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  1. Painting the sacred in the age of romanticism
    Author: Grewe, Cordula
    Published: 2009
    Publisher:  Ashgate Publ., Farnham ; Burlington, Vt.

    "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meaning in modern art. It will reinvigorate scholarship in the fields of nineteenth-century art, romanticism, and religion and the arts, and restore the Nazarene artists to their rightful place at the forefront of romantic art history."--Publisher's description

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780754606451; 0754606457
    RVK Categories: LH 83500 ; LK 83392
    DDC Categories: LH 65900
    Series: Histories of vision
    Subjects: Nazareners (schilderkunst); Schilderkunst; Malerei; Christian art and symbolism; Painting, European; Romanticism in art; Das Sakrale; Kunst; Nazarener; Religion <Motiv>; Malerei; Romantik
    Scope: XVII, 418 S., zahlr. Ill., 26 cm
    Notes:

    Literaturverz. S. 369 - 396

    Introduction -- The great code of art : religious revival and the rebirth of pictorial meaning -- Sulamith and Maria : erotic Mariology and the cult of friendship -- Pietas und vanitas : gender, moralization and allegory -- The seven sacraments : Romantic subjectivity and Catholic dogma -- The Bible in pictures : history lessons and popular culture -- A family tree of German art : avant-garde, anti-Judaism and artistic identity -- Conclusion
  2. Painting the sacred in the age of romanticism
    Author: Grewe, Cordula
    Published: 2009
    Publisher:  Ashgate Publ., Farnham ; Burlington, Vt.

    "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meaning in modern art. It will reinvigorate scholarship in the fields of nineteenth-century art, romanticism, and religion and the arts, and restore the Nazarene artists to their rightful place at the forefront of romantic art history."--Publisher's description

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780754606451; 0754606457
    RVK Categories: LH 83500 ; LK 83392
    DDC Categories: LH 65900
    Series: Histories of vision
    Subjects: Nazareners (schilderkunst); Schilderkunst; Malerei; Christian art and symbolism; Painting, European; Romanticism in art; Das Sakrale; Kunst; Nazarener; Religion <Motiv>; Malerei; Romantik
    Scope: XVII, 418 S., zahlr. Ill., 26 cm
    Notes:

    Literaturverz. S. 369 - 396

    Introduction -- The great code of art : religious revival and the rebirth of pictorial meaning -- Sulamith and Maria : erotic Mariology and the cult of friendship -- Pietas und vanitas : gender, moralization and allegory -- The seven sacraments : Romantic subjectivity and Catholic dogma -- The Bible in pictures : history lessons and popular culture -- A family tree of German art : avant-garde, anti-Judaism and artistic identity -- Conclusion
  3. Painting the sacred in the age of romanticism /
    Author: Grewe, Cordula
    Published: 2009.
    Publisher:  Ashgate Publ.,, Farnham ; Burlington, Vt. :

    "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "After a century of Rationalist skepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meaning in modern art. It will reinvigorate scholarship in the fields of nineteenth-century art, romanticism, and religion and the arts, and restore the Nazarene artists to their rightful place at the forefront of romantic art history."--Publisher's description

     
    Export to reference management software   RIS file
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-0-7546-0645-1; 0-7546-0645-7
    RVK Categories: LH 83500 ; LK 83392
    Series: Histories of vision
    Subjects: Nazareners (schilderkunst); Schilderkunst; Malerei; Christian art and symbolism; Painting, European; Romanticism in art; Romantik; <<Das>> Sakrale; Malerei; Religion <Motiv>; Kunst; Nazarener
    Scope: XVII, 418 S. :, zahlr. Ill. ;, 26 cm.
    Notes:

    Literaturverz. S. 369 - 396

    Introduction -- The great code of art : religious revival and the rebirth of pictorial meaning -- Sulamith and Maria : erotic Mariology and the cult of friendship -- Pietas und vanitas : gender, moralization and allegory -- The seven sacraments : Romantic subjectivity and Catholic dogma -- The Bible in pictures : history lessons and popular culture -- A family tree of German art : avant-garde, anti-Judaism and artistic identity -- Conclusion