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Displaying results 1 to 25 of 31.

  1. Cólera de ángeles
    Published: 1996
    Publisher:  Ed. Lumen, Barcelona

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    ISBN: 8426425143
    RVK Categories: IQ 04490
    Series: Colección Pecados capitales
    Subjects: Schilderkunst; Toorn; Malerei; Anger in art; Painting, European; Painting, Modern; Malerei; Zorn <Motiv>
    Scope: 204 S., überw. Ill.
    Notes:

    NT: La ira
  2. On or about December 1910
    early Bloomsbury and its intimate world
    Author: Stansky, Peter
    Published: 1996
    Publisher:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    "On or about December 1910 human character changed, Virginia Woolf remarked, and well she might have. The company she kept, the Bloomsbury circle, took shape before the coming of World War I, and would have a lasting impact on English society and... more

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    "On or about December 1910 human character changed, Virginia Woolf remarked, and well she might have. The company she kept, the Bloomsbury circle, took shape before the coming of World War I, and would have a lasting impact on English society and culture after the war. This book captures the dazzling world of Bloomsbury at the end of an era, and on the eve of modernism." "Peter Stansky depicts the vanguard of a rising generation seizing its moment. He shows us Woolf in that fateful year, in the midst of an emotional breakdown, reaching a turning point with her first novel, The Voyage Out, and E. M. Forster, already a success, offering Howards End and acknowledging his passion for another man. Here are Roger Fry, prominent art critic and connoisseur, remaking tradition with the epochal exhibition "Manet and the Post-Impressionists"; Vanessa Bell and Duncan Grant beginning their most interesting phase as artists; Lytton Strachey signing the contract for his first book; and John Maynard Keynes entering a significant new stage in his illustrious career." "Amid the glittering opulence and dismal poverty, the swirl of Suffragists, anarchists, agitators, and organizers, Stansky - drawing upon his historical and literary skills - brings the intimate world of the Bloomsbury group to life. Their lives, relationships, writings, and ideas entwine, casting one member after another in sharp relief. Even their Dreadnought Hoax, a trick played on the sacred institution of the navy, reveals their boldness and esprit. The picture Stansky presents, with all its drama and detail, encompasses the conflicts and sureties of a changing world of politics, aesthetics, and character."--BOOK JACKET.

     
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  3. Philosophie der Malerei
    von Platon bis zu Jean-François Lyotard
    Author: Thommes, Armin
    Published: 1996
    Publisher:  Gardez!-Verl., Mainz

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität der Künste Berlin, Universitätsbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 3928624407
    RVK Categories: CC 6900
    Subjects: Filosofie; Schilderkunst; Malerei; Philosophie; Painting; Malerei; Abstrakte Kunst; Kunst; Mimesis; Philosophie; Ästhetik; Geschichte
    Scope: 111 S., Ill., graph. Darst.
  4. Rubens and the Roman circle
    studies of the first decade
    Author: Huemer, Frances
    Published: 1996
    Publisher:  Garland, New York [u.a.]

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Bayerische Staatsgemäldesammlungen, Bibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0815322828
    RVK Categories: LI 75905 ; LI 75910
    Series: Garland reference library of the humanities ; 1970
    [Garland reference library of the humanities / Garland studies in the Renaissance] ; 5
    Subjects: Italianiserend; Peinture de la Renaissance - Italie - Rome (Italie); Schilderkunst; Malerei; Painting, Renaissance; Farbe; Malerei; Freundeskreis; Literatur; Kunstsoziologie; Ästhetik; Kunst; Zeitgenossen
    Other subjects: Rubens, Peter Paul <1577-1640> - Friends and associates; Rubens, Peter Paul <1577-1640> - Homes and haunts - Italy - Rome; Rubens, Petrus Paulus <1577-1640> - Résidences et lieux familiers - Italie - Rome (Italie); Rubens, Peter Paul <Sir, 1577-1640>; Rubens, Peter Paul <Sir, 1577-1640>; Lipsius, Justus (1547-1606); Rubens, Peter Paul (1577-1640)
    Scope: XXI, 249 Seiten, Illustrationen, graphische Darstellungen, 26 cm
    Notes:

    Contents: Ch. 1. The Roman Circle: Faber and Scioppius -- Ch. 2. Philip Rubens and Lipsius -- Ch. 3. Philip Rubens and His Brother the Painter: The Early Mythologies -- Ch. 4. The Oratorian and Jesuit Commissions: "Looking back" with the Apostle of Rome and "Looking up" with the Pilgrim to Jerusalem -- Ch. 5. Coloring and Contemporaries -- Appendix I. Selected writings of Philip Rubens and The Life of Philip Rubens by Jan Brant (translated from Latin into English by George Angell) -- Appendix II. The three phases of coloring in Rubens's painting of the Italian period
  5. Stendhal, la peinture à l'oeuvre
    Author: Leoni, Margherita
    Published: 1996
    Publisher:  Ed. L'Harmattan, Paris

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Content information
    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2738441807
    RVK Categories: IG 7255
    Series: Critiques littéraires
    Subjects: Peinture dans la littérature; Schilderkunst; Malerei; Wissen; Painting in literature; Malerei; Malerei <Motiv>
    Other subjects: Stendhal <1783-1842> - Critique et interprétation; Stendhal <1783-1842> - Et la peinture; Stendhal <1783-1842>; Stendhal (1783-1842)
    Scope: 251 S., Ill.
    Notes:

    Zugl.: Paris, Univ. VII, Diss., 1994 u.d.T.: Leoni, Margherita: L' inscription du pictural chez Stendhal
  6. High art
    Charles Baudelaire and the origins of modernist painting
    Author: Carrier, David
    Published: 1996
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.

    The great poet Charles Baudelaire (1821-1867) was also an extremely influential art critic. High Art relates the philosophical issues posed by Baudelaire's art writing to the theory and practice of modernist and postmodernist painting. Baudelaire... more

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    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Städtische Galerie im Lenbachhaus und Kunstbau München, Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    The great poet Charles Baudelaire (1821-1867) was also an extremely influential art critic. High Art relates the philosophical issues posed by Baudelaire's art writing to the theory and practice of modernist and postmodernist painting. Baudelaire wrote in an age of transition, David Carrier argues, an era divided by the Revolution of 1848, the historical break that played for him a role now taken within modernism by the political revolts of 1968. Moving from the grand tradition of Delacroix to the images of modern life made by Constantin Guys, this movement from "high" to "low," from the unified world of correspondances to the fragmented images of contemporary city life, motivates Baudelaire's equivalent to the post-1968 turn away from formalist art criticism. Viewed from the perspective of the 1990s, Carrier argues, the issues raised by Baudelaire's criticism and creative writing provide a way of understanding the situation of art writing in our own time.

     
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  7. Die Räume der Maler
    zur Bilderzählung seit Giotto
    Author: Kemp, Wolfgang
    Published: 1996
    Publisher:  Beck, München

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Bayerisches Nationalmuseum, Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Staatliche Bibliothek Passau
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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  8. L' oeil, d'abord ...
    Georges Perec et la peinture
    Published: 1996
    Publisher:  Éd. du Seuil, [Paris]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2020296438
    RVK Categories: IH 70961
    Series: Cahiers Georges Perec ; 6
    Subjects: Art et littérature; Schilderkunst; Malerei; Malerei
    Other subjects: Perec, Georges <1936-1982> - Et la peinture; Klee, Paul <1879-1940>; Perec, Georges <1936-1982>; Perec, Georges (1936-1982)
    Scope: 233 S., Ill., graph. Darst.
  9. "... dat zy de aanschouwers schynen te willen aanspreken"
    Untersuchungen zur Rolle des Betrachters in der niederländischen Malerei des 17. Jahrhunderts
    Author: Hahn, Andreas
    Published: 1996
    Publisher:  tuduv, München

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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3880735395
    RVK Categories: LO 34230
    Series: [Tuduv-Studien / Reihe Kunstgeschichte] ; 75
    Subjects: Publiek; Schilderkunst; Malerei; Painting, Dutch; Geschichte; Theorie; Rezeptionssteuerung; Affekt <Motiv>; Rezipient; Figur; Malerei; Rezeptionsästhetik; Ästhetik
    Other subjects: Maes, Nicolaes (1634-1693); Hoogstraten, Samuel van (1627-1678); Molenaar, Jan Miense (1610-1668); Teniers, David (1610-1690); Rembrandt Harmensz van Rijn (1606-1669)
    Scope: 237 S., [18] Bl., Ill.
    Notes:

    Zugl.: Bochum, Univ., Diss., 1993
  10. Avant-gardes and partisans reviewed
    Published: 1996
    Publisher:  Manchester Univ. Press, Manchester u.a.

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0719043980; 0719043999
    RVK Categories: LH 64900
    Edition: 1. publ.
    Subjects: Avant-garde; Schilderkunst; Sociale aspecten; Geschichte; Gesellschaft; Malerei; Art, Modern -- 19th century -- History; Art, Modern -- 20th century -- History; Avantgarde; Ästhetik; Kunst; Malerei
    Scope: XXII, 362 S., zahlr. Ill.
  11. Philosophie der Malerei
    von Platon bis zu Jean-François Lyotard
    Author: Thommes, Armin
    Published: 1996
    Publisher:  Gardez!-Verl., Mainz

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3928624407
    RVK Categories: CC 6900
    Subjects: Filosofie; Schilderkunst; Malerei; Philosophie; Painting; Ästhetik; Geschichte; Philosophie; Kunst; Mimesis; Abstrakte Kunst; Malerei
    Scope: 111 S., Ill., graph. Darst.
  12. Roots of seventeenth-century flower painting
    miniatures, plant books, paintings
    Author: Brenninkmeijer-de Rooij, Beatrijs
    Published: 1996
    Publisher:  Primavera Pers, Leiden

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9074310214
    Subjects: Bloemstilleven; Miniaturen (handschriften); Schilderkunst; Malerei; Flowers in art; Painting, Modern; Blume <Motiv>; Stillleben
    Other subjects: Bruegel, Jan de Oudere (1568-1625)
    Scope: 96 S., Ill.
  13. Apariencia e identidad masculina
    de la ilustración al decadentismo
    Author: Reyero, Carlos
    Published: 1996
    Publisher:  Ed. Cátedra, Madrid

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    ISBN: 843761452X
    RVK Categories: LH 61040
    Series: Ensayos arte
    Subjects: Mannelijkheid; Menselijk lichaam; Schilderkunst; Visualisatie; Vrouwelijkheid; Malerei; Art, European; Gender identity in art; Masculinity in art; Malerei; Männlichkeit; Mann <Motiv>
    Scope: 304 S., zahlr. Ill.
  14. Le silence des peintres
    les artistes face à la Grande Guerre
    Author: Dagen, Philippe
    Published: 1996
    Publisher:  Fayard, [Paris]

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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  15. La Normandie
    berceau de l'impressionnisme ; 1820 - 1900
    Published: 1996
    Publisher:  Ed. Ouest-France, Rennes

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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  16. Le silence des peintres
    les artistes face à la Grande Guerre
    Author: Dagen, Philippe
    Published: 1996
    Publisher:  Fayard, [Paris]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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  17. Stendhal, la peinture à l'oeuvre
    Author: Leoni, Margherita
    Published: 1996
    Publisher:  Ed. L'Harmattan, Paris

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Book
    ISBN: 2738441807
    RVK Categories: IG 7255
    Series: Critiques littéraires
    Subjects: Peinture dans la littérature; Schilderkunst; Malerei; Wissen; Painting in literature; Malerei; Malerei <Motiv>
    Other subjects: Stendhal <1783-1842> - Critique et interprétation; Stendhal <1783-1842> - Et la peinture; Stendhal <1783-1842>; Stendhal (1783-1842)
    Scope: 251 S., Ill.
    Notes:

    Zugl.: Paris, Univ. VII, Diss., 1994 u.d.T.: Leoni, Margherita: L' inscription du pictural chez Stendhal
  18. High art
    Charles Baudelaire and the origins of modernist painting
    Author: Carrier, David
    Published: 1996
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.

    The great poet Charles Baudelaire (1821-1867) was also an extremely influential art critic. High Art relates the philosophical issues posed by Baudelaire's art writing to the theory and practice of modernist and postmodernist painting. Baudelaire... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    The great poet Charles Baudelaire (1821-1867) was also an extremely influential art critic. High Art relates the philosophical issues posed by Baudelaire's art writing to the theory and practice of modernist and postmodernist painting. Baudelaire wrote in an age of transition, David Carrier argues, an era divided by the Revolution of 1848, the historical break that played for him a role now taken within modernism by the political revolts of 1968. Moving from the grand tradition of Delacroix to the images of modern life made by Constantin Guys, this movement from "high" to "low," from the unified world of correspondances to the fragmented images of contemporary city life, motivates Baudelaire's equivalent to the post-1968 turn away from formalist art criticism. Viewed from the perspective of the 1990s, Carrier argues, the issues raised by Baudelaire's criticism and creative writing provide a way of understanding the situation of art writing in our own time.

     
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  19. Rubens and the Roman circle
    studies of the first decade
    Author: Huemer, Frances
    Published: 1996
    Publisher:  Garland, New York [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0815322828
    RVK Categories: LI 75905 ; LI 75910
    Series: Garland reference library of the humanities ; 1970
    [Garland reference library of the humanities / Garland studies in the Renaissance] ; 5
    Subjects: Italianiserend; Peinture de la Renaissance - Italie - Rome (Italie); Schilderkunst; Malerei; Painting, Renaissance; Farbe; Malerei; Freundeskreis; Literatur; Kunstsoziologie; Ästhetik; Kunst; Zeitgenossen
    Other subjects: Rubens, Peter Paul <1577-1640> - Friends and associates; Rubens, Peter Paul <1577-1640> - Homes and haunts - Italy - Rome; Rubens, Petrus Paulus <1577-1640> - Résidences et lieux familiers - Italie - Rome (Italie); Rubens, Peter Paul <Sir, 1577-1640>; Rubens, Peter Paul <Sir, 1577-1640>; Lipsius, Justus (1547-1606); Rubens, Peter Paul (1577-1640)
    Scope: XXI, 249 Seiten, Illustrationen, graphische Darstellungen, 26 cm
    Notes:

    Contents: Ch. 1. The Roman Circle: Faber and Scioppius -- Ch. 2. Philip Rubens and Lipsius -- Ch. 3. Philip Rubens and His Brother the Painter: The Early Mythologies -- Ch. 4. The Oratorian and Jesuit Commissions: "Looking back" with the Apostle of Rome and "Looking up" with the Pilgrim to Jerusalem -- Ch. 5. Coloring and Contemporaries -- Appendix I. Selected writings of Philip Rubens and The Life of Philip Rubens by Jan Brant (translated from Latin into English by George Angell) -- Appendix II. The three phases of coloring in Rubens's painting of the Italian period
  20. L' oeil, d'abord ...
    Georges Perec et la peinture
    Published: 1996
    Publisher:  Éd. du Seuil, [Paris]

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Book
    ISBN: 2020296438
    RVK Categories: IH 70961
    Series: Cahiers Georges Perec ; 6
    Subjects: Art et littérature; Schilderkunst; Malerei; Malerei
    Other subjects: Perec, Georges <1936-1982> - Et la peinture; Klee, Paul <1879-1940>; Perec, Georges <1936-1982>; Perec, Georges (1936-1982)
    Scope: 233 S., Ill., graph. Darst.
  21. L' oeil, d'abord ... :
    Georges Perec et la peinture.
    Published: 1996.
    Publisher:  Éd. du Seuil,, [Paris] :

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2-02-029643-8
    RVK Categories: IH 70961
    Series: Cahiers Georges Perec ; 6
    Subjects: Art et littérature; Schilderkunst; Malerei; Malerei
    Other subjects: Perec, Georges <1936-1982> - Et la peinture; Klee, Paul <1879-1940>; Perec, Georges <1936-1982>; Perec, Georges (1936-1982)
    Scope: 233 S. : Ill., graph. Darst.
  22. Le silence des peintres :
    les artistes face à la Grande Guerre /
    Author: Dagen, Philippe
    Published: 1996.
    Publisher:  Fayard,, [Paris] :

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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  23. Rubens and the Roman circle :
    studies of the first decade /
    Author: Huemer, Frances
    Published: 1996.
    Publisher:  Garland,, New York [u.a.] :

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0-8153-2282-8
    RVK Categories: LI 75905 ; LI 75910
    Series: Garland reference library of the humanities ; 1970
    [Garland reference library of the humanities / Garland studies in the Renaissance] ; 5
    Subjects: Italianiserend; Peinture de la Renaissance - Italie - Rome (Italie); Schilderkunst; Malerei; Painting, Renaissance; Freundeskreis; Malerei; Farbe; Ästhetik; Kunstsoziologie; Kunst; Literatur; Zeitgenossen
    Other subjects: Rubens, Peter Paul <1577-1640> - Friends and associates; Rubens, Peter Paul <1577-1640> - Homes and haunts - Italy - Rome; Rubens, Petrus Paulus <1577-1640> - Résidences et lieux familiers - Italie - Rome (Italie); Rubens, Peter Paul <Sir, 1577-1640>; Rubens, Peter Paul <Sir, 1577-1640>; Rubens, Peter Paul (1577-1640); Lipsius, Justus (1547-1606)
    Scope: XXI, 249 Seiten :, Illustrationen, graphische Darstellungen ;, 26 cm.
    Notes:

    Contents: Ch. 1. The Roman Circle: Faber and Scioppius -- Ch. 2. Philip Rubens and Lipsius -- Ch. 3. Philip Rubens and His Brother the Painter: The Early Mythologies -- Ch. 4. The Oratorian and Jesuit Commissions: "Looking back" with the Apostle of Rome and "Looking up" with the Pilgrim to Jerusalem -- Ch. 5. Coloring and Contemporaries -- Appendix I. Selected writings of Philip Rubens and The Life of Philip Rubens by Jan Brant (translated from Latin into English by George Angell) -- Appendix II. The three phases of coloring in Rubens's painting of the Italian period
  24. Stendhal, la peinture à l'oeuvre /
    Author: Leoni, Margherita
    Published: 1996.
    Publisher:  Ed. L'Harmattan,, Paris :

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2-7384-4180-7
    RVK Categories: IG 7255
    Series: Critiques littéraires
    Subjects: Peinture dans la littérature; Schilderkunst; Malerei; Wissen; Painting in literature; Malerei <Motiv>; Malerei
    Other subjects: Stendhal <1783-1842> - Critique et interprétation; Stendhal <1783-1842> - Et la peinture; Stendhal <1783-1842>; Stendhal (1783-1842)
    Scope: 251 S. : Ill.
    Notes:

    Zugl.: Paris, Univ. VII, Diss., 1994 u.d.T.: Leoni, Margherita: L' inscription du pictural chez Stendhal
  25. High art :
    Charles Baudelaire and the origins of modernist painting /
    Author: Carrier, David
    Published: 1996.
    Publisher:  Pennsylvania State Univ. Press,, University Park, Pa. :

    The great poet Charles Baudelaire (1821-1867) was also an extremely influential art critic. High Art relates the philosophical issues posed by Baudelaire's art writing to the theory and practice of modernist and postmodernist painting. Baudelaire... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    The great poet Charles Baudelaire (1821-1867) was also an extremely influential art critic. High Art relates the philosophical issues posed by Baudelaire's art writing to the theory and practice of modernist and postmodernist painting. Baudelaire wrote in an age of transition, David Carrier argues, an era divided by the Revolution of 1848, the historical break that played for him a role now taken within modernism by the political revolts of 1968. Moving from the grand tradition of Delacroix to the images of modern life made by Constantin Guys, this movement from "high" to "low," from the unified world of correspondances to the fragmented images of contemporary city life, motivates Baudelaire's equivalent to the post-1968 turn away from formalist art criticism. Viewed from the perspective of the 1990s, Carrier argues, the issues raised by Baudelaire's criticism and creative writing provide a way of understanding the situation of art writing in our own time.

     
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