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  1. Vladimir Nabokov and the art of painting
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    Nabokov and the two sister arts -- The 'mad pursuit' in Laughter in the dark -- The real life of Sebastian Knight : its colours and painting -- Pnin and the history of art -- Lolita and Aubrey Beardsley -- Pale fire zemblematically -- Leonardo and... more

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    Universitätsbibliothek Freiburg
    No inter-library loan
    Kompetenzzentrum für Lizenzierung
    No inter-library loan
    No loan of volumes, only paper copies will be sent

     

    Nabokov and the two sister arts -- The 'mad pursuit' in Laughter in the dark -- The real life of Sebastian Knight : its colours and painting -- Pnin and the history of art -- Lolita and Aubrey Beardsley -- Pale fire zemblematically -- Leonardo and 'Spring in Fialta' / Gerad de Vries -- A shimmer of exact details : Ada's art gallery / D. Barton Johnson -- Ada and Bosch / Liana Ashenden -- Appendix I : Passages in Nabokov's novels, stories or autobiography referring or alluding to paintings -- Appendix II : Painters mentioned or obviously referred to in Nabokov's works

     

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  2. Savage sight/constructed noise
    poetic adaptations of painterly techniques in the French and American avant-gardes
    Published: 2010
    Publisher:  U.N.C. Dept. of Romance Languages, Chapel Hill, N.C

    "This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States "Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes."--Jacket

     

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