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  1. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: [2017]
    Publisher:  Wilhelm Fink, Paderborn

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    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783846760116
    RVK Categories: LH 65020
    Subjects: Kunst; Schatten <Motiv>
    Other subjects: Kentridge, William (1955-); Sebald, W. G. (1944-2001); Feldmann, Hans-Peter (1941-)
    Scope: 1 Online-Ressource (340 Seiten), Illustrationen
    Notes:

    Habilitationsschrift, Leuphana Universität Lüneburg, 2016
  2. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: [2017]; © 2017
    Publisher:  Wilhelm Fink, Paderborn

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    Hochschulbibliothek der Hochschule Düsseldorf
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783770560110; 3770560116
    Subjects: Schatten <Motiv>
    Other subjects: Sebald, W. G. (1944-2001); Feldmann, Hans-Peter (1941-); Kentridge, William (1955-)
    Scope: 340 Seiten, Illustrationen
    Notes:

    Habilitationsschrift, Leuphana Universität Lüneburg, 2016
  3. Medienästhetik des Schattens
    Zur Neubestimmung des Mensch-Technik-Verhältnisses im digitalen Zeitalter
    Author: Tillmanns, Kathrin
    Published: [2017]; ©2017
    Publisher:  transcript-Verlag, Bielefeld

    Der menschliche Schatten im Zeitalter seiner technischen Reproduzierbarkeit - Grundlage der Untersuchung von Kathrin Tillmanns bildet die artifizielle Präsenz des Schattens in ausgewählten Artefakten der visuellen und performativen Künste des 20. und... more

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    Der menschliche Schatten im Zeitalter seiner technischen Reproduzierbarkeit - Grundlage der Untersuchung von Kathrin Tillmanns bildet die artifizielle Präsenz des Schattens in ausgewählten Artefakten der visuellen und performativen Künste des 20. und 21. Jahrhunderts. Ihr Fokus richtet sich auf künstlerische Formen des Ausdrucks innerhalb der Bereiche Fotografie, Video, Tanz und Relational Architecture. Die Studie zeigt, dass der Schatten des menschlichen Körpers nicht mehr einzig als ästhetische, poetische Erscheinung zu fassen ist, sondern vielmehr als Teil eines Gefüges, welches zwischen medientechnologischen Ästhetisierungen, sozialen Verhaltensweisen und nicht zuletzt der Glaubwürdigkeit möglicher Bilder diffundiert

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839439265
    Other identifier:
    Series: Edition Medienwissenschaft ; 10
    Other subjects: Bild; Choreografie; Fotografie; Kunst; Macht; Medien; Medienkunst; Medienwissenschaft; Medienästhetik; Schatten; Technik; Video,Photography,Choreography,Media,Technology,Aesthetics,Power,Image,Shadow,Art,Media Aesthetics,Media Art,Media Studies; Video; Ästhetik
    Scope: 1 online resource
  4. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: [2017]
    Publisher:  Wilhelm Fink, Paderborn

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783770560110; 3770560116
    RVK Categories: GN 9999 ; LH 65020
    Subjects: Schatten <Motiv>; Kunst
    Other subjects: Feldmann, Hans-Peter (1941-2023); Kentridge, William (1955-); Sebald, W. G. (1944-2001); Bildkörper; Bildübertragung; Erinnerungbild; H.-P. Feldmann; Projektion; Schatten; Schattenspiel; W.G. Sebald; William Kentridge; invertierte Evidenz
    Scope: 340 Seiten, Illustrationen
    Notes:

    Habilitationsschrift, Leuphana Universität Lüneburg, 2016
  5. Medienästhetik des Schattens
    Zur Neubestimmung des Mensch-Technik-Verhältnisses im digitalen Zeitalter
    Author: Tillmanns, Kathrin
    Published: [2017]; ©2017
    Publisher:  transcript Verlag, Bielefeld

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839439265
    Other identifier:
    Series: Medienkulturanalyse ; 10
    Subjects: Bild; Choreografie; Fotografie; Kunst; Macht; Medien; Medienkunst; Medienwissenschaft; Medienästhetik; Schatten; Technik; Video; Ästhetik; SOCIAL SCIENCE / Media Studies
    Other subjects: Aesthetics; Art; Choreography; Image; Media Aesthetics; Media Art; Media Studies; Media; Photography; Power; Shadow; Technology; Video
    Scope: 1 online resource (292 p.)
  6. Schatten
    zur Malerei im 19. Jahrhundert
    Author: Schöller, Julia
    Published: [2017]; © 2017
    Publisher:  Deutscher Kunstverlag, Berlin

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    Freie Universität Berlin, Universitätsbibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Dissertation
    ISBN: 9783422074026
    RVK Categories: LH 70390
    DDC Categories: 700
    Subjects: Rezeption; Malerei; Farbschatten; Farbenlehre; Schatten <Motiv>
    Other subjects: Goethe, Johann Wolfgang von (1749-1832); Newton, Isaac (1643-1727); Gogh, Vincent van (1853-1890); Monet, Claude (1840-1926); Helmholtz, Hermann von (1821-1894); Signac, Paul (1863-1935); Delacroix, Eugène (1798-1863); Chevreul, Michel E. (1786-1889); Blechen, Carl (1798-1840); Blanc, Charles (1813-1882); Sewn; 19. Jahrhundert; Carl Blechen; Claude Monet; Eugène Delacroix; Farbe; Farbigkeit; Malerei; Paul Signac; Schatten; Vincent van Gogh
    Scope: 151 Seiten, 36 Illustrationen, 24 cm
    Notes:

    Zusammenfassung in deutscher und englischer Sprache

    Dissertation, Freie Universität Berlin, 2016
  7. Medienästhetik des Schattens
    zur Neubestimmung des Mensch-Technik-Verhältnisses im digitalen Zeitalter
    Author: Tillmanns, Kathrin
    Published: [2017]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

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    Volltext (URL des Erstveröffentlichers)
  8. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780190675271
    RVK Categories: EC 5410
    Subjects: ART / General / bisacsh; PHILOSOPHY / Aesthetics / bisacsh; Ästhetik; Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics; Fotografie; Malerei; Film; Schatten <Motiv>; Kunst; Literatur
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  9. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: [2017]
    Publisher:  Wilhelm Fink, Paderborn

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 9783770560110; 3770560116
    RVK Categories: GN 9999 ; LH 65020
    Subjects: Schatten <Motiv>; Kunst
    Other subjects: Feldmann, Hans-Peter (1941-2023); Kentridge, William (1955-); Sebald, W. G. (1944-2001); Bildkörper; Bildübertragung; Erinnerungbild; H.-P. Feldmann; Projektion; Schatten; Schattenspiel; W.G. Sebald; William Kentridge; invertierte Evidenz
    Scope: 340 Seiten, Illustrationen
    Notes:

    Habilitationsschrift, Leuphana Universität Lüneburg, 2016
  10. Medienästhetik des Schattens
    zur Neubestimmung des Mensch-Technik-Verhältnisses im digitalen Zeitalter
    Author: Tillmanns, Kathrin
    Published: [2017]
    Publisher:  transcript Verlag, Bielefeld

    Der menschliche Schatten im Zeitalter seiner technischen Reproduzierbarkeit - Grundlage der Untersuchung von Kathrin Tillmanns bildet die artifizielle Präsenz des Schattens in ausgewählten Artefakten der visuellen und performativen Künste des 20. und... more

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    Universität Potsdam, Universitätsbibliothek
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    Der menschliche Schatten im Zeitalter seiner technischen Reproduzierbarkeit - Grundlage der Untersuchung von Kathrin Tillmanns bildet die artifizielle Präsenz des Schattens in ausgewählten Artefakten der visuellen und performativen Künste des 20. und 21. Jahrhunderts. Ihr Fokus richtet sich auf künstlerische Formen des Ausdrucks innerhalb der Bereiche Fotografie, Video, Tanz und Relational Architecture. Die Studie zeigt, dass der Schatten des menschlichen Körpers nicht mehr einzig als ästhetische, poetische Erscheinung zu fassen ist, sondern vielmehr als Teil eines Gefüges, welches zwischen medientechnologischen Ästhetisierungen, sozialen Verhaltensweisen und nicht zuletzt der Glaubwürdigkeit möglicher Bilder diffundiert. The human shadow in a digital world - the relation between mankind and technology explored anew on the basis of the visual and performing arts

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839439265
    Other identifier:
    9783839439265
    RVK Categories: CC 8700 ; CC 6900
    Series: medien - kultur - analyse ; Band 10
    Subjects: power; aesthetics; Power; Aesthetics; Macht; Ästhetik; Medien; Technik; Medienwissenschaft; Bild; Fotografie; Kunst; Medienästhetik; Medienkunst; Choreografie; Schatten; Image; Media; Video; Art; Media Aesthetics; Media Art; Photography; Media Studies; Technology; Choreography; Shadow; Relational Architecture; Video; Fotografie; Choreografie; Medien; Technik; Ästhetik; Macht; Bild; Schatten; Kunst; Medienästhetik; Medienkunst; Medienwissenschaft; Photography; Choreography; Media; Technology; Aesthetics; Power; Image; Shadow; Art; Media Aesthetics; Media Art; Media Studies;
    Scope: Online Ressource (290 Seiten), Illustrationen
    Notes:

    Originaltitel der Dissertation: »Schatten Schatten – Untersuchung einer relationalen Erscheinung«

    Dissertation, Heinrich Heine Universität Düsseldorf,
  11. Apparition, Körper, Bild
    Das Helldunkel in Malerei und Film
    Author: Bleek, Jennifer
    Published: 2017
    Publisher:  Wilhelm Fink Verlag, Paderborn

    Zwischen der Malerei der Frührenaissance und dem Film der 1920er bis 1940er Jahre gibt es deutliche Unterschiede, aber auch Gemeinsamkeiten. In beiden verschiedenen Medien gewinnen jeweils andere Aspekte von Realitätskonzepten an Bedeutung. Es ist in... more

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    Universität Potsdam, Universitätsbibliothek
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    Zwischen der Malerei der Frührenaissance und dem Film der 1920er bis 1940er Jahre gibt es deutliche Unterschiede, aber auch Gemeinsamkeiten. In beiden verschiedenen Medien gewinnen jeweils andere Aspekte von Realitätskonzepten an Bedeutung. Es ist in diesem Zusammenhang sinnvoll, von einer Konkretisierung künstlerischer Gestalt aus der Materie auszugehen. Unter dem Begriff der Apparition, d. h. der grundsätzlichen Möglichkeit des Erscheinens und Auftauchens von Körpern im Bild, kann diese in der vorliegenden Arbeit fruchtbar gemacht werden. Welchen Vorteil aber hat die Verwendung des Begriffs der Apparition gegenüber üblicheren Umschreibungen wie der figürlichen oder der körperlichen Darstellung genau? Warum erscheint das Helldunkel für eine Analyse der Apparition besonders geeignet? Welchen Mehrwert bietet dabei der Vergleich von Malerei und Film?

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846761175
    Other identifier:
    9783846761175
    RVK Categories: LH 70060
    Edition: 1., 2017
    Subjects: Licht; licht; Bewegung; Plastizität; Kontrast; Schatten; Chiaroscuro; Rilievo; Schwarzweißfilm; Naturnachahmung; Grisaille
    Scope: 1 Online-Ressource
  12. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: 2017
    Publisher:  Wilhelm Fink Verlag, Paderborn

    Mit ihrer Untersuchung gelingt Angela Breidbach eine grundlegende Neubestimmung des Schattens in der Bildenden Kunst. Exemplarisch und vergleichend analysiert sie das Werk der Künstler Hans-Peter Feldmann und William Kentridge sowie des Autors W.G.... more

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    Universität Potsdam, Universitätsbibliothek
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    Mit ihrer Untersuchung gelingt Angela Breidbach eine grundlegende Neubestimmung des Schattens in der Bildenden Kunst. Exemplarisch und vergleichend analysiert sie das Werk der Künstler Hans-Peter Feldmann und William Kentridge sowie des Autors W.G. Sebald. Schatten, so Breidbach, übertragen Körper in unbestimmte Bilder, die wie von hinten auf sie zurück zeigen. Das macht ihre Form der Erinnerung verwandt. Der Betrachter füllt vage Umrisse mit seinen eigenen Vorstellungen. Erkennen wird zur Annäherung aus dem Negativ. Schattenspiele aktivieren im Betrachter Bildfolgen zwischen Phantasie und Täuschung, in denen die frühere Handhabung der Objekte erhalten bleibt. Die Trennung der Oberflächenprojektion ohne Tiefe vom abgründigen Schattenbild ohne Oberfläche führt Breidbach zu jenen Diskursen von Vermessung und Melancholie, die sie in den Œuvres ihrer drei Protagonisten vorfindet.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846760116
    Other identifier:
    9783846760116
    RVK Categories: LH 65020
    Edition: 1., 2017
    Subjects: W.G. Sebald; Bildübertragung; Schatten; Projektion; Schattenspiel; H.-P. Feldmann; William Kentridge; invertierte Evidenz; Erinnerungbild; Bildkörper
    Scope: 1 Online-Ressource
  13. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    Kunst- und Museumsbibliothek der Stadt Köln
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    KMB/CLK 2017 A
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    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190675271
    Subjects: Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics; Schatten <Motiv>; Künste
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  14. Schatten
    zur Malerei im 19. Jahrhundert
    Author: Schöller, Julia
    Published: [2017]
    Publisher:  Deutscher Kunstverlag, Berlin ; München

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    Universitätsbibliothek Bielefeld
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    FB405 S364
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    Universität Bonn, Kunsthistorisches Institut, Bibliothek
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    Universitätsbibliothek Duisburg-Essen
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783422074026; 3422074023
    Other identifier:
    9783422074026
    DDC Categories: 700
    Subjects: Schatten <Motiv>; Farbenlehre; Malerei
    Other subjects: (Produktform)Hardback; (Produktform (spezifisch))Sewn; 19. Jahrhundert; Carl Blechen; Claude Monet; Eugène Delacroix; Farbe; Farbigkeit; Malerei; Paul Signac; Schatten; Vincent van Gogh; (VLB-WN)1582: Hardcover, Softcover / Kunst/Kunstgeschichte
    Scope: 151 Seiten, Illustrationen, 24 cm x 17 cm
    Notes:

    Dissertation, Freie Universität Berlin, 2016
  15. Houston Hall - Schatten der Vergangenheit
    Roman
    Author: Cronos, Mary
    Published: [2017]; © 2017
    Publisher:  Feelings, München

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783426216569; 3426216566
    Other identifier:
    9783426216569
    DDC Categories: 830
    Other subjects: Vampire; Vampirromane; Edinburgh; Liebesroman; Romantasy Bücher; Buch Vampire; Romance; Romance Fantasy; Schottland; Romantasy Erwachsene; Romance deutsch; Schatten; Romantasy; Vergangenheit; romantische Bücher; Liebe; Erzählende Literatur: Gegenwartsliteratur ab 1945
    Scope: 598 Seiten, 19 cm x 12.5 cm
  16. The substance of shadow
    a darkening trope in poetic history
    Author: Hollander, John
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    John Hollander, poet and scholar, was a master whose work joined luminous learning and imaginative risk. This text witnesses his power to shift the horizons of our thinking, as he traces the history of shadow in British and American poetry from the... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    John Hollander, poet and scholar, was a master whose work joined luminous learning and imaginative risk. This text witnesses his power to shift the horizons of our thinking, as he traces the history of shadow in British and American poetry from the Renaissance to the end of the 20th century.

     
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    Source: Union catalogues
    Contributor: Gross, Kenneth (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226354309
    Other identifier:
    RVK Categories: HG 550
    Subjects: Englisch; Lyrik; Schatten <Motiv>; Shades and shadows in literature; English poetry; American poetry
    Scope: 1 Online-Ressourcece
    Notes:

    Previously issued in print: 2016

    Includes bibliographical references and index
  17. Theatre in the dark
    shadow, gloom and blackout in contemporary theatre
    Contributor: Alston, Adam (Publisher); Welton, Martin (Publisher)
    Published: 2017
    Publisher:  Bloomsbury Methuen Drama, London ; Oxford ; New York ; New Delhi ; Sydney

    This edited collection of essays explores how theatre works in the dark, examining performances that blur the boundary between stage and auditorium by turning out the lights, and the significance of seeing and listening in darkness to some of this... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    This edited collection of essays explores how theatre works in the dark, examining performances that blur the boundary between stage and auditorium by turning out the lights, and the significance of seeing and listening in darkness to some of this new century's most exciting and innovative theatre artists. Theatre in the Dark responds to the rising tide of experimentation in dark theatre aesthetics, bringing together, for the first time, leading and emerging practitioners and researchers in a volume dedicated to theatre in the dark. As well as examining the history of how theatre lowered the lights in order to see differently, the book also explores the work of a growing number of theatre makers experimenting with the aesthetic potential of darkness, including Sound&Fury, Lundahl & Seitl, Chris Goode, David Rosenberg and Glen Neath. The book is divided into three parts: Dark Aesthetics Dark Phenomena Dark Culture Opening up a field of research that considers the aesthetics and phenomenology of dark theatre performances, along with their contexts, Theatre in the Dark proposes and explores areas for discussion and debate that will appeal to researchers, practitioners and audiences alike

     
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    Source: Union catalogues
    Contributor: Alston, Adam (Publisher); Welton, Martin (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781474251181; 9781350099401
    RVK Categories: EC 7508
    Series: Methuen drama engage
    Subjects: Schatten; Inszenierung; Bühnenbeleuchtung; Theater; Dunkelheit
    Scope: xv, 283 Seiten, Illustrationen
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  18. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190675271
    RVK Categories: EC 5410
    Subjects: ART / General / bisacsh; PHILOSOPHY / Aesthetics / bisacsh; Ästhetik; Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics; Fotografie; Malerei; Film; Schatten <Motiv>; Kunst; Literatur
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  19. Übertragene Körper
    Diskurse des Schattens im Werk von Hans-Peter Feldmann, W.G. Sebald und William Kentridge
    Author: Breidbach, Angela
    Published: [2017]
    Publisher:  Wilhelm Fink, Paderborn

    Location:
    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Technische Hochschulbibliothek Rosenheim
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    Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt
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    Technische Hochschule Würzburg-Schweinfurt Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783846760116
    RVK Categories: LH 65020 ; GN 9999
    Subjects: Schatten <Motiv>; Kunst
    Other subjects: Sebald, W. G. (1944-2001); Kentridge, William (1955-); Feldmann, Hans-Peter (1941-2023); Bildkörper; Bildübertragung; Erinnerungbild; H.-P. Feldmann; Projektion; Schatten; Schattenspiel; W.G. Sebald; William Kentridge; invertierte Evidenz
    Scope: 1 Online-Ressource (340 Seiten), Illustrationen
    Notes:

    Habilitationsschrift, Leuphana Universität Lüneburg, 2016
  20. Medienästhetik des Schattens
    zur Neubestimmung des Mensch-Technik-Verhältnisses im digitalen Zeitalter
    Author: Tillmanns, Kathrin
    Published: [2017]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Hochschule München, Bibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Technische Hochschule Würzburg-Schweinfurt Bibliothek
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    Volltext (URL des Erstveröffentlichers)
  21. Shadowology
    Contributor: Bal, Vincent
    Published: [2017]
    Publisher:  Lannoo, Tielt

    Verzameling van tekeningen van de Vlaamse kunstenaar (1971), die cartoons maakt van schaduwen van objecten more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Verzameling van tekeningen van de Vlaamse kunstenaar (1971), die cartoons maakt van schaduwen van objecten

     
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    Source: Union catalogues
    Contributor: Bal, Vincent
    Language: Dutch; English
    Media type: Book
    ISBN: 9789401444880; 9401444889
    RVK Categories: LI 99999
    Subjects: Cartoon; Schatten <Motiv>
    Other subjects: Bal, Vincent (1971-)
    Scope: 144 ungezählte Seiten, 22 cm
  22. Shadowy realism
    negative knowledge in seventeenth-century Neapolitan painting
    Author: Sapir, Itay
    Published: 2017

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title: Nuncius / Museo Galileo; Leiden ; Boston, Mass., 2017; Volume 32, no. 3 (2017), Seite 640-657
    Subjects: realism, Ribera, shadow; Realismus; Caravaggisten; Schatten <Motiv>
    Other subjects: Ribera, José de (1591-1652)
    Scope: Illustrationen
  23. Naoko Tanaka - Schatten Trilogie
    Author: Böhme, Hartmut
    Published: [2017]
    Publisher:  Naoko Tanaka, Berlin

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Tanaka, Naoko; Hackel, Astrid (Publisher); Bernofsky, Susan
    Language: German
    Media type: Book
    ISBN: 9783981877403; 3981877403
    RVK Categories: LH 65829
    DDC Categories: 700
    Edition: Auflage DE300, EN 300, JP 300
    Subjects: Skizze; Helligkeit <Motiv>; Installation <Kunst>; Fotografie; Performance <Künste>; Schatten <Motiv>; Dokumentarfotografie; Entwurf
    Other subjects: Tanaka, Naoko (1975-); Bildende Kunst; Choreografie; Installation; Licht; Medienwissenschaft; Performance; Schatten; Schattentheater; Tanz
    Scope: 21 cm x 14.8 cm
    Notes:

    Die 80 farbigen Abbildungen beinhalten Aufführungsfotografien, Skizzen und Zeichnungen der Künstlerin.
  24. Schatten
    zur Malerei im 19. Jahrhundert
    Author: Schöller, Julia
    Published: [2017]; © 2017
    Publisher:  Deutscher Kunstverlag, Berlin

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    Staatliche Bibliothek, Provinzialbibliothek
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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Städtische Galerie im Lenbachhaus und Kunstbau München, Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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  25. Medienästhetik des Schattens
    zur Neubestimmung des Mensch-Technik-Verhältnisses im digitalen Zeitalter
    Author: Tillmanns, Kathrin
    Published: [2017]; © 2017
    Publisher:  transcript, Bielefeld

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783837639261; 3837639266
    Other identifier:
    9783837639261
    RVK Categories: AP 94800 ; CC 6900
    DDC Categories: 300
    Series: Medien-Kultur-Analyse ; Band 10
    Subjects: Darstellende Kunst; Medienästhetik; Mensch; Schatten; Videokunst; Ästhetisierung; Schatten <Motiv>; Kunstsoziologie; Fotografie; Tanz; Installation <Kunst>
    Other subjects: Video; Fotografie; Choreografie; Medien; Technik; Ästhetik; Macht; Bild; Schatten; Kunst; Medienästhetik; Medienkunst; Medienwissenschaft; Photography; Choreography; Media; Technology; Aesthetics; Power; Image; Shadow; Art; Media Aesthetics; Media Art; Media Studies
    Scope: 290 Seiten, Illustrationen, 22.5 cm x 14.8 cm, 459 g
    Notes:

    Dissertation, Heinrich-Heine-Universität Düsseldorf, 2016