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Displaying results 301 to 325 of 490.

  1. Peinture et écriture
    Published: 1996-
    Publisher:  Différence [u.a.], Paris

    Location:
    Thüringer Universitäts- und Landesbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    Series: Collection Traverses
    Subjects: Art and literature; Art in literature; Ut pictura poesis (Aesthetics)
    Scope: 23 cm
  2. De la palette à l'écritoire
    actes
    Published: 1997
    Publisher:  Editions Joca Seria, Nantes

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    Subjects: Roman; Malerei;
    Other subjects: Array; Array; Array
    Scope: ill. (some col.), 24 cm
    Notes:

    Papers presented at a conference

    Includes bibliographical references
  3. Spenser and literary pictorialism
    Author: Bender, John B.
    Published: 1972
    Publisher:  Princeton Univ. Press, Princeton, NJ

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    Staats- und Universitätsbibliothek Bremen
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    03.b.0348
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    Universitätsbibliothek Freiburg
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Anglistisches Seminar der Universität, Bibliothek
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    Badische Landesbibliothek
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Mannheim
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    Universität Potsdam, Universitätsbibliothek
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    HI 3715 BEN
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    Saarländische Universitäts- und Landesbibliothek
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    Universität Stuttgart, Bibliothek der Institute für Linguistik und Literaturwissenschaft
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    Universitätsbibliothek der Eberhard Karls Universität
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    Herzog August Bibliothek Wolfenbüttel
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691062110
    RVK Categories: HI 3715
    Subjects: Ut pictura poesis (Aesthetics); Description (Rhetoric)
    Other subjects: Spenser, Edmund (1552?-1599); Array; Ut pictura poesis (Aesthetics); Description (Rhetoric)
    Scope: VIII, 218 S., Ill, 23 cm
    Notes:

    Literaturverz. S. 199 - 209
  4. Painting on the page
    interartistic approaches to modern Hispanic texts
    Author: Feal, Rosemary Geisdorfer; Feal Deibe, Carlos
    Published: c1995
    Publisher:  State Univ. of New York Press, Albany

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    A 96::4576
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 1996/7698
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0791426033; 0791426041
    Series: SUNY series in Latin American and Iberian thought and culture
    Subjects: Art and literature; Art and literature; Ut pictura poesis (Aesthetics); Psychoanalysis and the arts; Feminism and the arts
    Scope: xxii, 341 p, ill, 24 cm
    Notes:

    Includes bibliographical references (p. 309-327) and index
  5. Arte y escritura
    Published: 1995
    Publisher:  Ed. Univ. Salamanca, Salamanca

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:1996:1198:1
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A/312582

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    Thüringer Universitäts- und Landesbibliothek
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    96 NA 30368/1
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 847481801X
    Edition: 1. ed
    Series: Array ; 18
    Subjects: Ut pictura poesis (Aesthetics); Art, Modern
    Scope: 138 S, Ill, 22 cm
    Notes:

    Includes bibliographical references
  6. Résistances de l'image
    Published: 1992
    Publisher:  Presses de l'Ecole Normale Supérieure, Paris

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 726756
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    Universitätsbibliothek Freiburg
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    TM 2002/3257
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    R AL Res
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2728801770
    Series: Collection Coup d'essai
    Subjects: Bild; Fotografie; Text; Film;
    Other subjects: Arts; Ut pictura poesis (Aesthetics)
    Scope: 296 S., Ill., 24 cm
    Notes:

    Includes bibliographical references
  7. Poésie et vérité
    Author: Gallet, André
    Published: c 1995
    Publisher:  Blake, [Bordeaux]

    Location:
    Württembergische Landesbibliothek
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    45C/3043
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    Württembergische Landesbibliothek
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    150331 - A
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2841030172
    Other subjects: Poetry; Array; Array; Ut pictura poesis (Aesthetics)
    Scope: 60 S, Ill, 24 cm
    Notes:

    Includes bibliographical references
  8. Esthetics of the moment
    literature and art in the French Enlightenment
    Author: Kavanagh, Thomas M.
    Published: c1996
    Publisher:  Univ. of Pennsylvania Press, Philadelphia, Pa.

    Location:
    Staats- und Universitätsbibliothek Bremen
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    a kun 600/250
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    1997 8 010687
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    Universitätsbibliothek Freiburg
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    GE 97/5305
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    Romanisches Seminar der Universität, Bibliothek
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    F 17.167(7)
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    Universitätsbibliothek Mannheim
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    97 A 8937
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    LM 10160 K21
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    Herzog August Bibliothek Wolfenbüttel
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    47.3905
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0812233794
    RVK Categories: LM 10160 ; IG 1178
    Series: Critical authors & issues
    Subjects: Ut pictura poesis (Aesthetics); Arts, French
    Scope: VIII, 294 S, Ill, 24 cm
    Notes:

    Includes bibliographical references (p. [277]-289) and index
  9. Enargeia in classical antiquity and the early modern age
    the aesthetics of evidence
    Author: Plett, Heinrich F.
    Published: 2012
    Publisher:  Brill, Leiden [u.a.]

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Heidelberg
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    2013 A 10287
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bereich Klassisches Altertum
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    Universitätsbibliothek Leipzig
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    Location:
    Universitätsbibliothek Osnabrück
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    6172-011 2
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    Universitätsbibliothek der Eberhard Karls Universität
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    52 A 9241
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    Brechtbau-Bibliothek
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    Allg J 2/Ple 5
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9004227024; 9789004227026
    Other identifier:
    9789004227026
    RVK Categories: FB 5225 ; CC 6700
    Series: International studies in the history of rhetoric ; 4
    Subjects: Art and literature; Ut pictura poesis (Aesthetics); Greek literature; Latin literature; Rhetoric, Ancient
    Other subjects: Array; Aesthetics, Ancient; Enargeia (The Greek word); Array; Array
    Scope: XII, 240 S., Ill.
  10. Crimes of writing
    problems in the containment of representation
    Author: Stewart, Susan A.
    Published: c1991
    Publisher:  Oxford University Press, New York

    From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart... more

    Location:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of "crimes of writing"--the forgeries of George Psalmanazar, the production of "fakelore," the "ballad scandals" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. In this way, she emphasizes the issues wh

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195066170; 9780195066173
    Subjects: Mimesis in literature; Literary forgeries and mystifications; Ut pictura poesis (Aesthetics); Law and literature
    Scope: Online-Ressource (x, 353 p), ill
    Notes:

    Includes bibliographical references (p. 291-310) and index

    Electronic reproduction; Available via World Wide Web

    Contents; 1. Crimes of Writing; 2. Psalmanazar's Others; 3. Notes on Distressed Genres; 4. Scandals of the Ballad; 5. The Birth of Authenticity in the Progress of Anxiety: Fragments of an Eighteenth-Century Daydream; 6. Exogamous Relations: Travel Writing, the Incest Prohibition, and Hawthorne's Transformation; 7. Ceci Tuera Cela: Graffiti as Crime and Art; 8. The Marquis de Meese; 9. Coda: Reverse Trompe l'Oeil\The Eruption of the Real; Works Cited; Index
  11. Os lusíadas di Camões
    ut pictura poe͏̈sis
    Author: Paleri, Sara
    Published: [2009]
    Publisher:  Mucchi, Modena

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Signature:
    A 10 / 19710
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788870004779
    Series: Mucchi University press
    Subjects: Ut pictura poesis (Aesthetics)
    Other subjects: Camões, Luís de (1524?-1580): Lusíadas
    Scope: 158 p, ill, 21 cm
    Notes:

    Includes bibliographical references
  12. The ambassadors of death
    the sister arts, western canon and the silent lines of a Hebrew survivor
    Author: Bram, Shahar
    Published: c 2011
    Publisher:  Sussex Academic Pr., Brighton [u.a.]

    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 826831
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    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the museum of words: Rübner's book -- The ambassadors of death: Hans Holbein's The ambassadors and Tuvia Rübner's The ambassadors. The portrait: The ambassador of death, a guide to the silent museum of words -- Horse and rider: Simone Martini's Guidoriccio da fogliano and Tuvia Rübner's Horse and rider. The paradoxical animation of death in poetry. Rübner's voyage towards death. The photograph in Rübner's world -- The silence of words: Tuvia Rübner's two zen paintings. Rübner's use of haiku and zen. The image in poetry. Imagism. Poetics of space -- The structure of narrative: Casper David Friedrich's Chalk cliffs on Rueben and Tuvia Rübner's Chalk cliffs on Rügen. Renaissance vs. romanticism. Narrative poetics in painting and poetry -- The chaos of colors and the order of words: Joseph Mallord William Turner's Peace - burial at sea and Tuvia Rübner's The ship. The language of paintings. Painting as text. The inseparable world of word and image -- The fallen angel and the survivor's burning eye: Rembrandt Harmensz Van Rijn's Descent from the cross and Tuvia Rübner's Descent from the cross. Word and image in the religious world. The survivor and the story of redemption. Past, memory and the survivor as a living dead. Walter Benjamin. The end of the journey is in the beginning: Rübner, the heavenly beauty of the dead image, and the fallen angel -- Epilogue: ekphrasis, mimesis, and the difference between word and image

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781845194505
    Subjects: Ekphrasis; Painting in literature; Death in literature; Death in art; Ut pictura poesis (Aesthetics); Art and literature
    Other subjects: Ruebner, Tuvia (1924-)
    Scope: VIII, 197 S.
    Notes:

    Includes bibliographical references (p. 180-192) and index

    Introduction: Achilles' shield: Ekphrasis, ut pictura poesis, and Tuvia Rübner -- The fall: Peter Breughel's The fall of Icarus, Marc Chagall's The fall of Icarus, and Tuvia Rübner's The fall. Poetry and painting: basic questions of comparison; the museum of words: Rübner's book -- The ambassadors of death: Hans Holbein's The ambassadors and Tuvia Rübner's The ambassadors. The portrait: The ambassador of death, a guide to the silent museum of words -- Horse and rider: Simone Martini's Guidoriccio da fogliano and Tuvia Rübner's Horse and rider. The paradoxical animation of death in poetry. Rübner's voyage towards death. The photograph in Rübner's world -- The silence of words: Tuvia Rübner's two zen paintings. Rübner's use of haiku and zen. The image in poetry. Imagism. Poetics of space -- The structure of narrative: Casper David Friedrich's Chalk cliffs on Rueben and Tuvia Rübner's Chalk cliffs on Rügen. Renaissance vs. romanticism. Narrative poetics in painting and poetry -- The chaos of colors and the order of words: Joseph Mallord William Turner's Peace - burial at sea and Tuvia Rübner's The ship. The language of paintings. Painting as text. The inseparable world of word and image -- The fallen angel and the survivor's burning eye: Rembrandt Harmensz Van Rijn's Descent from the cross and Tuvia Rübner's Descent from the cross. Word and image in the religious world. The survivor and the story of redemption. Past, memory and the survivor as a living dead. Walter Benjamin. The end of the journey is in the beginning: Rübner, the heavenly beauty of the dead image, and the fallen angel -- Epilogue: ekphrasis, mimesis, and the difference between word and image.
  13. L'avènement de la surface à travers une poi͏̈étique de la peinture
    Author: Ben Abda, Rachida
    Published: 2012
    Publisher:  Connaissances et Savoirs, Paris

    L'ouvrage est un essai sur la nature de la surface picturale. Peintre et professeure d'art plastique, l'auteure évoque les ambigui͏̈tés et les tensions inhérentes au tableau, qui se présente à la fois comme un passage et une cloison, entre profondeur... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2013:3480:
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2013 C 2110
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    L'ouvrage est un essai sur la nature de la surface picturale. Peintre et professeure d'art plastique, l'auteure évoque les ambigui͏̈tés et les tensions inhérentes au tableau, qui se présente à la fois comme un passage et une cloison, entre profondeur et superficialité, épiderme et vision intérieure, fond et forme

     
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    Verlag (Inhaltsverzeichnis)
    Source: Union catalogues
    Language: French
    Media type: Dissertation
    Format: Print
    ISBN: 9782748391251
    Series: Array
    Subjects: Painting; Ut pictura poesis (Aesthetics); Creation (Literary, artistic, etc.)
    Other subjects: Benabda, Rachida
    Scope: 434 S., Ill.
    Notes:

    Zugl.: Paris, Univ., Diss., 2009
  14. Crimes of writing
    problems in the containment of representation /
    Author: Stewart, Susan,
    Published: c1991.
    Publisher:  Oxford University Press,, New York :

    Access:

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Media type: Book
    Format: Online
    Subjects: Law and literature.; Literary forgeries and mystifications.; Mimesis in literature.; Ut pictura poesis (Aesthetics)
    Scope: x, 353 p. :, ill.
    Notes:

    Includes bibliographical references (p. 291-310) and index.
  15. Ekphrasis
    The Illusion of the Natural Sign /
    Author: Krieger, Murray,
    Publisher:  Johns Hopkins University Press

    What, in apparently pictorial poetry, do words--can words--represent? Conversely, how can words in a poem be picturable? After decades of reading and thinking about the nature and function of literary representation, Murray Krieger here develops his... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    What, in apparently pictorial poetry, do words--can words--represent? Conversely, how can words in a poem be picturable? After decades of reading and thinking about the nature and function of literary representation, Murray Krieger here develops his most systematic theoretical statement out of answers to such questions. Ekphrasis is his account of the continuing debates over meaning in language from Plato to the present. Krieger sees the modernist position as the logical outcome of these debates but argues that more recent theories radically question the political and aesthetic assumptions of the modernists and the 2,000-year tradition they claim to culminate. Krieger focuses on ekphrasis--the literary representation of visual art, real or imaginary--a form at least as old as its most famous example, the shield of Achilles verbally invented in the Iliad. He argues that the "ekphrastic principle" has remained enduringly problematic in that it reflects the resistant paradoxes of representation in words. As he examines the conflict between spatial and temporal, between vision-centered and word-centered metaphors, Krieger reveals how literary theory has been shaped by the attempts and the deceptive failures of language to do the job of the "natural sign." "What is being described in ekphrasis is both a miracle and a mirage: a miracle because a sequence of actions filled with befores and afters such as language alone can trace seems frozen into an instant's vision, but a mirage because only the illusion of such an impossible picture can be suggested by the poem's words. . We may see it as the poem's miracle, and that seeing is our mirage. This peculiar--and paradoxical--jointly produced experience of ekphrasis allows it to function as the consummate example of the verbal art, the ultimate shield beyond shields."

     
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    Source: Union catalogues
    Contributor: Krieger, Joan.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-4214-3120-3
    Subjects: Ekphrasis.; Ekfrasis.; Ekphrasis; Ut pictura poesis (Aesthetics); Poetry.; Ut pictura poesis [Aesthetics].; Ut pictura poesis (Aesthetics); Poetry
    Other subjects: Poetry
    Scope: 1 online resource (1 online resource (xvii, 292 pages :), illustrations)
    Notes:

    Originally published in 1992

    Includes bibliographical references and index.
  16. Tableaux d’auteurs :
    Après l’Ut pictura poesis /
    Author: Vouilloux, Bernard
    Published: 2020.
    Publisher:  Presses universitaires de Vincennes,, Saint-Denis :

    Diderot, Balzac, Breton… L’un fut le premier grand critique d’art : il vient après l’âge des théoriciens académiciens. L’autre fut le dernier écrivain à jouer un rôle actif dans la « défense et illustration » d’un courant artistique : il vient avant... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Diderot, Balzac, Breton… L’un fut le premier grand critique d’art : il vient après l’âge des théoriciens académiciens. L’autre fut le dernier écrivain à jouer un rôle actif dans la « défense et illustration » d’un courant artistique : il vient avant l’âge des critiques professionnels et des commissaires. Pendant cette période, qui fut celle de l’« âge moderne », une certaine idée de la littérature aura donné un fondement aux « tableaux d’auteurs » : Diderot juge les peintres, censure et sanctionne leurs tableaux, quand il ne les refait pas ; Cézanne délivre son « catéchisme esthétique » en s’appropriant les propos du Frenhofer de Balzac et en s’identifiant à lui ; enfin, à travers Breton, le surréalisme étend à la poésie et à la peinture une même exigence existentielle. Tel est le paradoxe que trament ces portraits littéraires de peintres à leurs tableaux : précipitant l’émancipation de la peinture, dont ils consacrent le droit à l’auteur, c’est par l’imaginaire de la littérature qu’ils libèrent les artistes d’une contrainte d’imitation littéraire à laquelle les avait soumis la rhétorique classique. Incessant jeu de miroir, où un art ne s’affirme qu’en se réfléchissant en un autre, qui le capte.

     
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    Source: Union catalogues
    Language: French
    Media type: Book; Data medium
    ISBN: 2-37924-110-4
    Other identifier:
    Subjects: French literature; Art in literature.; Art and literature; Ut pictura poesis (Aesthetics)
    Other subjects: poésie; critique d’art; Frenhofer; peinture; surréalisme; littérature; portrait
    Scope: 1 online resource (192 p.)
  17. Crimes of writing :
    problems in the containment of representation /
    Author: Stewart, Susan,
    Published: c1991.
    Publisher:  Oxford University Press,, New York :

    From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of ""crimes of writing""--the forgeries of George Psalmanazar, the production of ""fakelore,"" the ""ballad scandals"" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-19-772360-8; 1-280-53342-0; 0-19-536209-8
    Other identifier:
    Edition: 1st ed.
    Series: Oxford scholarship online
    Subjects: Law and literature.; Literary forgeries and mystifications.; Mimesis in literature.; Ut pictura poesis (Aesthetics)
    Scope: 1 online resource (x, 353 pages) :, illustrations
    Notes:

    Previously issued in print: 1991.

    Includes bibliographical references (p. 291-310) and index.

    Crimes of writing Psalmanazar's others Notes on distressed genres Scandals of the ballad The birth of authenticity in the progress of anxiety : fragments of an eighteenth-century daydream Exogamous relations : travel writing, the incest prohibition, and Hawthorne's Transformation Ceci tuera cela : graffiti as crime and art The Marquis de Meese Coda : reverse trompe l'oeil : the eruption of the real
  18. Writing and seeing :
    essays on word and image /
    Contributor: Homem, Rui Manuel G. de Carvalho.; Lambert, Maria de Fatima.
    Published: 2006.
    Publisher:  Rodopi,, Amsterdam ;

    The essays in this volume are informed by a variety of theoretical assumptions and of critical methodologies, but they all share an interest in the intersections of word and image in a variety of media. This unifying rationale secures the present... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    The essays in this volume are informed by a variety of theoretical assumptions and of critical methodologies, but they all share an interest in the intersections of word and image in a variety of media. This unifying rationale secures the present collection's central position in the current critical context, defined as it predominantly is by ways of reading that are based on a relational nexus. The intertextual, the intermedial, the intersemiotic are indeed foregrounded and combined in these essays, conceptually as much as in the critical practices favoured by the various contributions. Studies of literature in its relation to pictorial genres enjoy a relative prominence in the volume - but the range of media and of approaches considered is broad enough to include photography, film, video, television, comic strips, animated film, public art, material culture. The backgrounds of contributors are likewise diverse - culturally, academically, linguistically. The volume combines contributions by prominent scholars and critics with essays by younger scholars, from a variety of backgrounds. The resulting plurality of perspective is indeed a source of new insights into the relations between writing and seeing, and it contributes to making this collection an exciting new contribution to word and image studies.

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Homem, Rui Manuel G. de Carvalho.; Lambert, Maria de Fatima.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 94-012-0160-9; 1-4237-9129-0
    Other identifier:
    DOI: 10.1163/9789401201605
    Edition: 1st ed.
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; ; 95
    Subjects: Art and literature; Ut pictura poesis (Aesthetics)
    Scope: 1 online resource (404 p.)
    Notes:

    Description based upon print version of record.

    Includes bibliographical references and index.

    Introduction -- 1. Setting the Tone: The Challenges of Representation I -- James A.W. HEFFERNAN: Speaking for Pictures: Language and Abstract Art -- 2. Early Modern to Modern: representations, appropriations -- Derek BREWER: Seeing and Writing Venus in Spenser, Shakespeare, Titian -- Jesús CORA: John Donne's Arcimboldesque Wit in "To Sir Edward Herbert. At Julyers ": A Partial Reading -- Sílvia QUINTEIRO: Perspective and Framing in Ann Radcliffe's The Mysteries of Udolpho. and in the Work of Caspar David Friedrich -- Gabriela GÂNDARA TERENAS: William Hogarth seen by Pinheiro Chagas: looking at Britain and writing about Portugal -- Vita FORTUNATI: Visual Portraits and Literary Portraits: the Intertextual Dialogue between Holbein and Ford Madox Ford -- 3. Crossing Images, Changing Places -- Charlotte SCHOELL-GLASS: Fictions of the Art World: Art, Art History and the Art Historian in Literary Space -- Sonia LAGERWALL: A Reading of Michel Butor's La Modification as an Emblematic Iconotext -- Gabriel INSAUSTI: The Making of The Eiffel Tower as a Modern Icon -- Lauren S. WEINGARDEN: Reflections on Baudelaire's Paris: Photography, Modernity and Memory -- 4. Women and the Intermedium -- 4.1. Portraits and Causes -- Elizabeth K. MENON: Les Filles d'Ève in Word and Image -- Maria Aline SEABRA FERREIRA: Paula Rego's Painterly Narratives: Jane Eyre and Wide Sargasso Sea - A Dictionary of Images -- Rui Carvalho Homem: Looking for Clues: McGuckian, poems and portraits -- 4.2. Ambivalent Narratives: A.S. Byatt -- Isabel FERNANDES: Matisse and Women: Portraits by A.S. Byatt -- Margarida ESTEVES PEREIRA: More than Words: the Elusive Language of A.S. Byatt's Visual Fiction -- Paola SPINOZZI: Ekphrasis as Portrait: A.S. Byatt's Fictional and Visual Doppelgänger -- 5. The Lens and the Print: text, photo, semiotics -- Caroline BLINDER: "A Kind of Patriotism": Jack Kerouac's Introduction to Robert Frank's The Americans (1959) -- Maria de FÁTIMA LAMBERT: 3 (Ultimate) Journeys: Fulton, Weiner & Kiefer -- Adriana BAPTISTA: Karen Knorr and Tracey Moffat: When the photographer chooses the words in order to photograph the images -- Peter ED MUIR: An Act of Erasure: October and the Index -- 6. Stage and Screen, East and West -- Rosa Branca FIGUEIREDO: The Semiotics of the Body: Ritual and Dance in Soyinka's Drama -- Maria Sofia PIMENTEL BISCAIA: An Inheritance of Horror: the Shadow of Das Kabinett des Doktor Caligari in Salman Rushdie's Shame -- Michaela SCHÄUBLE: The Ethnographer's Eye: Vision, Narration, and Poetic Imagery in Contemporary Anthropological Film -- 7. High and Low, Learned and Popular: straying narratives -- Laura Fernanda BULGER: Looking at the Written Text on Television -- Yoko ONO: Listen to Me: Influence of Shojo manga on contemporary Japanese women's writing -- Marie-Manuelle SILVA: The Link Between Text and Image in Voyage au bout de la nuit de Céline by Tardi -- 8. Arts and Crafts: composite skills -- Anabela MENDES: Pulsating Visions - Idioms Incarnate: Wassily Kandinsky Amidst Stage, Pen and Brush -- Anne PRICE-OWEN: From Medieval Manuscripts to Postmodern Hypertexts in the Art of David Jones -- Dominique COSTA: Visual and Verbal Representations in the Scottish Novel: The Artistry of Alasdair Gray -- Gil MAIA: When what you see is what you read -- 9. Postscript: the Long Perspective, or, The Challenges of Representation II -- José JIMÉNEZ: The Root of Forms -- Index.
  19. Romantic re-vision :
    culture and consciousness in nineteenth-century American painting and literature /
    Author: Wolf, Bryan J.
    Published: 1982.
    Publisher:  Univ. of Chicago Press,, Chicago [u.a.] :

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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  20. Book and painting :
    Shakespeare, Milton and the Bible ; literary texts and the emergence of English painting.
    Author: Paulson, Ronald
    Published: 1982.
    Publisher:  Univ. of Tennessee Press,, Knoxville :

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Location:
    TU Berlin, Universitätsbibliothek
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  21. Anschaulichkeit
    zu Theorie und Geschichte der Wort-Bild-Beziehungen und des literarischen Darstellungsstils
    Author: Willems, Gottfried
    Published: 1989
    Publisher:  Niemeyer, Tübingen

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3484181036
    RVK Categories: EC 3870 ; GE 3501 ; GE 3600 ; GE 3029 ; EC 2440 ; EC 3750
    Series: Studien zur deutschen Literatur ; 103
    Subjects: Art and literature; Aesthetics; Intuition; Ut pictura poesis (Aesthetics)
    Scope: VIII, 484 S.
    Notes:

    Literaturverz. S. 443 - 460. - Literaturangaben
  22. <<The>> viewer as poet
    the Renaissance response to art
    Author: Land, Norman E.
    Published: 1994
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0271010045
    RVK Categories: LN 10100 ; LN 10250
    Subjects: Ut pictura poesis (Aesthetics); Arts, Italian; Array
    Scope: XX, 216 S., Ill.
    Notes:

    Literaturverz. S. [203] - 211
  23. Myth into art
    poet and painter in classical Greece
    Author: Shapiro, H. A.
    Published: 1994
    Publisher:  Routledge, London [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415067936; 0415067928
    RVK Categories: LG 6650 ; NH 6880 ; NK 4645
    Edition: 1. publ.
    Subjects: Vase-painting, Greek; Mythology, Greek, in art; Ut pictura poesis (Aesthetics)
    Scope: XX, 196 S., zahlr. Ill.
    Notes:

    Literaturverz. S. 183 - 191
  24. <<The>> return of the visible in British romanticism
    Author: Galperin, William H.
    Published: 1993
    Publisher:  Johns Hopkins Univ. Pr., Baltimore, Md. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 080184505X
    RVK Categories: HL 1131 ; HL 1130
    Subjects: Array; Array; Array; Visual perception in literature; Ut pictura poesis (Aesthetics); Array
    Scope: XIV, 327 S., Ill.
  25. Picture theory
    essays on verbal and visual representation
    Author: Mitchell, W. J. Thomas
    Published: 1996
    Publisher:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0226532321; 0226532313
    RVK Categories: LH 61040 ; CC 6900 ; EC 2440
    Edition: Paperback ed., 2. [print.]
    Subjects: Ut pictura poesis (Aesthetics); Arts, Modern; Postmodernism
    Scope: XV, 445 S., zahlr. Ill.