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  1. Documentary trial plays in contemporary American theater
    Published: [2013]
    Publisher:  Southern Illinois University Press, Carbondale

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0809332361; 080933237X; 1299687172; 9780809332366; 9780809332373; 9781299687172
    Series: Theater in the Americas
    Subjects: PERFORMING ARTS / Theater / History & Criticism; PERFORMING ARTS / General; DRAMA / American; Historical drama, American; Literature and history; Theater / Production and direction; Trials in literature; Drama; Recht; Gerichtsverhandlung; Dokumentartheater; Geschichte; Historical drama, American; Theater; Literature and history; Trials in literature; Theater; Prozess <Motiv>; Historisches Ereignis <Motiv>
    Scope: 1 online resource (xi, 225 pages)
    Notes:

    Print version record

    Legal representation -- Judicial identification : The trial of the Catonsville Nine and The Chicago conspiracy trial -- National investigation : Inquest and Are you now or have you ever been -- Ideological confrontation : Execution of justice and Greensboro (a requiem) -- Individual interrogation, communal resolution : unquestioned integrity : The Hill/Thomas hearings, Gross indecency : the three trials of Oscar Wilde and The Laramie project -- Cultural legislation

    "The development of the documentary trial play in late-twentieth-century American theater From the Chicago Conspiracy Trial and the O.J. Simpson trial to the Clarence Thomas/Anita Hill congressional hearings, legal and legislative proceedings in the latter part of the twentieth-century kept Americans spellbound. Situated on the shifting border between imagination and the law, trial plays edit, arrange, and reproduce court records, media coverage, and first-person interviews, transforming these elements into a performance. In this first book-length critical study of contemporary American documentary theater, Jacqueline O'Connor examines in depth ten such plays, all written and staged since 1970, and considers the role of the genre in re-creating and revising narratives of significant conflicts in contemporary history. Documentary theater, she shows, is a particularly appropriate and widely utilized theatrical form for engaging in debate about tensions between civil rights and institutional power, the inconsistency of justice, and challenges to gender norms. For each of the plays discussed, including The Trial of the Catonsville Nine, Unquestioned Integrity: The Hill/Thomas Hearings, and The Laramie Project, O'Connor provides historical context and a brief production history before considering the trial the play focuses on. Grouping plays historically and thematically, she demonstrates how dramatic representation advances our understanding of the law's power while revealing the complexities that hinder society's pursuit of justice."--Provided by publisher

  2. Criminal law and the modernist novel
    experience on trial
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as... more

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience – one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139003414
    Other identifier:
    RVK Categories: EC 2500 ; HM 1331
    Subjects: English fiction / 20th century / History and criticism; French fiction / 20th century / History and criticism; Law in literature; Trials in literature; Modernism (Literature); Roman; Strafverfahren; Französisch; Moderne; Englisch
    Other subjects: Forster, E. M. (1879-1970): A passage to India; Proust, Marcel (1871-1922): À la recherche du temps perdu; Ford, Ford Madox (1873-1939): The good soldier
    Scope: 1 online resource (212 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- The trials of experience: from enlightened subjectivity to Woolfian moments of being -- Mysteries and muddles in A passage to India -- The good soldier and the good reader -- The repeated appeal of Proust and Dreyfus -- Conclusion: experiencing the hyperreal

  3. Staging the Trials of Modernism
    Testimony and the British Modern Literary Consciousness
    Published: [2017]; © 2017
    Publisher:  University of Toronto Press, Toronto

    In Staging the Trials of Modernism, Dale Barleben explores the interactions among literature, cultural studies, and the law through detailed analyses of select British modern writers including Oscar Wilde, Joseph Conrad, Ford Madox Ford, and James... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In Staging the Trials of Modernism, Dale Barleben explores the interactions among literature, cultural studies, and the law through detailed analyses of select British modern writers including Oscar Wilde, Joseph Conrad, Ford Madox Ford, and James Joyce. By tracing the relationships between the literature, authors, media, and judicial procedure of the time, Barleben illuminates the somewhat macabre element of modern British trial process, which still enacts and re-enacts itself throughout contemporary judicial systems of the British Commonwealth. Using little seen legal documents, like Ford's contempt trial decision, Staging the Trials of Modernism uncovers the conversations between the interior style of British Modern authors and the ways in which law began rethinking concepts like intent and the subconscious. Barleben’s fresh insights offer a nuanced look into the ways in which law influences literary production

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487512422
    Other identifier:
    Subjects: DISCOUNT-B.; Geschichte; Culture in literature; English literature; Law in literature; Trials in literature
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Jul 2017)

  4. Documentary trial plays in contemporary American theater
    Published: 2013
    Publisher:  Southern Illinois University Press, Carbondale

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780809332366; 0809332361; 080933237X; 9780809332373
    Subjects: Geschichte; Historical drama, American / History and criticism; Theater / Production and direction / United States / History / 20th century; Literature and history / United States / History / 20th century; Trials in literature; Historisches Ereignis <Motiv>; Theater; Prozess <Motiv>
    Scope: 1 Online-Ressource (xi, 225 p)
    Notes:

    Includes bibliographical references and index

    "The development of the documentary trial play in late-twentieth-century American theater From the Chicago Conspiracy Trial and the O. J. Simpson trial to the Clarence Thomas/Anita Hill congressional hearings, legal and legislative proceedings in the latter part of the twentieth-century kept Americans spellbound. Situated on the shifting border between imagination and the law, trial plays edit, arrange, and reproduce court records, media coverage, and first-person interviews, transforming these elements into a performance. In this first book-length critical study of contemporary American documentary theater, Jacqueline O'Connor examines in depth ten such plays, all written and staged since 1970, and considers the role of the genre in re-creating and revising narratives of significant conflicts in contemporary history. Documentary theater, she shows, is a particularly appropriate and widely utilized theatrical form for engaging in debate about tensions between civil rights and institutional power, the inconsistency of justice, and challenges to gender norms. For each of the plays discussed, including The Trial of the Catonsville Nine, Unquestioned Integrity: The Hill/Thomas Hearings, and The Laramie Project, O'Connor provides historical context and a brief production history before considering the trial the play focuses on. Grouping plays historically and thematically, she demonstrates how dramatic representation advances our understanding of the law's power while revealing the complexities that hinder society's pursuit of justice. "--

  5. Testimony and advocacy in Victorian law, literature, and theology
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge, UK

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511010060; 0511034210; 0511151039; 0521771234; 9780511010064; 9780511034213; 9780511151033; 9780521771238
    Series: Cambridge studies in nineteenth-century literature and culture ; 27
    Subjects: Evidence (Law); English fiction / 19th century / History and criticism; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Bewijs (recht); Getuigenverklaringen; Bellettrie; English literature; Law and literature; English literature; Evidence, Criminal, in literature; Witnesses in literature; Theology in literature; Trials in literature; Narration (Rhetoric); Literatur; Beweis; Rechtsanwalt; Englisch
    Scope: 1 Online-Ressource (xvi, 244 pages 24 cm)
    Notes:

    Based on the author's thesis

    Includes bibliographical references (pages 225-240) and index

  6. Documentary trial plays in contemporary American theater
    Published: 2013
    Publisher:  Southern Illinois University Press, Carbondale

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 080933237X; 9780809332373
    RVK Categories: HU 1784
    Subjects: Geschichte; Historical drama, American; Theater; Literature and history; Trials in literature; Historisches Ereignis <Motiv>; Theater; Prozess <Motiv>
    Scope: xi, 225 p
    Notes:

    Includes bibliographical references and index

    "The development of the documentary trial play in late-twentieth-century American theater From the Chicago Conspiracy Trial and the O. J. Simpson trial to the Clarence Thomas/Anita Hill congressional hearings, legal and legislative proceedings in the latter part of the twentieth-century kept Americans spellbound. Situated on the shifting border between imagination and the law, trial plays edit, arrange, and reproduce court records, media coverage, and first-person interviews, transforming these elements into a performance. In this first book-length critical study of contemporary American documentary theater, Jacqueline O'Connor examines in depth ten such plays, all written and staged since 1970, and considers the role of the genre in re-creating and revising narratives of significant conflicts in contemporary history. Documentary theater, she shows, is a particularly appropriate and widely utilized theatrical form for engaging in debate about tensions between civil rights and institutional power, the inconsistency of justice, and challenges to gender norms. For each of the plays discussed, including The Trial of the Catonsville Nine, Unquestioned Integrity: The Hill/Thomas Hearings, and The Laramie Project, O'Connor provides historical context and a brief production history before considering the trial the play focuses on. Grouping plays historically and thematically, she demonstrates how dramatic representation advances our understanding of the law's power while revealing the complexities that hinder society's pursuit of justice. "--

  7. Testimony and advocacy in Victorian law, literature, and theology
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge, UK

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521771234
    Series: Cambridge studies in nineteenth-century literature and culture ; 27
    Subjects: English literature; Law and literature; English literature; Evidence, Criminal, in literature; Witnesses in literature; Theology in literature; Trials in literature; Narration (Rhetoric); Rechtsanwalt; Englisch; Beweis; Literatur
    Scope: xvi, 244, p. 24 cm
    Notes:

    Based on the author's dissertation

    Includes bibliographical references (p. 225-240) and index

  8. Staging the Trials of Modernism
    Testimony and the British Modern Literary Consciousness
    Published: [2017]; © 2017
    Publisher:  University of Toronto Press, Toronto

    In Staging the Trials of Modernism, Dale Barleben explores the interactions among literature, cultural studies, and the law through detailed analyses of select British modern writers including Oscar Wilde, Joseph Conrad, Ford Madox Ford, and James... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule München, Bibliothek
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    Universitätsbibliothek Passau
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    In Staging the Trials of Modernism, Dale Barleben explores the interactions among literature, cultural studies, and the law through detailed analyses of select British modern writers including Oscar Wilde, Joseph Conrad, Ford Madox Ford, and James Joyce. By tracing the relationships between the literature, authors, media, and judicial procedure of the time, Barleben illuminates the somewhat macabre element of modern British trial process, which still enacts and re-enacts itself throughout contemporary judicial systems of the British Commonwealth. Using little seen legal documents, like Ford's contempt trial decision, Staging the Trials of Modernism uncovers the conversations between the interior style of British Modern authors and the ways in which law began rethinking concepts like intent and the subconscious. Barleben’s fresh insights offer a nuanced look into the ways in which law influences literary production

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487512422
    Other identifier:
    Subjects: DISCOUNT-B.; Geschichte; Culture in literature; English literature; Law in literature; Trials in literature
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Jul 2017)

  9. Theaters of justice
    judging, staging, and working through in Arendt, Brecht, and Delbo
    Published: c2011
    Publisher:  Stanford University Press, Stanford, Calif.

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780804777377
    Series: Cultural memory in the present
    Subjects: Holocaust, Jewish (1939-1945), in literature; Trials in literature; Justice in literature; Psychoanalysis and literature; Massenmord <Motiv>; Prozess <Motiv>; Literatur
    Other subjects: Arendt, Hannah (1906-1975): Eichmann in Jerusalem; Brecht, Bertolt (1898-1956): Massnahme; Delbo, Charlotte; Delbo, Charlotte (1913-1985): Auschwitz et après; Arendt, Hannah (1906-1975): Eichmann in Jerusalem; Brecht, Bertolt (1898-1956): Die Maßnahme
    Scope: 217 p
    Notes:

    Includes bibliographical references and index

    Introduction : coming to terms with the past : trial, therapy, and the theater -- Arendt's laughter : theatricality, pedagogy, and comedy in Eichmann in Jerusalem -- Founding a nation, healing a wound : on crimes against humanity -- A cry for justice : Charlotte Delbo's Auschwitz and after and Days and memory -- Brecht on trial : the courtroom, the theater, and The measures taken -- Conclusion : judging, staging, and working through

  10. Theaters of justice
    judging, staging, and working through in Arendt, Brecht, and Delbo
    Published: ©2011
    Publisher:  Stanford University Press, Stanford, Calif.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 080477031X; 0804770328; 0804777373; 9780804770316; 9780804770323; 9780804777377
    Series: Cultural memory in the present
    Subjects: Arendt, Hannah / 1906-1975 / Eichmann in Jerusalem; Arendt, Hannah, 1906-1975. Eichmann in Jerusalem; Brecht, Bertolt / 1898-1956 / Massnahme; Brecht, Bertolt, 1898-1956. Massnahme; Delbo, Charlotte / Criticism and interpretation; Literature; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Auschwitz et après; Eichmann in Jerusalem; Maßnahme; Literatur; Massenmord (Motiv); Prozess (Motiv); Literatur; Holocaust, Jewish (1939-1945), in literature; Trials in literature; Justice in literature; Psychoanalysis and literature; Massenmord <Motiv>; Literatur; Prozess <Motiv>
    Other subjects: Arendt, Hannah (1906-1975): Eichmann in Jerusalem; Brecht, Bertolt (1898-1956): Massnahme; Delbo, Charlotte; Delbo, Charlotte (1913-1985): Auschwitz et après; Arendt, Hannah (1906-1975): Eichmann in Jerusalem; Brecht, Bertolt (1898-1956): Die Maßnahme
    Scope: 1 Online-Ressource (217 pages)
    Notes:

    Includes bibliographical references and index

    Introduction : coming to terms with the past : trial, therapy, and the theater -- Arendt's laughter : theatricality, pedagogy, and comedy in Eichmann in Jerusalem -- Founding a nation, healing a wound : on crimes against humanity -- A cry for justice : Charlotte Delbo's Auschwitz and after and Days and memory -- Brecht on trial : the courtroom, the theater, and The measures taken -- Conclusion : judging, staging, and working through

    What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study begins with the widely publicized, historic trials of three Nazi war criminals, Eichmann, Barbie, and Priebke, whose explicit goal was not only to punish, but also to establish an officially sanctioned version of the past. The Truth and Reconciliation commissions in South America and South Africa added a therapeutic goal, acting on the belief that

  11. Criminal law and the modernist novel
    experience on trial
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    "The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of non-experience--one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such non-experience colours the overlapping relationship between law and literary modernism. Chapters on E.M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insights to scholars and students of twentieth-century literature, cultural studies and the history of law and philosophy."--Jacket Introduction -- The trials of experience: from enlightened subjectivity to Woolfian moments of being -- Mysteries and muddles in A passage to India -- The good soldier and the good reader -- The repeated appeal of Proust and Dreyfus -- Conclusion: experiencing the hyper-real.

     

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  12. Testimony and advocacy in Victorian law, literature, and theology
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge, UK

    Cover -- Half-title -- Series-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Definition of legal terms -- Introduction: justice and the impulse to narrate -- LAW, LITERATURE, AND THE... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Cover -- Half-title -- Series-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Definition of legal terms -- Introduction: justice and the impulse to narrate -- LAW, LITERATURE, AND THE MANIPULATION OF EVIDENCE -- FICTION AND THE REPRESENTATION OF LAW AND RELIGION -- INFERENCE AND NARRATIVE -- CHAPTER 1 Eye-witness testimony and the construction of narrative -- EIGHTEENTH-CENTURY EVIDENTIARY APOLOGETICS -- THE IMPACT OF GERMAN HIGHER CRITICISM ON THE AUTHORITY OF THE EYE-WITNESS -- TOWARDS AN ADVERSARIAL CRIMINAL TRIAL. DICKENS AND THE BAR -- 'WORK UNFIT FOR A GENTLEMAN': DICKENS, TROLLOPE, AND 'MANUMISSION OF MURDERERS' -- GEORGE ELIOT AND THE PRESENTATION OF UNSWORN EVIDENCE -- DICKENS, STEPHEN, AND THE EXCLUSION OF EVIDENCE -- REALISM IN THE COURTROOM: TRANSPARENT NARRATION AND THE SUPPRESSION OF EVIDENCE -- CHAPTER 4 The martyr as witness: inspirration and the appeal to intuition -- 'IT SHALL BE GIVEN YOU IN THAT HOUR WHAT TO SPEAK': NEWMAN AND THE TRIALS OF THE FAITHFUL -- 'THE LIGHT I SAW WAS THE TRUE LIGHT': THE CONFESSIONS OF SAVONAROLA -- Conclusion -- IS TESTIMONY A SPECIES OF EVIDENCE? EYE-WITNESS TESTIMONY AND CIRCUMSTANTIAL EVIDENCE -- CHAPTER 2 The origins of the novel and the genesis of the law of evidence -- 'THE CHAPTER OF EVIDENCE IS THE MAIN BUSINESS': FIELDING AND THE SUPERIORITY OF SWORN TESTIMONY -- 'AN HONEST ARTESSNESS IN THE STORY': CLARISSA AND THE GENDERED COMPETITION FOR CREDIBILITY -- 'TRUSTING YOUR VINDICATION TO THE PLAUSIBILITY OF YOUR TALE': CALEB WILLIAMS AND FICTIONS OF SELF-DEFENCE -- SINCERITY AND ROLE OF THE OATH IN THE HEART OF MIDLOTHIAN -- CHAPTER 3 Criminal advocacy and Victorian realism -- THE ENACTMENT OF THE PRISONERS' COUNCEL ACT. This original and wide-ranging study shows how changing attitudes to evidence, trial and revelation in law and theology had a profound impact on literary narrative in the nineteenth century. Jan-Melissa Schramm, who is both a lawyer and a literary critic, argues that authors of fiction created a style of literary advocacy that both imitated, and reacted against, the example of their story-telling counterparts of the criminal Bar, and traces the ongoing debate over rules of evidence, eye-witness testimony and codes of ethical conduct that helped shape Victorian realism as a narrative form WHY IS THE EVIDENTIARY STATUS OF TESTIMONY IMPORTANT? LAW, LITERATURE, AND THE COMPETITION TO CONTROL REPRESENTATIONS OF THE -- GUILT, INNOCENCE, AND THE 'GOLDEN THREAD' OF THE ENGLISH COMMON LAW -- Notes -- INTRODUCTION -- 1 EYE-WITNESS TESTIMONY AND THE CONSTRUCTION OF NARRATIVE -- 2 THE ORIGINS OF THE NOVEL AND THE GENESIS OF THE LAW OF EVIDENCE -- 3 CRIMINAL ADVOCACY AND VICTORIAN REALISM -- 4 THE MARTYR AS WITNESS: INSPIRATION AND THE APPEAL TO INTUITION -- CONCLUSION -- Bibliography -- PRIMARY SOURCES -- Books, artical, and newspappers -- Cases -- Statutes -- SECONDARY SOURCES -- Index.

     

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  13. Criminal law and the modernist novel
    experience on trial
    Published: c2013
    Publisher:  Cambridge University Press, Cambridge ; New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: English fiction; French fiction; Law in literature; Trials in literature; Modernism (Literature)
    Scope: ix, 212 p
  14. Criminal law and the modernist novel
    experience on trial
    Published: 2013
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  15. Theaters of justice
    judging, staging, and working through in Arendt, Brecht, and Delbo
    Published: c2011
    Publisher:  Stanford University Press, Stanford, Calif

    What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study begins with the widely publicized, historic trials of three Nazi war criminals, Eichmann, Barbie, and Priebke, whose explicit goal was not only to punish, but also to establish an officially sanctioned version of the past. The Truth and Reconciliation commissions in South America and South Africa added a therapeutic goal, acting on the belief that

     

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  16. Theaters of Justice
    Judging, Staging, and Working Through In Arendt, Brecht, and Delbo
    Published: 2010; ©2010
    Publisher:  Stanford University Press, Redwood City

    Through an analysis of philosophical and literary texts by Hannah Arendt, Bertolt Brecht and Charlotte Delbo, Theaters of Justice raises the question: how does the theatrical structure of a criminal trial both facilitate and limit national processes... more

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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Through an analysis of philosophical and literary texts by Hannah Arendt, Bertolt Brecht and Charlotte Delbo, Theaters of Justice raises the question: how does the theatrical structure of a criminal trial both facilitate and limit national processes of healing and learning from the past?. Intro -- Contents -- Acknowledgments -- Introduction: Coming to Terms with the Past: Trial, Therapy, and the Theater -- 1. Arendt's Laughter: Theatricality, Pedagogy, and Comedy in Eichmann in Jerusalem -- 2. Founding a Nation, Healing a Wound: On Crimes against Humanity -- 3. A Cry for Justice: Charlotte Delbo's Auschwitz and After and Days and Memory -- 4. Brecht on Trial: The Courtroom, the Theater, and The Measures Taken -- Conclusion:Judging, Staging, and Working Through -- Notes -- Bibliography -- Index -- Cultural Memory in the Present.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780804777377
    Series: Cultural Memory in the Present Ser.
    Cultural memory in the present
    Subjects: Arendt, Hannah ; 1906-1975 ; Eichmann in Jerusalem; Brecht, Bertolt ; 1898-1956 ; Massnahme; Delbo, Charlotte ; Criticism and interpretation; Holocaust, Jewish (1939-1945), in literature; Justice in literature; Psychoanalysis and literature; Trials in literature; Electronic books
    Scope: 1 online resource (232 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  17. Theaters of justice
    judging, staging, and working through in Arendt, Brecht, and Delbo
    Published: c2011
    Publisher:  Stanford University Press, Stanford, Calif

    What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study... more

    Hochschulbibliothek Friedensau
    Online-Ressource
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    What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study begins with the widely publicized, historic trials of three Nazi war criminals, Eichmann, Barbie, and Priebke, whose explicit goal was not only to punish, but also to establish an officially sanctioned version of the past. The Truth and Reconciliation commissions in South America and South Africa added a therapeutic goal, acting on the belief that

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780804770316; 9780804770323
    Series: Cultural memory in the present
    Subjects: Trials in literature; Justice in literature; Psychoanalysis and literature; Holocaust, Jewish (1939-1945), in literature
    Other subjects: Delbo, Charlotte; Brecht, Bertolt (1898-1956): Massnahme; Arendt, Hannah (1906-1975): Eichmann in Jerusalem
    Scope: Online-Ressource (217 p)
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Introduction : coming to terms with the past : trial, therapy, and the theaterArendt's laughter : theatricality, pedagogy, and comedy in Eichmann in Jerusalem -- Founding a nation, healing a wound : on crimes against humanity -- A cry for justice : Charlotte Delbo's Auschwitz and after and Days and memory -- Brecht on trial : the courtroom, the theater, and The measures taken -- Conclusion : judging, staging, and working through.

  18. Criminal law and the modernist novel :
    experience on trial /
    Published: 2013.
    Publisher:  Cambridge Univ. Press,, Cambridge [u.a.] :

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-1-13-900341-4
    RVK Categories: EC 2500 ; HM 1331
    Subjects: English fiction; French fiction; Law in literature; Trials in literature; Modernism (Literature); Englisch.; Französisch.; Roman.; Moderne.; Strafverfahren.
    Other subjects: Forster, E. M. (1879-1970): <<A>> passage to India.; Ford, Ford Madox (1873-1939): <<The>> good soldier.; Proust, Marcel (1871-1922): À la recherche du temps perdu.
    Scope: 1 Online-Ressource (IX, 212 S.).
  19. Criminal law and the modernist novel
    experience on trial
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience – one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy Introduction -- The trials of experience: from enlightened subjectivity to Woolfian moments of being -- Mysteries and muddles in A passage to India -- The good soldier and the good reader -- The repeated appeal of Proust and Dreyfus -- Conclusion: experiencing the hyperreal

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139003414
    Other identifier:
    Subjects: Law in literature; Trials in literature; Modernism (Literature); French fiction; English fiction; English fiction ; 20th century ; History and criticism; French fiction ; 20th century ; History and criticism; Law in literature; Trials in literature; Modernism (Literature)
    Scope: 1 Online-Ressource (212 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  20. Documentary trial plays in contemporary American theater
    Published: [2013]
    Publisher:  Southern Illinois University Press, Carbondale

    "The development of the documentary trial play in late-twentieth-century American theater From the Chicago Conspiracy Trial and the O.J. Simpson trial to the Clarence Thomas/Anita Hill congressional hearings, legal and legislative proceedings in the... more

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    "The development of the documentary trial play in late-twentieth-century American theater From the Chicago Conspiracy Trial and the O.J. Simpson trial to the Clarence Thomas/Anita Hill congressional hearings, legal and legislative proceedings in the latter part of the twentieth-century kept Americans spellbound. Situated on the shifting border between imagination and the law, trial plays edit, arrange, and reproduce court records, media coverage, and first-person interviews, transforming these elements into a performance. In this first book-length critical study of contemporary American documentary theater, Jacqueline O'Connor examines in depth ten such plays, all written and staged since 1970, and considers the role of the genre in re-creating and revising narratives of significant conflicts in contemporary history. Documentary theater, she shows, is a particularly appropriate and widely utilized theatrical form for engaging in debate about tensions between civil rights and institutional power, the inconsistency of justice, and challenges to gender norms. For each of the plays discussed, including The Trial of the Catonsville Nine, Unquestioned Integrity: The Hill/Thomas Hearings, and The Laramie Project, O'Connor provides historical context and a brief production history before considering the trial the play focuses on. Grouping plays historically and thematically, she demonstrates how dramatic representation advances our understanding of the law's power while revealing the complexities that hinder society's pursuit of justice."-- Provided by publisher

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1299687172; 9781299687172; 9780809332373; 080933237X
    Series: Theater in the Americas
    Subjects: Historical drama, American; Theater; Literature and history; Trials in literature; Trials in literature; Literature and history; Historical drama, American; Theater; DRAMA ; American; Historical drama, American; Literature and history; Theater ; Production and direction; Trials in literature; Drama; Recht; Gerichtsverhandlung; Dokumentartheater; PERFORMING ARTS ; Theater ; History & Criticism; PERFORMING ARTS ; General; Criticism, interpretation, etc; History
    Scope: Online Ressource (xi, 225 pages)
    Notes:

    Includes bibliographical references and index. - Description based on print version record

    Legal representationJudicial identification : The trial of the Catonsville Nine and The Chicago conspiracy trial -- National investigation : Inquest and Are you now or have you ever been -- Ideological confrontation : Execution of justice and Greensboro (a requiem) -- Individual interrogation, communal resolution : unquestioned integrity : The Hill/Thomas hearings, Gross indecency : the three trials of Oscar Wilde and The Laramie project -- Cultural legislation.

  21. Testimony and advocacy in Victorian law, literature, and theology
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge, UK

    This original and wide-ranging study shows how changing attitudes to evidence, trial and revelation in law and theology had a profound impact on literary narrative in the nineteenth century. Jan-Melissa Schramm, who is both a lawyer and a literary... more

    Hochschulbibliothek Friedensau
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    This original and wide-ranging study shows how changing attitudes to evidence, trial and revelation in law and theology had a profound impact on literary narrative in the nineteenth century. Jan-Melissa Schramm, who is both a lawyer and a literary critic, argues that authors of fiction created a style of literary advocacy that both imitated, and reacted against, the example of their story-telling counterparts of the criminal Bar, and traces the ongoing debate over rules of evidence, eye-witness testimony and codes of ethical conduct that helped shape Victorian realism as a narrative form

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511010060; 9780511010064
    Series: Cambridge studies in nineteenth-century literature and culture ; 27
    Subjects: Witnesses in literature; Theology in literature; Trials in literature; Narration (Rhetoric); English literature; Evidence, Criminal, in literature; Law and literature; English literature
    Scope: Online-Ressource (xvi, 244 p. 24 cm)
    Notes:

    Based on the author's dissertation

    Includes bibliographical references (p. 225-240) and index

    Electronic reproduction; Available via World Wide Web

    ""Cover""; ""Half-title""; ""Series-title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Preface""; ""Acknowledgements""; ""Abbreviations""; ""Definition of legal terms""; ""Introduction: justice and the impulse to narrate""; ""LAW, LITERATURE, AND THE MANIPULATION OF EVIDENCE""; ""FICTION AND THE REPRESENTATION OF LAW AND RELIGION""; ""INFERENCE AND NARRATIVE""; ""CHAPTER 1 Eye-witness testimony and the construction of narrative""; ""EIGHTEENTH-CENTURY EVIDENTIARY APOLOGETICS""; ""THE IMPACT OF GERMAN HIGHER CRITICISM ON THE AUTHORITY OF THE EYE-WITNESS""

    ""TOWARDS AN ADVERSARIAL CRIMINAL TRIAL""""EYE-WITNESS TESTIMONY AND CIRCUMSTANTIAL EVIDENCE""; ""CHAPTER 2 The origins of the novel and the genesis of the law of evidence""; ""�THE CHAPTER OF EVIDENCE IS THE MAIN BUSINESS�: FIELDING AND THE SUPERIORITY OF SWORN TESTIMONY""; ""�AN HONEST ARTESSNESS IN THE STORY�: CLARISSA AND THE GENDERED COMPETITION FOR CREDIBILITY""; ""�TRUSTING YOUR VINDICATION TO THE PLAUSIBILITY OF YOUR TALE�: CALEB WILLIAMS AND FICTIONS OF SELF-DEFENCE""; ""SINCERITY AND ROLE OF THE OATH IN THE HEART OF MIDLOTHIAN""

    ""CHAPTER 3 Criminal advocacy and Victorian realism""""THE ENACTMENT OF THE PRISONERS� COUNCEL ACT""; ""DICKENS AND THE BAR""; ""�WORK�UNFIT FOR A GENTLEMAN�: DICKENS, TROLLOPE, AND �MANUMISSION OF MURDERERS�""; ""GEORGE ELIOT AND THE PRESENTATION OF UNSWORN EVIDENCE""; ""DICKENS, STEPHEN, AND THE EXCLUSION OF EVIDENCE""; ""REALISM IN THE COURTROOM: TRANSPARENT NARRATION AND THE SUPPRESSION OF EVIDENCE""; ""CHAPTER 4 The martyr as witness: inspirration and the appeal to intuition""; ""�IT SHALL BE GIVEN YOU IN THAT HOUR WHAT TO SPEAK�: NEWMAN AND THE TRIALS OF THE FAITHFUL""

    ""�THE LIGHT I SAW WAS THE TRUE LIGHT�: THE CONFESSIONS OF SAVONAROLA""""Conclusion""; ""IS TESTIMONY A SPECIES OF EVIDENCE?""; ""WHY IS THE EVIDENTIARY STATUS OF TESTIMONY IMPORTANT? LAW, LITERATURE, AND THE COMPETITION TO CONTROL REPRESENTATIONS OF THE�""; ""GUILT, INNOCENCE, AND THE 'GOLDEN THREAD� OF THE ENGLISH COMMON LAW""; ""Notes""; ""INTRODUCTION""; ""1 EYE-WITNESS TESTIMONY AND THE CONSTRUCTION OF NARRATIVE""; ""2 THE ORIGINS OF THE NOVEL AND THE GENESIS OF THE LAW OF EVIDENCE""; ""3 CRIMINAL ADVOCACY AND VICTORIAN REALISM""

    ""4 THE MARTYR AS WITNESS: INSPIRATION AND THE APPEAL TO INTUITION""""CONCLUSION""; ""Bibliography""; ""PRIMARY SOURCES""; ""Books, artical, and newspappers""; ""Cases""; ""Statutes""; ""SECONDARY SOURCES""; ""Index""

  22. Criminal law and the modernist novel
    experience on trial
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    No loan of volumes, only paper copies will be sent

     

    The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience – one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy Introduction -- The trials of experience: from enlightened subjectivity to Woolfian moments of being -- Mysteries and muddles in A passage to India -- The good soldier and the good reader -- The repeated appeal of Proust and Dreyfus -- Conclusion: experiencing the hyperreal

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139003414
    Other identifier:
    Subjects: Law in literature; Trials in literature; Modernism (Literature); French fiction; English fiction; English fiction ; 20th century ; History and criticism; French fiction ; 20th century ; History and criticism; Law in literature; Trials in literature; Modernism (Literature)
    Scope: 1 Online-Ressource (212 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  23. Staging the trials of modernism
    testimony and the British modern literary consciousness
    Published: [2017]; © 2017
    Publisher:  University of Toronto Press, Toronto

    In Staging the Trials of Modernism, Dale Barleben explores the interactions among literature, cultural studies, and the law through detailed analyses of select British modern writers including Oscar Wilde, Joseph Conrad, Ford Madox Ford, and James... more

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    In Staging the Trials of Modernism, Dale Barleben explores the interactions among literature, cultural studies, and the law through detailed analyses of select British modern writers including Oscar Wilde, Joseph Conrad, Ford Madox Ford, and James Joyce. By tracing the relationships between the literature, authors, media, and judicial procedure of the time, Barleben illuminates the somewhat macabre element of modern British trial process, which still enacts and re-enacts itself throughout contemporary judicial systems of the British Commonwealth. Using little seen legal documents, like Ford's contempt trial decision, Staging the Trials of Modernism uncovers the conversations between the interior style of British Modern authors and the ways in which law began rethinking concepts like intent and the subconscious. Barleben’s fresh insights offer a nuanced look into the ways in which law influences literary production.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487501075; 9781487512422
    Other identifier:
    Series: De Gruyter eBook-Paket Rechtswissenschaften
    Subjects: Culture in literature; Law in literature; Trials in literature; Trials in literature; Law in literature; Culture in literature; English literature; English literature; Culture in literature.; English literature.; Law in literature.; Trials in literature.; DISCOUNT-B.; LAW / General
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction – Turning and Turning: The Gyres of Modern Law, Culture, and the Interiority of the Civil Subject -- -- 1. Legal Reforms, the Blackmailer’s Charter, and Oscar Wilde’s Trials: The Legal Stage of Modernism -- -- 2. Law’s Empire Writes Back: Legal Positivism and Literary Rejoinder in Wilde and Conrad -- -- 3. High Modernist Challenges to Legal Authority in Ford and Joyce -- -- 4. Conclusion: Manufacturing Individual Identity -- -- Notes -- -- Works Consulted -- -- Index

  24. Staging the trials of modernism
    testimony and the British modern literary consciousness
    Published: 2017
    Publisher:  University of Toronto Press, Toronto

    Explores the interactions among literature, cultural studies, and the law through detailed analyses of select British modern writers including Oscar Wilde, Joseph Conrad, Ford Madox Ford, and James Joyce. By tracing the relationships between the... more

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    Explores the interactions among literature, cultural studies, and the law through detailed analyses of select British modern writers including Oscar Wilde, Joseph Conrad, Ford Madox Ford, and James Joyce. By tracing the relationships between the literature, authors, media, and judicial procedure of the time, Barleben illuminates the somewhat macabre element of modern British trial process, which still enacts and re-enacts itself throughout contemporary judicial systems of the British Commonwealth. Using little seen legal documents, like Ford's contempt trial decision, Staging the Trials of Modernism uncovers the conversations between the interior style of British Modern authors and the ways in which law began rethinking concepts like intent and the subconscious. Barleben's fresh insights offer a nuanced look into the ways in which law influences literary production Acknowledgments -- Introduction: turning and turning: the gyres of modern law, culture, and the interiority of the civil subject -- Legal reforms, the blackmailer's charter, and Oscar Wilde's trials: the legal state of modernism -- Law's empire writes back: legal positivism and literary rejoinder in Wilde and Conrad -- High modernist challenges to legal authority in Ford and Joyce -- Conclusion: manufacturing individual identity -- Notes -- Works consulted -- Index

     

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  25. Criminal Law and the Modernist Novel
    Experience on Trial
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    This book offers an interdisciplinary account of the relationship between criminal trials and novels in the modernist period more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    This book offers an interdisciplinary account of the relationship between criminal trials and novels in the modernist period

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107012974
    RVK Categories: EC 2500 ; HM 1331
    Subjects: English fiction ; 20th century ; History and criticism; French fiction ; 20th century ; History and criticism; Law in literature; Modernism (Literature); Trials in literature; Electronic books
    Scope: Online-Ressource (224 p)
    Notes:

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Cover; Criminal Law and the Modernist Novel; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; Chapter 1 The Trials of Experience; The Emergence of Experience; The Novel of Experience; The Reconstruction of Experience; The Experience of Experience; Experience on Trial; Chapter 2 Mysteries and Muddles in A Passage to India; Muddle or Mystery?; Fictions and Lies; Prejudice and Doubt; Theories and Codes; Chapter 3 The Good Soldier and the Good Reader; The Good Soldier; Reasonable Intentions; Causes, Clues and Expertise; The Good Reader

    Chapter 4 The Repeated Appeal of Proust and DreyfusIn Search of Conclusive Evidence; In Search of Experience; In Search of Repetition; In Search of Justice; In Search of Difference; Conclusion: Experiencing the Hyperreal; Notes; Introduction; The Trials of Experience: From Enlightened Subjectivity to Woolfian Moments of Being; Mysteries and Muddles in A Passage to India; The Good Soldier and the Good Reader; The Repeated Appeal of Proust and Dreyfus; Experiencing the Hyperreal; Bibliography; Index