Narrow Search
Last searches

Results for *

Displaying results 1 to 5 of 5.

  1. Ours
    Published: [2008]; ©2008
    Publisher:  University of California Press, Berkeley, CA

    These poems are about gardens, particularly the seventeenth-century French baroque gardens designed by the father of the form, André Le Nôtre. While the poems focus on such examples as Versailles, which Le Nôtre created for Louis XIV, they also... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan

     

    These poems are about gardens, particularly the seventeenth-century French baroque gardens designed by the father of the form, André Le Nôtre. While the poems focus on such examples as Versailles, which Le Nôtre created for Louis XIV, they also explore the garden as metaphor. Using the imagery of the garden, Cole Swensen considers everything from human society to the formal structure of poetry. She looks in particular at the concept of public versus private property, asking who actually owns a garden? A gentle irony accompanies the question because in French, the phrase "le nôtre" means "ours." Whereas all of Le Nôtre's gardens were designed and built for the aristocracy, today most are public parks. Swensen probes the two senses of "le nôtre" to discover where they intersect, overlap, or blur

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
  2. It’s go in horizontal
    Selected Poems, 1974–2006
    Published: [2008]; ©2008
    Publisher:  University of California Press, Berkeley, CA

    Internationally recognized as one of the most innovative writers in America today, Leslie Scalapino persistently challenges the boundaries of many forms in which she works—poetry, prose, plays, and more. This outstanding volume includes work from... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan

     

    Internationally recognized as one of the most innovative writers in America today, Leslie Scalapino persistently challenges the boundaries of many forms in which she works—poetry, prose, plays, and more. This outstanding volume includes work from sequential and serial poems written over thirty-two years. The poems demonstrate ideas and inventions in writing, and how one writing invention leads to the next. Three series are selected from the long poem way, about which Philip Whalen said, "She makes everything take place in real time, in the light and air and night where all of us live, everything happening at once." Recent poems, such as those from "DeLay Rose," appear to leave the page itself as a single infinite line in which the actions of individuals and occurrences in the outside world are synonymous, mysterious, and simultaneous. It's go in horizontal is a dazzling entryway into the oeuvre of a daring and powerful writer

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
  3. rimertown
    an atlas
    Published: [2008]; ©2008
    Publisher:  University of California Press, Berkeley, CA

    A poetic charting of Laura Walker's rural, southern hometown, Rimertown/an atlas delves into the startling landscapes created by the passage of time through people and through place; it is an atlas born of image and voice. Composed of four interwoven... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan

     

    A poetic charting of Laura Walker's rural, southern hometown, Rimertown/an atlas delves into the startling landscapes created by the passage of time through people and through place; it is an atlas born of image and voice. Composed of four interwoven strands—a collection of "maps," a collection of "stories," a series of vernacular prose poems, and a fractured narrative—the volume explores various geographies: of the physical world, of the intersection of natural and peopled landscapes, of the passage of time, of leaving and returning, of human relationships, of soldiers and war. Walker asks: how is "home" carried in memory, in landscape, in story, in time? Her poems break and merge, stitching and fragmenting narrative, syntax, and image as they push toward their own geography, "a fever doll, tapered song/ engineered into dusk/ hold the watery stream, its buck and clanging."

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
  4. Melville's Bibles
    Published: [2008]; ©2008
    Publisher:  University of California Press, Berkeley, CA

    Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In Moby-Dick he not only ventured to fashion a grand new inverted Bible in... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan

     

    Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In Moby-Dick he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts assume center stage, but also aspired to comment on every imaginable mode of biblical interpretation, calling for a radical reconsideration of the politics of biblical reception. In Melville's Bibles, Pardes traces Melville's response to a whole array of nineteenth-century exegetical writings—literary scriptures, biblical scholarship, Holy Land travel narratives, political sermons, and women's bibles. She shows how Melville raised with unparalleled verve the question of what counts as Bible and what counts as interpretation

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
  5. Syncopations
    Beats, New Yorkers, and Writers in the Dark
    Published: [2008]; ©2008
    Publisher:  University of California Press, Berkeley, CA

    This compulsively readable collection of profiles and essays by James Campbell, tied together by a beguiling autobiographical thread, proffers unique observations on writers and writing in the post-1950s period. Campbell considers writers associated... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan

     

    This compulsively readable collection of profiles and essays by James Campbell, tied together by a beguiling autobiographical thread, proffers unique observations on writers and writing in the post-1950s period. Campbell considers writers associated with the New Yorker magazine, including John Updike, William Maxwell, Truman Capote, and Jonathan Franzen. Continuing his longterm engagement with African American authors, he offers an account of his legal battle with the FBI over James Baldwin's file and a new profile of Amiri Baraka. He also focuses on the Beat poets Gary Snyder and Allen Ginsberg, as well as writers such as Edmund White and Thom Gunn. Campbell's concluding essay on his childhood in Scotland gracefully connects the book's autobiographical dots

     

    Export to reference management software   RIS file
      BibTeX file
    Content information