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Displaying results 1 to 3 of 3.

  1. The other side of the story
    structures and strategies of contemporary feminist narrative
    Author: Hite, Molly
    Published: 2018; © 1989
    Publisher:  Cornell University Press, Ithaca ; London

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Englisch; Roman; Frauenliteratur
    Other subjects: Lessing, Doris (1919-2013): The golden notebook; Walker, Alice (1944-): The color purple; Rhys, Jean (1890-1979); Atwood, Margaret (1939-): Lady Oracle
    Scope: 1 Online-Ressource (x, 172 Seiten)
  2. The Other Side of the Story
    Structures and Strategies of Contemporary Feminist Narratives
    Author: Hite, Molly
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In a book that compares Virginia Woolf’s writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf’s aversion to women’s "pleading a cause" in fiction... more

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    Verlag (Array)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    In a book that compares Virginia Woolf’s writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf’s aversion to women’s "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One’s Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins’s work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf’s modernist novels. In Woolf’s Ambiguities, she argues that the greatest formal innovation in Woolf’s fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf’s narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501726316
    Other identifier:
    Subjects: Frauenliteratur; Roman; Frauenprosa; Englisch
    Other subjects: Atwood, Margaret (1939-): Lady Oracle; Lessing, Doris (1919-2013): The golden notebook; Walker, Alice (1944-): The color purple; Rhys, Jean (1890-1979)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  3. The Other Side of the Story
    Structures and Strategies of Contemporary Feminist Narratives
    Author: Hite, Molly
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    In a book that compares Virginia Woolf’s writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf’s aversion to women’s "pleading a cause" in fiction... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In a book that compares Virginia Woolf’s writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf’s aversion to women’s "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One’s Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins’s work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf’s modernist novels. In Woolf’s Ambiguities, she argues that the greatest formal innovation in Woolf’s fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf’s narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501726316
    Other identifier:
    Subjects: Englisch; Roman; Frauenprosa; Frauenliteratur
    Other subjects: Rhys, Jean (1890-1979); Atwood, Margaret (1939-): Lady Oracle; Walker, Alice (1944-): The color purple; Lessing, Doris (1919-2013): The golden notebook
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)