other subjects: Mandeville, John Sir: Itinerarium; John Mandeville (1300-1372): Les voyages d'outre mer
    Scope: 1 Online-Ressource (ix, 335 Seiten)
  2. Institutions of the English Novel
    From Defoe to Scott
    Author: Brown, Homer Obed
    Published: [2015]; © 1997
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    In Institutions of the English Novel, Homer Obed Brown takes issue with the generally accepted origin of the novel in the early eighteenth century. Brown argues that what we now call the novel did not appear as a recognized single "genre" until the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In Institutions of the English Novel, Homer Obed Brown takes issue with the generally accepted origin of the novel in the early eighteenth century. Brown argues that what we now call the novel did not appear as a recognized single "genre" until the early nineteenth century, when the fictional prose narratives of the preceding century were grouped together under that name.After analyzing the figurative and thematic uses of private letters and social gossip in the constitution of the novel, Brown explores what was instituted in and by the fictions of Defoe, Fielding, Sterne, and Scott, with extensive discussion of the pivotal role Scott's work played in the novel's rise to institutional status. This study is an intriguing demonstration of how these earlier narratives are involved in the development and institution of such political and cultural concepts as self, personal identity, the family, and history, all of which contributed to the later possibility of the novel

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292299
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    Series: Critical Authors and Issues
    Subjects: Anglo-American Literature, general; Literary Studies; Literature in Diverse Languages; Canon (Literature); English fiction; English fiction; Literature and society; Historischer Roman; Romantheorie; Roman; Englisch
    Other subjects: Fielding, Henry (1707-1754): The history of Tom Jones, a foundling; Scott, Walter (1771-1832); Richardson, Samuel (1689-1761); Defoe, Daniel (1660-1731)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  3. Seneca by Candlelight and Other Stories of Renaissance Drama
    Author: Helms, Lorraine
    Published: [2017]; © 1997
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    Selected by Choice magazine as an Outstanding Academic Book "English Seneca read by candlelight," wrote the Elizabethan author Thomas Nashe, "will afford you whole Hamlets." In the early decades of the twentieth century, literary and theater... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Selected by Choice magazine as an Outstanding Academic Book "English Seneca read by candlelight," wrote the Elizabethan author Thomas Nashe, "will afford you whole Hamlets." In the early decades of the twentieth century, literary and theater historians took Nashe at his word, finding Senecan tragedy at the source of Renaissance drama. More recently, critics have been inclined to dismiss traces of classical antiquity as a superficial veneer on a drama derived from medieval traditions. Lorraine Helms revisits this terrain to explore the rich and various ways in which classical learning shaped the theatrical culture of the Renaissance. She uncovers the practical advice on acting and stagecraft to be found in the writings of ancient rhetoricians; reconstructs the extraordinary circumstances under which an English woman first rendered Euripides into her native language; and ponders the precedents in antiquity for Elizabethan portrayals of prostitution and female martyrdom

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512816815; 9780812234138
    Other identifier:
    RVK Categories: MS 2880
    Edition: Reprint 2016
    Subjects: Antike; Englisch; Drama; Literatur
    Other subjects: Seneca, Lucius Annaeus Philosophus (-65); Nash, Thomas (1567-1601)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Jan. 23, 2017)
  4. A Catalog of British Devotional and Religious Books in German Translation from the Reformation to 1750
    Published: [2016]; © 1997
    Publisher:  De Gruyter, Berlin ; Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110809381
    Other identifier:
    Edition: Reprint 2016
    Series: Bibliographie zur Geschichte des Pietismus ; Band 2
    Subjects: Deutsch; Englisch; Erbauungsliteratur; Übersetzung; Englisch; Übersetzung; Deutsch; Erbauungsliteratur
    Scope: 1 online resource (539 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016)
  5. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Author: Jewett, William
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744525
    Other identifier:
    Subjects: Performing Arts & Drama; DRAMA / General; Agent (Philosophy) in literature; Autonomy (Psychology) in literature; English drama (Tragedy); English drama; Moral conditions in literature; Political plays, English; Romanticism; Self in literature; Verse drama, English; Englisch; Politisches Handeln; Drama
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)
  6. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Poetry & Criticism; POETRY / Medieval; English language; English poetry; English wit and humor; Renaissance; Rhetoric, Renaissance; Poetik; Concetto; Lyrik; Renaissance; Metaphysical poets; Englisch; Rhetorik
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  7. Playwrights and Plagiarists in Early Modern England
    Gender, Authorship, Literary Property
    Author: Rosenthal, Laura J.
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the Duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority. Struggles over literary property must be seen in the context of competing conceptions of property in general, Rosenthal asserts, and she shows how both Filmerian and Lockean models gender the position of the owner. Drawing on feminist theory and from scholarship in history, philosophy, and political science, Rosenthal debates the relationship between women and property in modern England. Gender and class, she contends, continue to influence judgments as to what stories a playwright can own or use, as to whom critics praise as heirs to Shakespeare and Jonson, and as to whom they damn as plagiarists

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744808
    Other identifier:
    Subjects: Performing Arts & Drama; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Authorship; Authorship; English drama; English drama; English drama; Intertextuality; Literature and society; Plagiarism; Plagiarism; Playwriting; Theater; Women and literature; Plagiat; Englisch; Drama
    Scope: 1 online resource (272 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  8. Beyond Consolation
    Death, Sexuality, and the Changing Shapes of Elegy
    Author: Zeiger, Melissa F.
    Published: [2018]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    Using as her starting point the story of Orpheus and Eurydice, Melissa F. Zeiger examines modern transformations of poetic elegy, particularly as they reflect historical changes in the politics of gender and sexuality. Although her focus is primarily... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Using as her starting point the story of Orpheus and Eurydice, Melissa F. Zeiger examines modern transformations of poetic elegy, particularly as they reflect historical changes in the politics of gender and sexuality. Although her focus is primarily on nineteenth- and twentieth-century poetry, the scope of her investigation is grand: from John Milton's "Lycidas" to very recently written AIDS and breast cancer elegies. Milton epitomized the traditional use of the Orpheus myth as an illustration of the female threat to masculine poetic prowess, focused on the beleaguered Orpheus. Zeiger documents the gradual inclusion of Eurydice, from the elegies of Algernon Charles Swinburne through the work of Thomas Hardy and John Berryman, re-examining the role of Eurydice, and the feminine more generally, in poetic production. Zeiger then considers women poets who challenge the assumptions of elegies written by men, sometimes identifying themselves with Eurydice. Among these poets are H.D., Edna St. Vincent Millay, Anne Sexton, and Elizabeth Bishop. Zeiger concludes with a discussion of elegies for victims of current plagues, explaining how poets mourning those lost to AIDS and breast cancer rewrite elegy in ways less repressive, sacrificial, or punitive than those of the Orphean tradition. Among the poets discussed are Essex Hemphill, Thom Gunn, Mark Doty, Audre Lorde, Adrienne Rich, and Marilyn Hacker

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501711336
    Other identifier:
    Series: Reading Women Writing
    Subjects: Krankheit; Tod <Motiv>; Elegie; Verlust; Geschichte; Sexualität; Englisch; Frau <Motiv>
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)
  9. The Boundaries of Fiction
    History and the Eighteenth-Century British Novel
    Author: Zimmerman, Everett
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    Focusing on canonical works by Daniel Defoe, Henry Fielding, Laurence Sterne, and others, this book explains the relationship between British fiction and historical writing when both were struggling to attain status and authority.History was at once... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Focusing on canonical works by Daniel Defoe, Henry Fielding, Laurence Sterne, and others, this book explains the relationship between British fiction and historical writing when both were struggling to attain status and authority.History was at once powerful and vulnerable in the empiricist climate of seventeenth- and eighteenth-century England, suspect because of its reliance on testimony, yet essential if empiricism were ever to move beyond natural philosophy. The Boundaries of Fiction shows how, in this time of historiographical instability, the British novel exploited analogies to history. Titles incorporating the term "history," pseudo-editors presenting pseudo-documentary "evidence," and narrative theorizing about historical truth were some of the means used to distinguish novels from the fictions of poetry and other literary forms. These efforts, Everett Zimmerman maintains, amounted to a critique of history's limits and pointed to the novel's power to transcend them. He offers rich analyses of texts central to the tradition of the novel, chiefly Clarissa, Tom Jones, and Tristram Shandy, and concludes with discussions of Sir Walter Scott's development of the historical novel and David Hume's philosophy of history. Along the way, Zimmerman refers to such other important historical figures as John Locke, Richard Bentley, William Wotton, and Edward Gibbon and engages contemporary thinkers, including Paul Ricoeur and Michel Foucault, who have addressed the philosophical and methodological issues of historical evidence and narrative

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739101
    Other identifier:
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Historischer Roman; Geschichte <Motiv>; Fiktion; Englisch; Geschichtsschreibung; Roman
    Scope: 1 online resource (264 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
  10. Working class fiction
    from chartism to Trainspotting
    Author: Haywood, Ian
    Published: 1997
    Publisher:  Northcote House Publishers, Tavistock

    A comprehensive introduction to working-class literature over the last 150 years showing how many of these texts have consistently challenged dominant literary, critical and social values. It combines an extensive survey and bibliography with a... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    A comprehensive introduction to working-class literature over the last 150 years showing how many of these texts have consistently challenged dominant literary, critical and social values. It combines an extensive survey and bibliography with a commitment to working-class writing as a vital area of literary study

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786946324
    RVK Categories: HG 679
    Series: Writers and their work
    Subjects: English fiction / 20th century / History and criticism; Working class in literature; Capitalism in literature; Labor in literature; Literatur; Kurzgeschichte; Arbeiter <Motiv>; Arbeiterliteratur; Arbeiterroman; Englisch
    Scope: 1 Online-Ressource (xiv, 178 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 15 Jan 2020)
  11. Sea-mark
    the metaphorical voyage, Spenser to Milton
    Author: Edwards, Philip
    Published: 1997
    Publisher:  Liverpool University Press, Liverpool

    An original study of the use made by a number of major writers in sixteenth- and seventeenth-century England of the metaphor of the voyage, showing how powerfully it operated, and how fundamental it is for our proper understanding of some of the... more

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    Bayerische Staatsbibliothek
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    An original study of the use made by a number of major writers in sixteenth- and seventeenth-century England of the metaphor of the voyage, showing how powerfully it operated, and how fundamental it is for our proper understanding of some of the best-known works of Renaissance literature

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846317415
    Subjects: English literature / Early modern, 1500-1700 / History and criticism; Ocean travel in literature; Figures of speech; Sea in literature; Metaphor; Seeschifffahrt <Motiv>; Englisch; Reise <Motiv>; Literatur
    Scope: 1 online resource (viii, 227 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Spenser -- Marlowe -- Donne -- Shakespeare I: Othello -- Shakespeare II: Macbeth -- Shakespeare III: Comedies and romances -- Bacon -- Milton
  12. Sea-mark
    the metaphorical voyage, Spenser to Milton
    Author: Edwards, Philip
    Published: 1997
    Publisher:  Liverpool University Press, Liverpool

    An original study of the use made by a number of major writers in sixteenth- and seventeenth-century England of the metaphor of the voyage, showing how powerfully it operated, and how fundamental it is for our proper understanding of some of the... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    An original study of the use made by a number of major writers in sixteenth- and seventeenth-century England of the metaphor of the voyage, showing how powerfully it operated, and how fundamental it is for our proper understanding of some of the best-known works of Renaissance literature

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846317415
    Subjects: English literature / Early modern, 1500-1700 / History and criticism; Ocean travel in literature; Figures of speech; Sea in literature; Metaphor; Seeschifffahrt <Motiv>; Englisch; Reise <Motiv>; Literatur
    Scope: 1 online resource (viii, 227 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Spenser -- Marlowe -- Donne -- Shakespeare I: Othello -- Shakespeare II: Macbeth -- Shakespeare III: Comedies and romances -- Bacon -- Milton
  13. Modern Irish writers
    a bio-critical sourcebook
    Published: 1997
    Publisher:  Greenwood Press, Westport, Conn. [u.a.]

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0313295573; 9780313295577; 9781567507737
    RVK Categories: HG 100 ; HG 290 ; HM 1070
    Edition: 1. publ.
    Subjects: Schriftsteller; Englisch; Literatur
    Scope: 1 Online-Ressource (XV, 457 S.)
  14. An apology for crudity
    Author: Anderson, Sherwood
    Published: 1997
    Publisher:  University of Virginia Library, Charlottesville, Va

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Hochschule Weihenstephan-Triesdorf, Zentralbibliothek
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    ISBN: 0585190631
    Subjects: Englisch; Authors, American; Authorship; English language
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  15. The pugnacious style
    Author: Bicknell, Percy Favor
    Published: 1997
    Publisher:  University of Virginia Library, Charlottesville, Va

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    ISBN: 0585214921
    Subjects: Englisch; English language
    Other subjects: Electronic books
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    The text for this NetLibrary eBook was obtained from the University of Virginia Library Electronic Text Center. - Access may be limited to NetLibrary affiliated libraries
  16. Gender and sexuality in modern Ireland
    Published: 1997
    Publisher:  University of Massachusetts Press, Amherst, Mass

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585083185
    Subjects: Catholic Church - Ireland; Heterosexuality - Ireland; Homosexuality - Ireland; Irish literature; Sex - Religious aspects; Sex in literature; Sex role - Ireland; Women - Sexual behavior - Ireland; Women - Social conditions - Ireland; Frau; Religion; Heterosexuality; Homosexuality; Irish literature; Sex in literature; Sex role; Sex; Women; Women; Englisch; Literatur; Sexualität; Geschlechterrolle
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (vi, 324 Seiten), 24 cm
    Notes:

    "Published in cooperation with the American Conference for Irish Studies.". - Includes bibliographical references and index

    Queering the Irish renaissance: the masculinities of Moore, Martyn, and Yeats / Adrian Frazier -- Cathleen ni Houlihan writes back: Maud Gonne and Irish national theater / Antoinette Quinn -- Nationalism, pacifism, internationalism: Louie Bennett, Hanna Sheehy-Skeffington, and the problems of "defining feminism" / Margaret Ward -- The Fionnuala factor: Irish sibling emigration at the turn of the century / Maureen Murphy -- "Oh, Kathleen ni Houlihan, your way's a thorny way!": the condition of women in twentieth century Ireland / Mary F Daly -- The posthumous life of Roger Casement / Lucy Mcdiarmid -- Gender; sexuality, and englishness in modern Irish drama and film / Elizabeth Butler Cullingford -- "Our bodies' eyes and writing hands": secrecy and sensuality in Ni Chuilleanain's baroque art / Dillon Johnston -- "The more with which we are connected": the muse of the minus in the poetry of Mcguckian and Kinsella / Guinn Batten -- Godly burden: the Catholic sisterhoods in twentieth-ce
  17. Working with texts
    a core book for language analysis
    Published: 1997
    Publisher:  Routledge, London [u.a.]

    Location:
    Universitätsbibliothek Regensburg
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  18. History and the early English novel
    matters of fact from Bacon to Defoe
    Author: Mayer, Robert
    Published: 1997
    Publisher:  Cambridge University Press, Cambridge, [U.K.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521563771
    Series: Cambridge studies in eighteenth-century English literature and thought ; 33
    ACLS Humanities E-Book
    Subjects: English fiction; Literature and history; Historical fiction, English; Geschichtsschreibung; Fiktion; Roman; Englisch; Historischer Roman
    Other subjects: Defoe, Daniel (1661?-1731); Bacon, Francis (1561-1626); Defoe, Daniel (1660-1731)
    Scope: 1 Online-Ressource (xii, 246 Seiten)
    Notes:

    Includes bibliographical references and index
  19. The politics of postcolonial criticism
    Published: 1997
    Publisher:  Maney, Leeds

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0901286699
    Series: The yearbook of English studies ; 27
    Subjects: Engels; Letterkunde; Politisering; Postkolonialisme; Englisch; Entwicklungsländer; Literatur; Politik; Criticism; Decolonization in literature; Imperialism in literature; Literaturkritik; Entkolonialisierung; Postkoloniale Literatur; Englisch
    Scope: 1 Online-Ressource (VIII, 342 S.)
  20. British satire and the politics of style
    1789 - 1832
    Author: Dyer, Gary
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... more

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    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
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  21. Ethics, evil, and fiction
    Author: McGinn, Colin
    Published: 1997
    Publisher:  Clarendon, Oxford

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191598005
    Other identifier:
    RVK Categories: CC 7200 ; EC 2430 ; HL 1331
    Subjects: Ethics; Literature and morals; Ethics in literature; Englisch; Literatur; Analytische Ethik; Roman; Ethik
    Other subjects: Wilde, Oscar (1854-1900): The picture of Dorian Gray; Shelley, Mary (1797-1851): Frankenstein
    Scope: 1 Online-Ressource (x, 186 p.)
    Notes:

    Bringing together moral philosophy and literary analysis in a way that offers new insights for both, McGinn examines the relations between morality, art and beauty. He shows the value of literary texts as sources of moral illumination

    Includes bibliographical references and index
  22. Lines of flight
    reading Deleuze with Hardy, Gissing, Conrad, Woolf
    Author: Hughes, John
    Published: ©1997
    Publisher:  Sheffield Academic Press, Sheffield, England

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  23. Gender and language in Chaucer
    Author: Cox, Catherine S.
    Published: ©1997
    Publisher:  University Press of Florida, Gainesville

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  24. Learning language through literature
    a sourcebook for teachers of English in Hong Kong
    Published: ©1997
    Publisher:  Hong Kong University Press, Hong Kong

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9622094341; 9789622094345; 9789882202009; 9882202004
    Subjects: Language and languages; LANGUAGE ARTS & DISCIPLINES / General; FOREIGN LANGUAGE STUDY / English as a Second Language; English language / Study and teaching; English language / Study and teaching / Chinese speakers; Language arts; Literature / Study and teaching; Englisch; Literatur; Sprache; English language; English language; Literature; Language arts
    Scope: 1 Online-Ressource (x, 200 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 183-198) and index

    Contributors; Acknowledgments; Introduction; Chapter 1. Writing and the Use of Literaturein the English Classroom; Chapter 2. Verse and Worse -- Poetry and Rhyme in the EFLPrimary School Classroom; Chapter 3. Picture Books and Fantasy Texts; Chapter 4. The Place of Story-telling inLanguage Teaching; Chapter 5. The Use of Children's Literature in the English Primary Classroom; II Introduction to the Secondary Section; Chapter 6. Making Textbook LanguageMore Literary; Chapter 7. Poetry Writing and Language Learning; Chapter 8. Using Songs in the English LanguageClassroom
  25. After Empire
    Scott, Naipaul, Rushdie
    Author: Gorra, Michael Edward
    Published: 1997
    Publisher:  University of Chicago Press, Chicago, Ill.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226304760; 9780226304762
    RVK Categories: HN 1331 ; HP 1145 ; HQ 6030
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Midnight's children (Rushdie, Salman); Raj quartet (Scott, Paul); Anglo-Indian fiction; Decolonization in literature; English fiction; Imperialism in literature; Indic fiction (English); Literature; National characteristics, British, in literature; Literatur; Wissen; English fiction; National characteristics, British, in literature; Indic fiction (English); Anglo-Indian fiction; Decolonization in literature; Imperialism in literature; Entkolonialisierung <Motiv>; Literatur; Roman; Indienbild; Englisch
    Other subjects: Naipaul, V. S. / (Vidiadhar Surajprasad) / 1932- / Knowledge / India; Rushdie, Salman / 1947- / Midnight's children; Naipaul, V. S. / (Vidiadhar Surajprasad) / 1932-; Scott, Paul (1920-1978): Raj quartet; Naipaul, V. S. (1932-); Rushdie, Salman: Midnight's children; Naipaul, V. S. (1932-2018); Rushdie, Salman (1947-); Rushdie, Salman (1947-): Midnight's children; Scott, Paul (1920-1978); Scott, Paul (1920-1978): The Raj quartet
    Scope: 1 Online-Ressource (x, 207 pages)
    Notes:

    Includes bibliographical references and index

    In After Empire Michael Gorra explores how three novelists of empire, Paul Scott, V.S. Naipaul, and Salman Rushdie, have charted the perpetually drawn and perpetually blurred boundaries of identity left in the wake of British imperialism. Arguing against a model of cultural identity based on race, Gorra begins with Scott's portrait, in The Raj Quartet, of the character Hari Kumar, a seeming oxymoron, an "English boy with a dark brown skin," whose very existence undercuts the belief in an absolute distinction between England and India

    The situation: Paul Scott and the Raj Quartet -- V.S. Naipaul: in his father's house -- The novel in an age of ideology: on the form of midnight's children -- Appendix to ch. 3. "Burn the books and trust the book": the satanic verses, February 1989