Realism in the age of impressionism
painting and the politics of time
"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be...
more
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"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art."--Publisher's website
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Admirable tremblement du temps
Quelque uns des plus tableaux viennent de la vieillesse des peintres, et nous en aimons le tremblement. Nous aimons aussi la craquelure de la toile, l'érosion des pierres, et nous retrouvons dans l'esquisse les même trajets. L'art, pour nous, est...
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Location:
Zentralinstitut für Kunstgeschichte, Bibliothek
Inter-library loan:
No loan of volumes, only paper copies will be sent
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Quelque uns des plus tableaux viennent de la vieillesse des peintres, et nous en aimons le tremblement. Nous aimons aussi la craquelure de la toile, l'érosion des pierres, et nous retrouvons dans l'esquisse les même trajets. L'art, pour nous, est chose passée. C'est l'haleine du temps qui témoigne de la vie d'une oeuvre, la séparant du pastiche ou du faux.
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Realism in the age of impressionism
painting and the politics of time
"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be...
more
Location:
Universitätsbibliothek Bamberg
Inter-library loan:
Unlimited inter-library loan, copies and loan
Location:
Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
Inter-library loan:
Unlimited inter-library loan, copies and loan
Location:
Zentralinstitut für Kunstgeschichte, Bibliothek
Inter-library loan:
No loan of volumes, only paper copies will be sent
Location:
Universitätsbibliothek Würzburg
Inter-library loan:
Unlimited inter-library loan, copies and loan
|
"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art."--Publisher's website
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Realism in the age of impressionism
painting and the politics of time
"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be...
more
Location:
Deutsches Forum für Kunstgeschichte, Bibliothek
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"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art."--Publisher's website
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Realism in the age of impressionism
painting and the politics of time
"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be...
more
Location:
Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
Inter-library loan:
Unlimited inter-library loan, copies and loan
Location:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Inter-library loan:
Unlimited inter-library loan, copies and loan
Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Inter-library loan:
Unlimited inter-library loan, copies and loan
|
"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art."--Publisher's website
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Realism in the age of impressionism :
painting and the politics of time /
"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be...
more
Location:
Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
Inter-library loan:
Unlimited inter-library loan, copies and loan
Location:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Inter-library loan:
Unlimited inter-library loan, copies and loan
Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Inter-library loan:
Unlimited inter-library loan, copies and loan
|
"The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art."--Publisher's website
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How to construct a time machine
John Cage, Martin John Callahan [und 23 weitere]
Location:
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
Inter-library loan:
Unlimited inter-library loan, copies and loan
How to construct a time machine
John Cage, Martin John Callanan, Jim Campbell, Edgar Cleijne and Ellen Gallagher, Mat Collinshaw, Ruth Ewan, Tehching Hsieh, On Kawara, Louis Lumière, Chris Marker, Kris Martin, Georges Méliès, Manfred Mohr, Melvin Moti, Nam June Paik, Katie Paterson, Elizabeth Price, Sun Ra, Raqs Media Collective, Meekyoung Shin, Maja Smrekar, The Otolith Group, Thomson & Craighead, Mark Wallinger, Catherine Yass
Inter-library loan:
Unlimited inter-library loan, copies and loan
