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  1. Toxic Temple
    An Artistic and Philosophical Adventure into the Toxicity of the Now
    Contributor: Aranda, Julieta (MitwirkendeR); Bühn, Sabrina (MitwirkendeR); Davis, Heather (MitwirkendeR); Falkensteiner, Elisabeth (MitwirkendeR); Grillmayr, Julia (MitwirkendeR); Hertz, Samuel (MitwirkendeR); Jörg, Kilian (MitwirkendeR); Jörg, Kilian (HerausgeberIn); Kirksey, Eben (MitwirkendeR); Lerchbaumer, Anna (MitwirkendeR); Lerchbaumer, Anna (HerausgeberIn); Spriggs, Demi (MitwirkendeR)
    Published: [2022]; ©2022
    Publisher:  De Gruyter, Berlin

    Was ändert sich, wenn wir das Toxische religiös verehren? Lässt sich in unserer Katastrophenzeit eine kosmische Verbindung durch einen Kult der Verschmutzung erzielen? Toxic Temple ist ein künstlerisch-philosophisches Abenteuer im klebrigen... more

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    Was ändert sich, wenn wir das Toxische religiös verehren? Lässt sich in unserer Katastrophenzeit eine kosmische Verbindung durch einen Kult der Verschmutzung erzielen? Toxic Temple ist ein künstlerisch-philosophisches Abenteuer im klebrigen Durcheinander des Jetzt. Wir tragen unsere inneren Widersprüche und zerstörerischen Lüste zu Altare. Wir betreten Wastelands statt Neuland, lassen den Artefakten Raum – eine Solidarisierung mit den Tatsachen. Uns begegnen farbenfrohe Assemblagen von Dingen, die den bekannten Kosmos verbinden, wackelige Böden neuer Göttlichkeit, scharfe Gerüche, die uns ins Sublime befördern. Müllhalden sind die neuen Tempel. In sadistischer Manie(r) atmen wir das Hier und Jetzt ein. Transformative Kräfte werden freigesetzt, freie Radikale; Rituale, die das Chaos unter der Oberfläche entlarven What changes when we religiously worship the toxic? In this era of catastrophe, can a cosmic connection be achieved through a cult of pollution? Toxic Temple is an artistic-philosophical quest to understand the current parlous state of the world. We offer our inner contradictions and destructive lusts as objects of worship. We enter wastelands instead of new territory, leaving space for artifacts, expressing solidarity with the factual. We encounter colorful assemblages of things that connect the known cosmos, tread the shaky ground of novel divinity, inhale pungent odors that transport us to the sublime. Garbage dumps are the new temples. In a mania of sadistic composure we breathe in the here and now. Transformative forces are released, free radicals; rituals that expose the chaos that lurks beneath the surface

     
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    Content information
    Source: Union catalogues
    Contributor: Aranda, Julieta (MitwirkendeR); Bühn, Sabrina (MitwirkendeR); Davis, Heather (MitwirkendeR); Falkensteiner, Elisabeth (MitwirkendeR); Grillmayr, Julia (MitwirkendeR); Hertz, Samuel (MitwirkendeR); Jörg, Kilian (MitwirkendeR); Jörg, Kilian (HerausgeberIn); Kirksey, Eben (MitwirkendeR); Lerchbaumer, Anna (MitwirkendeR); Lerchbaumer, Anna (HerausgeberIn); Spriggs, Demi (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110769241
    Other identifier:
    Series: Edition Angewandte
    Subjects: Material culture in art; Anthropozän; Kunst; Künstlerische Forschung; Medienkunst; Philosophie
    Other subjects: Anthropocene; art; artistic research; media art; philosophy
    Scope: 1 Online-Ressource (256 p.)
  2. Zones Virtopiques : Die Virtualisierung der Heterotopien und eine mediale Dispositivanalyse am Beispiel des Medienkunstprojekts Zone*Interdite
    Author: Dander, Valentin
    Published: 2014
    Publisher:  innsbruck university press

    How can Michel Foucault’s notion of heterotopias be transposed into a concept that describes medial and, more specifically, virtual spaces? What could such virtualized heterotopias look like? Can we find traces of utopian thinking within them?... more

     

    How can Michel Foucault’s notion of heterotopias be transposed into a concept that describes medial and, more specifically, virtual spaces? What could such virtualized heterotopias look like? Can we find traces of utopian thinking within them? Zones*Virtopiques answers these questions in two ways: first by constructing a conceptual framework using notions of utopia and heterotopia, as well as reality and virtuality; and second, by applying theoretical findings to Zone*Interdite, a media art project on military areas authored by Mathias Jud and Christoph Wachter. Therefore, a micro-analysis of medial dispositifs has been developed. Wie kann Michel Foucaults Konzept der Heterotopien, der Anderen Orte, auf mediale und im Speziellen auf virtuelle Räume übertragen werden und wie könnten virtuelle oder virtualisierte Heterotopien aussehen? In welchem Verhältnis stehen Heterotopien zur Tradition utopischen Denkens? Und lassen sich insbesondere in virtualisierten Heterotopien Restbestände eines utopischen Impulses aufspüren? Diese Fragen nach dem common ground dieser speziellen (Nicht-)Orte (zones hétérotopiques, utopiques et virtuelles) sucht Zones Virtopiques auf zweifache Weise zu beantworten: Unter Bezugnahme auf kultur- und medienwissenschaftliche sowie auf sozial- und raumwissenschaftliche Theorien nähert sich der erste Teil des Buches entlang der Kategorien Realität/Virtualität und Utopie/Heterotopie dem frag-würdigen Gegenstand auf einer konzeptionellen Ebene. Der zweite Teil wendet die gewonnenen Erkenntnisse im Rahmen einer Mikroanalyse medialer Dispositive auf das Medienkunstprojekt Zone*Interdite von Mathias Jud und Christoph Wachter an.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
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    Subjects: The arts: general issues; Sociology & anthropology
    Other subjects: cirtual spaces; medienkunst; mediale räume; media art; sperrzone; medial spaces; virtuelleräume; heterotopie; heterotopy; michael foucault; Diskurs; Dispositiv; Dystopie; Michel Foucault; Utopie; Virtualität
    Scope: 1 electronic resource (194 p.)
  3. Preserving and Exhibiting Media Art: Challenges and Perspectives
    Contributor: Hediger, Vinzenz (Publisher); G. Saba, Cosetta (Publisher); Le Maitre, Barbara (Publisher); Noordegraaf, Julia (Publisher)
    Published: 2013
    Publisher:  Amsterdam University Press

    This important and first-of-its-kind collection addresses the emerging challenges in the field of media art preservation and exhibition, providing an outline for the training of professionals in this field. Since the emergence of time-based media... more

     

    This important and first-of-its-kind collection addresses the emerging challenges in the field of media art preservation and exhibition, providing an outline for the training of professionals in this field. Since the emergence of time-based media such as film, video and digital technology, artists have used them to experiment with their potential. The resulting artworks, with their basis in rapidly developing technologies that cross over into other domains such as broadcasting and social media, have challenged the traditional infrastructures for the collection, preservation and exhibition of art. Addressing these challenges, the authors provide a historical and theoretical survey of the field, and introduce students to the challenges and difficulties of preserving and exhibiting media art through a series of first-hand case studies. Situated at the threshold between archival practices and film and media theory, it also makes a strong contribution to the growing literature on archive theory and archival practices.

     
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    Source: OAPEN
    Contributor: Hediger, Vinzenz (Publisher); G. Saba, Cosetta (Publisher); Le Maitre, Barbara (Publisher); Noordegraaf, Julia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Film production: technical & background skills
    Other subjects: media art; preservation; Aesthetics; New media art; Video art; Work of art
  4. Appropriations of Literary Modernism in Media Art
    Cultural Memory and the Dynamics of Estrangement
    Author: Lau, Jordis
    Published: 2021
    Publisher:  De Gruyter, Berlin/Boston

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  5. Medial Transformations: Theorising the Intelligent Mediation Sphere
    Author: Bolouri, Maryam
    Published: 2019
    Publisher:  Philipps-Universität Marburg, Marburg ; Eberhard Karls-Universität Tübingen, Tübingen

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Mediation; Sphere
    Other subjects: media theory; media ontology; intelligent media; media culture; media design; media art; media aesthetics; app-art; Medientheorie; Medienkultur; Mediendesign
    Scope: Online-Ressource
    Notes:

    In: Maryam Bolouri: Medial Transformations: Theorising the Intelligent Mediation Sphere. Dissertation, Eberhard Karls-Universität Tübingen, Tübingen 2019.
  6. Toxic Temple
    An Artistic and Philosophical Adventure into the Toxicity of the Now
    Contributor: Lerchbaumer, Anna (Herausgeber); Jörg, Kilian (Herausgeber)
    Published: 2022
    Publisher:  De Gruyter, Berlin/Boston

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    Source: Union catalogues
    Contributor: Lerchbaumer, Anna (Herausgeber); Jörg, Kilian (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110769241; 3110769247
    Other identifier:
    9783110769241
    Edition: 1. Auflage
    Series: Edition Angewandte
    ISSN
    Subjects: Umweltverschmutzung; Toxizität; Rezeption; Engagierte Kunst; Ästhetik
    Other subjects: (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)ART000000; (BISAC Subject Heading)ART015110: ART015110 ART / History / Contemporary (1945-); (BISAC Subject Heading)ART017000: ART017000 ART / Mixed Media; (BISAC Subject Heading)ART037000: ART037000 ART / Art & Politics; (BISAC Subject Heading)PHI000000: PHI000000 PHILOSOPHY / General; (BISAC Subject Heading)PHI016000: PHI016000 PHILOSOPHY / History & Surveys / Modern; (BISAC Subject Heading)PHI019000: PHI019000 PHILOSOPHY / Political; (BISAC Subject Heading)PHI040000: PHI040000 PHILOSOPHY / Movements / Critical Theory; (BIC subject category)AB: The arts: general issues; (BIC subject category)ABA: Theory of art; (BIC subject category)ACXJ: Art & design styles: from c 1960; (BIC subject category)HPCF: Western philosophy, from c 1900 -; (BIC subject category)HPK: Philosophy: epistemology & theory of knowledge; (BIC subject category)RNA: Environmentalist thought & ideology; Kunst; Philosophie; Künstlerische Forschung; Medienkunst; Anthropozän; Anthropocene; art; artistic research; media art; philosophy; (VLB-WN)9580; Anthropocene; art; artistic research; media art; philosophy
    Scope: Online-Ressource, 256 Seiten, 112 Illustrationen
  7. Toxic Temple
    An Artistic and Philosophical Adventure into the Toxicity of the Now
    Contributor: Aranda, Julieta (MitwirkendeR); Bühn, Sabrina (MitwirkendeR); Davis, Heather (MitwirkendeR); Falkensteiner, Elisabeth (MitwirkendeR); Grillmayr, Julia (MitwirkendeR); Hertz, Samuel (MitwirkendeR); Jörg, Kilian (MitwirkendeR); Jörg, Kilian (HerausgeberIn); Kirksey, Eben (MitwirkendeR); Lerchbaumer, Anna (MitwirkendeR); Lerchbaumer, Anna (HerausgeberIn); Spriggs, Demi (MitwirkendeR)
    Published: [2022]; ©2022
    Publisher:  De Gruyter, Berlin

    Was ändert sich, wenn wir das Toxische religiös verehren? Lässt sich in unserer Katastrophenzeit eine kosmische Verbindung durch einen Kult der Verschmutzung erzielen? Toxic Temple ist ein künstlerisch-philosophisches Abenteuer im klebrigen... more

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    Was ändert sich, wenn wir das Toxische religiös verehren? Lässt sich in unserer Katastrophenzeit eine kosmische Verbindung durch einen Kult der Verschmutzung erzielen? Toxic Temple ist ein künstlerisch-philosophisches Abenteuer im klebrigen Durcheinander des Jetzt. Wir tragen unsere inneren Widersprüche und zerstörerischen Lüste zu Altare. Wir betreten Wastelands statt Neuland, lassen den Artefakten Raum – eine Solidarisierung mit den Tatsachen. Uns begegnen farbenfrohe Assemblagen von Dingen, die den bekannten Kosmos verbinden, wackelige Böden neuer Göttlichkeit, scharfe Gerüche, die uns ins Sublime befördern. Müllhalden sind die neuen Tempel. In sadistischer Manie(r) atmen wir das Hier und Jetzt ein. Transformative Kräfte werden freigesetzt, freie Radikale; Rituale, die das Chaos unter der Oberfläche entlarven What changes when we religiously worship the toxic? In this era of catastrophe, can a cosmic connection be achieved through a cult of pollution? Toxic Temple is an artistic-philosophical quest to understand the current parlous state of the world. We offer our inner contradictions and destructive lusts as objects of worship. We enter wastelands instead of new territory, leaving space for artifacts, expressing solidarity with the factual. We encounter colorful assemblages of things that connect the known cosmos, tread the shaky ground of novel divinity, inhale pungent odors that transport us to the sublime. Garbage dumps are the new temples. In a mania of sadistic composure we breathe in the here and now. Transformative forces are released, free radicals; rituals that expose the chaos that lurks beneath the surface

     
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    Content information
    Source: Union catalogues
    Contributor: Aranda, Julieta (MitwirkendeR); Bühn, Sabrina (MitwirkendeR); Davis, Heather (MitwirkendeR); Falkensteiner, Elisabeth (MitwirkendeR); Grillmayr, Julia (MitwirkendeR); Hertz, Samuel (MitwirkendeR); Jörg, Kilian (MitwirkendeR); Jörg, Kilian (HerausgeberIn); Kirksey, Eben (MitwirkendeR); Lerchbaumer, Anna (MitwirkendeR); Lerchbaumer, Anna (HerausgeberIn); Spriggs, Demi (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110769241
    Other identifier:
    Series: Edition Angewandte
    Subjects: Material culture in art; Anthropozän; Kunst; Künstlerische Forschung; Medienkunst; Philosophie
    Other subjects: Anthropocene; art; artistic research; media art; philosophy
    Scope: 1 Online-Ressource (256 p.)
  8. Appropriations of Literary Modernism in Media Art
    Cultural Memory and the Dynamics of Estrangement
    Author: Lau, Jordis
    Published: [2021]
    Publisher:  De Gruyter, Berlin

    Frontmatter -- Acknowledgements -- Contents -- 1 Introduction -- 2 Appropriation, Estrangement, Memories: Theoretical Configurations -- 3 Actualizing Modernism: Case Studies -- 4 Conclusion -- Works Cited -- List of Figures -- Index By analyzing... more

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    Frontmatter -- Acknowledgements -- Contents -- 1 Introduction -- 2 Appropriation, Estrangement, Memories: Theoretical Configurations -- 3 Actualizing Modernism: Case Studies -- 4 Conclusion -- Works Cited -- List of Figures -- Index By analyzing appropriations of literary modernism in video, experimental film, and installation art, this study investigates works of media art as agents of cultural memory. While research recognizes film and literature as media of memory, it often overlooks media art. Adaptation studies, art history, and hermeneutics help understand ‘appropriation’ in art in terms of a dialog between an artwork, a text, and their contexts. The Russian Formalist notion of estrangement, together with new concepts from literary, film, and media studies, offers a new perspective on ‘appropriation’ that illuminates the sensuous dimension of cultural memory . Media artworks make memory palpable: they address the collective body memory of their viewers, prompting them to reflect on the past and embody new ways of remembering. Five contextual close-readings analyze artworks by Janis Crystal Lipzin, William Kentridge, Mark Aerial Waller, Paweł Wojtasik, and Tom Kalin. They appropriate modernist texts by Gertrude Stein, Italo Svevo, Louis-Ferdinand Céline, Guillaume Apollinaire, Virginia Woolf, and Robert Musil. This book will be of value to readers interested in cultural memory, sensory studies, literary modernism, adaptation studies, and art history

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110729900
    Other identifier:
    Series: Array ; 33
    Subjects: Modernism (Art); Modernism (Literature); New media art; SOCIAL SCIENCE / General
    Other subjects: Sensuous memory; estrangement; literary modernism; media art
    Scope: 1 Online-Ressource (VIII, 239 p)
    Notes:

    Dissertation erschien unter dem Titel: "Strange Memories. Appropriating Literary Modernism in Media Art

    Dissertation, Universität Hamburg, 2020

    Diss
  9. Digital Art through the Looking Glass
    New strategies for archiving, collecting and preserving in digital humanities
    Author: Grau (Hg.), Oliver
    Published: 2019
    Publisher:  Edition Donau-Universität Krems, Ahrensburg

  10. Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities
    Contributor: Grau, Oliver (Herausgeber); Hoth, Janina (Herausgeber); Wandl-Vogt, Eveline (Herausgeber)
    Published: 2019
    Publisher:  Philipps-Universität Marburg, Marburg

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    Source: Union catalogues
    Contributor: Grau, Oliver (Herausgeber); Hoth, Janina (Herausgeber); Wandl-Vogt, Eveline (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Digitale Kunst; Archiv; Digital Humanities; Museum; digital art; archive; GLAM institutions; archive theory; collection strategies; digital art preservation; media art
    Scope: Online-Ressource
    Notes:

    In: Krems a.d. Donau : Edition Donau-Universität 2019.
  11. Games and Rules. Game Mechanics for the “Magic Circle”
    Contributor: Suter, Beat (Herausgeber); Kocher, Mela (Herausgeber); Bauer, René (Herausgeber)
    Published: 2018
    Publisher:  Philipps-Universität Marburg, Marburg

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    Source: Union catalogues
    Contributor: Suter, Beat (Herausgeber); Kocher, Mela (Herausgeber); Bauer, René (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Games; video game; Game Studies; Game Design; Ludology; Narratology; Motivation; Game Mechanics; Ergodic Systems; Aporia and Epiphany; computer game; media aesthetics; media art; Videospiel; Regeln; Medientheorie; Narration; Spiel; Game Studies; Mediendesign
    Scope: Online-Ressource
    Notes:

    In: Beat Suter, Mela Kocher und René Bauer (Hg.): Games and Rules. Game Mechanics for the "Magic Circle". Bielefeld: transcript Verlag (2018) (Edition Medienwissenschaft).
  12. Medial Transformations
    Theorising the Intelligent Mediation Sphere
    Author: Bolouri, Maryam
    Published: 2019
    Publisher:  Universitätsbibliothek Tübingen, Tübingen

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    Source: Union catalogues
    Contributor: Marschall, Susanne (Akademischer Betreuer)
    Language: English
    Media type: Dissertation
    Format: Online
    Other identifier:
    Subjects: Medientheorie ; Ontologie ; Medienkunst ; Medien ; Mediendesign ; Medienästhetik ; Mediation ; Neue Medien
    Other subjects: Medium theories; media ontology; intelligent mediation sphere; media practices; media design; media art; media aesthetics; app-art
    Scope: Online-Ressource
    Notes:

    Dissertation, Tübingen, Universität Tübingen, 2018
  13. Poesiemaschinen - Maschinenpoesie
    Author: Link, David
    Published: 2005
    Publisher:  Humboldt-Universität zu Berlin, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    RVK Categories: AP 13550 ; CC 6900
    Subjects: Künstliche Intelligenz; Computer; Sprachverarbeitung; Literaturproduktion; Semantisches Netz; Markov-Kette; Maschine; Computer
    Other subjects: Pygmalion; Medienkunst; Textgeneratoren; Eliza; Parry; Shrdlu; Markov; Shannon; semantische Netzwerke; Computerpoesie; generative Kunst; media art; Text generators; Eliza; Parry; Shrdlu; Markov; Shannon; semantic networks; computer poetry; generative art
    Scope: Online-Ressource
    Notes:

    Dissertation, Berlin, Humboldt-Universität zu Berlin, 2004
  14. Appropriations of Literary Modernism in Media Art
    Cultural Memory and the Dynamics of Estrangement
    Author: Lau, Jordis
    Published: [2021]
    Publisher:  De Gruyter, Berlin

    Frontmatter -- Acknowledgements -- Contents -- 1 Introduction -- 2 Appropriation, Estrangement, Memories: Theoretical Configurations -- 3 Actualizing Modernism: Case Studies -- 4 Conclusion -- Works Cited -- List of Figures -- Index By analyzing... more

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    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Acknowledgements -- Contents -- 1 Introduction -- 2 Appropriation, Estrangement, Memories: Theoretical Configurations -- 3 Actualizing Modernism: Case Studies -- 4 Conclusion -- Works Cited -- List of Figures -- Index By analyzing appropriations of literary modernism in video, experimental film, and installation art, this study investigates works of media art as agents of cultural memory. While research recognizes film and literature as media of memory, it often overlooks media art. Adaptation studies, art history, and hermeneutics help understand ‘appropriation’ in art in terms of a dialog between an artwork, a text, and their contexts. The Russian Formalist notion of estrangement, together with new concepts from literary, film, and media studies, offers a new perspective on ‘appropriation’ that illuminates the sensuous dimension of cultural memory . Media artworks make memory palpable: they address the collective body memory of their viewers, prompting them to reflect on the past and embody new ways of remembering. Five contextual close-readings analyze artworks by Janis Crystal Lipzin, William Kentridge, Mark Aerial Waller, Paweł Wojtasik, and Tom Kalin. They appropriate modernist texts by Gertrude Stein, Italo Svevo, Louis-Ferdinand Céline, Guillaume Apollinaire, Virginia Woolf, and Robert Musil. This book will be of value to readers interested in cultural memory, sensory studies, literary modernism, adaptation studies, and art history

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110729900
    Other identifier:
    Series: Array ; 33
    Subjects: Modernism (Art); Modernism (Literature); New media art; SOCIAL SCIENCE / General
    Other subjects: Sensuous memory; estrangement; literary modernism; media art
    Scope: 1 Online-Ressource (VIII, 239 p)
    Notes:

    Dissertation erschien unter dem Titel: "Strange Memories. Appropriating Literary Modernism in Media Art

    Dissertation, Universität Hamburg, 2020

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