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Displaying results 1 to 22 of 22.

  1. <<The>> other Hogarth
    aesthetics of difference
    Contributor: Fort, Bernadette (Publisher)
    Published: 2001
    Publisher:  Princeton Univ. Press, Princeton, N.J. [u.a.]

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    Source: Union catalogues
    Contributor: Fort, Bernadette (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691010137; 0691010129
    RVK Categories: LI 42255
    Subjects: Gender identity in art; Femininity in art; Women in art; Racism in art; Array; English wit and humor, Pictorial
    Other subjects: Array; Array
    Scope: VIII, 320 S., zahlr. Ill., 26 cm
    Notes:

    Literaturangaben
  2. Ken Gonzales-Day
    profiled
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Published: [2011]
    Publisher:  Wallis Annenberg Photography Department at the Los Angeles County Museum of Art, Los Angeles

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2017:3757:
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    Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg / DIZ, Bibliothek
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    Source: Union catalogues
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0875872131; 9780875872131
    Subjects: Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art
    Other subjects: Gonzales-Day, Ken
    Scope: 151 Seiten, 28 cm
    Notes:

    "Ken Gonzales-Day, PAC Prize 2011, LACMA"--P. preceding t.p
  3. Ken Gonzales-Day
    profiled
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Published: [2011]
    Publisher:  Wallis Annenberg Photography Department at the Los Angeles County Museum of Art, Los Angeles

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0875872131; 9780875872131
    Subjects: Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art
    Other subjects: Gonzales-Day, Ken
    Scope: 151 Seiten, 28 cm
    Notes:

    "Ken Gonzales-Day, PAC Prize 2011, LACMA"--P. preceding t.p
  4. <<An>> economy of colour
    visual culture and the Atlantic world, 1660 - 1830
    Published: 2003
    Publisher:  Manchester Univ. Press, Manchester [u.a.9]

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    Universitätsbibliothek Trier
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0719060052; 0719060060
    Series: Critical perspectives in art history
    Subjects: Art, European; Slavery in art; Art and society; Racism in art
    Scope: XII, 203 S. : Ill.
    Notes:

    Includes bibliographical references and index
  5. For all the world to see
    visual culture and the struggle for civil rights
    Author: Berger, Maurice
    Published: 2010
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

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    Universitäts- und Landesbibliothek Düsseldorf
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  6. The other Hogarth
    aesthetics of difference
    Contributor: Fort, Bernadette (Hrsg.); Hogarth, William (Ill.)
    Published: 2001
    Publisher:  Princeton University Press, Princeton, NJ [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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  7. Mov!ng on
    Handlungen an Grenzen - Strategien zum antirassistischen Handeln ; [on the occasion of the Exhibition Mov!ng on, Border Activism - Strategies for Anti-Racist Actions at NGBK, from August 13th to September 11th 2005] = Border activism - strategies for anti-racist actions
    Published: 2005

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Hamburger Bahnhof - Museum für Gegenwart, Bibliothek
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    Kat. Ausst. Berlin 2005
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Stiftung Galerie für Zeitgenössische Kunst Leipzig, Bibliothek
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    LWL Museum für Kunst und Kultur, Westfälisches Landesmuseum, Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 3926796960
    RVK Categories: LH 60230 ; LH 61100
    Edition: 1. Aufl.
    Subjects: Racism in art; Boundaries in art; Emigration and immigration in art; Arts; Arts, European
    Scope: 187 S, zahlr. Ill, 275 mm x 210 mm, 506 gr.
  8. Die Faszination des Exotischen
    Exotismus, Rassismus und Sexismus in der Kunst
    Author: Beyme, Klaus von
    Published: c 2008
    Publisher:  Fink, Paderborn

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    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    2008 B 374
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    Stadtbibliothek Braunschweig
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770546565
    Other identifier:
    9783770546565
    RVK Categories: NK 4940 ; LH 65020 ; LH 84960
    Subjects: Exoticism in art; Orientalism in art; Racism in art; Sexism in art; Sexismus; Rassismus; Kunst
    Other subjects: Said, Edward W. (1935-2003): Orientalism
    Scope: 209 S., zahlr. Ill., 24 cm
    Notes:

    Literaturverz. S. [181] - 199
  9. Invisible man
    Fahamu Pecou
    Contributor: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Published: [2016]
    Publisher:  Halsey Institute of Contemporary Art, Charleston, SC ; EMORY, Michael C. Carlos Museum, Atlanta, Ga.

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for the representation of black bodies. Starting with his self-assumed persona "Fahamu Pecou is the Shit!" and his early NEOPOP works, in which he places himself on the covers of prestigious art and culture magazines, the catalog shows the trajectory of his work, ending with the "DO or DIE" and "#BLACKMATTERLIVES" series

     
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    Source: Union catalogues
    Contributor: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781532345074; 1532345070
    RVK Categories: LI 99999
    Subjects: Art and society; Art; Hope in art; African American men in art; Racism in art; African American art; African American art; African American men in art; Art; Art and society; Hope in art; Racism in art; Pecou, Fahamu
    Other subjects: Pecou, Fahamu (1975-)
    Scope: 174 pages, 27 cm
    Notes:

    Band im Schuber
  10. Faith Ringgold - Die
    Author: Monahan, Anne
    Published: [2018]
    Publisher:  The Museum of Modern Art, New York

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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    K 5.1 Ringgold,F 1
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Institut für Europäische Kunstgeschichte der Universität, Bibliothek
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    M 6571-10/1
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    Source: Union catalogues
    Contributor: Ringgold, Faith (IllustratorIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781633450677; 1633450678
    RVK Categories: LI 99999
    Series: MoMA One on one series
    Subjects: Racism in art
    Other subjects: Ringgold, Faith
    Scope: 48 Seiten, Illustrationen
    Notes:

    In 1963, Faith Ringgold began a series of 20 paintings called "The American People," which depict racial confrontations between whites and blacks. Her 1967 painting Die (American People series #20) shows a violent street riot
  11. Stranger in the village
    Rassismus im Spiegel von James Baldwin
    Contributor: Eidenbenz, Céline (HerausgeberIn); Mühlebach, Sarah (MitwirkendeR); Baldwin, James (VerfasserIn des Bezugswerks)
    Published: [2023]
    Publisher:  Scheidegger & Spiess, Zürich ; Aargauer Kunsthaus, Aarau

    In seinem berühmten Text "Stranger in the Village" verarbeitete der US-amerikanische Schriftsteller James Baldwin siene von Rassismus durchzogene Erfahrung in der Schweiz der 1950er Jahre. Baldwins Worte inspirieren Kunstschaffende bis heute. Sie... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 182088
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Freiburg
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    Badische Landesbibliothek
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    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
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    C Aar3 2006
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    Stiftung Galerie für Zeitgenössische Kunst Leipzig, Bibliothek
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    30.15 Aarau Kunsthaus 2023:1
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    Landesbibliothek Oldenburg
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    Hochschule Pforzheim / Fakultät Gestaltung, Bibliothek
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    In seinem berühmten Text "Stranger in the Village" verarbeitete der US-amerikanische Schriftsteller James Baldwin siene von Rassismus durchzogene Erfahrung in der Schweiz der 1950er Jahre. Baldwins Worte inspirieren Kunstschaffende bis heute. Sie halten uns als Gesellschaft einen Spiegel vor und haben nichts von ihrer Brisanz verloren. Das Buch thematisiert Zugehörigkeit und Ausgrenzung anhand von Beiträgen ausgewiesener Expertinnen und Experten sowie aktuellen Werken von Kunstschaffenden aus der Schweiz und der internationalen Szene. Es stellt Fragen, die uns alle angehen

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Eidenbenz, Céline (HerausgeberIn); Mühlebach, Sarah (MitwirkendeR); Baldwin, James (VerfasserIn des Bezugswerks)
    Language: German; French; English
    Media type: Book
    Format: Print
    ISBN: 9783039421824
    Other identifier:
    9783039421824
    RVK Categories: HU 3093 ; LH 60240
    Subjects: Racism in art; Racism and the arts; Black people in art; Art, Black; Racisme dans l'art - Expositions
    Other subjects: Baldwin, James (1924-1987)
    Scope: 282 Seiten, Illustrationen
    Notes:

    Publiziert anlässlich der Ausstellung "Stranger in the Village. Rassismus im Spiegel von James Baldwin", Aargauer Kunsthaus, 3.9.2023-7.1.2024
  12. The other Hogarth :
    aesthetics of difference /
    Contributor: Fort, Bernadette
    Published: 2001.
    Publisher:  Princeton Univ. Press,, Princeton [u.a.] :

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  13. Africans in English caricature 1769-1819 :
    black jokes, white humour /
    Author: Odumosu, Temitope,
    Published: [2017].; © 2017.
    Publisher:  Harvey Miller Publishers,, London :

    Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From... more

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    Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From the repeal of the Stamp Act to the French revolution, the local Westminster election or the abolition of the slave trade, these prints, political pamphlets, plays, novels and periodicals collaborated (sometimes intentionally) in critique, praise and assessment of the country's changing socio-economic climate. African people were a critical aspect of this world of images, and their presence conveyed much about the implications of travel, colonialism and slavery on the collective psyche. Whether encountered on the streets of the city, in opulent stately homes, or in tracts describing the horrors of the slave trade, the British paid attention to Africans (consciously or not), and developed a means of expressing the impact of these encounters through images. Scholarship has begun to interrogate the presence of Africans in British art of this period, but very little has been written about their place in visual and literary humour created in a metropolitan context. This book fills this scholarly lacuna, exploring how and why satirical artists both mocked and utilized these characters as subversive comic weaponry

     
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  14. Ken Gonzales-Day
    profiled
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Published: [2011]
    Publisher:  Wallis Annenberg Photography Department at the Los Angeles County Museum of Art, Los Angeles

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0875872131; 9780875872131
    Subjects: Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art; Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art
    Other subjects: Gonzales-Day, Ken; Gonzales-Day, Ken
    Scope: 151 Seiten, 28 cm
    Notes:

    "Ken Gonzales-Day, PAC Prize 2011, LACMA"--P. preceding t.p
  15. Stranger in the village
    Rassismus im Spiegel von James Baldwin
    Contributor: Eidenbenz, Céline (HerausgeberIn); Mühlebach, Sarah (MitwirkendeR); Baldwin, James (VerfasserIn des Bezugswerks)
    Published: [2023]
    Publisher:  Scheidegger & Spiess, Zürich ; Aargauer Kunsthaus, Aarau

    In seinem berühmten Text "Stranger in the Village" verarbeitete der US-amerikanische Schriftsteller James Baldwin siene von Rassismus durchzogene Erfahrung in der Schweiz der 1950er Jahre. Baldwins Worte inspirieren Kunstschaffende bis heute. Sie... more

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    In seinem berühmten Text "Stranger in the Village" verarbeitete der US-amerikanische Schriftsteller James Baldwin siene von Rassismus durchzogene Erfahrung in der Schweiz der 1950er Jahre. Baldwins Worte inspirieren Kunstschaffende bis heute. Sie halten uns als Gesellschaft einen Spiegel vor und haben nichts von ihrer Brisanz verloren. Das Buch thematisiert Zugehörigkeit und Ausgrenzung anhand von Beiträgen ausgewiesener Expertinnen und Experten sowie aktuellen Werken von Kunstschaffenden aus der Schweiz und der internationalen Szene. Es stellt Fragen, die uns alle angehen

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Eidenbenz, Céline (HerausgeberIn); Mühlebach, Sarah (MitwirkendeR); Baldwin, James (VerfasserIn des Bezugswerks)
    Language: German; French; English
    Media type: Book
    Format: Print
    ISBN: 9783039421824
    Other identifier:
    9783039421824
    RVK Categories: HU 3093 ; LH 60240
    Subjects: Racism in art; Racism and the arts; Black people in art; Art, Black; Racisme dans l'art - Expositions
    Other subjects: Baldwin, James (1924-1987)
    Scope: 282 Seiten, Illustrationen
    Notes:

    Publiziert anlässlich der Ausstellung "Stranger in the Village. Rassismus im Spiegel von James Baldwin", Aargauer Kunsthaus, 3.9.2023-7.1.2024
  16. Invisible man
    Fahamu Pecou
    Contributor: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Published: [2016]
    Publisher:  Halsey Institute of Contemporary Art, Charleston, SC ; EMORY, Michael C. Carlos Museum, Atlanta, Ga.

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for... more

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    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for the representation of black bodies. Starting with his self-assumed persona "Fahamu Pecou is the Shit!" and his early NEOPOP works, in which he places himself on the covers of prestigious art and culture magazines, the catalog shows the trajectory of his work, ending with the "DO or DIE" and "#BLACKMATTERLIVES" series

     
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    Source: Union catalogues
    Contributor: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781532345074; 1532345070
    RVK Categories: LI 99999
    Subjects: Art and society; Art; Hope in art; African American men in art; Racism in art; African American art; African American art; African American men in art; Art; Art and society; Hope in art; Racism in art; Pecou, Fahamu
    Other subjects: Pecou, Fahamu (1975-)
    Scope: 174 pages, 27 cm
    Notes:

    Band im Schuber
  17. Gegenstimmbildung
    Strategien rassismuskritischer Theaterarbeit
    Author: Meyer, Tania
    Published: [2016]; © 2016
    Publisher:  transcript, Bielefeld

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    Source: Staatsbibliothek zu Berlin
    Contributor: Pinkert, Ute (AkademischeR BetreuerIn)
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3837635201; 9783837635201
    Other identifier:
    9783837635201
    RVK Categories: EC 7860 ; AP 67000 ; AP 66600 ; MS 3530
    Series: Theater ; Band 87
    Subjects: Theater; Theater; Ethnicity in the theater; Racism in art
    Scope: 410 Seiten, Illustrationen, 22.5 cm x 14.8 cm, 639 g
    Notes:

    Dissertation, Carl von Ossietzky Universität Oldenburg, 2015
  18. Die Faszination des Exotischen
    Exotismus, Rassismus und Sexismus in der Kunst
    Author: Beyme, Klaus von
    Published: c 2008
    Publisher:  Fink, Paderborn

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    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770546565
    Other identifier:
    9783770546565
    RVK Categories: NK 4940 ; LH 65020 ; LH 84960
    Subjects: Exoticism in art; Orientalism in art; Racism in art; Sexism in art; Sexismus; Rassismus; Kunst
    Other subjects: Said, Edward W. (1935-2003): Orientalism
    Scope: 209 S., zahlr. Ill., 24 cm
    Notes:

    Literaturverz. S. [181] - 199
  19. Mov!ng on
    Handlungen an Grenzen - Strategien zum antirassistischen Handeln ; [on the occasion of the Exhibition Mov!ng on, Border Activism - Strategies for Anti-Racist Actions at NGBK, from August 13th to September 11th 2005] = Border activism - strategies for anti-racist actions
    Published: 2005

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 3926796960
    RVK Categories: LH 60230 ; LH 61100
    Edition: 1. Aufl.
    Subjects: Racism in art; Boundaries in art; Emigration and immigration in art; Arts; Arts, European
    Scope: 187 S, zahlr. Ill, 275 mm x 210 mm, 506 gr.
  20. Ken Gonzales-Day
    profiled
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Published: [2011]
    Publisher:  Wallis Annenberg Photography Department at the Los Angeles County Museum of Art, Los Angeles

    Location:
    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
    Signature:
    F10 Gonzales-Day, Ken BG-Hb 0960/2011T
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2017:3757:
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    HALLE 14 - Kunstbibliothek
    Signature:
    2014/1209 W
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    Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg / DIZ, Bibliothek
    Signature:
    Y/Gonza-1
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    Source: Union catalogues
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0875872131; 9780875872131
    Subjects: Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art; Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art
    Other subjects: Gonzales-Day, Ken; Gonzales-Day, Ken
    Scope: 151 Seiten, 28 cm
    Notes:

    "Ken Gonzales-Day, PAC Prize 2011, LACMA"--P. preceding t.p
  21. For all the world to see
    visual culture and the struggle for civil rights
    Author: Berger, Maurice
    Published: c2010
    Publisher:  Yale University Press, New Haven, Conn.

    In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their... more

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2010 B 1498
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    In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement. Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising. These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures, millions of points of light, millions of potent weapons that forever changed a nation. This book allows us to see and understand the crucial role that visual culture played in forever changing a nation

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300121315; 0300121318
    RVK Categories: AP 19830 ; HD 370
    Subjects: African Americans in mass media; Civil rights movements; Visual communication; Mass media
    Other subjects: Array; Array; Array; Array; Array; Civil rights in art; African Americans in art; Racism in art
    Scope: XV, 206 S., Ill., 28 cm
    Notes:

    Includes index. - Published in collaboration with Centre for Art, Design and Visual Culture, University of Maryland, Baltimore County ; National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C. - Formerly CIP Uk

    by Thulani Davis: Foreword
  22. Gegenstimmbildung
    Strategien rassismuskritischer Theaterarbeit
    Author: Meyer, Tania
    Published: [2016]; © 2016
    Publisher:  transcript, Bielefeld

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Pinkert, Ute (AkademischeR BetreuerIn)
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3837635201; 9783837635201
    Other identifier:
    9783837635201
    RVK Categories: EC 7860 ; AP 67000 ; AP 66600 ; MS 3530
    Series: Theater ; Band 87
    Subjects: Theater; Theater; Ethnicity in the theater; Racism in art
    Scope: 410 Seiten, Illustrationen, 22.5 cm x 14.8 cm, 639 g
    Notes:

    Dissertation, Carl von Ossietzky Universität Oldenburg, 2015