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  1. Renaissance porticoes and painted pergolas
    nature and culture in early modern Italy
    Published: 2019
    Publisher:  Routledge, London ; New York

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780367334130
    RVK Categories: LN 83220
    Edition: First issued in paperback
    Series: Visual culture in early modernity
    An Ashgate book
    Subjects: Geschichte; Garten <Motiv>; Pergola; Wandmalerei; Freskomalerei; Naturdarstellung; Portikus
    Other subjects: Porticoes / History / 16th century / Italy; Porticoes / History / 17th century / Italy; Porticoes / Pictorial works / History / Italy; Pergolas in art; Architecture, Renaissance / Themes, motives / Italy; Art, Renaissance / Themes, motives / Italy
    Scope: xiii, 226 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen, 26 cm
  2. Renaissance porticoes and painted pergolas :
    nature and culture in early modern Italy /
    Published: 2019.
    Publisher:  Routledge,, London ; New York :

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-0-367-33413-0
    RVK Categories: LN 83220
    Edition: First issued in paperback
    Series: Visual culture in early modernity
    An Ashgate book
    Subjects: Porticoes / History / 16th century / Italy; Porticoes / History / 17th century / Italy; Porticoes / Pictorial works / History / Italy; Pergolas in art; Architecture, Renaissance / Themes, motives / Italy; Art, Renaissance / Themes, motives / Italy; Geschichte; Pergola; Portikus; Freskomalerei; Wandmalerei; Naturdarstellung; Garten <Motiv>
    Scope: xiii, 226 Seiten, 16 ungezählte Seiten Tafeln :, Illustrationen ;, 26 cm.